OK FINALLY I FINISHED

You can't take sexist Dabi away from me!

But seriously I love the idea for multiple reasons, one of them being that is a direct response to the whole "lov are sjw" that lov fans love to circlejerk just to make them look more noble compared to the "problematic" characters like Endeavor or Overhaul especially.

Just think on Dabi having to share space with Toga after that makes it extra hilarious.

And another important reason is because as you know I ship DabiTen a lot, but here's a thing: I like Geten being a trans boy.

So the consequences of Dabi being super sexist but at the same time Geten being sort of the love of his life are fun because it will drive him mad for clash with his own beliefs. I imagine a situation in which Dabi tries to have sex with Geten, but when he found what Geten haves under his clothes it left him in shock.

Ah the sweet drama.

For some reason I think this is Dabi's favorite book ever:

Hahahahaha hahahahaha

Listen @nyc3 I do love some good old joke "Dabi is a sexist" but in canon...we don't see much to proof that. He was rude to his mom and sis one time ? Sure. He was under a fucked up situation as he knew why he was born.

Plus when he wakes up from the coma, he wanted to see his mother and sister.

Funny jokes

But don't think dabi is a sexist.

Even if we cap a lot with the idea of "Well uh... AFO covered a lot of what happened to the Shimuras" it's really hard to believe AFO could erase any trace of what happened to a rich family of Six who lived in a very populated zone and which house just freaking exploded one night.

Besides All Might wasn't supposed to look after Shigaraki after Kamino when he learns his identity as Tenko Shimura? He says that but never ever invested a single effort on try to learn more about the family of the woman he considered a mother.

Gran Torino also have 0 reaction to know this, despite he should at least have some feelings about the tragedy of Kotaro considering he died because Nana never allowed Torino or A.M to being close to him.

It would have been easy to add a single scene when A.M, Gran Torino and Tsukaguchi are digging up in police archives and they say something like "Yes... there was a strange incident with a family named Shimura many years ago, their remains were never found for some reason"

One thing that is now unfair to ask is...what is Nine's name? Look hori treated him as an afterthought but his lack of origins works better than the comical twnko's origins.

Yes his family was all killed thanks to him but ...I can't help to think that scene was too ridiculous.

We never saw anyone mentioned them again, not even shig. (He remembers them in MVA and we do see the disgusting human puppet hori flay around) But that's it.

So Nine...

Im not one of those people who think a new character needs to be related to a pre stabelished one. Nine doesn't need to be a Todoroki, Shimura or hell even a lost Midoriya (hahahahahahaha as if hori would care for this family)

But ....imagine if Nine was related to Oboro, somehow, wouldn't that be interesting?

Maybe, maybe not.

Oboro's character became a thing to turns Aizawa into a better character...and fails. Kuro was sacrificed for nothing.

The thing about Shigaraki/Tenko backstory is that it feels... a bit overdramatic?

Well we can say that about his whole character, but the part of his backstory in particular when he kills his family is so exagerated for the sake of shock value that it kinda feels comical.

Horikoshi tried a bit too hard on make MVA feel like the edgier and "different" arc of the series, but the contrast in so big that I can't take it seriously.

Especially when Hori already nailed a dark tone without being super explicit or over the top.

Take the simplicity of Eri's backstory for example:

No blood, no unnecessary violence, just two panels giving a basic idea of what happened to Eri's father and yet the image of those clothes lying on the floor is much more haunting and eerie than the enterity of Shigaraki backstory.

Why Horikoshi stop being subtle with his storytelling?

...

Anyway going back to Nine real name, or the lack of one, I think it's interesting how that aspect of his character adds to the underlying theme of how AFO and Garaki dehumanize people, especially the ones that are part of their experiments.

We know very well how AFO doesn't view other human being as persons but rather objects that belong to him. This starts with his very own twin brother, which name Yoichi means something like "my first possesion".

