what i love about hadestown is that, while eurydice is a Real Human Person who suffers hunger and cold, the tiny bastard orpheus’s needs are like
stuff I like
- when the person kidnapped by the villain is all ‘no one’s going to come for me’ and
- someone does, but it’s the person they’d least expect
- EVERYONE COMES because wow, maybe I am depressed because I didn’t think I knew this many people, much less that they liked me
- no one comes and the villain gets pissed on their captive’s behalf and treats them better than their former associates did
- they rescue themselves and everyone’s so impressed but the person yells because I AM CAPABLE AND YOU SHOULD HAVE AT LEAST NOTICED I’D BEEN KIDNAPPED
- they get rescued by a deus ex machina, preferably their dad/mom/grandma/old associate who is exponentially cooler than the heroes
basically, I like it when people get rescued and get validation
me whenever a drawing doesnt go my way: that’s it. i lost all talent. i’m no longer able to make art. i peaked. this is it. this is the end of days
do you ever think about how weird it is that the moral of Frankenstein is kind of less just “graverobbing is weird and creepy” and more “take some fucking responsibility if you’re going to do so”
Being asexual like “10/10, but still would not bang.”
On the outside I was calm, on the inside I had detailed plans of how I was going to kill you and where to hide your body
remember being an eleven year old girl and being filled with rage? everything i did was from a place in my head where tiny daydream me was smashing plates.
these four are the literal embodiment of my last four braincells
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