One I didn’t like at first but which really grew on me as I read more of his poems is Edwin Arlington Robinson’s characterization of Gawain. He appears in Tristram, Merlin, and Lancelot, always as a side character who’s only there for a fairly short time, so you have to fit his arc together from the fragments. At the start, everyone sees him as cheerful and careless—he’s called “gay Gawaine” in the old sense of the word more than once—but he’s more insightful than most of the others give him credit for, and, after his brothers are dead and he becomes unhinged in his quest for revenge, you realize that he was already unhinged and his cheerful flippancy was a coping mechanism/mask. He also has a delightful way with words. In Tristram, he tells Isolt of Brittany that he isn’t sure whether he’s hitting on her or not but it doesn’t matter because “Tristram, off his proper suavity, has fervor to slice whales, and I, from childhood, have always liked this life.” During his last conversation with Lancelot, Gawaine tells him, “A gloomy curiosity was our Modred, from his first intimation of existence. God made him as He made the crocodile, to prove He was omnipotent.”
Pick and choose from whatever adaptations or retellings you know of, they don’t all have to appear in the same story. No wrong answers. :^)
The Melora + Orlando ship should be called Valor. I can think of a few reasons why:
It’s a biblical reference, which seems in keeping with the story’s themes, considering that Melora has the Lance of Longinus. “A woman of valor who can find? She is to be valued above rubies” is quite fitting, given Melora’s association with a carbuncle (another red stone).
Both of their names contain “or”.
Melorlando is a bit of a mouthful. Valor, on the other hand, is easy to say and sounds adventurous.
There used to be a real gothic metal band named Tristania and I don’t know whether that was a coincidence or whether they named it after Tristram’s Tristania. I’m not sure whether I prefer the latter—them appreciating medieval literary characters—or the former—it being a splendid coincidence.
The antidote Palomides procures against death by unrequited love cannot fail to appeal to a modern reader, familiar as we all are with the therapeutic powers inherent in ones creative faculties: 'therewythall he leyde hym downe by the welle, and so began to make a ryme of La Beall Isode and of sir Trystram... [S]ir Palomydes [lay] by the welle and sange lowde and myryly (473-4.86).
— Between Knights: Triangular Desire and Sir Palomides in Sir Thomas Malory's "The Book of Sir Tristram de Lyones" by Olga Burakov Mongan
So the therapeutic powers part is a beautiful interpretation, but also all I can think of now is Tristania modern AU, in which they're all in a band with messy interpersonal relationships and writing songs about each other Fleetwood Mac style.
(Dinadan, the only one not tragically in love with someone, writes weird narrative songs and diss tracks about the people he dislikes)
The Poet's Corner Window at Westminster Abbey, designed by Graham Jones, with diamonds for Alexander Pope, Oscar Wilde, Christopher Marlowe, Elizabeth Gaskell, Robert Herrick, A.E. Housman, and Frances Burney (descending, left then right)
The name is a bit misleading, since Gawain and Guinevere (here referred to as Dame Gaynour) feature more in the story. The first part concerns their lakeside encounter with the terrifying ghost of Guinevere’s mother, who bemoans her fate, gives Guinevere advice, and doles out prophecies of doom, predicting the death of Gawain and the fall of Camelot to Mordred. The second part is about a fight between Gawain and Galeron, which is more mundane in subject but suggests some of the factors which will make the ghost’s prophecies come to pass.
If this were the Book of Jonah, it might make more sense, but I guess someone just wanted to make a fish case for their favorite scroll, and I can respect that.
Esther scroll in fish-like case, Eastern Europe, 19th century, The Jewish Museum, London
…as he should be.
So I searched up "Jewish philosopher with opinions" and he was the first result.
Arthurian Mirror/Role Reversal AU, where Morgan is the Once and Future Queen, leader of the Dames of the Round Table, who search for the Holy Clau or Holy Rood.
Meanwhile Arthur becomes the Supernatural Raider/Wild Man called "Arthur la Guivre", who terrorizes Morgan's kingdom but ultimately rescues his sister after the final battle, bringing her over to his Otherworldly realm under a Mountain.
Sebile becomes the Sir Kay of this AU.
They call me "little man," "King Arthur's fool,"
And "simpleton," those lackeys at the court,
But this fool's mother had the Second Sight,
And sometimes when I caper for the king
I see more than Taliesin the bard
And Merlin the enchanter can, combined.
I stand before the dais, juggling:
The red balls first, then yellow, green and blue,
And when I add the gold and silver spheres,
The oval blur between my hands takes form.
A glowing, rainbow mirrow it becomes
Through which I see the king an older man.
His beard is shot with grey. Astride his horse
He sits up straighter than he would on land
When all the kingdom's cares, some awful guilt,
And the death of all his dreams lie on his back.
I see two rows of soldiers and a snake,
A sword unsheathed to kill it, turned on him--
I drop the balls and stammer out some jest,
A wish for pardon, while the courtiers roar.
He does not laugh. He sees my face go grey
With terror. Arthur thinks I fear his wrath.
He hands me the gold ball, rolled to his feet,
Says, "Dagonet, all people make mistakes."
He glances at his wife; she looks away.
Fool I may be, but even I can tell
There's something wrong when Guinevere looks down
Among the milling courtiers at one knight,
The tallest, bravest, handsomest in spurs:
At Lancelot, who never makes mistakes.
I scramble for the balls. He looks at me,
Then looks away, and shrugs his lion's mane.
Dismiss me as a fool, Sir Lancelot.
Better a fool in small things all my life
Than a great lord who, with one folly alone,
Casts all he loves to ruin at life's end.
Arthur: Would you die for me?
Lucan: Of course, my liege. If I had to.
Arthur: Would you die for me?
Bedivere: As the Marshal of Camelot and a man of honor, it is my duty to do whatever is required of me by the throne.
Arthur: Would you die for me?
Griflet: No. That would be stupid. I would hold you in my arms as you died, then burn all your possessions.
Arthur: Out of grief?
Griflet: Yeah. Grief.
I've only messaged people on Tumblr three times: the third when I didn't have an answer for an ask (I'm still working on it), the second when I had a question to ask someone which didn't seem big enough to be ask-worthy, and the first to a very prominent Arthurian blog which wasn't strongly related to my admittedly odd and random comment about the Grail questers but was the only Arthurian blog I'd encountered at that point, since I hadn't yet figured out how Tumblr worked or that I could post things. I'm a little mortified about that last one, but all three people were nice about it. Anyway, I don't make a habit of messaging people on here because I'm worried it would seem weird and invasive. Then again, if someone messaged me, I wouldn't find it either of those things. I don't think I'm alone in this: I can vaguely remember seeing a post where someone said they would feel like they were ambushing someone in a dark alley if they messaged someone but would be happy if someone messaged them.
Anyway, all that is to say I'm not really sure how Tumblr messaging culture works, but if you want to message me, feel free to. I won't think it's weird.
In which I ramble about poetry, Arthuriana, aroace stuff, etc. In theory. In practice, it's almost all Arthuriana.
215 posts