The thing about skk being a "brain and brawn" duo is that I feel like a lot of people put them in a box and refuse to acknowledge that just because they are one half of the duo does not mean they are incapable of being the other.
Chuuya is obviously the powerhouse behind skk, but the amount of people who think he's stupid when he's not stupid, he can be emotional but that's not all there is to him. He figured out that Randou was lying almost as fast as Dazai did, it says in Stormbringer that everyone was surprised that a sixteen year old was managing the gem trade so easily but he was. You'd think they'd have someone incapable in such a high leadership position? I will truly never understand why someone people think he's dumb when like, he may not be a genius like Dazai or Ranpo, but he's pretty dang smart on his own, his highest level of education was preschool, mind you.
And Dazai is not the best fighter, but he is pretty capable. He was able to completely pummel Akutagawa (whatever you want to say about that), and Akutagawa had spent a lot of times in the slums fighting to survive. He's not the most capable fighter, but I think he'd handle himself pretty well in a fight if he had to. He kept up with Chuuya after being away from him for four years, and yeah Chuuya was definitely going easy on him, but he isn't helpless.
tl;dr: skk are more than their stereotypes.
So like.
If that's not Fyodor, does that mean Nikolai is just hugging some random dude's hand???
Just wondering.
I love how for the last few chapters, I saw so many posts that were confused, annoyed, bored, and just generally frustrated with the direction the series was taking, claiming that it was getting repetitive, and then this chapter came around and now everyone is like "YES YES THIS IS WHY IT'S MY FAVORITE SERIES THIS IS AMAZING THIS IS A MASTERPIECE I NEVER DOUBTED YOU FOR A SECOND ASAGIRI, YOU LITTLE GENIUS—"
One thing I love about bsd is the fact that you can have multiple pairs of the "hate each other but trust each other" trope, and they all feel different.
Fukuzawa and Mori are exes, Dazai and Chuuya have an on-off again relationship, and Atsushi and Akutagawa are in middle of their enemies to lovers arc.
I hate to be the bearer of bad news, but there's a common misconception that's been permeating the fandom, even on the official wiki, that's just...not true.
Dazai met Akutagawa when he became an executive, which happened when he was 17-18. In both The Heartless Cur (the short story written by Asagiri about how Akutagawa and Dazai met) and Beast, which follows the original timeline, albeit with some changes, it flat out states that the interaction was only four and a half years prior to the main story. Which means Akutagawa knew Dazai for six months. He was already either fifteen or sixteen when they met, and they haven't known each other for that long. Not fourteen.
Dark era vs Beast
"This story is a tragedy because it didn't have to end this way."
vs
"This story is a tragedy because it was always going to end this way."
In the latest chapters of Bungo Stray Dogs, Akutagawa Ryuunosuke’s character arc has reached a profound turning point (well it usually does, he has a slow and gradual and good development.) After losing his memories or so it seems, he only regains them in the wake of Atsushi’s self-sacrifice, an event that carries immense weight given their history. This development not only ties back to recurring themes in Akutagawa’s story but also resonates with Asagiri’s earlier work on him, particularly the short story The Heartless Cur. The significance of this title alone—"cur" referring to a stray dog, an outcast—echoes his core struggle with identity, worth, and the pursuit of strength. Now, with the latest manga title, A Mysterious Thing Called "The Heart", we see the final steps of this journey: the realization of what it means to protect, to be selfless, and to truly understand one’s own heart.
Akutagawa has long been plagued by the idea that only the strong have value. His harsh upbringing in the slums and Dazai’s ruthless mentorship reinforced this belief, leading him to adopt a mindset where power dictated one’s worth. The Heartless Cur explores this concept deeply, portraying Akutagawa as someone whose existence is defined by violence and survival. The title itself suggests a being without purpose beyond its primal instincts—an apt metaphor for the way Akutagawa saw himself.
Yet, in the present timeline, something shifts. Akutagawa’s repeated confrontations with Atsushi force him to acknowledge a different kind of strength—one rooted not in destruction and not just in protection, but from within oneself. This realization is crucial, as it reframes his view on what it means to live and fight, and importantly get rid of the Dazai obsession to which I am glad he lost that coat, which to me in a way is like the "watch" in beast for Atsushi. The title of the newest chapter, A Mysterious Thing Called "The Heart", directly contrasts his previous mindset. Where once he believed himself heartless, unworthy, and merely a weapon, he now finds himself understanding the weight of sacrifice, the worth of another’s life, and, ultimately, the meaning of his own (hopefully asagiri doesn't mess this up, but I believe in him so I'm sure all will turn out great just with a lot of lore dump and excessive plot armor with no deaths until wayyy later on. Ahem, but anyways.)
