My Goodness, I Never Thought Of The Parallels...

And that is why I created a fanmon that was a ground-type Mountain Lion. Suddenly, Emolga is the famous one in the fake region, not Pikachu.

Doylist explanation: They keep making new electric mouse pokemon because they're frantically trying to recreate the success of Pikachu. Or at least because it's tradition at this point.

Watsonian explanation: A major predator of rodents is birds of prey. A mouse that can deliver electric shocks to flying-types has a much higher chance of living to produce more offspring. Thus, convergent evolution fills this niche in every region. "Pikachu" is just the pokemon universe equivalent of "crab".

What is with the Dreamers' Houses?!?! Part 3.7 Lurien's Spire - WHAT is WRONG with Lurien's Office?!?!

Welcome back! Do you remember the last part where I was talking about how Patriotic Lurien was with all the Hallownestian crests?

I was about to leave it off here, until I realized something strange. There are no King’s Idols in Lurien’s Spire. Mr.-Certified-Pale-King-Fanboy has no King’s Idol from which he would worship the Pale King. What kind of fan would not have an idol or picture of his king? Especially in his bedroom!

Again, I was going to leave it even after checking the Hollow Knight wiki. Tumblr/Ao3 artist Aspidike already wrote a whole comic on it after all, so why should I spend time on it?

Looking back on it, I really should have spent more time wondering why Lurien has no King’s Idols to worship the Pale King when HERRAH is shown to be more religious than him. The Spider Queen has a Shrine inside her den while Lurien doesn’t even have a single idol or a chapel!

I only began to look deeper at the lack of King’s Idols in Lurien’s Spire when I realized there is something else missing in the Watcher’s Spire. Take a look at the carpet in Lurien’s Office.

Why does Lurien have purple carpet that completely covers the floor? Even wrapping around the pillars leading up to his Office?  Why when everywhere else in his Spire has RED flooring and Hallownestian seals…

And that’s when it hit me. Not only are there no King’s Idols in Lurien’s Spire, but there is also nothing of the Pale King in Lurien’s Office a.k.a where he lays slumbering.

Look at Lurien’s Office again.

No painting of the Pale King, only that of the City. No massive window of the Hallownest Seal, only open windows.  There are Hallownest Seals on the banners…but no Monarach Wings.

Please, allow me to explain the importance of the lack of Monarch Wings. Take a look down below at the kinds of Hallownest Seals seen across Hallownest.

The above photo is a drawing as I suck at photoshop.

Design 1 or the Seal design is most reminiscent of the Pale King with his Monarch Wings, hence why it will be often referred to as the Monarch’s Seal in this essay.

Design 2 or the Crest design is the most often seen crest design across all of Hallownest. It is the center or base that Designs 1 & 3 form their own designs on. I often take it to mean Hallownest itself versus the Monarch’s Seal which brings to mind the Pale King.

Design 3 is the design, which to my knowledge, is only seen in the City of Tears, especially on the noble’s side of the City. Originally, I called it Plumage Design and pondered whether or not this was an allusion to the Pale King, but now I believe it is a homage to the White Lady. See the comparison down below.

Part of the reason why I am making such a big deal out of the different designs is due to the Medieval heritage the game Hollow Knight draws on. If kings, knights, and keeping your oaths to your lords is greatly important to the game, then having a coat of arms and its impact are not a stretch. We already saw this in Monomon’s portion of the essay when we realized that Monomon was the one in charge of the Teacher’s Archives. Due to the lack of Hallownestian crests (or anything of Hallownest) as well as symbols in the benches being Monomon’s mask, we concluded that the Teacher’s Archives was not part of Hallownest proper, but rather natural territory under Monomon’s direct charge.

Having three different Hallownestain crests is vital. While the standard Design 2 or the Crest design allows one to tell that the messenger is from Hallownest versus the Mosskin, Designs 1 and 3 allow us to tell if the message came from the Pale King or White Lady themselves. The common Hallownestian official might only bear the Crest Design while servants in the White Palace bear Designs 1 & 3. Though I bet the Queen’s gardeners only bore the Plumage Design.

