You know what screw Dazai or any other character's backstory I want the next light novel to be entirely dedicated to exactly when and how Motojiro Kajii discovered he was immune to lemon shaped bombs
Aggravate - make something worse Irritate - to annoy
Alternate - to take turns Alternative - an option
Ambiguous - something unclear or vague Ambivalent - about something, you can take it or leave it
Aural - refers to the ear or hearing Oral - refers to the mouth or speaking Verbal - expressed in words, either spoken or written
Definitely - for emphasis Definitively - for the final say
Didactic - teaches a lesson Pedantic - just shows off the facts
Envy - when you want what someone else has Jealousy - when you’re worried someone’s trying to take what you have
Fortunate - lucky Fortuitous - by chance or accident
Gambit - a kind of sacrifice Gamut - a range
Gibe - to sneer or heckle Jibe - to agree (but, jibe is a variant spelling of gibe)
Historic - has a great importance to human history Historical - something is related to the past
Holistic - treatment of the whole person Holy - having a divine quality (e.g., related to a god)
Partially - implies bias in favor of one or the other Partly - more precise when portion or proportion is meant
Rob - focuses on the place or person from which the thing is taken Steal - focuses on the thing that is taken
Sound - something which you can hear Noise - when a sound is unwanted or unpleasant
Tortuous - marked by repeated twists, bends, or turns Torturous - describes something painful
Voracious - describes someone super hungry Veracious - means truthful
Who - acts (like "he" or "she") Whom - receives (like "him" or "her")
Wreck - to ruin something Wreak - to cause something to happen Reek - to smell bad
Sources: 1 2 3 4 5 6 ⚜ More: Writing Basics ⚜ Writing Resources PDFs
Since there won't be a season six anytime soon, I decided that they should make a season 5.5 where they animate both Stormbringer and 55 Minutes and title it Bungou Stray Dogs: Nobody Likes French People.
EPIC THE THUNDER SAGA IS COMING OUT ON JULY FOURTH!!!
Also, I love the Troy Saga came out on xmas 2022, Ocean Saga xmas 2023, Circe Saga on Valentines, and now the Thunder Saga on July fourth.
Meanwhile, the Cyclops and Underworld Saga be released on the randomest dates to ever date, Jan 27th and April 26th:
ArE wE NoT sPeCiAL
"Akutagawa is Atsushi's foil" yeah but you know who else is?
Dazai.
Atsushi and Dazai are really good parallels in a way that doesn't ever get talked about. Atsushi saved Dazai from dying in the moment that he decided he was going to live. Everything Atsushi does, everything that drives him, is his utter desire to live. Sure, sometimes he may doubt his own right to do so, but to him, life is the most beautiful thing he wants to be worthy of.
Dazai, on the other hand, is driven by his desire to die. He searches for a way out, even if he never goes through with it. He doesn't see the value of life, not in him and not in most others.
That's one of the things that attracted Odasaku to him, and now Atsushi. Because as much as Dazai never valued life, he values people who value life. Chuuya, Odasaku, Atsushi, even Ango he chose to befriend when learning that he was writing the names of all the dead. That's why Atsushi is so precious—it's someone he could learn from, maybe to find his own will to live.
The boy who desires life while his mentor desires death. And their relationship is somehow one of the most wholesome in the whole series.
While I'm grateful bsd doesn't do the "As you know..." type of exposition, it's crazy how much worldbuilding there is like. in the shadows of everything. Like, what's up with the Great War? This isn't even so evident if you don't read the light novels, but there was literally a world war that ended less than fifteen years before the start of the main timeline. It's because of the war that there are so many orphans in the universe. It's because of the war that ability users have faded into a myth, and why they have to get special permits to work and usually gravitate towards underground organizations. It's because of the war why world relations are so shaky, why the government strictly monitors all ability users, and yet all of this is sort of like...in the background? Season four is the first time we ever even get a real flashback and actual exposition about it in the anime, even though it's been vaguely referenced as early as season two with Mimic. They literally did experiments on children, hence Chuuya. So much of the world and the violence and the tripartite framework all came into existence because of the war. And until the most recent arc, where it's being brought to the forefront with both Fukuchi and Fyodor's plan to eradicate ability users, it's sort of just in the background.
And don't even get me started on the lore behind the Dragon Head Conflict because like-
In the latest chapters of Bungo Stray Dogs, Akutagawa Ryuunosuke’s character arc has reached a profound turning point (well it usually does, he has a slow and gradual and good development.) After losing his memories or so it seems, he only regains them in the wake of Atsushi’s self-sacrifice, an event that carries immense weight given their history. This development not only ties back to recurring themes in Akutagawa’s story but also resonates with Asagiri’s earlier work on him, particularly the short story The Heartless Cur. The significance of this title alone—"cur" referring to a stray dog, an outcast—echoes his core struggle with identity, worth, and the pursuit of strength. Now, with the latest manga title, A Mysterious Thing Called "The Heart", we see the final steps of this journey: the realization of what it means to protect, to be selfless, and to truly understand one’s own heart.
