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With Time And Practice She Will Be Able To See Through Their Eyes - Blog Posts

3 months ago

Hey, I was thinking of a fic idea. I don't know if it's been done (please send link if so)

I was thinking that it was a risky move from the syrens to mention a daughter when she perfectly could've not mentioned it. Unlike with the water fear thing, she wasn't prompted. Now syrens are supposed to know every way at sea, so I bet they have a wide net of information. So what if they had information on Ithaca as well? Would make sense, wouldn't it? Maybe not the best info, but info nonetheless.

Now, I don't know about you, but if my husband were to go to war, I'd be real affectionate those last few days iykyk. Also I don't think there was a very effective birth control yet, was there?

So what if Penelope sees them away, everything's normal, Telemachus is a baby, all good. And then as time goes on, she starts feeling symptoms but she's in denial. No, she can't be pregnant when her husband isn't home to know about it. She can't. She must be just anxious, or ill or exhausted. Oh, her belly? Yeah no, it hasn't yet gone back to what it used to after telemachus. Oh it's bigger? Yeah, she ate a lot tonight. Totally normal.

By the time she gets over her denial and realizes that oh shit she's pregnant, Odysseus is on the battlefield, not just on the way. She asks Hermes to deliver the message, but Athena convinces him not to, because he's already eager to go home, and if you add that his wife is pregnant, he'll try to make it home before the birth, but that would only make him reckless. It'd get him killed. No, they'll tell him when the war is over. Except of course it takes longer than expected.

Now meanwhile, Ithaca receives her Princess not even a year after her Prince. They get along great. Telemachus adores his little sister. And Penelope adores both her children. She sees a part of her husband in each of them. But the girl (I'm thinking Alkmene, which I'm aware is already a character of Greek mythology, but roll with it) is Odysseus's spitting image while Telemachus is hers.

All of Ithaca can see that the Princess is the miniature version of their King. She makes the same expressions, snarls the same way when she's pissed off, has the same features, from his hair, eyes, face shape. She's his mini-me. So, Ithaca slowly shifts from calling her Alkmene to Mini (alkmene, mene, mini).

Meanwhile Telemachus is his mother's son through and through. The Prince and Princess look like the King and Queen genderbent. And act like them too. Telemachus learns arts, sits alongside his mother as he learns to play instruments and she even teaches him to weave. And Mini, she tries. She does, truly. But she's just not the most patient. She can't sit still for hours on end handling a thread.

So Penelope sits her down hands her a knife and a piece of wood. She knows Mini is just like her father, and hopes his hobby will be something she finally picks up. So she teaches her woodcarving. And would you look at that, she likes it.

Now, Telemachus as the heir, he is the one most in the public eye. Mini tends to hand back, carving wood and watching her brother with sharp eyes, but doesn't stay seated for long, no, she sticks to the shadows and shifts which pillar she's resting against. Unlike Odysseus' leadership and commanding presence, though, she doesn't like to be perceived. She moves on quiet feet, never stays in one spot for long, and doesn't speak much. It's hard to keep track of her. But she's always watching.

Telemachus and her have different ways to feel close to their father. He steals his accessories and clothes (I read a headcannon and a fic and loved this), and she usually sits by her father's bow and talks to it, as if it were her father. Eventually, just before the war ends, she takes a regular bow and teaches herself to use it. She sucks at it at first. She struggles to even string it. Just like Telemachus struggles with fighting.

She does this on secret. She sees the way her mother stares at the bow. Her brother isn't all that interested in learning that yet. So she sneaks out and practices. She sucks. Truly she does. The amount of times she's hit herself on the face just trying to pull the string back, or later cut her cheek with the string as it shoots, the amount of times her arrows were pathetically weak.

Meanwhile, the war ends, and instead of telling him, by now Hermes isn't paying much attention and Athena wants to, really, but can't find the way to tell him "oh by the way, you also have a nine-year-old daughter and I knew all along but didn't tell you", and then you know, they argue and such. She never actually tells him.

And when Hermes makes his appearance during Wouldn't You Like, he also doesn't tell him because there are more pressing issues. But after the Syren thing, on the way to Scylla, he comes down again like

"uhm, actually... You do have a daughter. Your wife was pregnant when you left."

"What?"

"Yeah. Your spitting image, that one. So much so, they call her Mini. Mini of Ithaca, has a ring to it, doesn't it? Mkay, I'll take my leave, have fun~"

"Wait no, you can't just— Hermes, come back!"

And then everything goes as it does. His seven years on Calypso's Island are torture, not only because he has to wonder how his wife is doing and how his boy grew up, but also because he spends them thinking of the daughter he didn't know he had. Was she his spitting image physically or personality wise? What traits of his did she get? What's her real name? Because okay, they call her Mini, but what's her name? Ctemene, like his sister? Something else?

