Bsd Verlaine - Blog Posts

I felt like doing some sad shit again :P

hi, sorry to bother you!! your art was posted without permission, they refuse to indicate the author, they also make unflattering comments about the characters, many artists were harmed🥺 https://t.me/fanficdark

Thank you sm for letting me know!!

That's why I put watermarks on my art, but still, these people send me off completely

The fact that someone said "whore/hoe" it's really funny to me because sis it's just a drawing.

Just because not even your mother loves you doesn't mean you can talk shit about how I wanted to represent them. Get a life darling xoxo🫶🫶

FINISHED IT!!! FEM!RIMLAINE

I'm late to the trend I know but who cares

I'M DOING SOMETHING OK OK ITS STILL A SKETCH BUT WAIT

A very simple art request... more rimlaine enjoying christmas/new year, pretty please 🎄🎆

Unfortunately rn im having an artblock so here's a sketch from before my artblock I'm sorry

🏛✍️

"I miss you.. my love.."

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Full versions:

This is gonna break some hearts, and I'm not sorry about it 🫶

Some old rimlaine doodles 🤲

The sillies 🧣✌️

Babe wake up! Your food is ready 🫶👨‍🍳

[another WIP yes I'll finish it dw <3]

Seeing if I can feed this Fandom a bit more with an art I made for matching keychains 🫶

I offer you matching artwork for keychains I'm making of Arthur/Verlaine and Atsushi/Akutagawa 🤲

drew verlaine during study hall:3

errrrr yeah i had a test to study for.

Imagine if Chuuya during Storm Bringer or Verlaine got this while doing Duolingo...

Verlaine and Dazai: Two Sides of the Same Coin of Loneliness

As anyone who has read Storm Bringer will know, Verlaine dislikes people telling him he's human. So, that got me thinking, if you were friends with Verlaine and aware of his situation, what could you say to him that wouldn't hurt him more? Eventually I concluded that what you could say is that you know he isn't human and that's ok, he doesn't need to be human. But even that probably wouldn't bridge that gap he seems to see between himself and others.

Verlaine describes the loneliness he feels quite vividly. This is how it's written. This takes place in the English version of the Storm Bringer light novel on page 58. 'True loneliness...,' began Verlaine in an elegant tone reminiscent of a violin solo. 'True loneliness is the comet travelling alone through the universe, surrounded by vacuous space and nothingness at absolute zero,' (p. 58). This is quite the striking metaphor. He is, I believe referencing the philosophical idea that if a comet is travelling in space away from any other object there is no real way of determining that it is moving or even if it is even there, since nobody is there to observe it. Incidentally a similar idea is put forward in George Orwell's novel 1984 in that if no one is aware of what the past truly was, does is it even exist? This, I think is what Verlaine is getting at with this vivid depiction of loneliness. So I thought to myself, what if rather than having a companion comet, which is what Verlaine seeks through Chuuya, what if, someone was observing that comet. Put more clearly, although Verlaine might not have someone exactly like him, especially given that Chuuya turned out to be the original rather than the clone, he might have someone who doesn't understand exactly what he is going through but is willing to stay by him all the same, as Rimbaud was. An observer of the comet, if you will. And I think Asagiri does explore this idea, through Dazai.

In Osamu Dazai and the Dark Era Odasaku desribes Dazai's state of loneliness in a way which I personally found strikingly similar to Verlaine's description, at least in terms of imagery. He states, '...nothing beyond your own expectations will happen. Nothing in this world can fill the hole that is your loneliness. You will wander the darkness for eternity,' (p. 160.). This takes place on page 160 of the English version of Osamu Dazai and the Dark Era. While not exactly referencing comets or space, the idea of wandering (or floating like a comet) in darkness is similar. It is my personal belief that even though most of us are no Dazai in terms of intelligence and no Verlaine in terms of being skill based life forms, no one can truly understand exactly what our life experience is like. Even if they love us, no one can truly know what our experience on Earth is like. But that's ok, because they don't need to. This is because we can still have meaningful relationships that cure us of loneliness without this level of understanding, of course a measure of understanding is needed, but in my opinion the level of understanding Verlaine was looking for in Chuuya, of being the same, is not necessary. And this is shown both through how much Rimbaud cared for Verlaine and through Dazai's relationship with his colleagues at the agency.