Akutagawa has long been plagued by the idea that only the strong have value. His harsh upbringing in the slums and Dazai’s ruthless mentorship reinforced this belief, leading him to adopt a mindset where power dictated one’s worth. The Heartless Cur explores this concept deeply, portraying Akutagawa as someone whose existence is defined by violence and survival. The title itself suggests a being without purpose beyond its primal instincts—an apt metaphor for the way Akutagawa saw himself.
Yet, in the present timeline, something shifts. Akutagawa’s repeated confrontations with Atsushi force him to acknowledge a different kind of strength—one rooted not in destruction and not just in protection, but from within oneself. This realization is crucial, as it reframes his view on what it means to live and fight, and importantly get rid of the Dazai obsession to which I am glad he lost that coat, which to me in a way is like the "watch" in beast for Atsushi. The title of the newest chapter, A Mysterious Thing Called "The Heart", directly contrasts his previous mindset. Where once he believed himself heartless, unworthy, and merely a weapon, he now finds himself understanding the weight of sacrifice, the worth of another’s life, and, ultimately, the meaning of his own (hopefully asagiri doesn't mess this up, but I believe in him so I'm sure all will turn out great just with a lot of lore dump and excessive plot armor with no deaths until wayyy later on. Ahem, but anyways.)
One of the most striking aspects of Akutagawa’s sacrifice is how it mirrors Atsushi’s own. Both characters have operated on deeply ingrained selfish desires—Akutagawa seeking validation through strength, Atsushi yearning for affirmation that he deserves to live through saving. Now I know I mentioned this before, and I keep mentioning it, because to me its important to add. Their growth has always been intertwined, clashing and evolving through their battles. However, the defining moment of Akutagawa’s return to consciousness—when Atsushi sacrifices himself and repeats Akutagawa’s words—highlights a crucial transformation: their shift from selfishness to selflessness. In both of them in a way, even if Atsushi has put his life on the line to save others before it was not quite like he did here, without activating his ability (we're not sure if he really could or couldn't in the moment but lets add that here anyways.) to save Akutagawa at the expense of his own life and survival just as Akutagawa did for him, sacrificing his own life, his own selfish need for survival even if he stated he does not mind death for the knowing the value of anothers' life. I know I said this before too but just let me write.
It’s a moment of complete reversal and similarity as these Yin-Yang boys have always shown, proving that the rival enemies have truly come to understand each other. Akutagawa regaining his memories at this precise moment reinforces the idea that it was just that big of a deal and how impactful his own sacrifice and development was and it shows the same for Atsushi.
Rashomon has always been more than just an offensive ability. While it is known for its terrifying destructive power, its defensive capabilities reveal another side of Akutagawa’s character. This duality—destruction and protection—mirrors his own self. Initially, he wielded Rashomon purely as a weapon of aggression, but as he evolved, so too did his ability’s purpose. When he shields not just Rashomon shielding himself but when he raises his blade for others, this is a huge change - though I believe Knight Aku has much to explain especially I hope asagiri tells us if this is a singularity of bram and akutagawa or not. Which may take months.
This theme of protection is not new. In 55 Minutes, after dying in flames, Akutagawa retained memories that should have been erased—a testament to how deeply certain experiences impact him. Likewise, in his vampire state, he still exhibited a sense of control, sparing Aya and ultimately keeping his promise despite being under mind control. Now I know when it said the heartless dog/emotionless child felt emotion for the first time it was hatred before going on that killing spree. But after all this it does show. These moments underscore a crucial truth: Akutagawa has always had a heart, even when he believed himself heartless or is shown to be. (I will write more on this in another post, I know I keep saying that too, but it will happen and it will have to do with an interesting thing of Akutagawa's character being written and possibly shown in the "Rashomon Effect" you can research it if you don't know it already.)
Akutagawa’s theme song, From the Trembling Dark World, captures the essence of his character’s struggles at least what they used to be. The lyrics paint a picture of someone who has always been fighting—against the world, against himself, against the fear of being weak:
"A longing as strong as
A reason to live even when I’m unable to breathe
From the trembling dark world, always." It may not specifically be his reason to live but this says its "a longing as strong as a reason to live." This reflects the pain and determination that have defined his journey. The idea of pressing forward despite suffering is central to his story, but not just that but it shows just how important again that longing for approval and to be told he is strong and worthy to live is, which we all know funnily enough is what he mocked atsushi for before. Though they are so the same and different and I could go on forever about every little detail of their sentences to each other but not now, unfortunately. Another significant line is:
"Unreachable no matter how much I writhe."
Dazai’s influence is evident here (when is it not when it comes to Akutagawa?). Akutagawa was shaped by the expectation that he had to be strong to matter, that to stop moving forward was to be left behind. Yet, the lyrics also suggest a yearning for something beyond this endless struggle.
The song’s repetitive line is particularly poignant:
"Weak, weak and it's not enough."
