At this point, my categorized Arthurian theme song list has spiraled entirely beyond reasonable proportions. If it’s taught me anything, it’s that at least two thirds of Imagine Dragons’ songs seem like they could be about Mordred.
New headcanon that Gareth's hair color changed dramatically as he grew up and by the time he sees his older brothers again he resembles a different relative than whoever he used to look most like, so they don't recognize him but he seems eerily familiar to them
Gawain: You know, you remind me of my younger brother... Gareth [mentally]: He recognizes me! Gawain:...Gaheris. Gareth [mentally]: Facepalms
Wikipedia, most definitely.
For several years, nearly all of my Arthurian knowledge came from Wikipedia, because I (rather oddly) decided to try to get a comprehensive idea of Arthuriana as a whole before actually diving into medieval literature. This was probably because, despite having absorbed my very eccentric great-grandfather's belief that we were descendants of Merlin, I wasn't really into Arthuriana before I was given a prompt to write an alliterative paragraph featuring the letter G, started writing about Gawain, never came to a conclusion, decided to make it a novel, decided I needed to do research to write a novel, etc. This led my seventh grade self to a lot of bad takes, particularly about Lancelot, and very random headcanons. On the other hand, the assumptions I made about Agravaine, while based purely on his name, were mostly accurate.
I can spot at least four possible morals to this story and there are probably more, but I'll leave them to the reader.
Anyway enough King Arthur flour asks time to talk about Ragnelle.
I hadn’t noticed that, but I think that you’re right and that that was the artist’s way of reminding us it’s made of Percival’s sister’s hair. Neat. Or not neat. There’s a lot to be said of hair belts as a fashion choice and most of it is negative, but you can’t say it’s not bold.
The Grail Heroine leading Galahad to the ship, where Percival and Bors wait
Stained glass by Veronica Whall for King Arthur’s Great Halls at Tintagel
To add a little clarity, Jenny Rowland in that book isn't actually saying the poem is bad; she finds it very interesting and is mostly analysing it from a detached perspective for the antiquarian traditions it records. There's some commentary on the poetic skill, both positive and negative, which is where the section I posted is from; it's mentioning there's slightly less metrical, technical skill vis a vis the rules and forms of medieval Welsh poetry than some other saga *englynion*, supporting her proposition this dialogue dates from after the form's heyday. I just screencapped a bit I thought was funny out of context because I have a mutual who likes Gwyn a lot and thought they might enjoy seeing him getting kinda bullied, ahah
Fair enough, I can agree with that, and I probably should have read into it further before reblogging. I suppose from my own reading I've become accustomed to vicious authorly attacks on Welsh anti-blorbos. Like this:
Wow, Laurence Main, tell us how you really feel with those sarcastic parentheses on "St" Illtyd! (For the record, I have met that author, and he is a delight to know, but he does not hold back about "Old Ill-Tide" or Gildas and also hates Taliesin with a burning passion).
Or this, from Adam Ardrey:
More sarcastic quotation marks and more hate for Gildas, who was not gentle in his own works and didn't mention King Arthur in any of his surviving writing and is still getting flamed for it around a millenium and a half later by people who are Maelgwyn fans, are trying to prove Arthur was real,* or both. I have written mediocre Gildas fanfiction at two in the morning with this as the fuel, because I think he probably gets too much hate, though having never met him, I can't judge any better than the people who claim he burned his praise of Arthur for petty reasons.
Anyway, this post went off the rails a lot, but all that is to say that literary scholarship can get incredibly opinionated, it's easy to fall into one viewpoint or become overly cynical about it in general, and I think I have mostly done the latter. Also, that Jenny Rowland book sounds rather interesting; I might have to check it out.
*For the record, I have no firm stance on the matter, since as far as I can tell it can't be proven or disproven. In my head, he both was and was not real. Schrödinger's King. Or warrior, rather.
If this were the Book of Jonah, it might make more sense, but I guess someone just wanted to make a fish case for their favorite scroll, and I can respect that.
Esther scroll in fish-like case, Eastern Europe, 19th century, The Jewish Museum, London
ID: When Isotta had returned to the pavilion, the tables were set out and food was prepared, and when water had been brought for their hands they sat down to eat. As they ate, Gariette looked out and saw Palamidesso going by looking for them, and pointed him out to Sir Tristano. Tristano got up and went to meet him, taking him by the hand and leading him into the pavilion, where he disarmed and sat at the table. They all passed that night in great joy.