According to page 100 of the English version of Storm Bringer 'Nobody could understand how Dazai worked.' Which probably means that no one can understand Dazai. During the Dark Era light novel when Odasaku is dying we see Dazai realise how well Odasaku knew him, but even here Odasaku wishes he knew Dazai better. And yet we still see Dazai have meaningful relationships Odasaku and with his colleagues at the agency. They care about him and, I think, he cares about them. They know that even though he's a slacker he will be there when it really counts. When the agency is in trouble after the incident with Nikolai and the chainsaw (I forget what the arc was called) it's always Dazai that Atsushi pictures telling him what to do and giving him advice. It's clear how much Atsushi cares for Dazai given what he goes through to save his life during the 55 Minutes light novel and given Kunikida's reaction at the end of said light novel it's pretty clear how important Dazai is to him too.

To conclude, in my opinion what Verlaine needs is, I think, to recognise that people do not have to be the same as him in order to have a meaningful relationship with him, to stay by him and to cure him of his loneliness. This is something he realises at the very end of Storm Bringer but unfortunately by that time it's already too late.

An Analysis of Dazai's Reactions to Death

Disclaimer: I haven't actually finished reading the manga yet so all information in this post is taken solely from the light novel and anime.

Spoiler alert: This post contains spoilers from 15, Storm Bringer, Dark Era and the anime of BSD

Warning: This post is about Dazai so naturally it contains mentions of su*cide and death.

This is my first analysis of BSD, so please be kind. That said, any constructive feedback is welcome. If you have any further questions about my perspective, please feel free to ask!

Then without further ado...

Bungo Stray Dogs written by Kafka Asagiri and illustrated by Sango Harukawa is a multimedia series which explores the complex nature of the human mind through its characters. One such character, Dazai Osamu, inspired by the 20th century Japanese novelist of the same name and his well-known work No Longer Human, is a character known for his eccentric behaviour and fascination with suicide. Often times his behaviour may come off as bizarre on first sight and one might think it is purely for comic relief. This essay aims to explain the reason behind his strange reaction to the sight of the murdered woman in episode five season one of the anime, or this scene.

This screenshot was taken from timestamp 6:27 of Season one episode 5 of Bungo Stray Dogs.

This will be done by exploring first Dazai’s reaction to death between the ages of 15 and 18 or during Dazai, Chuuya, Age Fifteen and Osamu Dazai and the Dark Era, second by exploring the fact that Dazai is aware that he is different to other people, and finally by exploring the way he deals with this difference and with strong emotions during the present of Bungo Stray Dogs or at the age of 22.

Dazai’s reaction to death was unusual to say the least when he was the age of 15 and it continue to be so at the age of 18. There are three main instances where the audience watches Dazai react to death at these ages. In consecutive order from Dazai’s perspective—rather than the order they were published—is first, during the seventh light novel, Dazai, Chuuya, Age Fifteen just after the fight before Dazai and Chuuya go to meet Randou. This scene takes place from page 53 to 54 of the English version of the light novel. There are several unusual points during this scene. But first it should be made clear that the audience has no real way of knowing what kind of experiences Dazai had been exposed to in his early life which could have a bearing on why he behaves this way at this age. There are plenty of theories but at the time of writing this Asagiri had not revealed what Dazai’s early life was like. Now, back to the point at hand. First it is unusual that a boy of 15 when faced with a dying man would ask him if he would like him to ‘end your suffering with this gun,’ (p. 53) however this may be disregarded considering that Dazai although not a part of the mafia seems to have been with Mori for some time at this point. What is more strange however is what Dazai says next ‘…But you’re showing me something extremely valuable—your death—so I want to pay you back,’ (p. 53). He then proceeds to repeatedly shoot the dead body while laughing. This could be chalked back to some sort of love for seeing others in pain if it wasn’t for what Dazai said before. He states that he sees the man’s death as valuable. There is no way of knowing how often Dazai had been exposed to death before but the fact that he views it as valuable suggests that at this point perhaps he had not been desensitized to it. Viewing death as valuable though is, decidedly, an unusual perspective for a 15-year-old boy to take.