With this in mind, let us turn back to Lurien’s Spire to see which crests he bears throughout.

These are all locations through-out the Watcher’s Spire containing different versions of Hallownestian crests. Now please compare these with that of Lurien’s personal Office and Final Resting Place.

Here is the ONLY Place I found the 1st design or Monarch Seal in Lurien’s Office… If you actually can count it since it’s OUTSIDE his office.

The two places where the Monarach Wings appear in Lurien’s Office are in two locations that are OUTSIDE his office. The first is on the Spire’s wall which is just typical City of Tears architecture while the second winged crest is on the elevator.  AKA, a standard design that is easily removed from the room.

What does this mean for Lurien, the fandom’s Pale King fanboy, with nothing of the Pale King inside his office? This is supposed to be Lurien’s personal space where there would be tons of Pale King merch and references. Yet, upon closer examination, not only are there no references to the Pale King, but Lurien went out of his way to hid any references to the White Lady as well! The purple carpet extends all the way down, hiding Design 3 or the White Lady’s crest!

Forget any blacklash from an shocked fandom, the lack of references to the Royal Couple in Lurien’s Office reeks of possible danger for the Watcher. Lurien is the 3rd most powerful bug in Hallownest, right underneath the Pale King and White Lady. Such massive influence needs to be massively watched and carefully checked to ensure that the Watcher doesn’t use that power against the Royal Couple. Yet the Watcher, in his own personal office, does not have any direct reference to either of them.

We do not know how the Royal Couple would feel that Lurien went out of his way to not show any direct alliegance in his private workspace and room. 

Now, I already know what you are thinking. Lurien’s canon dialogue in the Dream Realm. “For King Beloved…to sleep and serve…” It seems as if all of his dialogue is suggesting the exact opposite picture of Lurien’s Office, that he put the Pale King above everything…but the Pale King isn’t the only reason why he became a Dreamer. To quote Lurien’s last journel entry:

“Sleep beckons eternal and these words become my last. Though my gaze shall no longer fall upon this city, I will act forever in its protection. For King, for bug, for Hallownest, I head now to my rest.”

Lurien is a poet. 2)  His actions are for the forever protection of his City. 3) Lurien’s reasons for acting are not solely for the Pale King, but for bug and Hallownest. This is important as it shows Lurien separates Hallownest from the Pale King in his mind.

While Lurien DID say “For King Beloved”, there is nothing of Pale King inside Lurien’s personal Office. It seems like the care Lurien had for the Pale King was like the love Americans have for their flag, unwilling to let the flag touch the ground…but not going so far to have the flag inside their bedrooms…unless the love for the flag goes beyond patriotism to nationalism.

Finally, what does this lack of crests mean for Lurien’s character? I am afraid that I will have to dive into symbolism to explain as a certain Watcher doesn’t have much dialogue.

The lack of Monarch crest on the banners shows how Lurien always put Hallownest first, not the Pale King’s interests.  Lurien could have snuck in one of the bigger banners with the Monarch crests, but chose the smaller banner with Design 2 to hang instead. Symbolically, this shows how Lurien’s heart with the kingdom first.

The lack of the Plumage Crests was brought about by Lurien redoing the floors, turning the red floor to purple carpet. As seen before in previous essays, the color red is associated with the nobles and the majority of the Plumage Crests are seen on the noble’s side of the City. Meanwhile, the color purple is primarily seen in Lurien’s Spire AKA Lurien’s color. Just as purple takes from both red and blue to rise to higher wisdom, inspiration, and humility, so Lurien rises above the roots to see a bird’s eye view of the whole culture of Hallownest, not just the nobles who grow (pun intended) from the White Lady.

The open windows has its own symbolism as Team Cherry could have given Lurien’s Office those magnificent Monarch crest windows. Instead, they chose to not just have no seal, but almost no window. Practically, this means Lurien can easily reposition his telescope anywhere so he can see everywhere in the City. But what about symbolism? The answer is that Lurien can see everything CLEARLY and without basis. He sees what is truly there, not what the Pale King wants him to see or expects him to see. Lurien isn’t even plagued by his own personal weakness or anger that could cause the glass to fog up. He can SEE.

