I like the show version of Chishiya, and here’s why.
I love manga!Chishiya, but he always felt pretty one-dimensional to me. His backstory is one of parental neglect, similar to Arisu. Chishiya basically fails to develop a sense of empathy (unlike Arisu, who just has ye olde Main Character Syndrome). He decides to enter med school because he thinks that a profession where he saves lives might actually help him grow a Give-a-Shitter. Spoiler: it doesn’t.
Manga!Chishiya is an emotional flat line. He doesn’t care about other characters because he can’t. I remember thinking that he had a lot of the same traits as a serial killer. He viewed the world through nothing but intellect, and other people were either nonexistent or pawns to be used to further his own ends. Even the idea that maybe being responsible for the lives of others will help him grow some empathy is a chilling one.
That’s cool. I actually really like those kinds of characters. I also think there are enough characters like that in the story. Characters who you look at and think, “Okay, yes, you are terrible.” The big problem is that it makes his weird self-sacrifice with Usagi absolutely senseless. Like, it came out of nowhere. There wasn’t any sort of satisfying build-up where I felt like, “Okay, yeah, this makes sense.”
His updated backstory adds a dimension that wasn’t present in the manga version. Rather than simply lacking empathy for other people, you can actually see the moment in which he makes the conscious decision to turn it off. He has this light bulb moment where he realizes that the world is a cruel and unfair place. He realizes that allowing himself to feel for other people is only going to hurt him in the end because he’s powerless to change the systems that are actively harming them. It’s better to protect himself and survive.
Chishiya is a selfish character, but the idea that his selfishness stems out of a desire to protect himself from pain gives his character some actual depth that was always missing for me. It also makes the King of Diamonds game a lot more meaningful. Kuzuryu went through the same exact thing, but instead of turning off his feelings, he paralyzed himself with a moral dilemma. Where Chishiya chose to treat all human life as equally worthless, Kuzuryu couldn’t stop looking for some value to assign, whether that was to ease his conscience or to inform a sense of justice he was desperately trying to find.
I really, really like how that dichotomy played out.
I also think it’s interesting that Chishiya feels a lot more psychological in the show. He’s clearly highly intelligent in both the manga and the show, and maybe it’s just Murakami’s performance, but there’s something more sinister to him. He’s clearly developed some sort of friendly relationship with Kuina. He displays an ability to be playful and seems to genuinely be extending an offer of friendship to Arisu (up until he sells him out for one corn chip). Seeing how he can make these connections that feel genuine to the people involved (unlike his manga self who is pretty universally despised) and still be willing to fuck those people over for his own survival makes him feel a lot more menacing to me.
This ability to flawlessly manipulate and betray also means he has a deep understanding of human emotion, which is illogical by nature. In the manga, Chishiya says outright that he isn’t suited for Hearts games, but show!Chishiya feels tailor-made for them.
It’s also interesting that in the manga, he seems to get harsher and more isolated. By contrast, in the show, he feels to me like he softens episode by episode. It really struck me in the Jack of Hearts game when he said something about his partner dying because he was too kind. On the surface, you could take it as a typical judgy Chishiya comment, but there actually appeared to be a glimmer of sadness, or envy, or regret. Or all of the above. Or maybe it’s just Murakami Nijiro’s face that made me think that. Either way, I think it was smart of the showrunners to throw him in that game.
In the end, the King of Diamonds game pushes him to the realization that he really is envious of people who have the ability to be kind. He’s envious of people who can make the selfless choice. And it’s not because he can’t be. It’s because he’s closed himself off to the vulnerability that allows a person to make that kind of decision. You can’t truly save others if you’re always protecting yourself.
So, he saves Usagi to try to become that person. And I don’t feel it was out of character at all.
anyway i was thinking about post destroy geth and EDI live because lol why wouldn’t they have a cloud backup for themselves
and to further extrapolate when Tali mentioned that the geth were helping the quarians by stimulating their immune systems via programming in their enviro suits
and what if geth programs “adopted” specific quarians and that was THEIR quarian, they took care of them and cared about them
and they showed up as little tamagotchi on their omnitools to communicate with their quarian host
and they would be like “Creator-(friend), we do not trust that individual. We suggest ending this conversation and finding another vendor.”
or “Creator-(friend), we have spoken to the geth in Creator-(other person)’s suit, and we believe you have mutual interests. We think it would be best if you converse with them!” geth internally: “We have contributed to Creator-(friend)’s happiness. We shall get a good grade in cooperation and friendship, which is both normal to want and possible to achieve. :)”
I am both.
