I've Read The Flowers Of Buffoonery, And Can Confirm That Yes, His Entire Character Is Literally The

I cannot put into words how much this line from the fifteen light novel means to me.

One hundred matches. They played close to a hundred games against each other. Because they're both just fifteen year old boys. Fifteen year old boys who were forced to grow up way too fast in a world that only dealt them trashy cards. Two boys who claim to hate each other...who found an equal in each other. Someone else they could be a child with. And in middle of a dangerous mission, a mission that involves Chuuya believing he's a god of destruction, a mission that involves Dazai searching for the old boss because he was forced to false-witness his murder, in middle of all of this, they played a hundred games at an arcade. Because they were just kids.

Was in Barnes and Noble today, and I found a collection of Dazai's works titled "The Real Osamu Dazai." And this was on the back:

Like....why. How. I understand if you just see edits and stuff you'd think he's the main character, but like, watch one episode, read one chapter, and anyone with basic media literacy could tell that he isn't the main character. Even google could tell you that. Why does this keep happening??? My boy Atsushi deserves more than this.

SSKK in therapy together to work out their problems:

Akutagawa: I hate him because he has everything I want. I hate him because he never had to work for Dazai's approval, because he has friends, and he gets to live in the light, and all he cares about is his past. I hate him because I really hate me and all I ever wanted was validation and-

Atsushi: He cut off my leg I mean really, who does that-

I wanna talk about Odasaku for a second, and his character arc in Dark Era

I love Odasaku, and one of the things I love about him is that he's not just there to be the friend Dazai loved and lost, he's a really deep character who grows over the course of the Dark Era novel, and he learns how to speak up.

I feel like his arc is mitigated in the anime, and I'm not going to be blaming it necessarily, it's just that a book written in first person POV is able to achieve a lot more depth to the MC over the anime , which is forced in nature to take a more third person, observational take to the character.

Dark Era spoilers, obviously.

The first thing I would like to bring up is Oda's personality, and for that, I'm actually going to start this analysis off with using a quote from Beast, of all things, because this was honestly the best description of Odasaku ever.

The best way to describe Odasaku's personality is obliviously perceptive. He's really smart, and somehow a complete airhead at the same time. When you read either Dark Era or The Day I Picked Up Dazai, you can sense this in an instant. How this pertains to his relationship to Dazai in particular is that he sees things. He knows that Dazai is hurting deeply, he's one of the only people who sees past the dark exterior and the child deep within, but at the beginning of the book, he won't say anything. He puts Dazai on this pedestal in a sense, and doesn't believe that his input is warranted, and he says nothing, even when Dazai is a walking cry for help. After listening to Dazai casually admit to a suicide attempt via banging his head against a hard tofu block without batting an eye, that's when Ango arrives and tells him off.

However, the conversation quickly shifts, and the matter isn't brought up again.

The next time someone tells Odasaku to speak up when he's summoned to Mori's office, and is greeted with a rather...bizarre scene. Still, he's a low-grunt of the Mafia, and Mori is the boss, so he lets whatever stuff is going on fly, until he eventually interrupts, ignores whatever was going on, and announces his presence. Which prompts the following conversation:

Still, it's apparent he doesn't take these words to heart, and continues to perceive almost everything, but never comments. However, something soon happens which brings to the surface just how deeply ingrained Oda's reticence truly is.

After Oda was chased by the enemy snipers, most of them had enough holes in them never to rise again. Until one picks up a gun and aims it at Dazai, the enemy executive, all other backup too far away to offer any aid. Instead of trying to avoid it or stop it, Dazai walks right up to the enemy and says , paraphrased "shoot me, please shoot me." The whole time, Odasaku's desperation is palpable, and unlike the anime, he attempts to stop Dazai from this blatant self-destruction by calling his name and then screaming it, thinking that he felt they were a million miles apart. After the ordeal, when Dazai faces his friend again, he offers all his excuses, how he knew the sniper would miss, but Odasaku wasn't satisfied. And this is where we get the first hint at how Oda really feels about this:

He wants to say something. He wants to punch him for the stunt Dazai just pulled, because he sees the truth. He sees the child inside of him. But once again, he's restrained by the apparent gap between them in rank and mind. Another important thing to note is that throughout the novel, Odasaku considers their difference in rank a bigger barrier than Dazai does. He makes comments about Dazai helping him, the low runt in the Mafia, but the executive doesn't care. Here once again, Oda is inhibited by this apparent gap between them, but this scene is also growth for him in the sense that he understands that there's a problem here. Earlier, he passively listened to Dazai speak of suicide, but faced with a barely disguised attempt, with the true demons inside of Dazai's mind, he wants to stop him, to reach out, to tell him that it's not ok. But he can't. Not yet at least.