One of the most striking aspects of Akutagawa’s sacrifice is how it mirrors Atsushi’s own. Both characters have operated on deeply ingrained selfish desires—Akutagawa seeking validation through strength, Atsushi yearning for affirmation that he deserves to live through saving. Now I know I mentioned this before, and I keep mentioning it, because to me its important to add. Their growth has always been intertwined, clashing and evolving through their battles. However, the defining moment of Akutagawa’s return to consciousness—when Atsushi sacrifices himself and repeats Akutagawa’s words—highlights a crucial transformation: their shift from selfishness to selflessness. In both of them in a way, even if Atsushi has put his life on the line to save others before it was not quite like he did here, without activating his ability (we're not sure if he really could or couldn't in the moment but lets add that here anyways.) to save Akutagawa at the expense of his own life and survival just as Akutagawa did for him, sacrificing his own life, his own selfish need for survival even if he stated he does not mind death for the knowing the value of anothers' life. I know I said this before too but just let me write.
It’s a moment of complete reversal and similarity as these Yin-Yang boys have always shown, proving that the rival enemies have truly come to understand each other. Akutagawa regaining his memories at this precise moment reinforces the idea that it was just that big of a deal and how impactful his own sacrifice and development was and it shows the same for Atsushi.
Rashomon has always been more than just an offensive ability. While it is known for its terrifying destructive power, its defensive capabilities reveal another side of Akutagawa’s character. This duality—destruction and protection—mirrors his own self. Initially, he wielded Rashomon purely as a weapon of aggression, but as he evolved, so too did his ability’s purpose. When he shields not just Rashomon shielding himself but when he raises his blade for others, this is a huge change - though I believe Knight Aku has much to explain especially I hope asagiri tells us if this is a singularity of bram and akutagawa or not. Which may take months.
This theme of protection is not new. In 55 Minutes, after dying in flames, Akutagawa retained memories that should have been erased—a testament to how deeply certain experiences impact him. Likewise, in his vampire state, he still exhibited a sense of control, sparing Aya and ultimately keeping his promise despite being under mind control. Now I know when it said the heartless dog/emotionless child felt emotion for the first time it was hatred before going on that killing spree. But after all this it does show. These moments underscore a crucial truth: Akutagawa has always had a heart, even when he believed himself heartless or is shown to be. (I will write more on this in another post, I know I keep saying that too, but it will happen and it will have to do with an interesting thing of Akutagawa's character being written and possibly shown in the "Rashomon Effect" you can research it if you don't know it already.)
Akutagawa’s theme song, From the Trembling Dark World, captures the essence of his character’s struggles at least what they used to be. The lyrics paint a picture of someone who has always been fighting—against the world, against himself, against the fear of being weak:
"A longing as strong as
A reason to live even when I’m unable to breathe
From the trembling dark world, always." It may not specifically be his reason to live but this says its "a longing as strong as a reason to live." This reflects the pain and determination that have defined his journey. The idea of pressing forward despite suffering is central to his story, but not just that but it shows just how important again that longing for approval and to be told he is strong and worthy to live is, which we all know funnily enough is what he mocked atsushi for before. Though they are so the same and different and I could go on forever about every little detail of their sentences to each other but not now, unfortunately. Another significant line is:
"Unreachable no matter how much I writhe."
Dazai’s influence is evident here (when is it not when it comes to Akutagawa?). Akutagawa was shaped by the expectation that he had to be strong to matter, that to stop moving forward was to be left behind. Yet, the lyrics also suggest a yearning for something beyond this endless struggle.
The song’s repetitive line is particularly poignant:
"Weak, weak and it's not enough."
This shows us a lot, or well kind of, within the last chapter in the manga and besides his endless yearning for strength and Dazais acknowledgement which is meant by this line in the song back probably around 8 or more years ago... His willingness to die not for power or recognition but for someone else’s survival is the ultimate proof that he has changed. The once "heartless cur" has found his heart—not in words, but in action. Funnily enough before he died he had a nice conversation with Fukuchi on what his last words would be, and he said he prefers actions, but what do we get... "Away with you...you fool."