Yes, Monomon. You can stop listing all the things wrong with the City. Lurien already has your list and THEN some. 

Here we are at the end of this section and I cannot believe that CAREPT of all things would reveal how Lurien's loyalty is to Hallownest first, not the Pale King.

If you wish to read more of the Essay, click one of these links below.

Part 1.0: Herrah's Den : Here

Part 2.0: Monomon's Archives: Here

Part 3.0: Lurien's Spire: Here

Part 3.25: Lurien's Spire: Windows and Colors: Here

Part 3.5: Even More of Lurien's Spire. Here

Part 3.7: What is WRONG with Lurien's Spire? (You are here)

Part 3.8: Even, even More of Lurien's Spire: Secret Room: Click here

Part 3.9 Watcher Knight Boss Room! Here

Part 4.0 What We Know We Don't Know About the Dreamers' Houses: Click Here

Link to essay on Ao3: Here

If you have thoughts you wish to share, please feel free to comment or reblog! Especially with the above observation!

I've gotten questions about this in the past, so I went and made a written guide on how to get started making your own Custom Knight skins. Beginner friendly! Click Here to View

Would you eat a purple carrot?

Considering purple carrots are a real thing, I'll try it.

Just as long as it's cooked first. But I'll do that to an orange carrot. 🥕

Oh this caused a pause because I'm still writing fics with these characters.

1. Yes they have to fight, 2. Tell me who’s fighting who in the tags! (I’ll add the most ridiculous combos in a reblog)

Coming back to Black and White to realize "Oh hey, not everything IS black and white. Life's complicated!"

And then they immediately throw Ghetsis in your face. The guy whose mask of lies paint him as Pure White but to call Ghetsis' heart Black would be an insult to the color as his heart is darker than that.

Anyways, I like the fact that Game Freak still took the time to show that truly evil people do exist and they hate us, wanting nothing but us underneath their control (or if that fails) or dead. 💀 Because I ran into rl people like Ghetsis' and I am so happy I was prepared to meet them by playing Pokemon Black and White.

Revisiting Black and White as an adult and a Disability Studies student is wild

Wow Ghetsis is a lot more problematic than I remembered

What is with the Dreamers' Houses?!?! Part 3.5 Lurien's Spire - Pillows & Patriotism

Yes, you read the title right! We're talking about the pillows in Lurien's Spire!

Basically, I ran across a few articles calling the Watcher gaudy and greedy, lumping him with Hallownestian nobles. The Watcher, however, is not gaudy like the nobles of Hallownest. Before we bring in the pillows, let us compare the pictures down below.

Vs. the Watcher's Spire.

While there is a lot of details going on in all three photos, it is far easier to filter out Lurien’s Spire than the nobles. The purple in the Watcher’s Spire calms the player versus the red constantly popping in the noble’s houses.

That, and it took me four years before I realized that Lurien had wallpaper while every detail of the noble's houses was screaming in my face.

Now, we can bring in the pillows. We shall point out the pillows, discuss their arrangement, and what both say of the characters of the nobles and the Watcher himself.

In the noble houses, all the pillows are in the center of the room.

Meanwhile, in the Watcher’s Spire, the pillows are by the windows.

All the pillows in the nobles’ houses are facing the center where the nobles can be the focal point of attention. Where the point could be is either the red couches or the pillows themselves, but any visitor would certainly be hyper-focused on the noble by the mere seating arrangement.

If this was not the City of Tears that we know, such an arrangement could show how everyone is focused on the people and community. Unfortunately, we know thanks to the Dream Nail how all the nobles were overprotective of their geo. The arrangement of the pillows and seating of the guests was only to show off a noble’s wealth, not foster familial ties.

The Watcher’s Spire, however, has the opposite arrangement of pillows. The seating arrangement looks outside of the Spire, not in. Lurien invites any visitor to his Spire to admire not his wealth, but the wealth and health of the City.