The second time Dazai experiences death is also in the same light novel when Randou passes away. Those who have read Storm Bringer will know that’s not precisely what happens but at this point there is no evidence to show that Dazai has any idea Randou isn’t really dead and so it will be treated as another experience of death. There is a marked difference in Dazai’s behaviour in this instance compared to the one highlighted above. This scene takes place in Dazai, Chuuya, Age Fifteen on pages 118 and 119 of the English version. Whether this difference in behaviour is to be attributed to the fact that Dazai probably knew Randou to some degree or to the fact that Chuuya had earlier highlighted to him the fact that his behaviour in the earlier scene was abnormal is up to interpretation. However, while his behaviour is more normal than before it is still rather unusual. During this scene Dazai seems more aware of the sensitive nature of what is happening because he asks Randou if he has any last words and continues by saying, ‘…If you have any final wishes, we’ll see what we can do to—’ (p. 118). This shows that he is sensitive to what’s happening and that it requires a certain type of behaviour, but it is still rather unusual given that this man is dying because of Dazai’s doing and the fact that Randou was trying to kill the former and Chuuya a few moments ago. Additionally, after Randou explains about what happened between himself and Verlaine before Verlaine betrayed him Dazai goes off on a tangent about the ‘inevitable destruction’ caused by ‘a fight between two skilled spies’ (p. 118). While Asagiri may have chosen to have Dazai say this in order to make it more clear to the reader why Randou tried to absorb Arahabaki, it is still a strange thing to do at somebody’s death bed. This being said, it is clear that Dazai is a lot more respectful at Randou’s death than he was at the G.S.S. officer’s death in the scene highlighted before as Asagiri states, ‘Both Chuuya and Dazai quietly listened as if there was something in what Randou was saying that they couldn’t allow themselves to miss,’ (p. 119). While it is possible Dazai is simply imitating Chuuya’s behaviour here in order to seem more normal it seems more likely that Dazai knows how to react better to the death of a person he knows and this idea is reinforced by his reaction to Odasaku’s death in Osamu Dazai and the Dark Era, which will be explored shortly. It is clear, however that Dazai is affected by Randou’s death in some way when the novel states ‘Some things, however, would not return to normal: the body of a man who no longer felt cold, and the hearts of the two boys who stood rooted to the spot, staring at him,’ (p. 119). This shows that Dazai is affected by death, but he seems to interpret it and deal with it in unusual ways.

