Hey Do You Ever Think About The Fact That In Every Possible Scenario Callum Never Kills Tristan. It Makes

hot artists don't gatekeep

I've been resource gathering for YEARS so now I am going to share my dragons hoard

Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.

Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.

Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.

Smithsonian Open Access. Loads of free images. Free.

SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.

SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.

Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.

Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.

Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.

Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.

Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.

How jdj is the side story. I know that LHH is the protag there and most focus is probably on him and his companions. But I just wanted ask for your opinion?

consulted my wife friend about this list so that i wouldn't miss the important moments. a little heads up this post will have side story spoilers

when hsy opens the door at the end of chapter 551, kimcom are sent to a snowfield with two doors in it. in one of them theres a happy ending. kdj woke up and is waving at them. in the 2nd door, kdj didn't wake up. yjh was the first one to enter the 2nd door, Unnoticed by anyone might i add. he's the one who opens the door and says "if it was him, i knew he'd pull something like this"

when we get 49 kdj's pov at the end of season 1 of the side story there's a small scene of yjh bringing 49 food. the scene is not described with full details however we learn that 49 has forgotten most things about yjh, to the point he doesn't even rmbr if yjh has cooked rice for him before. yjh then says this line to him "You don't need to be anything. All that matters is what you want to be" next morning 49 decides to go to the 1865th regression turn in order to help kimcom get back 51.

yjh comes back from a second journey of searching for kdj fragments together with biyoo. he notices that hsy has failed to stop the 41st round, and ignoring lsh's warnings that he's too strong to descend into the 41st worldline bcs the probability will kill him and destroy the worldline immediately once he descends. he says that hsy and ysa need to create conditions for him to descend because "Kim Dokja is mine to bring back" kr fans have noticed that this sentence has two major tones to it. 1, possessive and 2, arrogant. "kdj is mine to bring back since you (hsy) couldn't"

season 3 of the side story has a lot of focus on dkos kdj. he's now lhh's sponsor and talks to him thru midday tryst. and he brings up yjh So Often that even lhh is bored/baffled. not to mention he refers to yjh with a lot of affectionate terms "joonghyuk-ah this, joonghyukie that" recently even selena kim and christina page were all "????" when kdj called yjh "joonghyukie" in front of them

in the beginning of season 3, yjh noticed a source of light enter the "curtain of the 41st worldline" (listen mtl is hard please bear with me) and he immediately slams himself into it, trying to follow after the light. seeing as the curtain is burning him and "grilling him like fish" jaehwan (aka the mc of the world after the fall) has to forcefully pull him back as he shouts "are you crazy" at yjh. spoiler alert, yes he is crazy

not exactly an explicit moment per se, but every time lhh incites himself as kdj or yjh his first thought will always be of the other

in order to subdue an overpowered 41yjh hsy decides to give him happy memories. those memories included a scene where yjh was cooking for kimcom and hsy described it as "yoo joonghyuk was dying from happiness." then the scene quickly puts kdj in the center where he comments about how good yjh's food tastes and that next time they come here (a picnic) they should bring more beef. she succeeds in subduing 41 even though he has never actually met kdj before. later on we learn that 41 also got the memory of the rooftop conversation between kdj and yjh. and like. dare i say. he really sounded a little jealous/sulky abt it. not to call him sp or anything..............

there's a small flashback of a (not written in orv) scene set during 1865th turn. it's about lost memories. yjh tells hsy that he forgets lots of memories whenever he regresses but it's okay because even if he forgets that guy (kdj) will remember them for him.

recent addition: ORV: yjh: you bought a useless skill (preserve humidity) / lsh: but dokja-ssi also has this skill / yjh: kdj has this skill?? *contemplates buying it* |||| SIDE STORY: lhh: this guy (kdj) actually purchased a useless item? (neck pillow) / kdj: but yjh also has this neck pillow / lhh: yjh has this pillow? *after learning its advantages thinks it's a good item* (also kr fans speculate that it was kdj himself the one who bought a neck pillow for yjh)

There are three types of misinterpretation of c!Dream in my opinion; and by that I mean anyone's take ever, whether it's a c!Dream anti or a c!Dream apologist or a c!Dream enthusiast. That's right, I'm making an essay about how in my mind everyone is wrong. This is how I lead debates please don't unfollow me-

1. misunderstanding or overdramatizing evidence

c!Dream apologists; g-guys. I'm not saying he isn't traumatized, but look. I really used to believe he was just everyone's victim and hurt and mentally unstable, and I'm not saying he isn't at all, but I changed my mind because I feel like the evidence doesn't,, point that way at all. Your emotions are valid, but your takes are very removed from what the rest of the fandom thinks because you take little hints and try to make them into some big angsty point within canon.

