The First Time I Heard That Asagiri Said Dazai And Chuuya Were The Same Soul In Two Bodies, I Was A Little

But like actually though.

Drawings are credit @gigizetz from her Monster animatics on yt! Go check them out!! Song is Monster from Epic the Musical.

Was in Barnes and Noble today, and I found a collection of Dazai's works titled "The Real Osamu Dazai." And this was on the back:

Like....why. How. I understand if you just see edits and stuff you'd think he's the main character, but like, watch one episode, read one chapter, and anyone with basic media literacy could tell that he isn't the main character. Even google could tell you that. Why does this keep happening??? My boy Atsushi deserves more than this.

I would like to remind everyone that this takes place after the Guild arc, meaning that Kunikida knows by now that Dazai was a Mafia executive. And that doesn't bother him in the slightest.

I like to think that, the first time Dazai met Chuuya, he made fun of Chuuya's height without realizing from his position on the ground that he was only five centimeters taller. And when he did find out, he went "ah. well, in too deep to stop now, ima just go with it" and kept up the short jokes, despite the fact that they were practically the exact. same. height.

Chuuya can't tie a tie. This is canon, you won't convince me otherwise.

He grew up on the streets. When he was sixteen, he wore the usual Mafia getup, but no tie. In his usual outfit, he wears a bolo tie.

Therefore, it is scientifically proven that Chuuya cannot, in fact, tie a tie.

I'm trying to prove a point.

One thing that always bothers me is when people reduce Chuuya down to "anger issues." Because he's so much more than just an angry little redhead. Yeah, Dazai's ticks him off, but aside from that, whenever he's shown as being angry, it's never because of a stupid reason that had his temper going off. Like in the movie, he was mad because six of his friends were killed due to a government decision. He was angry in season three when he learned he had two days to either kill the leader of the Agency, a group that he knew they had a ceasefire with, or else the boss would die. I'm pretty sure Harukawa even said that Chuuya's actually composed most of the time, it's only when he's with Dazai that he reverts into a five year old with anger issues, as does Dazai. And as a matter of fact, he spent most of his life bottling down anger, taking responsibility for others, never really letting himself experience these emotions for others sake. In Stormbringer, Verlaine wants him to be mad, to use that anger to prove he's just a beast, and for him to go hurt the world that did bad to him. Something which Chuuya doesn't want to do.

I'm not saying that his patience is unlimited or that he doesn't get angry often, but whenever I see him get reduced to Bakugo syndrome, it always gets me annoyed, because it feels like people don't truly understand his character.

I think Dazai's backstory is really cool in how, despite having more information about it than most other characters, majority of his life is just one giant noodle incident.

Yep, that's the line I'm going with as an introduction to this analysis. Just bear with me.

To start off, for those who don't know, the term "noodle incident" originates from the (amazing) comic Calvin and Hobbes. In it, the whole idea is that Calvin did this unspecified thing in school that involved noodles, but it's never confirmed what exactly happened. It's only referenced in passing, and it is clear that it was not good. Applied to general fiction, the term Noodle Incident refers to an event that is often referenced, but never clearly explained, and what is important is the characters' reactions and feelings towards it. The principle idea behind it is that imagining what said incident could be is way more significant and impactful than anything it would actually be if it was said. It's not the event that's important, but the effects and responses to it are. *for more info, I recommend Overly Sarcastic Productions trope talk video about it*

Now, how this plays into Dazai's life is that, while it is extremely evident that he likely has a horrible, tragic backstory, we never really get to see much of it. The earliest we are introduced to him, he is already suicidal, and he has lost most in hope in existence. These feelings are tempered a bit when he first joins the Port Mafia, but they come back all too quickly. And while you could argue that him being in the Mafia is a large contributor to his depression,the main reasons why he seeks escape clearly transpired before he ever met Mori.