The final example of when Dazai experiences death takes place three years later during the second light novel, Osamu Dazai and the Dark Era, when Dazai is 18 years old. At this point he has been in the mafia for three years, so he has probably experienced death quite a bit between now and when he was 15, however this is the death of the person who is probably the only one who ever understood Dazai—with the exception perhaps of Chuuya—and who cared for him in a way which was arguably like a father. This scene takes place from page 159 to 161 of the English version of the light novel. This scene is arguably the most interesting in terms of Dazai experiencing death for several reasons. One of those reasons is that while the scene deals with Dazai’s emotions, it does not deal with his reaction to Odasaku’s death but rather with his reaction to what Odasaku says, which causes a dramatic shift in his world view and which, as any reader will know, ultimately causes Dazai to leave the mafia and strive to become a better person. While the scene does start by dealing with Dazai’s reaction to Odasaku’s death the majority of the middle of the scene is spent on Dazai’s reaction to what Odasaku says to him before returning to his reaction to his death. The scene begins with Dazai rushing into the room, calling Odasaku’s name. This is pretty normal behaviour for anime and manga characters on seeing someone close to them dying. But Dazai then proceeds to say, ‘You’re such an idiot, Odasaku. The biggest idiot I know,’ (p. 160). That is arguably an unusual thing to tell your friend on his death bed, but compared to other things Dazai has done it’s not that abnormal. The scene continues with Dazai saying that Odasaku didn’t have to die. Which is standard behaviour. Then Odasaku says he wants to tell Dazai something. He proceeds with his statement about Dazai stating that he’s looking for his reason to live in the mafia and telling him that he won’t find it. The scene then proceeds to explore the idea that Dazai has finally realised how well Odasaku knows him. The rest of this scene is spent exploring this idea as well as Odasaku’s advice to Dazai. It only actually returns to Dazai’s reaction to Odasaku’s death at the end. By stating ‘Dropping to his knees by Odasaku’s side, Dazai looked up to the ceiling and closed his eyes. His tightly shut lips faintly trembled. The smoke from the cigarette rose straight up to the top. Nobody said a word,’ (p. 161).  The strangest thing about this scene is arguably, that Dazai doesn’t cry. It’s possible that he was holding back tears, based on this description but the fact that it is only implied and left up to the readers interpretation suggests that Asagiri didn’t want to explicitly state that Dazai was crying. In the anime version of this scene as can below there is no hint of Dazai’s eyes being shinier than they usually are when he has lights in his eyes.

This screen shot was taken from time stamp 21:33 of episode 4 of season 2 of Bungo Stray Dogs.

After that the scene zooms out so that Dazai doesn’t have a face as can be seen here.

This screen shot was taken from time stamp 21:38 of episode four of season two of the anime.

This suggests that the decision to not show if Dazai was crying was deliberate. Given how much Odasaku means to Dazai, and that he had just realised how well Odasaku understood him it seems unusual that he would not cry.

The combined evidence of these three scenes suggests that Dazai behaves rather unusually in regard to death but that he seems to process it more normally when the person is closer to him than when it’s a stranger, where his behaviour is decidedly strange. Regardless of his closeness to the person however, evidence would suggest that the way Dazai deals with death is different to other people to a greater or lesser degree.

Now, how does all this have a baring on Dazai’s behaviour many years later in episode 5 season 1 of Bungo Stray Dogs? It has a baring on it if one accepts the fact that Dazai is aware that his behaviour towards death is rather strange to other people. It is never explicitly stated that Dazai is aware of this, however based on his behaviour it is clear that Dazai knows he is different to other people. This is highlighted in a particular instance in the seventh light novel. This scene takes place in Dazai, Chuuya, Age Fifteen on pages 53 to 54 of the English version. In this scene Chuuya stops Dazai from repeatedly shooting the dead body of the G.S.S. soldier. The scene commences with, “‘Quit that, you idiot […]  He’s already dead,’ said Chuuya, ‘Quit shooting his corpse,’” (pp. 53-54). However, it is Dazai’s response to Chuuya’s statement which shows that he knows his reaction is unusual. Dazai responds with ‘You’re right. When you’re right, you’re right. That’s the most normal reaction to have,’ (p. 54). Then as he walks away from the body after dropping the pistol he laughs. This is the scene as it’s written, “‘Ha-ha. ‘Normal.’ Ha-ha-ha.’ Dazai’s hollow laughter filled the cluster of trees, vanishing into thin air,” (p. 54). The fact that Dazai reacts by stating that what Chuuya says is normal and the way he laughs about it shows that he knows that he is not normal. If the idea that Dazai knows he is not normal is extrapolated, then it is implied that he also knows that his behaviour towards death is abnormal. If it is taken into account that Dazai realises his behaviour, particularly around death is odd it makes sense that as an adult he would want to hide that.