And just like Nine, number 6 from Vigilantes was a child which whole life was modeled by AFO. They both are just numbers without a real name.

In this case the idea is presented even more explicitly because Six was a child who suffered some kind of amnesia and couldn't even view himself as a normal human with a face.

He even died as a monster without ever know if he had an identity outside being the number 6.

It's funny how you mention the idea of Nine and Shirakumo being connected somehow, as isn't the first time I've hear that.

It's interesting notice how they share this common theme about sky and clouds as part of who they are (Nine's name also is supposedly a reference to the term "cloud nine") both Nine and Oboro are individuals willing to sacrifice their own lifes for others, and ironically both of them ended being experimented by Dr Garaki.

I even have the headcanon of Kurogiri being the "Number 7" in this line of experiments were Nine and Six belong, as sort of missing link between Six and the sentient nomus.

I probably should make a post later explaining better this idea.

And yes for Horikoshi, Shirakumo was just a diposable character to make Aizawa look cooler and more edgy.

While the author of Vigilantes clearly invested a lot of effort on making Oboro a real and memorable character which complements Aizawa rather than just being an accesory. But that topic deserves it's own post as well.

P.S: I have an idea of what real name we could give to Nine, but I keep it for me at least for the moment.

Canon possum is a joke but one thing I never forget is how decay IS powerful, sure a powerful quirk with an idiot is not a good thing in many fronts but...

Cinder (I'm loving him already) has to know a guy who can decay stuff with one touch even if he is an idiot.

Would cinder be worried about the quirk ?

Again, shig is an idiot and a bad leader and all that but one thing we can't deny is he knows how to fight.

So I think cinder would make a point to avoid him like the plague.

In canon Cider is the kind of person who knows he shouldn't bite off more than he can chew, since after all his plan during his debut was to steal during a very specific moment in which heroes aren't present, so is more reward without having to fight and less risk.

It was just a coincidence that A.M was there with Bakugou and Todoroki.

I guess his mentality also applies to fight dangerous villains, and the lov had some big names attached them. Their reputation probably was enough for Cider to not have his gang involved with such group of psychos.

But... I disagree on Shigaraki being a good fighter.

Maybe before all the bs power ups given by the doctor he at least knew how do surprise attacks and such, but Decay being such a one-dimensional quirk also means the user doesn't require a lot of skill to put it in use. It is basically just run towards the enemy and touch for instakill.

Which became even more braindead post awakening. Like even Overhaul has more room to be creative and need skill to put in use.

Decay is just a broken and boring quirk that requieres nothing to be effective. Crusty asshole somehow manages to be more plain than he already was at first, is like he evolves in reverse.

I think I'm in love with Giulio Gandini already

Yeah, while I'm not a big fan of his mask as Stendhal I do like the outfit.

And how it looks way more clean, profesional and stylized, which marks a contrast with his later more savage look as Stain. Even Chizome's hair was silky and better stylized as Stendhal to reinforce the idea.

Random take but: Stain had the coolest and most insane boots design on his debut.

Like we should normalize black leather boots with a lot of metal and with small chains for laces, that looks cool as hell.

If Mustard stayed relevant, how would you characterize him? I mean things past his baseline "pragmatic psycho" thing he has going on.

Interesting question, as I do agree that Mustard would need more things personality wise to work with if he's going to be a more long term character.

At first he's indeed very pragmatic, especially compared to the rest of the league and his implied age being probably the youngest even behind Toga.

But as pragmatic he can be he's still a child with an inmature side, and we can see that when he gets angry at Tetsutetsu and can't help himself but act less carefully and being a bit overcondident. He also seems to destile some represed anger on what he considers an easy target.

I would like to explore more that side of him, as Mustard seems to be very resentful against the education system for some reason, maybe is his "villanous" quirk that left him without the opportunity of being a hero? Who knows, but his dialogue can be interpreted as he wants something about hero schools and hates the ones who have the privilege of go to UA for example.