And as the years pass, his anxiety rises when he thinks of home. Because by now, she must be grown up. By now, both his wife and his daughter must have suitors, and he's not there to scare them off.

And meanwhile, during those ten years after she first took the bow, she spends most of her time hidden, trying to learn. The first thing she tries to learn is to hunt, she's not great at it, but she tries. Not for sport either but because as the suitors start to arrive, boy can they eat, and she doesn't want them in her space. This gets Artemis's attention.

Artemis sees this young woman, trying to hide from suitors (some of them also try to get her, because hey, Queen or Princess, same thing right?), trying to learn to hunt but not doing so unnecessary or out of malice. This girl tries to befriend as many animals as she can, but still does hunt. And she takes her under her wing. Now I know Artemis was on the Trojan's side, but come on, it's been almost twenty years.

Under her tutelage, Mini becomes a great archer, just like Telemachus becomes a warrior under Athena's. Unlike Telemachus, she's not too interested in fighting. She does archery because she feels it brings her closer to her father, not because she wants to be a warrior.

And so she becomes an archer as good as, if not better than, Odysseus (Because come on, while Athena is the Goddess of war, Artemis' weapon is a bow) And people know this. She's scary good.

Much like Telemachus with Athena, Mini befriends Artemis.

So during God Games, Apollo is actually firmly on the Releasing Odysseus side, much to Athena's surprise. After all, hey, his sister likes his kid, might as well help her get her dad back. With this change, Athena doesn't get beat up as badly, because that's three gods (Apollo was like "lol isn't that your protégé's dad? Yeah, you should watch this") standing up to Zeus instead of one. They each receive a beating, but not as bad.

Also imagine like:

"Hey, Apollo—"

"It's Odysseus of Ithaca, right? That Odysseus?"

"Yes? I know he killed your Syrens, but listen—"

"Yeah, so mean of him. Anyway, release him."

"... What?"

"My sister is friends with his daughter."

"Oh. Okay. Thanks."

"Mmhmm. Bye now, you have others to convince."

Now, during The Challenge, the suitors are like "No, this is impossible, it's literally not possible, you're trying to trick us"

And the nineteen year old princess snorts, stands up, strings her father's bow and shoots through the axes cleanly. Then unstrings (?) the bow and puts it where it was.

"Dunno, seems very possible for me."

Later, during Hold Them Down, these bastards also plan to take her the same way they will her mother. Break her pride, they say. Put her in her place. A girl can't be better than them.

Odysseus is filled with pride for his daughter at the thought that she's so much better than them that it broke their egos. He's also filled with anger, logically.

Now, it is 108 men. What if they did manage to get Telemachus just a little before (not that he lasted less, just that it happened a little earlier), and Odysseus is in check, because fuck if he attacks they'll hurt his boy. He's seething with rage and trying to formulate a plan. He could take them, he absolutely could, but how will he do it without harming his son? Their eyes are all on him, he doesn't have the element of surprise anymore, he can't move quickly or they'll kill his son.

And then an arrow flies. And it's not his.

The arrow pierces the head of the man holding Telemachus, at the perfect angle that it doesn't harm the boy, and it comes from behind and slightly above.

Odysseus looks up, and he sees his own eye staring back at him, but she is much younger. And yes, I said eye, because she's wearing an eye patch. He doesn't think much of it because she's an archer, and some archers use an eye patch. Also, it's cool as heck, looks more like half a mask than an eye patch, with intricate designs and expanding over more than just her eye to her temple.

"Shit it's Mini!" "Where is she?"

Between the three of them, a close-range warrior, an archer, and a versatile, experienced warrior, the fight is over soon. You can't not turn your back on at least one of them, especially when Mini, just like her father moments before, hides in the darkness and shoots.

After they're all dead, she steps out of the shadows. And damn, she is his carbon copy.

Then you know, I Can't Help But Wonder is kinda different because it's not one child but two. Also, he finally gets to learn her name. And listen, Odysseus is fascinated by his children, because Telemachus is Penelope's copy and Mini is his. Down to the height, Telemachus is taller than Odysseus and Mini is almost his height.

After the reunions and all, family bonding is hard. He feels like Mini stares into his soul and it unnerves him, a little because he's used to being on the giving end of that look, and a little because she doesn't take off her eye patch. She changes it up, has many designs, some more like masks than patches, but is still always wearing one, and always has her bow and quiver on her person or next to her, which makes him feel like she's always on guard, which puts him on edge.

"Does she ever take the patch off?" he whispers to Telemachus

"No, hasn't for years."