Medieval Literature scans | Arthurian Retellings scans | Ko-fi ⤥Italian Name Guide Below Cut
Prose Tristan Gang
King Meliadus of Liones (Meliodas of Lyonesse)
Queen Eliabella (Elizabeth)
Tristano (Tristan)
King Marco of Cornovaglia/Tintoile (Mark of Cornwall/Tintagel)
King Amoroldo of Irlanda (Morholt of Ireland)
King Languis of Irlanda (Anguish of Ireland)
Queen Isotta the Blonde (Isolde 1)
Gouvernale (Governal)
Brandina (Brangaine)
Dinadano (Dinadan)
Daniello (Daniel)
Brunoro the Black/Ill-Cut Coat (Brunor le Noir/La Cote Male Taile)
Dinasso the Seneschal (Dinas)
King Scalabrino (Esclabor)
Palamidesso the Pagan (Palomides/Palamedes)
Isotta White Hands (Isolde 2)
Gheddino (Kahedrin)
Logres
King Artù of Camellotto/Longres (Arthur of Camelot/Logres)
Queen Ginevara (Guinevere)
Chieso the Seneschal (Kay)
Lucano (Lucan)
Fata Morgana (Morgan le Fay)
Pulzella Gais (Morgan's daughter)
Merlino the Prophet (Merlin)
Orcadians
King Lotto (Lot)
Queen Albagia of Organia (Morgause of Orkney)
Calvano the Lover (Gawain)
Agravano (Agravaine)
Gariens (Gaheris)
Gariette (Gareth)
Mordarette (Mordred)
Welsh
King Pellinoro of Gaules (Pellinore of Wales)
Prezzivale lo Galese (Percival of Wales)
Amorotto di Gaules (Lamorak of Wales)
Adriano (Drian)
Agravale (Aglovale)
French
King Bando of Benoich (Ban of Benwick)
Dama del Lago (Lady of the Lake)
Lancilotto of Gioisa Guardia (Lancelot of Joyous Guard)
Astore di Mare (Hector de Maris)
Lionello (Lionel)
Bordo (Bors)
Briobris (Biloberis)
Galasso (Galahad)
Others
Brunoro the Brown (Brunor father of Galehaut)
Bagotta (Fair Giantess)
Galeotto (Galehaut)
Sagramore (Sagramore lol)
Meliagans (Meleagant/Melwas)
King Brando of Magus (Bademagus)
Beast Glatisanti (Questing Beast/Glatisants)
I had a realization the other day:
Gawain was supposed to be the narrator of the Grail Quest.
Before Vulgate cycle and Sir Bors, the only other participant of the Grail Quest was Gawain. Gawain was used as a foil for Percival's story - a counterpart for Percival's character arc.
When reading Chretien's (unfinished) Grail story, it was always funny how Gawain takes up a significant chunk of the tale, but looking back at every version of the Grail cycle, there's this general trend that Percival was never going to return to Camelot to report the entire adventure to Arthur.
Percival's story is meant to end with him staying in the Grail Kingdom. So, someone else had to tell the story so it could be "passed down" and preserved as "history".
And that someone, had to be Gawain, the then-premier hero of the romances and Chretien's favorite.
Gawain isn't just the deuteragonist in Percival's story, he's also the one lives to tell the tale of Sir Percival.
Of Course, Robert de Boron comes along, and suddenly, the Grail Quest is everyone's adventure, but that's a different story...
The funny thing is that in Knight of the Parrot, Arthur leaves KING LOT HIMSELF in charge and somehow everything turns out swell.
i’ll leave my nephew in control of the kingdom while i go to fight in rome it’ll be fine
Funny story. Due to a very strange series of events, a number of people are now convinced that I'm the reincarnation of Sir Kay. This is not a joke. I'm not really sure what do with that or how to explain the strange stuff which happened. So, yeah. I can imagine it.
Reincarnation aus are funny to me because like. Imagine finding out that you’re the reincarnation of a medieval knight, brought back to save mankind in its darkest hour etc etc. But then you find out that you’re fucking like. Sir Gaheris. Absolutely mid-tier ass knight. Like what do you do with that.
(Source: Ridder Metter Mouwen)
Oh, come on! Really?!! Guinevere is Kay's niece in this story?!!
In which I ramble about poetry, Arthuriana, aroace stuff, etc. In theory. In practice, it's almost all Arthuriana.
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