Meme By @caldella

Interesting how many of these stories follow the pattern of "monster terrorizes town, townsfolk reach accommodation with monster, epic pagan hero or mythical Christendom saint slays or banishes monster." It's fun to headcanon that this is the story as told by the victor, and actually these monsters were symbiotic, providing a defense against transient monsters (Les kaiju, ils se battent).

Maybe even the non-human foods they were fed was a refinement of the original accommodation, and the monsters weren't even eating people at all, by the time Ser Pointyhelmet comes along.

Could be a fun thing to work into a modern narrative: hero comes to town, hero hears about monster, town begs hero not to slay monster, hero slays monster, hero moves on, town gets destroyed by wandering monsters. Or maybe the town forces the hero to stay around and defend them against the transient monster population...

Dragons & Folklore de France

Translation below

The Tarasque dwells in the waters of the Rhone river near the town of Tarascon, where it devours travelers and destroys dikes and dams to flood the Camargue. Saint Martha chained it, and the people of Tarascon killed it.

The ruins of the amphitheaters of Metz were infested by hundreds of snakes. The largest of them, the Graoully, had a venomous breath, a mouth bigger than its body and devoured men. Saint Clement chased it away into the Seille River.

King of serpents, the Basilisk takes many forms throughout history and appears in many tales. One of them takes place at the Gate of Saint-Eloi in Bordeaux, known today for its Big Bell, where a well was occupied by a Basilisk. It petrified with its gaze anyone who went there to fetch water. It was defeated by a man returning from the Egyptian crusade, who petrified the beast with its own gaze using a mirail (mirror).

The Cocatrix is born from a rooster's egg incubated by a toad. The egg has magical properties but must not be broken. People who cross its gaze die immediatly.

Made of wicker and covered in flowers, the Grand Bailla wanders the streets of Reims three days a year and feeds on gold and sweets. It was banished by Archbishop Charles Maurice le Tellier.

The Grand'Goule haunts the marshes of Poitou, the waters of the Clain and the flooded cellars of the abbey of Sainte Croix. It feeds on nuns and casse-museaux (snout-breakers, cakes). Saint Radegonde chased it away with holy water.

In the rivers of the Jura and the Alps there is a group of diverse dragons, the Vouivres. They are generally flying serpents covered in fire and guardians of treasures. Many have for a single eye a gigantic carbuncle with extraordinary powers, desired by those in search of wealth and power.

Hidden in the caves of la Pointe du Roux near La Rochelle, the Rô Beast traps and devours travelers in the coastal marshes. It was impaled by seven heroic pagans from the seas.

Mythical dragon of the Basque Country, Herensuge gave birth to the Sun and the Moon, swallowed all of Creation in ten days then regurgitated it in flames. Now asleep in the mountains, it sucks up flocks and shepherds in his sleep. When it wakes up, it will destroy the world in flames and blood. (illustration)

Durandal is the mythical sword that Charlemagne gave to the knight Roland. Some claim that it was inherited from Hector, the warrior of the Trojan War. At war with the Saracens in the Pyrenées, Roland wanted to break the sword so that it would not fall into the hands of the enemy but Durandal split the mountain. So he threw the sword, which went to stick miles away, in the rock of the town of Rocamadour.

The belief in the Tooth Fairy is widespread in several countries in Europe, and is sometimes amalgamated with La Petite Souris (little mouse). It exchanges baby teeth for money. No one knows what it does with all these teeth.

The Camecruse is a bogeyman that haunts the moors and marshes of Gascony. It is agile, can jump and hide in the night to better devour lost children. No one knows exactly how it feeds.

The caves under the hill of the town of Hastingues are home to Lou Carcolh, a monstrous snail, long, slimy and hairy. Its shell is as big as a house. With the help of its tentacles, it grips people to devour them.

The Questing Beast is hunted by kings and heroes in Arthurian legends. It symbolizes evil, incest, violence and chaos, and takes it name from the loud noises that come out of its stomach, similar to the barking of dozens of dogs.

The fairy Mélusine, cursed princess of Albania, was condemned to change into a snake below the waist every Saturday. She married Raymondin de Lusignan with whom they had 10 prodigious children. But Raymondin broke his promise never to see Mélusine on Saturday : he surprised her in her monstrous form, and she left her family forever.

When Jesus went up on the mountain alone, to pray and meditate, do you think He was ever interrupted by rich Roman tourists, who, having ridden sedan chairs all the way up, stood right next to Him, and loudly told each other to "look at all the rocks"?

