SHINRAN & SOUKOKU PARALLELS

It is 2024 I am once again asking for a tsubasa reservoir chronicle anime remake

It’s heartbreaking to know that when Anshi looks back on her first encounter with the late emperor—the man who sexually abused her for years—she can only describe her 10-year old self as ambitious.

In the light novel, Anshi is far less aware of why she was sent to the rear palace, and it’s clear in the books that she did not intend to grab the emperor’s attention.

But in the manga—now the anime—she says she knew, that she understood what she was getting into, and that she reached out to him deliberately.

This is very likely a lie she told herself to cope with the trauma of the abuse she endured, abuse that dictated the course of the rest of her life, for better or for worse.

Because, even if Anshi knew, on paper, what her father intended by sending her to the rear palace, what 10-year old would understand, truly, the implications of winning the emperor’s favor? What prepubescent child fully understands sexual grooming or abuse for what it is, understands how it will hurt them?

Anshi falls for the oldest lie children of sexual abuse tell themselves: that they brought this upon themselves, that they were somehow responsible for what happened.

Telling herself that she put herself in his path out of ambition gives her the illusion of agency. It allows her to ignore the glaring, obvious signs that she could not have refused him if she’d wanted to. It is also a manifestation of her own self-loathing, the all too common misplaced guilt that rape survivors feel in the wake of their assault.

This particular coping mechanism is what drove her to assault the late emperor right back when she was in her late 20’s.

That helplessness, that rage, that unresolved trauma, led to her repeating the cycle of abuse, led her to forcing herself onto him as an adult to reclaim that agency she knows she never had.

And this assault brought about her second pregnancy—the birth of the moon prince, the current emperor’s younger brother.

And even though Anshi knows Jinshi is Ah-Duo’s son, not hers, Anshi was still the woman who raised him. She feels this guilt and revulsion every time she looks at Jinshi, especially since he resembles the late emperor so strongly.

And even though Anshi loves Jinshi deeply, she is constantly haunted by the self-loathing she associates with him. She calls his very existence immoral, a living embodiment of her sins. And it’s so heart-wrenching, so tragic that she blames herself for everything, that she believes all of this happened due to her own, selfish sense of ambition.

SHOSHIMIN anime REVIEW

Kobato and Osanai start their high school lifes with the goal of becoming "ordinary", while getting away from their pasts. But the duo time and time again ends up putting themselves in the middle of mysterys to resolve.

For starters I want to say I love this anime. It wasn't in my watchlist this season, but after I saw gifs of the first episode I got curious with how pretty it looked. So I watched it. And it enchanted me.

I have to admit that I love mysterys and slice of life, so after ep1 i thought this series was just that (specially if one makes expectations with hyouka), but I was actually surprised with the twist of the overall cases being a lot more complex and serious.

I still found it refreshing tho, not all mysterys have to be murderers, they can be simple like doing cocoa or finding a poshette; it touches something i was craving and it makes reality, the common moments in our lifes, a lot more interesting.

(I want to make this post more about the anime as an adaptation and make my thoughts on the story another one, where i talk about the novels,,, so i'll leave that there).

The anime in itself is just so good, is stunning; the animation, art, character design, backgrounds, music and sound, the voice actors, direction; everything works so well together and creates a feast not only for the eye.

Even if there are moments i wish would have made it to the anime, is obvious it won't be a 1:1 adaptation and tbh they aren't a big deal for the entire picture. Also, I have to point out that how it translastes the novels to such a different media is a bit fascinating.

Kobato is the one that narrates the novels and even if they could have used that in the anime anyways, i like that they didn't. Kobato's sarcastic comments or how his thought process goes is lost, but it doesn't change him as a character. We are shown the mask he is trying to create for himself, but fails to mantain. That mask that everyone around him sees.

Specially if we take in consideration how kobato is an unreliable narrator, so in the anime we have this chance to see what he really wants us to see of himself, but we can also see the things he hides.

Also, without him narrating the animators and team are able to create the myteryous atmosphere that is around the characters and specially in the relationship between Osanai and Kobato. that have such a unique dinamic.

I like that they don't give us the answers to the characters with just words, but showing. and if we take into account the type of media an anime is, I find this the right choice.