All of the above scenes took place when Dazai was still a teenager. However, it seems that even as a young adult he doesn’t know how to behave around emotionally charged situations. This is shown in episode one of Bungo Stray Dogs where Atsushi and Dazai are in the warehouse waiting for the tiger to show up. During this scene Atsushi is amazed by Dazai’s confidence and he states ‘You’re really confident, I’m kind of jealous. They called me a good-for-nothing at the orphanage. And now I don’t know where I’ll sleep tonight or whether I’ll be able to earn my keep tomorrow. […] No one’d care if someone like me were to die in a ditch somewhere. Yeah, I may be better off eaten by a tiger…’ this happens at 13:30-13:57 of episode 1 of season 1 of Bungo Stray Dogs. To Atsushi’s statement Dazai does not reply. He is silent for a beat with a neutral expression as shown here.

This screenshot is taken from timestamp 13:58 of episode 1 season 1 of Bungo Stray Dogs.

He then proceeds to state that he thinks the tiger will come soon. This is an unusual reaction given what Atsushi just said, and it would make more sense for him to comfort the boy. But he doesn’t. This is arguably because Dazai doesn’t know how to react in what would be considered a normal way in an emotional situation like this. If he doesn’t know how to react normally here it is unlikely he knows how to react normally to death. Now, it has been made clear above that he recognises his behaviour as abnormal, and it is likely that since his instinctive reaction is abnormal, he is unable to fake a normal reaction as he doesn’t know what this would be. Hence his unusual reaction in episode five season one. He reacts with such melodrama because he knows that his instinctive reaction isn’t normal, but he doesn’t know what a normal reaction would be, and he can’t just not react either thus he opts for this melodramatic reaction which, although isn’t normal still shows a rather dramatised version of sadness at the woman’s death which is perhaps more normal than what his instinctive reaction would be. And although the others at the scene who don’t know him are rather confused at his reaction it attracts less attention than if he were to react in a similar vein to his reaction to the G.S.S. officer’s death.

To conclude Dazai’s melodramatic reaction to the murdered woman in episode 5 season 1 of Bungo Stray Dogs it not just comic relief, there is a deeper meaning behind his eccentricities. He reacts this way because he is self-aware enough to know that his instinctive reaction to death is unusual and in order to not shock other people at his behaviour, he opts for the melodramatic response he gives since while still unusual it is more similar to the way a normal person might react being a rather melodramatic version of it.

I NEED DYNAMIC PAUL/CHUUYA LIKE DYNAMIC MTP!MYCROFT/SHERLOCK.

top things i like about verlaine !!!

- his little brother

- his ex

stormbringers fucking insane for using rimlaine as a contrast to skk. these two couldnt trust each other fully and rimbaud only believed he could help verlaine feel human, not truly be so, and still considered him Other, however much he believed them to be equals, verlaines humanity only existed in rimbauds eyes because he gave it to him. verlaines inability to accept his own humanity or even really that rimbauds feelings for him were genuine because he, alone, singular, monstrously set apart from humanity, should be incapable of receiving anything resembling affection or genuine understanding, such that it left him betraying his partner. and then they cannot exist as two beings working seamlessly together. rimbaud and verlaine in fact cannot exist as two beings at all, only as one conjoined entity. verlaine kept alive with rimbauds skill, and rimbaud, long dead and refusing that reality until he can find his partner, existing only as an extension of verlaine. while skk who do trust each other blindly, who do see humanity in each other enough to look past when they doubt it in themselves, who see humanity not as a defined be or be not, but as a set of values, as a do or do not. they are able to exist as one act in two parts. interdependent, always, even down to their skills, but still functioning as one unit in two separate cogs made to fit together.

THE STORM IS HERE!!!!

WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK WE ARE SO BACK

(Btw can anyone clean this plsplspls)

I really need verlaine to appear in the manga because that mean we will get stormbringer anime adaption to introduce him before season 6

The thread from twitter I did about my interpretations on Verlaine, rereading this some parts might sounds a little redundant but i think it gets the point across.

People have a lot of opinions on Verlaine but I think this one line in particular goes hard & does alot to explain his view of humanity as well as the conversation a the end of SB.

“Sometimes creating is far more sinister than killing.”

I think Verlaine views his creation as an ‘act of humanity’. But to normal people, an act of humanity means kindness, right? Showing compassion or empathy. But from Verlaine’s POV it is the *opposite* of that. Humanity is not kind nor compassionate. It’s dark, twisted, & selfish.