The evidence we have proves he is more ruthless than anything; even the content creator says that. He doesn't say why he does progressively more ruthless things, and he does say it's for his ideals and out of good intentions, but he doesn't say anything about him being hurt into doing it.

I'm not saying he isn't hurt. But making analysis of an entire character based on something that is barely supported by canon isn't the way I roll and I feel like it's one of the reason why people assume all c!Dream apologist are going to woobify the character,, because some of them really do that.

I don't mind portraying him as hurt by what's happened in canon, because that is a completely safe conclusion, but jumping to the victim side of the scale seems a little bit like painting a completely different picture than what actual canon says. (Note: talking about pre-Pandora c!Dream here.)

There is tragedy in someone being driven by the environment, circumstances and themselves deeper and deeper into corruption, but it feels like by only considering that the entire character is limited to one side of the argument.

I like to also see the side of him that will hurt people because he thinks he has to, because he wants to succeed above all, the side that will ruthlessly murder and manipulate and be calculative and clever and even self-destructive about it because he believes that'll get him towards his ultimately selfless goal.

That's my morally complex bastard.

A lot of people seem to be mistaking or ignoring that for the sake of saying he is just... hurt and that that is an explanation of his actions, and even though they don't use it as an excuse, it feels a little cheap.

And here we come to the core of the problem: an emotional vs. rational explanation for the character's actions.

Because the thing is, with enough evidence, you will see that nearly (we'll get to that in a bit) everything he does can be explained rationally. Everything is connected, everything is the most logical and efficient and merciless route straight from point A to point B, because c!Dream is fascinatingly smart when you look deeper into it.

He knows what he's doing. He knows his actions are awful, and he doesn't care - not because he would be some evil person, but because his mindsets cause him to justify such things, and mindsets are more complicated than feelings.

There is a lot to explore in that direction of the character, but that is material for another essay.

In short, people seem to enjoy removing all of his agency in favor of explaining his actions emotionally rather than from a rational standpoint which results in inaccurate analysis.

Do I think it is completely understandable he attacked L'Manberg?

Absolutely.

Do I think c!Wilbur painted him as a villain to benefit his own power?

Yes.

Do I think he utilized the villain persona as an intimidation tactic and often went overkill with no regard for anything but accomplishing his goals and that he slowly became more and more willing to do bad things of his own accord because he became determined and distrusting of the world to the point of committing horrible actions?

100%.

Analysing that part of the character is the most interesting part, when you consider it - and an important one as well.

2. ignoring evidence

c!Dream antis; please. Stop saying he doesn't care or explaining his actions with obsession or assigning him personality traits or motives that he literally doesn't have in order to demonize him I beg of you.

It's so many basic and easily debunkable assumptions that can be explained with what we actually know of his motives. People will ignore both canon and the authors' words to paint him as some monster with no nuance, which he is not.

We only know so much about him, but people will ignore and deny even the little bit we have for the sake of making him the literal personification of evil and erasing the fact that he is a complex and human character. Just accept he can be accurately analysed beyond hate and let people do it if you don't want to do so yourself.

3. assuming the evidence we have is everything you need to determine a final approach and that nothing outside of the presented evidence exists when certain details prove otherwise

c!Dream enthusiasts; this was the only and biggest problem I've had since being introduced to much more rational interpretations of the character - which is emotions, and one of the biggest reasons why c!Dream gets dehumanized in the first place; the fact that we have little to no showcase or explanation of them in canon.

You see, c!Dream is a reserved character. He likes withholding his plans, withholding his feelings and information from the world.