Lets also not forget how important this cycles and webs are of connection, manipulation, abuse etc. But considering that, remember how Akutagawa threatened Kyouka with getting thrown into a dark world/slums? How he described it... Well I need to re-read and get a better perspective or coherent thoughts on it but I'm sure it was said that Dazai threatened him with the same thing, to be sent back if he didn't do good. Which would of course make Akutagawa all the more "grateful" for being taken in and trained to be "strong" because like he's seen all his life only the strong survive, and the worthy get to live at the "top" of the world. Its funny how this kind of even gets added into his likes as the things he likes are very refined so to say, to show he is no longer down there. But I see how Dazai probably saw a piece of himself in Akutagawa, killing, empty eyes, looking for a reason to live - and decided to try and give him one in the way he knew too. At that time Dazai was in the Port Mafia he was a very different Dazai from the ADA one, his methods and his ideas...all quite different that its obvious what happened there with him and Akutagawa. And how Akutagawa saw himself in Kyoula (interesting she was 11 or around there when she joined wasn't it or was it 12-13? similarly to when dazai found Akutagawa) he said he saw the same eyes he knows, because he too had the same eyes. But now she has found the light, and a reason for living besides killing, a place to belong that doesn't hurt her constantly. (While he got that yes, but the place he belonged was void of the person he was waiting for approval from, and it definitely did not help in his mental state and health or help him much in any ways as the ADA did for Kyouka as we see his eyes are still the same, dark but now with determination.
Also a random mention to later chapters just because Akutagawas eyes are important to me (as everything in his character is important to me.)
And perhaps, in the end, he was never truly heartless—he just needed someone to remind him that his heart was always there, waiting to be acknowledged. Kind of like Yosano who was used for her ability, but never had her kindness acknowledged until Ranpo invited her to the Agency.
(Also random thing to add but I enjoy canon way too much to consume too much fanon content so I prefer keeping away most of the time so I can keep my thoughts and theories/analysis of things clear and to do with canon so things don't get blurred or messed up or have mischaracterization or information errors. But if you do find any or have anything to say about it please do.)
I wrote before about his eyes in another post probably twice or more times as I always like mentioning it... But just to add:
On a side note I feel like Harukawa was talking about Tanizaki who we know will soon probably have more relevance with Naomi or something.
His eyes always turn completely dark. And he was said to be good enough to be in the mafia before. Not to mention when Yosano said she wouldn't go back he offered to go. And reading back Harukawa said that mostly those in the PM are like this. But anyways. Hope the rambling ended up alright, I'll end the series of thoughts and analyzing for now.
~ Hope your brain isn't as fried as mine, end of The Akutagawa Fan, Charkoala, Caldera posting until the next few hours.
Me, in real life: I really hope I didn't say anything to offend them I mean I don't think I did but maybe when they looked away they were hurt god I hope I didn't make them feel the least particle of sadness.
Me, as a writer: Is this emotionally damaging enough? I really hope I can completely and utterly wreck this random person, make them ugly sob into their pillow, absolutely ruin their day in as little words as possible.
"Akutagawa is Atsushi's foil" yeah but you know who else is?
Dazai.
Atsushi and Dazai are really good parallels in a way that doesn't ever get talked about. Atsushi saved Dazai from dying in the moment that he decided he was going to live. Everything Atsushi does, everything that drives him, is his utter desire to live. Sure, sometimes he may doubt his own right to do so, but to him, life is the most beautiful thing he wants to be worthy of.
Dazai, on the other hand, is driven by his desire to die. He searches for a way out, even if he never goes through with it. He doesn't see the value of life, not in him and not in most others.
That's one of the things that attracted Odasaku to him, and now Atsushi. Because as much as Dazai never valued life, he values people who value life. Chuuya, Odasaku, Atsushi, even Ango he chose to befriend when learning that he was writing the names of all the dead. That's why Atsushi is so precious—it's someone he could learn from, maybe to find his own will to live.
The boy who desires life while his mentor desires death. And their relationship is somehow one of the most wholesome in the whole series.
A random idea/fanfiction by me.
Inspired by: the shower (truly, it's a magical place)
Because like, imagine, will you, that Dazai goes to the bank on his day off after payday, possibly looking to get some new bandages, and who should he come across but Chuuya, who is there to take out some money from a totally legitimate Port Mafia account. They'd probably bicker for a minute, Dazai would find at least three ways to insult the mafioso, who would then shout back at him, only to have everyone else in the bank shoot them strange looks, so he then resorts to whisper shouting. Until suddenly, the doors burst open, and in rushes five men with guns blazing, their faces obscured by masks. "This is a hold up!" they declare. Three of them usher all the bankgoers to one wall, forcing them to sit down quietly. And of course, if any of them try to call the police, they'd really get it. The other two deal with the clerks, getting them to open the vault, and no one gets hurt.
Meanwhile, Dazai and Chuuya are watching this play out with mild amusement. After one of them sticks a gun in Dazai's face and tells them to move it, they share a shrug and walk to the wall, plopping down criss-cross applesauce. The patrons are shaking. Some of them are crying, some are praying. Dazai folds his arms behind his head and leans back against the wall, suppressing the urge to yawn. Chuuya takes the opportunity to munch on a granola bar and observe the robbery with vague interest.
