The Pig In Princess Clothing 

I think Escapism from Steven universe would fit this perfectly.

Good ending where we give Doey a hug instead 🥺

THEY NEED ONE SO BAD YALL

I'm glad I'm not the only one who now knows what color belongs to what kid. The art work is nice though and the one showing Doey angry is very interesting and different from what I've seen

... I... I was not planning on liking Poppy Playtime you guys...But... the brotherly NEED to protect that dough guy at all costs. (and hug him)

Also a bonus Yarnaby because he goofy + some more stuff under there (sorta spoilery?))

Mob had no right to not keep the book side quest in the game. How dare they. My guy Doey deserved some happiness in this chapter damN.

Also my take on the three kids ! (based on the stuff I read on the Wiki don't @ me for the color choice)

What's your opinion on writing from multiple perspectives? Like, one chapter would be from Bob's POV, and then the next from Shirley's, ect. Do you have any tips for this?

I love multiple POV stories! I really like when authors explore multiple characters and really give the readers a chance to take in the story from many perspectives.

Multiple POV stories work best when:

You have many plots. The more complex the story, the more information you need to feed the reader for the story to work. Sometimes it’s just not possible to get all that information through a single protagonist. Many protagonists, however, are better suited to learning all that information. Many protagonists - especially if they aren’t working together - are also better at screwing up plans and creating chaos. 

The plot is character-based. A character-based plot means the story deals more with internal struggles than external struggles. If your plot is character based, you really want to show the reader what all the major characters are feeling. Again, a single protagonist probably isn’t privy to everyone’s emotions.

Tips:

Your POV characters don’t need equal time. And when I say equal time, I mean in chapter time or wordcount time. Devote time to the most important characters and most important situations. Do as the plot demands, not as the character demands.

Don’t double up scenes. One of my least favorite moments in multiple POV stories is when the author covers an event with one POV character, then goes back to the beginning of the event to cover it again with another character. If you want another character’s perspective, let them remember parts of the event or revisit as little of the even as you possibly can.

Work on voice. You want to keep those characters as distinct as possible. They are different people, after all. I have a voice tag here to get you started.

Divide the POVs. Not with that awful fanfiction.net **KATNISS’ POV** paragraph starter. Divide POVs by chapter or put a little divider thingy in between POVs if you’re switching in the middle of a chapter. 

Keep track of information. Your POV characters will not know the same things because they live different lives and will be exposed to different situations. If your POV character suddenly knows something they shouldn’t, you’ll have a plot hole.

Try to avoid one-shot POVs. One-shot POVs are when a character gets one POV chapter, then no others. There’s nothing wrong with it, but it feels strange to hear from a character once and then no other times. 

The plots should interact. Even if the POV characters never meet, their plots should have a common element: for example, a common struggle, a common character, or a common theme. This prevents the story from becoming a collection of badly patched short stories.  

Belle Concept art

"Belle"- collection of concept art from "The Man Who Leapt Through Film" - part 1

🦋Commission Board🦇

Sketches:

Half body- 10.00

Full- 20.00(added hints of Water color- 5.00)

OC Art

Half-15.00 (with monochrome coloring or Water color your choice)

Full-25.00

Flats

Half-10.00 (with monochrome coloring or Water color)

Full-15.00

Game art or Video game-30.00

Banners for shops,Book covers-35.00

I Also do Backgrounds, For 20.00

Please contact me through messages and pay on Cash app here:https://cash.app/$JazzmenMoody

More of Belle Concept art

"Belle"- featured section from the magazine "ImagineFX" Issue 215

YEEESS LET'S GOOO!!!

FEBRUARY 28TH 10AM PST!!!!!!!

Writing tips

in my opinion, many modern greek retellings/stories inspired by greek mythology don't fail because they're inaccurate. they fail because they have nothing new to say.

i don't mind changes to the original myths, as long as they make sense and they have a narrative purpose! i understand that making changes is sometimes necessary to convey a certain narrative, especially to modern audiences.

is epic the musical mythologically accurate? hell no! but the changes serve to tell a specific story and to convey a certain message. also, epic the musical is self aware about its "inaccuracies". and the music just bangs.

is hadestown accurate? no! does it make the change that I always dread, removing the kidnapping from the hades/persephone myth? yeah. but hadestown is barely about them, and it uses greek mythology as a "narrative frame" to tell a certain story. it has a point. it has a message.

what are stories like lore olympus trying to say? what is the messagge of the hundredth persephone/hades retelling? what are we supposed to take from them? "don't listen to your mother she's a bitch"? "mothers are irrational and you should forsake her for a man"? very feminist.

why are we still doing the medusa "feminist" retellings? it's BEEN done. too many times. and they're ALL the same. it's a worse crime than being bad: they are boring.

i'm tired of retellings that are just "what if this very famous story was THE OPPOSITE and the protagonist was an ASSHOLE the whole time and the villain was MISUNDERSTOOD and the real VICTIM" okay but why. why would that be the case. what's the point of the story you want to tell. or do you just want to use shock value.

of course, i dislike retellings that are so different from the myth that they go AGAINST the spirit/message of the original, because in that case what's even the point of retelling the myth? just tell an original story. but i would take stabbed poseidon and capitalist hades any day over the same basic story of medusa being a girlboss or demeter being bad because of... reasons?

tl;dr: stop being unoriginal and tell a good story. or at least an entertaining one. i beg you

I tried the thin line art for a comic I'm doing, I sort of regretted it I probably should have used a thicker brush. But on the flip side I gotten better of using the erase lasso when doing thin lines. Anyway this is probably my favorite art study of @genericpuff's journey in mastering Lore Olympus art style but if you ask me I like where Lore Rekindled is and I love how it's art style looks, you can see Genericpuff's art style mixes in and impacts the story even to it's most tiny details.

I also love how she makes the butterflies and wild flowers glow.

doing more style studies, here's LR persephone with the stylization of pilot era LO , with some of the effects I use in LR (but adjustments made to the lineart style because looking back a lot of the pilot era LO pieces that I loved had really thin lineart, which i've always been really bad at doing sksksksk)

No comment, But it is true