BUT, i do regret that some moments where lost, like kobato running outside of the school at the end of the spring tart case after osanai doesn't answer, even before kengo finishes talking or the panic attack he has in the elevator being changed to the moment under the bridge. i think taking away this moments belittles how important osanai is for him...

On other point I was curious how they'll adapt the story considering it was modernized and the climax on the first book is bc kobato has an old cellphone, but i think it was fine how they did it.

This is definetly one of my favorites animes, not just this season, but this year. I really recommend it for the mystery fans.

And I'm specially exited to see how they adapt the 3&4 novel and their relationships, can't wait!!!!

the shoushimin s2 opening is so good, so sooooo good. i'm so exited for this season and urino isn't as annoying as in the novels when we isn't the narrator (⁠≧⁠▽⁠≦⁠)

what i love about Maomao is that she is ALL for the girls like she doesn't judge or look down on the concubines she calls the courtesans she grew up with her sisters and when Lady Lihua looked like she was about to fucking deck Lady Shin she literally giggled and was proud that Lihua was standing up for herself like Maomao is the NUMBER ONE supporter of women and strong women shes a cheerleader for women and i will always love that about her

The last panel doesn’t really work. It was hilarious in my head.

Happy Halloween!

Colored the new tbhk art!

so if the cat (that has the twins eyes!!!!) is amane or something this can still stand (delusional)

GUYS, what if in the next chapter (123) there's other of those time fluctuations and yashiro is able to interact with the amane that's fixing the clock without time traveling and that gives her the info she needs so she doesn't jump with so little clues of what changed in the past

i hadn't at all consider this line of thinking, but i can see it work and i like how it ties that plot line with the more recent arcs. it's soo interesting

i'm definitely gonna be up thinking about this

thoughts on tbhk manga

just some days ago i read this series, so there are a lot of things that are on my mind especially after seeing other people theories and stuff, so here i'm gonna ramble a bit about them KDNDLDMF

1. so, i have seen a lot of theories of amane's injuries being bc of the clock. but i don't really think that makes sense timewise.

i assumed that the year amane is fixing the clock is 1968 and when we see him injured is 1969. in chapter 101 the announcement says that the first year middle school play and then comes this conversation,,,

so is their class that's doing the play. and since the festival is at the end of summer and they are in their first year (if they are from the class presenting the play) it must be 1968. and he had to have it moving before that years school festival ended,,, so it being the reason for his injuries is highly unlikely imo (well, except he is refering to the 1969 CF, that is an option, but isn't it weird?)

that takes us back to then who or what is actually harming him? i have 2 theories for that. the first one is that it was tsukasa, but it was to provoke amane..

we have seen tsukasa's reaction when he gets to know that his brother is going to kill him, so maybe since they both were close to 13, he has been trying to trigger amane to DO THE THING, trying to get to know that part of his brother, what would push his buttons enough for him to actually do that?

my other option is that it's the mother, afterall she was scared of tsukasa, maybe she started to take her fear on them and since amane is also suspicious, he would understand his mother and forgive her

i haven't seen this idea so idk what you guys think

2. what is it really that the clock-keepers changed? a lot of people speculate that they keep baby tsukasa in the house, but we are shown after n° 1 loops a clock with 1968 written on it, so is logical to assume that's the year they change something.

From that, if we take into account that's the year amane was fixing the clock, maybe he originally did change something when he traveled through time (even if tsukasa says that nothing came of it, implying he couldn't even fix the clock) and that's what n°1 changed, he made amane do something different in 1968 that made a change in the past, but then who told adult amane 4 y/o self about the change in time? his middle school self that traveled? the red house thing?

3. ALSO IN CHAPTER 101 there's this ghost? that talks to nene about an accident in the CF so WHAT ABOUT THAT? WHY NO ONE TALKS ABOUT THAT?

WHAT IF this accident is related to the time change somehow come on guyssss think with me

other thing that has been bothering me is that in the wikis (eng and esp) it says that the yugi twins birthday is in 1955, but in chapter 78 it says that in 1960 is their 4th birthday, so shouldn't they be born in 1956? i don't know if i'm just to dumb to fucking do math or what but wth