Also, Argos is an old doggo but he's alive because I say so. Still, Mini has two Hunting Dogs because again, Artemis's protégé. Argos sticks by Telemachus and Odysseus, and her dogs are loyal only to her. They don't leave her side. They are big, like wolves. Artemis herself picked them for her. One black, one white. And they flank her at all times, it's certainly unnerving. They're not playful puppies, at least not to anyone but her and her Goddess.

"Did I... Do something? You're staring at me, Mini."

"Nah, she does that." her brother replies instead "Nothing personal. She doesn't like to talk much."

And yeah, she doesn't. But things are still a bit awkward between them, and he's not sure how to fix it. She seems to judge him. Sometimes she outright snarls at him if he suggests she lower her guard a little and take off her eyepatch/mask. They're no longer at war, the suitors are not a threat anymore, they're all safe. He made sure of it. And yet, the worst thing he could've done was try to take her mask off.

He got close to her, gave her a side hug, tried to be a dad. And everything was fine. And then he tilted her face up and she looked at him. She seemed relatively relaxed, but not fully.

"Kid, you can relax. I promise you're safe. You don't need to be battle ready all the time here, take it from me."

And he reached out to take off her mask. It was meant as an act of comfort, like Polities prying his sword off his hand when he was tired during the war. A sign that he'd take care of her and she could relax.

But she smacked his hand and pushed him away. She glared at him, one eye portraying the message just as well as two would. She took her bow and quiver and left without a word. She only came back before dinner (she left after breakfast), with fresh meat for their meal.

Her one visible eye (the left btw) glared at him the whole dinner, and, he felt damn uneasy, and she snarled at him when he tried to talk to her. Which wouldn't be all that intimidating if her dogs didn't snarl every time she did, baring their teeth and growling. Penelope and Telemachus, bless their hearts, tried to de-escalate the situation. Telemachus started talking about absolutely anything that came to mind and his sister's attention snapped to him and she relaxed slowly. She loved listening to her brother rant and be happy.

It went on for days. Eventually, she stopped glaring at him, didn't snarl at him anymore. But damn her dogs did. They didn't seem to like him, and he really didn't want to get into a fight with them, because either they'd rip off his arm or he'd kill them, and neither was a good option. She had them well trained, though, so as they growled at him, she only clicked her tongue and they quieted down.

With time and effort, he got her to relax a little more. Still, she never took off her mask/eyepatch. It still got on his nerves.

And then one night, as Telemachus was talking about his day, she relaxed so much she fell asleep.

Odysseus lifted his daughter in his arms, her dogs flanking him but not growling at him, just seemingly protecting her, as they always did.

He took her to her room and tucked her in. Now, he's a man who learns from his mistakes. He knew he shouldn't take her mask off, she wouldn't want him too. But today's mask was rather extravagant, and it probably would be quite uncomfortable to sleep with. So he took it off her face.

And he stumbled back, his breath knocked out of his lungs. Because his daughter had a trident scarred across her eye, starting at the bridge of her nose and diagonally across her eye. Her eyelid had been torn and sewn back together, but there was no question of it it had harmed her eye. It was purposeful, careful, designed. It was a mark. It was Poseidon's.

That bastard had blinded his daughter for blinding his son. An eye for an eye. It was a damn miracle he didn't take both her eyes, and that was probably because of Artemis. However, it did look a bit older than just his last confrontation. It must've been while he was in Calypso's island.

No wonder she was wary around him. She must know it was his fault that Poseidon partially blinded her.

Odysseus knelt beside her and took her hand. "Forgive me" he whispered. She didn't stir, but one of her dogs huffed at him, the other growled. And for once, he didn't try to calm it down. If it tore him up, he'd deserve it. He wouldn't fight it.

He fell asleep at the foot of his daughter's bed, her mask set beside him and her hand between his.

He woke up as she stirred. He was the lightest of sleepers after twenty years in danger. He thought Mini was just waking up, but she wasn't. She whimpered and thrashed. He didn't know what to do, should he comfort her? Wake her up?

Alkmene curled on her side and clawed at her scarred eye. One of her dogs got in between her arms and her face, preventing any more damage. Not for lack of trying, the girl whined and growled in pain, trying to claw at it, but the dog kept interfering. Her growls and whimpers turned into desperate gasps and growing screams of pain. A wound inflicted by a god likely hurt like new every once in a while. What could he do, if it wasn't even a nightmare. It wasn't that she was scared and he could comfort her, she was in pain so excruciating she wanted to claw it out. Her dogs protected her face, they didn't mind that it meant she clawed at them instead. He didn't know what to do.

The black dog locked its jaw around his wrist, firm but careful, it didn't even hurt, And it pulled his hand toward his daughter's face. Odysseus carefully pressed his palm against her eye, cringing at the texture of the scar. The pressure seemed to relieve the pain, however slightly. She still gasped for breath, but no longer screamed. She still tried to claw at her eye, but she only managed to scratch his hand and wrist, clawing so desperately that it broke his skin.