After a later incident, we're given a flat-out description of Odasaku's philosophy, and why he chooses to remain silent. When the two of them are at the restaurant, discussing the enemy, and when Dazai realizes they might actually be a formidable opponent, he laughs, elated with the notion that perhaps he might be beaten. And that's when we get perhaps the clearest look into Odasaku's mindset:

There's a lot to unpack in this interaction: first, we see how much Odasaku truly cares for Dazai, how much he wishes he could rid his heart of the darkness buried deep inside. But the problem is, he believes he can't. He doesn't think he could do anything, at first, he's not sure what to say to him because what could he say? He doesn't think he can reach him. And then the all important line "What we see is everything, and everything we see, we ignore. All we can do is stand before the deep ditch between us and others and keep silent." The thing is, not everyone sees everything. He doesn't realize this. He's so oblivious, he can't even comprehend that he's more perceptive than others, almost like Ranpo when he was younger. He doesn't know what to do with the information he receives but to ignore it, as he says, to see the distance and remain silent through it. But still, he makes a halfhearted attempt to reach out, but is interrupted when Dazai's phone rings, and doesn't bring it up again.

The biggest turning point is the kids and Gide. Gide, who drags Odasaku, a character who seemed to have the healthiest will to live, into the darkness. By removing all his hope, his proof that he could one day write a novel and give up killing forever, he brings Oda down into the pit of despair that he lives in, the pit that Dazai lives in. Where the sun won't shine again, and all that's left is revenge and then death. This is where the tables turn, and now Dazai is trying to save Odasaku from that darkness that he knows all too well. He tells him useless platitudes, cliches that must have been uttered to him over and over that he knows won't work, but Dazai is desperate to save the one he's on the verge of losing. But Odasaku won't let himself be consoled, and he goes on the suicide mission to fight Gide. And only now, now that he's about to die, now that he's in this place of solitude and despair, that he reflects on Dazai and their relationship.

It's only at the end does Odasaku wish he would have said something. When he understands the darkness, he sees Dazai for what he truly is - a lonely, sobbing child. And it's only after this realization that he should have invaded the solitude does he speak up when Dazai arrives, and tells him to be a good man. Because he realizes that the darkness is going to overwhelm him unless something changes, and with his dying breaths, Odasaku gives over the advice that changed his life, not a way out of the darkness, but a way to brighten it just a little, and make living a little more beautiful. Something only he could understand, having tried to walk that path for himself. It can't be that it never occurred to him earlier that Dazai's mental health may have benefited from a...change in vocation, but he never thought it was his business to say anything before. But now that the darkness has consumed him, that's the final push for him to finally say something and reach out to his friend at the last moment before it was too late.

And though I don't think the anime did all of this justice, the parallels between these moments will always kill me.

Since there won't be a season six anytime soon, I decided that they should make a season 5.5 where they animate both Stormbringer and 55 Minutes and title it Bungou Stray Dogs: Nobody Likes French People.

It's the ginger birthday y'all

some more commonly confused words

Aggravate - make something worse Irritate - to annoy

Alternate - to take turns Alternative - an option

Ambiguous - something unclear or vague Ambivalent - about something, you can take it or leave it

Aural - refers to the ear or hearing Oral - refers to the mouth or speaking Verbal - expressed in words, either spoken or written

Definitely - for emphasis Definitively - for the final say

Didactic - teaches a lesson Pedantic - just shows off the facts

Envy - when you want what someone else has Jealousy - when you’re worried someone’s trying to take what you have

Fortunate - lucky Fortuitous - by chance or accident

Gambit - a kind of sacrifice Gamut - a range

Gibe - to sneer or heckle Jibe - to agree (but, jibe is a variant spelling of gibe)

Historic - has a great importance to human history Historical - something is related to the past

Holistic - treatment of the whole person Holy - having a divine quality (e.g., related to a god)

Partially - implies bias in favor of one or the other Partly - more precise when portion or proportion is meant

Rob - focuses on the place or person from which the thing is taken Steal - focuses on the thing that is taken

Sound - something which you can hear Noise - when a sound is unwanted or unpleasant

Tortuous - marked by repeated twists, bends, or turns Torturous - describes something painful

Voracious - describes someone super hungry Veracious - means truthful

Who - acts (like "he" or "she") Whom - receives (like "him" or "her")

Wreck - to ruin something Wreak - to cause something to happen Reek - to smell bad

Sources: 1 2 3 4 5 6 ⚜ More: Writing Basics ⚜ Writing Resources PDFs

I love how every time Fyodor opens his mouth to speak in the last few chapters Atsushi's face is just like "No no no no shut up shut up SHUT UP-"

Unfortunately, he does not.