However, since all we can really get out of watching his actions alone is the rational side (and that is deliberate by both the writer and the character, narratively and personality-wise) people slowly begin to assume there is no emotional side to his actions at all.

Which I find,, untrue. Between the people who erase the rational side of the character and those who erase the emotional side, there is little middle ground, but I don't really find either of them right either.

Because neither would be an accurate representation; just because he doesn't actively showcase his feelings doesn't mean he doesn't have them, and the few inconsistencies that are too small a detail for us to put everything together show that he does have an inner emotional world beyond what we see.

The character does work beyond what we know, and expecting that everything can be explained purely by rationality because that's all we see of him seems a little bit jumping the gun.

It leads to a less person-like view of a character who in reality simply doesn't like showing people the way he feels, and I don't really find that fair to him. It is best to accept there are things we can't say for sure, or to say an emotional interpretation can also be valid at times.

It is both important not to deny him agency and not to deny him the ability to be genuinely hurt by others or changed by his environment.

Both of these can coexist, especially in

the correct interpretation

Ok this is a joke.

I have literally no idea. I'm just throwing stuff at the wall and seeing what sticks - he confuses me beyond belief. The only person who knows about both the emotional and rational side of the character enough to have their interpretation unquestioned is cc!Dream - but when we do try to find answers, it is important for us as well that we do not ignore any aspects or possible aspects of the character, because that is the only way to get useful results out of our analysis.

Sorry this was crit of basically every take about the character I have ever seen but I needed to get my thoughts out.

Eli is a fucking icon tbh. Imagine if you’re sitting in a uni lecture and have to announce your research topic and the number one popular know-it-all of the class says he’s going to research the existence of Naruto-like Ninjas. Absolute Madlad

"I don't want to read this" is totally valid.

"This is disgusting to me" is totally valid.

"I don't want to read this because it is disgusting to me" is totally valid.

"I don't think anyone should be allowed to read or write this because it is disgusting to me" is authoritarian.

*waves hands around in nonsensical gestures* kim dokja is the pocketwatch of yoo joonghyuk's life in a way. his constant, unchanging, measure of time.

every regression the clock goes back to midnight. once more it is august, and to all who matter to you you are either a stranger or a familiar 28 year old figure. nevermind that you almost had a family. nevermind that this time, you even got a day to call your birthday. or that the time before that, you survived long enough to need to adjust your little sister's clothes.

in another world unknown to you, the clock doesn't stop. it just runs ever so quickly. someone asks when your birthday is. every year they buy a small convenience store cake (the kind you probably would hate), some cheap candles (with no idea what number to even put down), and sit down in a tiny apartment. they clap their hands and wish you a happy birthday. the 1st year, you had 40 regressions. the next, 50. 10 years pass nonlinearly, so they don't really try to give you an age. but they do think, "happy birthday".

a webnovel platform with a "published on" date. a singular comment, every year, "congratulations on another year, author-nim!". a young boy who grows into a young man with your life. when you meet, you are once again 28. and he, freshly 28 now, greets you like an old friend.

I think it's worth observing that Eli as a character had an established backstory and principles even before Victor while Victor's whole character and narrative predominantly revolves around Eli and going against him. Even during Lockland, he found a way to make himself the main focus of Eli's project, twist his thesis into their thesis. He forced himself onto Eli's narrative, made himself the main focus. While Eli's 'kill all EOs because they are an affront to God' was because of what he experienced with Victor and their falling out, he was still more independent a character in terms of purpose. And then there's Victor on the other hand whose whole purpose in the first book was to kill Eli. It's so fascinating and is also incredibly funny considering Victor is the main character.

And this barely scratches the surface of what he’s been put through at the hand of not only antis but parasocial fans, ex friends, abusive ex partners, and just the internet at large. Will defend this man til the day I die, he deserves so much better.

Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):

• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.

• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.

• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".

• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.

• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.

• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.

• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.

• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.

• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.

• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.

• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.

• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.

a couple snippets from a presentation i gave at school this past week on storyboarding!!

‼️DISCLAIMER: I am still a student and have only worked on student and indie projects! This is just stuff that I personally find helpful as an amateur, so feel free to take it with a grain of salt!

Happy boarding, friends! ✍️💕