He welcomed the pain. A fraction of what he put her through, a fraction of the pain he's to blame for. A part of him hoped she tore his skin. A part of him hoped her dog would lock its jaw and puncture his arm, so he'd have the scars to remind him of his daughter's. So she wouldn't be alone in her pain tonight.

He stayed steady there for hours, pressing gently on her face. He memorized the feeling of her scar on his palm, jagged and rough, imperfect and cruel. He wished he could take it from her, he wished Poseidon had taken his eye instead.

Little after dawn, her eyes fluttered and he took away his hand. He had dried blood all over his wrist and hand, and she had it under he fingernails. He was nervous, terrified she'd hate him, terrified she already did.

Her eyes opened, and once again it knocked him off balance, seeing her right eye open but discolored. Broken. She stared at him for a minute and he bowed his head in shame.

"Telemachus can't know. He'll blame himself, think it should've been him." is the first thing she said, instead of the insults or reprimand he expected.

"Alkmene…"

"It's Mini. Listen, it's your fault. None of this would've happened if it weren't for you. So I was told. But I know you did your best with what you had. And you didn't know Poseidon would take my eye as revenge."

"He told me. When I came back, he said he'd take my son and take his eyes. I didn't think he already had."

"Yeah, couple years ago. I was alone in the coast, an easy target I suppose. It was meant to be my brother, but he settled for me. And hey, at least it works. I'm an archer. He did take my dominant eye, but I adapted. Archers don't need both eyes anyway."

"Damn you are too calm about this."

"Well, I mean, it's been years. I don't hate you for this. It's hard to hate someone who I only heard the best of stories about, and by the time you arrived, I'd come to terms with it. I was tense around you because you kept insisting I took my mask off, and I couldn't exactly tell you off without making it obvious that I was hiding something. So quit that and we're good."

"I'll never pressure you about it again."

"Good. I'm so glad we see eye to eye" she grinned

"Yeah, I didn't like coming in blind about you" he joked back despite himself. He didn't know if he had the right to. But she snorted, surprised by the pun.

"So I got my humor from you. I should've seen that one coming."

"we probably shouldn't joke about this, but I suppose I can turn a blind eye to it"

"come on, don't be blinded by your righteousness, this is fun."

"Yes, I suppose I shouldn't lose sight of fun"

All day, father and daughter exchanged bad blind puns, much to the confusion of Penelope and Telemachus. But hey, at least the tension between them had dissipated.

Odysseus saw his daughter in a new light. He caught all the small gestures she had that hinted at her partial blindness. He understood now the way she struggled with depth, often trying twice to reach something, and struggling to catch. He noticed her relationship with her dogs. They were more than just her pets and companions, they were her eyes, always alert and flanking her so she wouldn't need to be on guard, especially the one on her blind side. They prevented her from bumping into walls and furniture, even if it meant she bumped into them instead. He saw the way she startled slightly when Telemachus touched her unexpectedly or moved too fast.

Bonding with her became easier as the tension dissipated with bad jokes that had Telemachus smacking his head on the table, yet smiling.

And then he figured they could bond over archery, all of them. Penelope was good, a Spartan through and through. Telemachus was getting the hang of it, but he was better at close-range fighting. Odysseus enjoyed helping him out, fixing his form and aim.

He knew his daughter was a good archer, but he thought surely there would be some tips he could give her, with twice her experience. Or hey, at least he could show off a little. He took his bow and aimed. As his arrow flew, it was knocked off course and split by another. He looked up to see Mini hanging from a tree branch, a shit-eating grin on her face.

"What's the matter, old man? Can't land a shot?"

Odysseus huffed and fired again. Once again it was intercepted by another arrow.

"I thought you were an archer, My King." she mocked.

"I am, you little Winion!"

And for hours, they tried to one-up each other while Telemachus and Penelope watched fondly. They did all sorts of trickshots and they were generally pretty evenly matched, though their techniques were different. She was more fluid, she could aim while hanging upside down or while running, while he slowed down and had a more traditional technique.

Hunting was still very much her thing, though. When Odysseus and his children went to hunt, he and Telemachus went all Warrior Of The Mind, thinking of traps and strategies. While Mini just set her dogs free and her and her canines moved like a unit, rounding up prey. They were stealthy and the prey did not see it coming.

However, she was respectful. She didn't hunt more than necessary. It was a quick death and after reaching the prey she thanked it for the sacrifice. There was not a moment of fear or pain for the prey. It was the way of Artemis, the way of nature.

He had thought himself a great hunter, but of course the protégé of the Goddess of Hunting would put him to shame.


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