People really don't take into account how much Atsushi suffered in that orphanage, or how much it affects his character. I mean, I hate his backstory that it had to happen to him, and he deserves all the hugs and sunshine in the world, but one thing I like is that it's not just a Tragic Backstory™ for the sake of being a Tragic Backstory™ like so many protagonists have. It's because of the abuse that he grew such a will to survive. He has to live because the world doesn't want him to, and yet at the same time, he still hates himself and feels he needs to earn the right to live, hence why he's so desperate to save people. It's not out of the goodness of his heart, though I believes it becomes more like that later on, at the beginning, it's just to earn the right to the life he so firmly desires. He's really not just a typical shonen protagonist with a sad orphan backstory because why not, but it really became a core part of who he is as a character.

Also, the next arc of bsd had better be reserved for every ada member giving Atsushi a hug and throwing him a birthday party because the way this arc is going and Fyodor like please just give him a break and let him eat chazuke please.

Tw child abuse

The earliest memory we have of Atsushi at the orphanage where his age is mentioned is 11 years old.

Atsushi doesn’t leave the orphanage until he’s 18. At minimum he’s been there for 7 years.

To put that into perspective that’s the same amount of time between Dazai and Chuuya meeting each as teenagers to reuniting in present day.

That’s a long arse time.

And we don’t even know the full extent of the the abuse Atsushi suffered.

Including but not limited too….

Having his foot nailed to the floor and then having to hold that position and “reflect on his actions.” (chapter 39.)

Kids cutting his hair as a prank (Omake 6. Yes that’s why it looks like that.)

Being subjected to a “point system” where other kids would get him in trouble to gain points (chapter 39. It’s also noted that losing points meant no food.)

Almost being killed twice as a child (chapter 35.)

Being burned to the bone (chapter 28. Atsushi compares his experience to Lucy’s who said she was burned by a hot poker. But we don’t know if that was the same thing used on him.)

Shibusawa torturing him for his ability (Dead Apple.)

Being locked in a cage for days (chapter 39. In this specific incident it was his 3rd day of imprisonment.)

Flashback of someone holding Atsushi’s head down in a bowl of water (chapter 35.)

Being held down and injected against his will, which both painful believed to be poison (chapter 39. Atsushi does later wonder if it was nutrients but it’s never confirmed.)

Having his ribs kicked to the point they broke (chapter 35.)

Not confirmed that the Headmaster ever shot Atsushi. But Atsushi believed the Headmaster bought the gun with him to punish him with it (chapter 39.)

Being told he’s nothing but a burden on the world and should vanish from the earth forever (chapter 1.)

Being kicked out the orphanage for causing wreckage with an ability they were purposely keeping from him that he had no control over (chapter 1.)

This poor boy. And who knows what else he went through in that place. And this was after being abused and then abandoned by his parents.

What if skk got caught in a bank holdup

A random idea/fanfiction by me.

Inspired by: the shower (truly, it's a magical place)

Because like, imagine, will you, that Dazai goes to the bank on his day off after payday, possibly looking to get some new bandages, and who should he come across but Chuuya, who is there to take out some money from a totally legitimate Port Mafia account. They'd probably bicker for a minute, Dazai would find at least three ways to insult the mafioso, who would then shout back at him, only to have everyone else in the bank shoot them strange looks, so he then resorts to whisper shouting. Until suddenly, the doors burst open, and in rushes five men with guns blazing, their faces obscured by masks. "This is a hold up!" they declare. Three of them usher all the bankgoers to one wall, forcing them to sit down quietly. And of course, if any of them try to call the police, they'd really get it. The other two deal with the clerks, getting them to open the vault, and no one gets hurt.

