Okay, we can all agree that Team Cherry put a LOT of thought into crafting the backgrounds and environments of Hollow Knight. But why is nobody talking about the designs for the Dreamers' houses?! Especially compared with their base forms? Well, let's start talking about it!
The Last Dreamer, Lurien the Watcher! A.K.A. The guy who is responsible for this whole essay.
His design is the simplest among the three Dreamers.
Taken from Hollow Knight - Lurien the Watcher
A design so simple that it leaves the fans in relentless debate on what species of bug he is.
So tell me, why is HIS HOUSE the one with the most freaking complicated design!?!?!?! It's as if Lurien is living in a cathedral here!
Okay, Lurien living in a cathedral might be an exaggeration, but take a look at complicated his Spire is! Look at the floors! Notice the window designs! The hanging banners! The lanterns! And goodness gracious, the dude has wallpaper throughout his whole Spire!
Did I forget to mention the wallpaper?!?!!
The insane amount of detail!!!
And we haven't even gotten to the fact Team Cherry went out of their way to incorporate 3D into a 2D POV! You can clearly see it in this window here.
As we start the walk here…
We can't help but notice…
How the pillars framing the window "move" as we do.
Could you believe that a team of four people made all of this? Team Cherry truly wasted no detail in the Watcher's Spire, from the simplest wallpaper to the famous Telescope.
And here is the Telescope! In all its very-difficult-to-draw glory! Speaking of it, the design clearly costed tons of geo. The cost paid off, however, as the Telescope still works despite the lack of maintenance due to the Infection.
Of course, that can be easily seen by anyone who played the game in a rush. In terms of Lurien's character, the fan can see how he earned his namesake, Watcher.
Yet...has anyone stopped to consider how Lurien set up his office? In particular, how Lurien can position his Telescope anywhere in his main office? Check out all the windows!
Did you all notice it? Every single window is open, yet each window is nicely framed with the glass plane. And before you all comment, “what about this window? It's closed!”
The window design is different from the ones behind Lurien's bed…and matches up with the window where the Telescope is currently at. This implies that this window can open up at any time should Lurien wish it. As the Telescope is NOT facing that direction, there is no need to keep that window open. Lovely for us, as that window keeps Lurien's butler in. If you need proof, check out the photo where the Telescope is again.
With this in mind, what does the Telescope and open windows tell us about Lurien's character?
First, Lurien is very dedicated to his duty as the Watcher, so much so that he will spend as much money as needed to craft the best tools he needs.
Second, Lurien favors practicality as seen by how every window is either open or has hinges to open it. The Watcher must watch over the WHOLE City of Tears, not just the left side (or commoner side).
Third, Lurien loves beauty. It is not enough to have the windows open; goodness, Lurien could have not added windows at all! But he insisted on a lovely window design that framed the view into the City. And we're not even talking about the pillars and the curtains which frame it as well.
Fourth and finally, Lurien was able to get both practicality and beauty in the same window. I cannot stress this enough as Herrah and Monomon choose practicality over beauty. Yes, there are beautiful details here and there, but when push comes to shove, both ladies choose practicality with a dash of beauty on the side. This really makes Lurien stand out amongst the Dreamers.
I hope you enjoyed part 1 of Lurien's Spire. Unfortunately, I must stop here as this is merely 1/4 of Lurien's section of the essay. Please feel free to comment and reblog as much as you would like. It's fun reading your thoughts.
If you wish to read more of the Essay, click one of these links below.
Part 1.0: Herrah's Den : Here
Part 2.0: Monomon's Archives: Here
Part 3.0: Lurien's Spire (You are here.)
Part 3.25: More of Lurien's Spire : Here
Part 3.5: Lurien's Spire: Pillows and Patriotism: Here
Part 3.7 Lurien's Spire: What is wrong with Lurien's Office?! Here
Part 3.8: Even, even More of Lurien's Spire: Secret Room: Click here
Part 3.9 Watcher Knight Boss Room! Here
Link to essay on Ao3: Here
Excuse me while I reblog this for future reference...
We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!
This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.
Pictured above: Black, Brown, Beige, White, Pink.
“She had brown skin.”
This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.
Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.
These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.
Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.
Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.
For example: Golden brown, russet brown, tawny beige…
As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.
“He was tall and slim, his skin a russet, reddish-brown.”
Comparisons to familiar colors or visuals are also helpful:
“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”
Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.
Dark - Deep - Rich - Cool
Warm - Medium - Tan
Fair - Light - Pale
Rich Black, Dark brown, Warm beige, Pale pink…
If you’re looking to get more specific than “brown,” modifiers narrow down shade further.
Keep in mind that these modifiers are not exactly colors.
As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.
While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.
Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)
Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.
pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver.
Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.
As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).
“A dazzling smile revealed the bronze glow at her cheeks.”
“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”
Standard Description Passage
“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”
-From my story “Where Summer Ends” featured in Strange Little Girls
Here the state of skin also gives insight on character.
Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.
Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.
Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.