Dazai was already trying to commit suicide at fourteen, which is how he met Mori. Something happened earlier in his life, but we don't know what. Asagiri himself says that he left Dazai's core, the reason he wants to die, vague on purpose. We aren't given many details, and honestly, we aren't given much backstory to it either. The two biggest hints that we get is when he is speaking to Odasaku. First in The Day I Picked Up Dazai, and the second from Dazai and the Dark Era.

We have no idea who or what Dazai is referring to. From all that we have seen, all the backstories and light novels we are given, the only people that we know of whom Dazai actually lost were Ango and Odasaku-for Ango, it was that special friendship, and Odasaku, it was his life. And even so, it isn't much of an explanation, because he was obviously suicidal before he met them, as evident from how he speaks to Odasaku, and losing them wasn't a catalyst for Dazai's depression. (As a matter of fact, it was actually the first step towards improvement, but that's a different analysis).

Yet for how much we don't know about Dazai's life, I think it's done in such a way that it doesn't really matter. It's a noodle incident, in that sense. Because it's not about the events that actually transpired, it's about how that affects Dazai and the way we see him. Don't get me wrong, I would love a full, confirmed backstory, but Asagiri doesn't seem to intend to write it, and that makes Dazai's character so beautiful. It's also one of the reasons why the dark era, especially the light novel, is so tragic. Because yes, you can argue that as far as tragic backstories go, losing two friends isn't near the most awful, especially not in this universe (I'm not trying to play the "which character has more trauma" game, but compared to, for example, growing up in an abusive orphanage, it's relatively not as inherently tragic. That doesn't make it any less horrible though). But the point of the backstory isn't just to explain the reasoning why things ended up the way they did, why Dazai left the Mafia, boo hoo his friend died, but Odasaku and Ango represent everything in Dazai's life, everyone from his past we never got to meet and I'm not sure if we're ever going to. They symbolize all the things in his life that mattered to him, everything he never wanted to lose but did. The last scene in the bar, where the three of them meet up for the last time, Ango leaves, the picture with the three of them laughing and smiling, the whole thing is meant to serve as a microcosm for Dazai's life as a whole. That he feels he's always going to lose everything, and that's why he wants to die. We don't get details, we don't know the specific events, but we're left with the emotions that gives us an important glimpse into this character's mind, more than his life, and that's what makes him such an interesting character that's left open to interpretation and analysis. We aren't privy to the tragedy, but the aftereffects of it. And, almost as if to prove the point, Odasaku dies the next day. Right after Dazai says he always loses everyone, further cementing the idea that there's almost a curse surrounding him, a void of loneliness that may never be fulfilled, which is as much as Odasaku tells him when he dies.

Whatever happened in Dazai's life before fourteen was probably something horrible and tragic. Maybe he had a family. Maybe he had other good friends. Perhaps he even believed in the goodness of life and humanity. But what's really cool about the way he's written is that the exact events are not important nor necessary to understanding his character. His life is one big noodle incident, yet because of that, we're able to glean an almost deeper understanding about him, by leaving the details in the dark and exposing only the raw, humane emotions left behind. The most important part about any backstory in fiction isn't about what actually happened, it's about how does this affect the character now? What lasting impact did it leave on them, and how is it evident in the way they interact with the story in the present? This is something that Asagiri nails on the head when it comes to his backstories. And I think the lack of clear information about Dazai's backstory, yet all the information we do end up getting about him, is one of the reasons why Dazai is such an interesting and intriguing character in the series.

Thank you all for you time. You may now return to your procrastination.

beast dazai is considered a tragic character for all the obvious reasons: carried the weight of the memories of his other selves and using that knowledge to save oda from his fate even if it meant dying/killing himself in the end. This sympathetic narrative allows you to ignore the utter selfishness and immaturity of beast dazai and how he runs away from grief and pain, and I mean this in the best way possible.