Mordin Solus breaking out in Modern Major General in the middle of a random, run of the mill Normandy conversation will forever be one of my favorite moments in gaming.
I don’t know all the reasons why I like dark things, and I don’t think I need to know them all, but… I was just looking at the blog of that person who said I “dehumanize and fetishize” gay men, and I saw that he was quite young (15) and his blog was all full of pastel colors and references to his mental illness and something dawned on me that I hadn’t thought about in a Tumblr context at all.
Part of my PTSD is about experiences I had in hospitals, and because of that one of my triggers is… not pastels, all by themselves, but like… have you ever stayed in a hospital as a kid? And everything is covered in soothing soft colors and all the nurses wear scrubs with like… cute animal drawings on them and everyone talks in a sing-song voice and reassures you things won’t hurt when they OBVIOUSLY will and you’d rather they tell the truth, accept that you have good reasons to be scared, and get it the hell overwith?
Yeah, I think I just figured out why those kids’ blogs give me a weird tingly feeling of creeping dread.
And I think I figured out, also, where my intense leeriness of “safe spaces” and trigger warnings comes from too–even though as a person with PTSD I’m supposed to want them.
It’s because in my experience, people who were trying to make me feel safe were LYING. They were lying because it was in their interest–in mine, too, but in theirs–for me to feel calm and soothed. For me not to feel despair, or anger, or blind screaming rage.
…Is it any wonder I like the stories where the people with the knives and the cruel smiles and the mind games are blatant about it? Or that I might want a few knives of my own, even though I have no desire to hurt anyone who isn’t going to get off on it?
I don’t want those kids to not need safety.
I want them to stop pretending safety looks the same for everyone.
Remember that in this scene Dazai "lives on canned crab and whiskey" Osamu has a three gunshot wounds and a broken leg while Chuuya "the strongest ability user" Nakahara is just sitting there watching
And the funniest part is every single one of those injuries was inflicted by Chuuya and most of them weren't even part of the plan
Omg this is amazing
Apparently Cards Against Humanity had a Mass Effect themed set come out in 2017 and this was their official fucking art for it
I love the concept of chuuya so much.
Like this man is trying so hard to be fancy and posh while having the vibes of a punk kid and the voice of a metal singer. He’s trying to act refined as he strangles his ex partner and stomps around screaming cuss words.
It’s just a beautiful idea
Inspired by Keep your cards close (and keep me closer) by NobodysPoet
Rise Ramblings #234
While watching “The Clothes Don’t Make The Turtle,” I noticed something.
I found it interesting that Raph, Mikey, and Leo were content with Raph’s outfit choice until Donnie stated that he wasn’t “in love with it, ya’ know.”
Suddenly, Raph declares “I’m a disaster!” Albeit ridiculously endearing, it was a little strange to see his sudden shift from moderately content to absolute dissatisfaction. Huh…
Then, the disaster twins decide to help him out.
Take a note of their outfit choices.
Raph tries on all of these fits and more.
Donnie’s first choice is a mild “no.” Leo’s choice is a hard “NO.” (Not surprising, lol.) But then, the overwhelming consensus lands on Raph’s fourth outfit, which ended up being Donatello’s other pic for his brother.
So, in summary, Raph tried on his personal choice for an outfit, of which they rejected. Then, ultimately, Donatello picked out an outfit for his brother, and that pic ended up being perfect. Hmm…
Then I noticed something else. In this episode, we never get a Donnie “curtain reveal” moment, to our disdain. I mean, Raph, Leo, and Mikey got to try on several different outfits in order to get their brothers' opinions before landing on that “perfect outfit, you know the one.” All of his brothers got to shine. Why not DonTron?
Then it hit me.
The try-ons were to get their brothers' opinions and approval. And, for his brothers' choices, he was a major contributor in assisting them in pulling their looks together.
What if, bear with me, Donnie didn’t need the "curtain scene" because he was so confident in his fashion sense that he didn’t need to ask his brothers for help to pick out a great look.
…or they figured out how to break Hypno’s spell before he could get a “curtain reveal.” BUT STILL-
Look at his outfit choices in this episode. Some of his wardrobe changes were off-screen, but all of them were fire.
(I added the baseball cap pic because it makes me happy. I wish we'd seen more of that fit.)