This shows us a lot, or well kind of, within the last chapter in the manga and besides his endless yearning for strength and Dazais acknowledgement which is meant by this line in the song back probably around 8 or more years ago... His willingness to die not for power or recognition but for someone else’s survival is the ultimate proof that he has changed. The once "heartless cur" has found his heart—not in words, but in action. Funnily enough before he died he had a nice conversation with Fukuchi on what his last words would be, and he said he prefers actions, but what do we get... "Away with you...you fool."
Lets also not forget how important this cycles and webs are of connection, manipulation, abuse etc. But considering that, remember how Akutagawa threatened Kyouka with getting thrown into a dark world/slums? How he described it... Well I need to re-read and get a better perspective or coherent thoughts on it but I'm sure it was said that Dazai threatened him with the same thing, to be sent back if he didn't do good. Which would of course make Akutagawa all the more "grateful" for being taken in and trained to be "strong" because like he's seen all his life only the strong survive, and the worthy get to live at the "top" of the world. Its funny how this kind of even gets added into his likes as the things he likes are very refined so to say, to show he is no longer down there. But I see how Dazai probably saw a piece of himself in Akutagawa, killing, empty eyes, looking for a reason to live - and decided to try and give him one in the way he knew too. At that time Dazai was in the Port Mafia he was a very different Dazai from the ADA one, his methods and his ideas...all quite different that its obvious what happened there with him and Akutagawa. And how Akutagawa saw himself in Kyoula (interesting she was 11 or around there when she joined wasn't it or was it 12-13? similarly to when dazai found Akutagawa) he said he saw the same eyes he knows, because he too had the same eyes. But now she has found the light, and a reason for living besides killing, a place to belong that doesn't hurt her constantly. (While he got that yes, but the place he belonged was void of the person he was waiting for approval from, and it definitely did not help in his mental state and health or help him much in any ways as the ADA did for Kyouka as we see his eyes are still the same, dark but now with determination.
Also a random mention to later chapters just because Akutagawas eyes are important to me (as everything in his character is important to me.)
And perhaps, in the end, he was never truly heartless—he just needed someone to remind him that his heart was always there, waiting to be acknowledged. Kind of like Yosano who was used for her ability, but never had her kindness acknowledged until Ranpo invited her to the Agency.
(Also random thing to add but I enjoy canon way too much to consume too much fanon content so I prefer keeping away most of the time so I can keep my thoughts and theories/analysis of things clear and to do with canon so things don't get blurred or messed up or have mischaracterization or information errors. But if you do find any or have anything to say about it please do.)
I wrote before about his eyes in another post probably twice or more times as I always like mentioning it... But just to add:
On a side note I feel like Harukawa was talking about Tanizaki who we know will soon probably have more relevance with Naomi or something.
His eyes always turn completely dark. And he was said to be good enough to be in the mafia before. Not to mention when Yosano said she wouldn't go back he offered to go. And reading back Harukawa said that mostly those in the PM are like this. But anyways. Hope the rambling ended up alright, I'll end the series of thoughts and analyzing for now.
~ Hope your brain isn't as fried as mine, end of The Akutagawa Fan, Charkoala, Caldera posting until the next few hours.
I have a theory about why Chuuya goes by his first name, as opposed to most other people. Because even in the manga, where characters like Fyodor, Nikolai, and Lucy are generally referred to by their surnames, Chuuya goes by his given name in both the manga and anime. *Stormbringer Spoilers*
First of all, when he was fifteen, he likely went by his first name because he was surrounded by friends, by the people who raised him, and going by something like a family name would be distant and unnatural, and likely not something Chuuya would push. So when he met Dazai, he was still immature enough to go only by his given name, and he probably doesn't bother enforcing it when he joined the Mafia either.
But. After the events of Stormbringer and when Chuuya grows up, I suspect it was for a different reason. We don't see much of Chuuya after he escapes the military facility, but since he knew how to speak, my guess would be that he knew enough to know his name, even if he couldn't remember much else. Chuuya was his name, given to him by birth, but the name "Nakahara" isn't. That's N's name, the name of the person who kidnapped him, experimented on him, and tortured him. The real Chuuya's surname was actually Kensuke, and I think something similar applies to him in universe as well. When he was taken by N, the name Nakahara was given to him, but the name Chuuya is the one his real parents gave to him, the name he received when he was born, the name that proves his humanity. So he probably chooses to stick with that name, even though he really could insist on being called "Nakahara" because "Chuuya" is the one that's his.
I would like to remind everyone that this takes place after the Guild arc, meaning that Kunikida knows by now that Dazai was a Mafia executive. And that doesn't bother him in the slightest.
I cannot put into words how much this line from the fifteen light novel means to me.
One hundred matches. They played close to a hundred games against each other. Because they're both just fifteen year old boys. Fifteen year old boys who were forced to grow up way too fast in a world that only dealt them trashy cards. Two boys who claim to hate each other...who found an equal in each other. Someone else they could be a child with. And in middle of a dangerous mission, a mission that involves Chuuya believing he's a god of destruction, a mission that involves Dazai searching for the old boss because he was forced to false-witness his murder, in middle of all of this, they played a hundred games at an arcade. Because they were just kids.