I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.
Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.
Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.
Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.
Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.
When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
So consider your character and what you see fit to compare them to.
Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.
“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”
“She had a sandy complexion, smooth and tawny.”
Even creative descriptions tend to draw help from your standard words.
Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose
It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists.
You’ll definitely want to avoid purple-prose here.
Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.
“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”
Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber
These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.
At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“
I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.
"Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”
I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.
Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash
Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.
Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.
“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”
Pictured above: Platinum, Copper, Brass, Gold, Bronze
Copper skin, brass-colored skin, golden skin…
I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.
These also work well with modifiers.
“The dress of fine white silks popped against the deep bronze of her skin.”
Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum
These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
If you use these, or any more rare description, consider if it actually “fits” the book or scene.
Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.
“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”
Physical character description can be more than skin tone.
Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.
Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…
Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.
Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.
Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).
PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please.
Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.
List of Color Names
The Color Thesaurus
Skin Undertone & Color Matching
Tips and Words on Describing Skin
Photos: Undertones Described (Modifiers included)
Online Thesaurus (try colors, such as “red” & “brown”)
Don’t Call me Pastries: Creative Skin Tones w/ pics I
WWC Featured Description Posts
WWC Guide: Words to Describe Hair
Writing with Color: Description & Skin Color Tags
7 Offensive Mistakes Well-intentioned Writers Make
I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!
~ Mod Colette
Watcher Dad AU that nobody asked for but here it is!
A) Lurien's main business outfit.
B) The Watcher's Crest - symbolizing the City of Tears
C) Lurien with a half-mask. Only wears it at home either alone or surrounded by those he cares about the most.
D) Disguise. Yes. It works. Lurien's knights are baffled that nobody watches the Watcher enough to tell that he walks the same despite wearing different colors and a three-hole mask.
Baby Knight gets adopted! And almost immediate glow-up and grow-up!
Fortis (Latin for "brave, strong") is one very happy baby living in the Watcher's Spire with Daddy. His best friend is Grubby the plushies and isn't he the best?
if they ever make Legends Kyrum and we see the two brothers fight with the two dragons, there BETTER be knights riding Scoliopede.
We need another cool rising option besides Zebstrika and Soutland.
not daily pokemon: scolipede
👀
Would you like to see some more outfits? I had to practice drawing Hornet before I could draw this portrait.
The original outfit is my attempt at drawing OG Hornet design without any reference. Somehow the horns turned out right.
The Upper-Right outfit is my own design. I added some fuzz armor for protection and decoration. I gave Hornet a utilty belt with silk, a pouch, and a Weavers' badge all in reference to Silksong. I also made a choice to not have Hornet be so dark. Canonically, Hornet isn't void, so her shell color shouldn't be black. I went with a grey to be close as possible to her canonically colors.
The Lower-Left outfit is a Formal outfit. I figured that Hornet would like to honor all three of her mothers (Daughter of Hallownest), so I incorporated all three aspects of her mothers. The purple cloak is in honor of Queen Herrah while the dress design is something the Hallownestian nobles would wear. Thus Hornet would be respecting the White Lady. The golden gems are for Queen Vespa. Of course, Hornet must still dress like herself. Red, her favorite color (no more white for Hornet now she is grown). Hornet also wears a web crown and Weavers' crest for she is the Princess of Deepnest.
Finally, in the Lower-Right corner is of course, Todder Hornet. She would have carried her needle anywhere before being traumatized during the Infection, after which she carried her needle everywhere even when she felt safe.
Steelix — S&V Paradox Rift #208
Illustrated by: nisimono
You can say that again Buddy! Humans are so crazy unique that it's not even funny!
I want to tell a story to the artists and would-be artists out there.
When I was 19, I made a large oil painting of the nerd I would eventually marry. I poured all my attention and care into this painting. It's the only art I have from back then that still holds up as a work I'm proud of today.
I entered it into a judged show at the local art center. It got an honorable mention. I went to see the show with my beloved model. One of the judges came up to talk to me, and highlighted that all the judges really liked the painting. It would have placed, except, you see, the feet were incorrect. They were too wide and short, and if I just studied a bit more anatomy-
I called over my future wife, and asked her to take off her shoe. Being already very used to humoring me, she did. The judge looked at her very short, very wide little foot. Exactly as I'd lovingly rendered it. I would never edit her appearance in any way.
The judge looked me in the eye, and to his credit, he really looked like he meant it when he said "Oh I'm so sorry."
Anyways the moral of the story is that all of those anatomy books that teach you proportions are either showing you averages, or a very specific idea of an idealized body. Actual bodies are much more varied than that.
So don't forget to draw from observation, and remember that humans aren't mass produced mannequins. Delight in our variation. Because it's supposed to be there.
the prophecies begin protagonists... as pokemon starters! 💧🔥🍃
I forgot I have to be active here so here’s my Twitter tutorial on how to draw folds I made a while back to help a friend!
This is so cool!
Pokemon | Dreaming of good times | Rayquaza and Entei