With his eyes closed, Dazai asks... "so...are you going to stop them, or...?"
"Nah," Chuuya answers between bites. "I haven't eaten much all day, so..." He turns to Dazai. "What about you? Aren't you the detective here?"
"Yeah, but it's my day off now. I don't want to work."
"Yeah, yeah, definitely know the feeling."
"Hey, you two!" shouts one of the thieves watching the hostages. "Be quiet!"
"Sorry." Neither of them sound particularly apologetic. They sit for a few more minutes. Dazai yawns and stretches. Chuuya finishes his granola bar. Nothing changes.
"What's taking them so long?" Chuuya mutters. He's starting to get annoyed. "Some of us have things to do, you know."
"This is actually really pathetic," comments Dazai. "We could have gotten double the money and been halfway back to the base by now, gone before the police even knew there was a threat."
"And we'd never do it like this," agrees the mafioso. "This is too loud, and it's got no class."
"Right? It's like begging for the police to come. And besides, this whole hostage situation is thin as paper. If they really wanted to intimidate people, they should have shot someone by now, prove they're serious."
"Those guns probably aren't even loaded."
"Honestly, this whole set up is awful. Truly amateurish."
"This whole thing would be much smoother if we did it. Maybe we should help them, just so they can get their money and leave the rest of us alone."
"That-"
"Hey!" shouts the same guard again. He points at Dazai, then at Chuuya. "What did I say about talking?! If you don't shut up-"
"No, you're doing it wrong," Dazai informs him.
"I...what?"
"If you really wanted to intimidate us, you should have fired off a warning shot, at the very least. Even if you're too coward to actually shoot a person, at least don't make it so obvious the thing's not even loaded."
Beads of sweat drip down the thief's face. "Huh?"
"And could you tell your friends there to hurry up?" adds Chuuya. "They're going to be caught at this rate. Obviously, the clerks are stalling. They're probably sticking in the lowest bills they have to give the bags some weight. It would be way more efficient to have one guy guarding the clerks and two of you doing it yourself."
"Just figure out the accounts with the most in them and take from there," Dazai suggests, standing up. "You'll get more and faster like that."
Chuuya rises as well. Now, the other two thieves who were supposed to be guarding the hostages come to back up their friend, pointing their guns directly at their heads. Dazai frowns.
"Hold on a second, can I see that? Thanks." He reaches out and grabs the nearest thief's gun, and before he even has a chance to protest, he opens up the magazine and shakes it.
"See? Empty. Would it really have been so hard to even find one bullet to put in there?"
From behind their masks, the burglars begin to panic. The public, now aware they're being held up by nothing, stand up angrily.
"And look!" Chuuya strides over behind the counter, where the clerks are supposed to be filling up bags with money. He takes one out of a male's clerk's hand and dumps it out on the floor. "All 1,000 yen bills. If you had just paid more attention, you could have made off with much more. And, now the police are coming."
Indeed, the sound of wailing sirens gets louder and louder. The thieves glance at each other. With a single nod, they turn on their heels and run.
"Not so fast!" All of the former hostages block the door. The thieves freeze, turning to Dazai fearfully. He shrugs.
"That's what happens when you don't back-up your claims. This is due to your own stupidity."
The public manages to easily restrain the thieves until the police arrive to take them away. As they're being dragged out, Dazai and Chuuya merely watch with their arms folded, shaking their heads and muttering to themselves.
"Disgraceful."
"What a sloppy job."
"Embarrassment to all criminals, really."
"Can't believe I had my time wasted with this crud."
"Hopefully, they'll do better next time."
"Yeah. If you're going to hold up a bank, at least do it well."
After the thieves are taken away, the police ask Dazai and Chuuya about what happened, since everyone says that they're the ones who stopped them. They answer with vague statements that amount to nothing, and leave the bank before they have to get more involved.
Neither of them speak much, each caught up in his own memories from the past. Eventually, Dazai decides to head back to his apartment, though not without giving one good jarb on Chuuya's height. In the end of the day, he supposed he did stop them. Well, as long as it didn't have to count as work-
The next day, both Chuuya and Dazai were required to make a report on the matter.
End.
Grown-ups are lonely people. Even if we love each other, we must be careful not to show it publicly. And why all this caution? The answer is simple: because people are too often betrayed and put to public shame. The discovery that you cannot trust people is the first lesson young people learn as they grow up into adults. Adults are adolescents who have been betrayed.
Dazai Osamu, Tsugaru