Humanity to Verlaine is *only* the darkest and worst parts of human nature because that’s all he ever knew. He was created with the sole purpose of being controlled & used to kill & destroy. That was his entire world until Rimbaud rescued him & gave him some control for the first time.

Verlaine despises how he was created, that he was created in the first place. In his mind, humans used their capacity to create to make something that only serves to destroy & also, cruelly, allowed that creation to suffer all alone. They let him suffer and never treated him as a human, just a tool. A weapon. So he came to resent humans & humanity itself.

To Verlaine, humanity represents everything sinister in the world. Not any of the good that, say, Chuuya sees. Rimbaud was an exception to this, however, & I believe it’s why Verlaine pushed Rimbaud away. Because his existence & treatment of Verlaine was challenging this world view. Then when Rimbaud sides against him when he wanted to take Chuuya to safety, that was the confirmation Verlaine needed that Rimbaud was just like the rest. Even if Verlaine knew deep down that wasn’t really true.

Humanity disgusts him because of the way he was created & his lack of real purpose. He couldn’t find a reason he *should* exist, given that the original purpose of his creation was sinister. Because of that I think he believes no good can come from humanity so he thinks of them as monsters.

It’s why he believes creating is more sinister than killing. Humanity created him out of selfishness & with no compassion what so ever. He resents his very existence & his loneliness. He believes someone would have to be sinister to create Verlaine as he is, completely alone, no real purpose, only to be used by others.

So he thinks of the people who made him (& by extension Chuuya) as the worst monsters, more monstrous than he could ever be. It’s this dark view of humanity that I believe leads to Verlaine to thinking of killing as a thrill to him & also a tool.

Nothing about humanity is salvageable to him, at least not until the end of SB. In his own words he’s “the soul of a man who couldn’t trust the world or its people like you do.” As he says to Chuuya at the end of the book when he comes to realize, through Chuuya, his view may be wrong/incomplete.

Verlaine was incapable of trusting that humans could be more, that they were more than their darkest parts. He wasn’t able to trust that darkness was only a singular part of humanity & that the good wasn’t only a mask they would hide their darkness with. Though some do hide behind masks of kindness, it’s not all of humanity. Genuine people do exist. Caring people do exist.

But to Verlaine, killing humans isn’t a monstrous act. It’s almost an act of mercy or even a punishment. But Verlaine is also just desperately lonely because of his loathing of humanity. How he separates himself from it. That’s why when he learns of Chuuya, someone that existed that he felt might share his pain & might actually understand his POV, all he wants to do is protect him. To bring him to his side so he doesn’t have to be so lonely anymore & he can still serve humanity the “justice” for lack of a better word he thinks they deserve through killing.

He wanted to protect Chuuya from humanity itself because to him, humanity is the villain. He believed everyone around Chuuya was only using him because to him that’s all humans do. Aside Rimbaud, who he ended up fighting, he never had anyone to show him other things humanity has to offer

To him all humans do is use & abused & are selfish & twisted. That’s why Verlaine doesn’t even think twice about killing the flags, for example. Surely they were just using Chuuya like everyone else. Humans are the monsters, not him & Chuuya, despite the purposes of their creation.

Now, in the end, Chuuya & Verlaine come to understand more of each others POVs. That’s why Verlaine taught Chuuya how to defeat him. Because even while Verlaine still doesn’t quite believe humanity has value, he sees Chuuya’s conviction in his belief that humanity *is*valuable. People can be worth it.

Chuuya knows humanity is more complex than Verlaine believes & despite the darkness that exists there *is* light too. Humans are more than their worst sides. Chuuya has always believed people were worth living for, that they were worth suffering for.

But he also knows he could have easily gone down the dark path Verlaine did. As Chuuya says “You rolled the dice and lost. It was a stroke of bad luck, and you rolled a one. But the pips came out different when I rolled. I was blessed with wonderful friends. That’s all.”