One could argue that Watcher’s arrangement of pillows show how he is always looking outwards instead of reflecting upon himself and his faults, but considering the noble’s thoughts and intentions, I believe that Lurien is not selfish in looking outwards as his pillow arrangement is completely opposite of the nobles. Luriem is always looking out to his community AND loves to admire the beauty resulting from the community.

Finally, Lurien still loves both practicality and beauty as seen in his window designs by the pillows. The nobles’ design for the window is pathetic in comparison, though one must be grateful for being to see out of said window.  

As for more comparisons of Lurien with other characters in Hollow Knight, let us marvel at how patriotic Lurien is.

All the little details.

I swear, Lurien is more patriotic than the Pale King. Compare the opening of Lurien's Spire to the White Palace.

VS.

Remember, Lurien's wallpaper still counts.

I wonder how Lurien being more patriotic than the Pale King speaks about his character?

As a Lurien fan, I am afraid that I must admit there is not enough evidence in the Spire alone to answer that question. Right now, these photos suggest that Lurien was Nationalistic while the Pale King was Patriotic.

Yet, once we look at both of their actions in-game, we can determine that Lurien is indeed Patriotic, not Nationalistic. Afterall, it is Lurien who makes the ultimate sacrifice for Hallownest not once but twice, even when he knew the Pale King wasn’t coming back. The Pale King, meanwhile, sacrificed everyone but himself, then fled from the Radiance when the Infection returned.

If both Lurien and the PK’s actions were foreshadowed by the amount of Hallownestian seals and crests, well…I do not feel as if I can make that judgement due to my basis on Lurien. I shall leave that to the community to decide.

If you wish to read more of the Essay, click one of these links below.

Part 1.0: Herrah's Den : Here

Part 2.0: Monomon's Archives: Here

Part 3.0: Lurien's Spire: Here

Part 3.25: Lurien's Spire: Windows and Colors: Here

Part 3.5: Even More of Lurien's Spire. (You are here)

Part 3.7 Lurien's Spire: What is wrong with Lurien's Office?! Here

Part 3.8: Even, even More of Lurien's Spire: Secret Room: Click here

Part 3.9 Watcher Knight Boss Room! Here

Part 4.0 What We Know We Don't Know About the Dreamers' Houses: Click Here

Link to essay on Ao3: Here

If you have thoughts you wish to share, please feel free to comment or reblog! Especially with the above observation!

Sometimes, we break through and create awesome stories by asking questions.

Other times, we get a breakthrough because we ask ourselves if we are asking the right questions. When it comes to pacing, this is one of those times.

Rethinking pacing

Pacing isn’t all about action. It’s about making sure that everything you write advances the story, even the quiet moments.

Instead of asking whether a scene is exciting, ask whether a scene is important.

Does it develop the plot?

Does it develop your characters?

If it does one of the above, then it's important and will fit into the pacing of your story. If it's important, that makes it interesting. If it's not important, it will be boring — and that's what pacing is all about.

I will say, one good thing about the live action remakes is that they are forcing us to realize what is at the heart and soul of the original stories.

Why does the live action Snow White feel so heartless? Because that isn't Snow White.

Well, we already knew the girl was kind, but wasn't until the remake was announced did we go back and see HOW kind Snow White was. The girl noticed how messy the drawfs' house was, believed they had mother, and decided to clean the house for the little "children" out of kindness (and hoping they let her stay).

Snow White went out of her way to help these little "children"...when she was still a child herself! ONLY 13 or 14 years old!!! So kind and yet so small!

Think about all the others now.

Ever kind and strong Cinderella. The determined and unwavering Bella. The Wonder-Seeking Ariel. The causally-stealing-the-show Good Faires. And on and on and on.

Hopefully, after experiencing the heartless live action remakes, the next generation of storytellers will take us back to when books and movies had, should I say, Soul.

Rant incoming

I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.

All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.

Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!

Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.

Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.

We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?

We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?

We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.

Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.

Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.

And don't get me started on the non-princess animals.

Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?

Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.

Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."

Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.

Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.

The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.

For Future Reference...thank you Original Poster for creating this.

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.