The real tragedy of beast is that unlike all the other dazais, beast dazai never got the chance to meet and know oda, thence allowing him a new perspective to grow. In The day I picked up Dazai , dazai shows personal growth by the end of the novel, hence why he respects oda a lot. He is treated as a human being who still doesn't know much, and that brings comfort to someone deemed a demon prodigy. In side b of the same novel, beast dazai makes an effort to not know or bond with oda; yes this is because he wanted to ensure his survival by steering him away from the port mafia, but that event is what fundamentally changed dazai- gave him a better understanding of his own humanity.

Despite having all that knowledge of his other selves, of how each universe's timeline will play out, beast dazai didn't seem to grasp that it is grief that allowed the other dazai to grow and be a better person. He didn't understand that in the end, it is the time he (the other dazai) spent with oda that made living worthwhile, not his life. His state of living, the state of perfection in beast dazai's eyes, will still cause him more suffering than the act of losing a good friend.

Because if he had only wanted him to live, then he wouldn't have been so shocked when oda refused to indulge in a friendly conversation, not when he clearly went out of his way to antagonize himself in oda's eyes in tdipud. It's because the realization hit him: he wanted his time with oda to not be cut short.

Having memories of another oda is clearly not enough, he needed his own intimate friendship with his own oda. But with this elaborate plan and his reaction to being rejected, it's clear that beast dazai was trying to avoid pain. He could not accept the grief and pain of loss that he's seen and felt in his other selves, ignoring what came after: growth and satisfaction of ever having oda in their lives at all.

Pain is inherently human and by ignoring and rejecting it, beast dazai rejects his own humanity. Or runs away from it, because it catches up to him regardless. He still ignores it throughout the rest of the story, especially in other characters.

Beast dazai, as we all know, eventually takes his own life. While there is a reason as to why he did it, but it was still part of his plan from the beginning. Meaning, he knew this near fruitless pursuit would still have him unable to handle grief. It's an inherently selfish goal with an inherently selfish way out under the guise of "leaving the rest in atsushi and akutagawa's hands"

(Note: I do not mean in any way that suicide is selfish, but rather the narrative and character of dazai in beast alludes to this. Both concepts can co-exist in a fictional setting)

Despite seemingly helping other characters, beast dazai also trampled on both akutagawa and atsushi's self worth. This made them easier to manipulate for his grand plan, but ignores the damage he's done to them and other characters after his death.

For akutagawa it is the loss of his sister and convincing him of his monstrosity due to Dazai's meddling. For atsushi, someone he conditioned into severe fear and dependency on him, was left alone watching the person he cared so much for fall from the building. And yes, he left him in mori's care afterwards, but dazai should know more than anyone the damage the death of a loved one has, unless it doesn't apply to him.

In the epilogue, mori openly mourns dazai's death along with atsushi. Due to being free of his rigid responsibility as the pm boss, he had the liberty of finally being the caretaker he's always wanted to be but at the cost of the person he considered his son (in comparing dazai to atsushi, who he then calls his son + all the other stances where mori treated dazai like a son etc)

The thing that beast dazai, or dazai in general, tends to not fully understand or accept, is that he is also loved, and his death will cause others pain as well. I am by no means saying he should've thought of others before dying, but it is the lives of others that dazai from the main manga also cherishes after oda's death. Beast dazai made it his entire life goal to essentially protect oda, realize its not the only thing he's wanted from him and gave his raison d'etre a flimsy excuse of meaning in life. It's inherently selfish.

Selfishness is a common theme in bsd, and beast dazai fits right in. Atsushi's selfish desire to save people to give himself a justification to be alive, Sigma's inherently selfish nature of self preservation and identity and so on.

I've probably ranted for much longer than anticipated, but the point is: beast dazai's purpose is a selfish desire to escape pain and loss when it's crucial to the human experience. Dazai in the main manga seems to grasp this much better than beast dazai, it's something the latter is "missing", refusing to grow out of his selfishness and it makes his character more of a cautionary tale.

Ok, someone please tell me where you're all reading the new sb chapter in english I can't find it anywhere