Meanwhile, Dazai and Chuuya are watching this play out with mild amusement. After one of them sticks a gun in Dazai's face and tells them to move it, they share a shrug and walk to the wall, plopping down criss-cross applesauce. The patrons are shaking. Some of them are crying, some are praying. Dazai folds his arms behind his head and leans back against the wall, suppressing the urge to yawn. Chuuya takes the opportunity to munch on a granola bar and observe the robbery with vague interest.

With his eyes closed, Dazai asks... "so...are you going to stop them, or...?"

"Nah," Chuuya answers between bites. "I haven't eaten much all day, so..." He turns to Dazai. "What about you? Aren't you the detective here?"

"Yeah, but it's my day off now. I don't want to work."

"Yeah, yeah, definitely know the feeling."

"Hey, you two!" shouts one of the thieves watching the hostages. "Be quiet!"

"Sorry." Neither of them sound particularly apologetic. They sit for a few more minutes. Dazai yawns and stretches. Chuuya finishes his granola bar. Nothing changes.

"What's taking them so long?" Chuuya mutters. He's starting to get annoyed. "Some of us have things to do, you know."

"This is actually really pathetic," comments Dazai. "We could have gotten double the money and been halfway back to the base by now, gone before the police even knew there was a threat."

"And we'd never do it like this," agrees the mafioso. "This is too loud, and it's got no class."

"Right? It's like begging for the police to come. And besides, this whole hostage situation is thin as paper. If they really wanted to intimidate people, they should have shot someone by now, prove they're serious."

"Those guns probably aren't even loaded."

"Honestly, this whole set up is awful. Truly amateurish."

"This whole thing would be much smoother if we did it. Maybe we should help them, just so they can get their money and leave the rest of us alone."

"That-"

"Hey!" shouts the same guard again. He points at Dazai, then at Chuuya. "What did I say about talking?! If you don't shut up-"

"No, you're doing it wrong," Dazai informs him.

"I...what?"

"If you really wanted to intimidate us, you should have fired off a warning shot, at the very least. Even if you're too coward to actually shoot a person, at least don't make it so obvious the thing's not even loaded."

Beads of sweat drip down the thief's face. "Huh?"

"And could you tell your friends there to hurry up?" adds Chuuya. "They're going to be caught at this rate. Obviously, the clerks are stalling. They're probably sticking in the lowest bills they have to give the bags some weight. It would be way more efficient to have one guy guarding the clerks and two of you doing it yourself."

"Just figure out the accounts with the most in them and take from there," Dazai suggests, standing up. "You'll get more and faster like that."

Chuuya rises as well. Now, the other two thieves who were supposed to be guarding the hostages come to back up their friend, pointing their guns directly at their heads. Dazai frowns.

"Hold on a second, can I see that? Thanks." He reaches out and grabs the nearest thief's gun, and before he even has a chance to protest, he opens up the magazine and shakes it.

"See? Empty. Would it really have been so hard to even find one bullet to put in there?"

From behind their masks, the burglars begin to panic. The public, now aware they're being held up by nothing, stand up angrily.

"And look!" Chuuya strides over behind the counter, where the clerks are supposed to be filling up bags with money. He takes one out of a male's clerk's hand and dumps it out on the floor. "All 1,000 yen bills. If you had just paid more attention, you could have made off with much more. And, now the police are coming."

Indeed, the sound of wailing sirens gets louder and louder. The thieves glance at each other. With a single nod, they turn on their heels and run.

"Not so fast!" All of the former hostages block the door. The thieves freeze, turning to Dazai fearfully. He shrugs.

"That's what happens when you don't back-up your claims. This is due to your own stupidity."

The public manages to easily restrain the thieves until the police arrive to take them away. As they're being dragged out, Dazai and Chuuya merely watch with their arms folded, shaking their heads and muttering to themselves.

"Disgraceful."

"What a sloppy job."

"Embarrassment to all criminals, really."

"Can't believe I had my time wasted with this crud."

"Hopefully, they'll do better next time."

"Yeah. If you're going to hold up a bank, at least do it well."

After the thieves are taken away, the police ask Dazai and Chuuya about what happened, since everyone says that they're the ones who stopped them. They answer with vague statements that amount to nothing, and leave the bank before they have to get more involved.

Neither of them speak much, each caught up in his own memories from the past. Eventually, Dazai decides to head back to his apartment, though not without giving one good jarb on Chuuya's height. In the end of the day, he supposed he did stop them. Well, as long as it didn't have to count as work-

The next day, both Chuuya and Dazai were required to make a report on the matter.

End.