So, You’re Planning On Drawing Characters With Certain Undertones But You Sure Don’t Want To Make

Let me know if you have questions!!!

stuff

All images are used purely for educational purposed and are credited to their sources and owners.  Any image without credit was created by me.

Gradient Textures + Simple Ocean Simulation (Blender)

something that i like to do when im strapped for creativity is to open up Blender and make a little stylized ocean wave sim, like these

they’re super simple, nice to look at, and if you add in a little something extra, like a boat or some fish or even some particle effects, it can turn into something really special.

it also takes like three minutes to make, so let’s get started.

Czytaj dalej

How to Draw Hands by zephy.fr

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some people expressed that they would like to see my process on painting eyes, so I threw together a quick guide. I’m really bad at explaining things, but maybe someone gets something out of it. Some other information: - I use a lot of hard brushes when sketching and painting, most of them are textured. Usually I only use the soft round brush when adding big shadowed ares and light effects. - Most of the time, I paint on barely more then 2 layers: Background and character. I don’t like painting with dozens of layers and prefer to keep things simple. - I love to overuse too many colors. It’s just a stylistic choice, but I like the look of spashes of different colors everywhere, especially when they are slightly desaturated. (as seen on the second painting step)

Absolutely!! 

Muzzles are one of my favorite parts of drawing animals/furry characters & really fun to draw expressions for. I always start to draw long muzzled characters the same way, by drawing two circles, one representing the basic shape of the head, and the second where the basic placement of the nose is going to be.

From there I sus out the basic shapes without worrying about details. things like the mouth and nose details I always add in last, since theyre less important in the sketching stage than the basic shapes.

For open mouthed or front-view muzzles I basically always use the same process. 

This same process also works for shorter muzzled characters as well

It took me a while to get good at drawing muzzles from different angles & stuff, but once you figure out a good method that works for you its WAY easier than it seems. the most important part of drawing muzzles is just understanding the shape of your characters face.

I hope that was helpful! I dont usually make tutorials but I tried to make this as clear as I could, my sketch process is pretty messy lol.

I am so serious when I say if you want to learn about light, you NEED to at least look at modeseven’s tutorials. even if you’re not pursuing a painterly style, this is all essential theory that can be easily adapted to different coloring styles. notice how none of these ever say ‘light with these colors and shade with these colors’? notice how this is teaching how light works on a mechanical level, and reminding the audience to adjust the actual colors they choose by context? THAT is good advice.

(if you’re thinking ‘wow I want to study more of this persons art!’ I encourage you to do so, but proceed with the knowledge that modeseven draws pretty much exclusively weird as hell kink art. sometimes wisdom comes from horny places)

FLUTTERCORD COMIC: <<HEART>>  

I’m glad that I can finish this on time. 

Season 9 is over, but I know their stories will not stop.

 I love them forever.It’s like I know they’ll always love each other.

 And now I have to stop updating for study.

 I’ll be back in April next year to continue drawing. See U!!!!!

Can you give any tips on how to draw big bulky people like Hazel/Muriel/Gretchen?

I hope this can be helpful to you!

I don’t really think about how I draw characters with different body types at this point because I’ve practiced it so much but these are some rough notes on what I do.

The core of it is to just draw using thicker shapes. Don’t worry too much about exaggeration as it’ll help get you out of the mould of drawing smaller characters by default. The neck, the arms, the torso, the legs, just draw them thicker. 

Study references of fat or muscular to see how the definition changes but in principle, it isn’t that much different to drawing any body type.  

I draw Hazel and Gretchen to be quite bulky but because they’re teenagers when I draw them, they’re still quite soft and lack extreme definition or sharp lines, unlike when I draw Muriel who’s meant to be extreme and musclebound. Changing how soft you draw the character or how much detail you draw changes whether they look bulky from fat or muscle.