Verlaine, in the end, I believe, *wants* to believe in what Chuuya believes about the world. As Chuuya says to him:

“Besides, what you have isn’t just hatred. You don’t actually despise the world. That’s why you showed me that memory. You taught me how to defeat Guivre.”

Chuuya is his opposite essentially. Chuuya, even while suffering at the hand of the coldness and cruelty that humanity is capable of, can still see the good and light of human nature. Chuuya has always known there is more to humanity than cruelty & Verlaine never was able to see that before.

Chuuya contributes this essentially to always having friends, people he cared about around him. But Chuuya does *understand* why Verlaine is the way he is. Why Verlaine thinks the way he does & Chuuya, being who he is, essentially forgives him in the end. It’s why he’s able to have that “final” conversation with him.

Humanity, what it *means* to be human, is really the entire theme of Storm Bringer & everyone showcases us a different perspective of this. Chuuya, Adam & Verlaine (Dazai somewhat as well) as show us different aspects of humanity and ones struggles with it. Verlaine’s view is dark. It showcases the impact a *lack* of humanity being shown to others can have on us.

I am also not saying anything Verlaine did was alright or justifying what he did because of his broken view on life. What he tried to do by killing everyone Chuuya knew was wrong. But he *does care* about Chuuya. But he couldn’t express that in any healthy way. He didn’t know how, didn’t know it was wrong in the first place.

Anyway, this is just my interpretation of Verlaine as a character and everyone can have their own interpretations! These are just my thoughts. I hope they made sense, I’m not super sure I was able to articulate everything well. I think I I kinda rambled but oh well.

Unfortunately I DO think there's something inherently romantic about literally turning yourself into someone else's heartbeat

😭💖😭💖😭💖Rimlaine💖😭💖😭💖😭

On the request of @macaronicoffee 🥰🥰🥰

:(

Star-crossed lovers

Some rimlaine stuff

Chuuya sketches plus Verlaine that will never be rendered

Let me add something: Gin don't want to leave Verlaine so she inform him, and he join them with Q.

Hirotsu follow them because Higuci took half of the black lizard's forces and he carries with him a very confused Tachihara.

And then they find Kyoka

Mori is so desperate that he promotes Kaji as a executive (thing don't end up well)

The best thing is that all in the group are considered Fukuzawa's subordinated and they're under the ADA protection, but only Dazai, Chuuya, Aku, Kyoka and Verlaine actually work in the agency.

Kouyou open a flower shop and she go to visit Chuuya and Kyoka every day.

Tachihara convince himself is still following the Hunting Dogs orders, but he started to enjoy is job at the Uzumaki café with Higuci.

Q they're living in Verlaine place and they're going to school like a normal kid.

Hirotsu is enjoying is pension.

And when Mori try to have them back Fukuzawa is like: Nope, they're all adopted now.

Oda watching them from heaven: Wtf I've created

I just imagined a very funny BSD scenario where Dazai tells Chuuya that he’s gonna leave the mafia instead of just leaving him and Chuuya is like ‘Fuck it I’m coming’ but he wants to inform Kouyou so they do and she’s like ‘I’m coming too, not letting my baby brother alone’ and somewhere in they tell Aku and Gin and they also want to come-

Anyway, this just ends up with Mori going to bed with a perfectly functional mafia and wakes up with screams and chaos cause he just lost three executives, an assassin and the Dog of the Mafia. And probably a big chunk of armed forces cause you can’t tell me Higuchi wouldn’t go with Aku.

And like, two years later, the ADA has a very pellicular (and big) visit.

Some things my brother said when we were talking about BSD Part 1

Yes,the world is ending, and I don't think that Akutagawa and is new ✨ SHINY ✨ suit would be enough.

All of this mess could be resolved if Verlaine would stop being a hikikomori and go to save the day

But, if Fydor get killed by a bear, he would become a bear with Dostoevsky face?

A lot of bsd characters have natural hair... but I'm sure Mori is dyeing his because he looks too old to still having so much black hair.