Other thing I would do with Mustard is explore the idea of him not fitting with the LoV.

Because let's be real, he doesn't fit there at all. His style and approach to crime sooner or later will clash with the rest of the members, especially Shigaraki at that point of the story and I can't see Mustard taking his bs once AFO is out of the picture and crusty boy has to lead.

Mustard might be a child but probably he has more clear ideas than the rest of the LoV and once the initial hype for shooting people and do random chaos he would think Shigaraki ideas of destroy everything are worthless crap, so he obviously will aim for better objetives.

I can imagine Mu having a bit of superiority complex and leaving the LoV for look better oppotunities with people who can aspire to bigger plans. Probably the Shie Hassaikai following the canon timeline.

But also, I would like give Mustard a more vulnerable and human side outside being just a gunnuts.

The fact he's a child in a world of crime and danger might have more downsides for him than he initialy realizes.

I can see Mustard sometimes feeling alone and out of place next to a lot of people way older than him.

He might want to have friends of his age like a normal child would do, even if he tries to negate that idea.

Also where is his family? Mustard would likely want to have a place to call home and feel loved, despite tries to convince himself to no need such basic things.

That's what I can think for now. Mustard had a really cool concept to imagine scenarios if he stayed as a recurrent character.

Idk how the actual comparison was, and I remember it from some years ago.

But I can imagine Nine and Mewtwo are kind of similar on being created as bioweapons by some evil scientist dude and their more cartoony evil boss, yet both Nine and Mewtwo reveal themselves and want to persue their own ideals.

And the aesthetic similarities in their armor and powers based on purple lightning:

Note: The only version of Mewtwo I know is the one from the movie.

Lowkey think that Mewtwo and Nine would be friends if their meet, but they also would fight to see who is the strongest.

Any crossover between MHA and other franchise you like?

Hi @nyc3 funny you ask me this bc I was thinking about an au where Izumi is in a pokemon world. Srsly!

Izumi is a poke trainer, she has eevees and eeveelutions (I think it fits here. One Eevee can be anything just like Izumi)

And well Cinder menages to steal a gym becaming a gym leader (people like him better lol) and well, things happen.

On a broad side, I don't have much crossovers for mha. They work fine as they are...they just need a good writing.

My glorious king 🌩🤍

How they make him look so badass yet beautiful while walking?

I know! Nine in general would be an awesome villain for the main story, I'll die on that hill.

At the same time if AFO actually had eyes and was able to see Nine directly, he would have ended up in a vault Lmao. No way our dear demon lord let the perfect Yoichi clone to escape.

Horikoshi actually likes to imply a lot the idea of AFO projecting his obsession with Yoichi in different persons, like Shigaraki for example (even if in this case the parallel doesn't work quite well as with Nine). Or in a lesser degree with Dabi too.

We have panels like this as well:

And of course Nine and Shigaraki share their own set of visual parallels, which for a story standpoint makes sense as they're both in the same line of numerical experiments (another subplot totally wasted btw).

In general it feels like all this details and parallels were part of a bigger storyline that was cut short in the end, never reaching it's full potential (Shigaraki doesn't interact with Yoichi either for example).

So anyway we were robbed of having a big and interesting subplot with all the members of the Shigaraki family. Is a shame because it feels like AFO could have been a much more fully fleshed character.

MHA fans shouldn't ignore how beautiful Nine is.

Have you seen how gorgeous this man looks?

He should be bring into conversations about the most pretty male character more often.

Especially when Horikoshi draws him.

I don't think this need more explanation, Nine is something else.

Surprising how there's so little crossover material between both series, when KNY is like the easiest story to adapt into Avatar style.

Sanemi as air monk is so funny however lol.

Hello I've lost my mind ✨✨✨

I'm working on a few team avatar drawings for this au. I have such bad brain worms for this au omg my ramblings will likely be in the next post :)