To me, he makes some really smart choices for himself, pushing the envelope of what is expected and taking chances: an open collar with no tie for a “black tie” event, a beanie and spiked wristbands for their “gansta look,” no socks with loafers (a viral fashion trend that actually began in Africa) with old man slacks in his reclined pose. *muah* Chef’s kiss!
But Don’s fashion sense don’t just shine in this episode.
In “Reparin’ the Baron” the boys go to Draxum’s apartment. Leo and Donnie show up in some extra nice “Sunday Dinner” twin drip.
The gold is in the details. Everything Leo is wearing, Donnie rocks its compliment: for Leo’s round collar, Donnie’s is angled, for Leo’s blue shirt, Donnie’s is white, For Leo’s light slacks, Donnie’s are dark. Blah blah blah. It’s so good!
Look at the winter fit in Snow Day.
Again, Donnie is Leo’s perfect compliment. As a pair? Fire.
Donnie has “the eye.” I can go on and on with examples, but I’ve said all of that to say this…
In the future, we see that Donatello’s technology had major pull in the resistance. He had drone ships patrolling the skies. He built and designed Leo’s arm, Casey’s chainsaw-hockey stick, and Casey's mask. The list goes on…
But, when Donatello from the past see’s Casey’s clothing from the future, he says this:
We know about the “Genius Built” brand. We’ve seen that logo on all of his tech up to this point. But, here he didn’t just say “Genius Built.” He said, “Genius Built Apparel.”
“Apparel” is not a tech brand. “Apparel” is a fashion brand. Of course, tech is incorporated into the clothing, but still.
This means that past Donatello secured this trademark with plans of creating a fashion brand, comparable to the likes of Gucci, Ralph Lauren, or any other modern clothing brand, as a subsidiary of “Genius Built,” the tech company.
And why not? The evidence has been in front of us this entire time. He has a sharp eye for style, fashion, and trends. It is easily canon that he can sew. Splinter sewed their ninja garbs in “Insane in the Mama Train,” and there is a sewing machine in the house.
They already learned Ninjutsu through basically osmosis, so learning to sew is not too far-fetched.
And here it is, right in front of us, Casey’s entire ensemble, from mask, to weapons, to clothing, was made by Donatello in the middle of the apocalypse under the brand name “Genius Built Apparel.”
And that was just in the bad future. Resources were limited, they didn’t have access to much of anything in that broken world as they were survivors of a devastating Krang invasion. Yet, he created all of this.
However, now that they’ve changed the future, his future as a fashion designer is limitless. Think of what Donatello could produce with unlimited resources, unlimited technology, and unlimited creative freedom.
Tech genius. Clothing designer. Fashionista. Future Genius Built Apparel Owner and CEO. I’m sorry, but I have to call it...
Donatello Hamato of the present, of the bad future, and of the good future is a fashion icon, the likes of which the world has never seen.
Something that really stuck with me while I was playing Mass Effect 2, and that I feel was so important to understanding the relationship between Shepard and Garrus, whether you romance him or not, is that Garrus is your only companion from ME1 who never moved on.
You died. The crew watched you die. Assumedly they grieved you, there was a funeral service, there were tears and all five stages of grief. Things were rough, but eventually life took on a shade of normalcy again.
Kaiden/Ashley got reassigned and continued their work for the alliance. Liara fights tooth and nail to get your body to Cerberus, but then it’s out of her hands and she becomes an information broker. Tali goes back to the Floatilla, like she was always supposed to. Wrex becomes a clan leader. And yes, they’re all fundamentally changed by their time on the Normandy, but no one seems as stuck as Garrus Vakarian.
Because he doesn’t go back to the Citadel. He doesn’t join the Turian Hierarchy. He ships himself off to Omega, one of the most dangerous places he could be, and makes a life out of pissing off the most dangerous people there. It’s kind of a suicide mission, especially after what happened with Sidonis. He kind of figures he’s going to die doing this, but what else can he do?
There is no normalcy for Garrus in a world without Shepard, and I think that’s why he’s always immediately ready to come back to the Normandy. The Normandy, and Shepard, are home for Garrus and that’s why I think romancing him feels like the natural conclusion for so many femme Sheps, because Shepard feels that way too.
Of all the companions, no one needs Shepard to live more than Garrus, and no one needs Garrus more than Shepard. They’re perfectly matched, as lovers, as friends, as soldiers, as whatever they are in your universe and when you’re that perfectly matched with someone, you never quite feel whole without them.
No Shepard without Vakarian.