The Croaker's Revenge

The Croaker will be present at Dashcon 2, and will guard the ballpit, after a fashion… but nobody will notice or recognize them. Many cosplayers will attend as the Croaker, but none will be @the-muppet-joker, not even the one in full purple-leisure-suit Joker cosplay, with a Kermit puppet fastened to his fly like a codpiece.

@strange-aeons will be there, in full Ebony Dark'ness Dementia Raven-Way cosplay, guarding the ballpit and posing for mock battle photos with Brotherhood cosplayers, but nobody will claim to be the actual Muppet Joker. Things will be whispered into Master Strange's ear, but they will mostly be along the line of what a lovely couple she and her wife make. Perhaps Master Strange will lean down to hear one person whisper, "I think he's here," and she will turn around, but she will not be able to tell who she was leaning down to listen to.

The ballpit will be a hit. Not as big as the raccoon talk given by @raccoonmilf, but the organizers, @dashcon-two, knew that if they were going to have a ballpit, they'd have to go big and make it as nice as possible, and the party supply company will deliver the perfect thing. Among other activities, getting selfies with Homestuck cosplayers reenacting their time in the original Dashcon ballpit will be popular.

Nobody will urinate in the ballpit.

Nobody will think very hard about how the laconic, sullen young person in a polo shirt and work slacks, who set up the ballpit alone and unassisted, had bright green hair.

Nobody will think very hard about how this green-haired young person spent every day of the convention posted up against a wall in view of the ballpit, scrolling on their phone, not interacting with anyone.

Nobody will realize until after the con, that the party supply company did not contract to set the ballpit up for the organizers, or to provide a maintenance person for it.

Nobody at the party supply company will care, when the Dashcon 2 organizers tell them that whoever initially signed for the ballpit wasn't event staff. Nor will they have any idea who actually did sign for it.

After the con, everyone will assume that the young green-haired nonbinary person, who set up the ballpit and spent the entire con leaning on the wall in view of it, scrolling on their phone, will pack up the ballpit and load it into the party supply company's truck, but in fact, the ballpit will still be standing, quite abandoned, and the green-haired one will have vanished without a trace. Eventually, the organizers will find badge details matching the green-haired one in their records: a standard visitor pass with no special privileges, under the name of "John Smith."

After the con, over the next few weeks, the repercussions will start to become apparent. Bit by bit, the Croaker's devious, twisted, insane, magnificent, hilarious plan will come to fruition before the eyes of an astonished and terrified Tumblr community, and the Croaker will have revenge upon all of us.

OSP Red, over on her Tumblr blog Comicaurora, posted a brilliant and refreshingly frank analysis of "Fable of the Dragon Tyrant."

I can't believe I didn't figure out it was an allegory about death, but we all miss something sometimes, I guess.

Go read the whole post.

@whyisthereacentaur Goat alert

a tender heart

Also, my two cents, it's amazing what happens when I go and do a little light manual labor. Raking leaves, washing dishes, weeding the garden... and suddenly the ideas and solutions start moving again.

Hey, sorry if you’ve been asked this before, but I have ADHD and I’ve been following your comic for years and just now have started to write my own comic (partially because you really inspired me). But I’m really struggling with staying on the project even when it’s boring and getting myself to work on it in the first place. Do you have any tips on how to keep your brain invested or just to make yourself do the work at all?

I have excellent news, I literally just figured out something really important about this.

So when you're an ADHD kiddo or otherwise have difficulty staying on task in a structured environment where Task is the Priority, the main way people try to MAKE you stay on task is by removing your access to anything that is not The Task. No phone, no TV, no doodling, no going outside, etc. In practice, this just makes us miserable because it takes the boredom that's always simmering around a 2 or 3 and cranks it all the way up to 11. In the same way that you would have difficulty staying on task if you were in physical pain, this crushing existential monotony makes it very difficult to work. The work might get done simply because you have no other options, but it will not be done quickly or well, and it will take a while to recover from how much it hurt.

What I realized earlier this week is I caught myself doing this to myself. I had 42 pages of background colors to do, and I thought to myself "this sounds really tedious, but I suppose I have nothing better I can do." And I realized what I'd just thought, and got very alarmed.

Because back when I was an ADHD kiddo imprisoned by school scheduling and a million little factors that keep children immobile and restrained, I couldn't stop thinking about how big and exciting the world was, and how much I wanted to be anywhere but here. When I was feeling really crushed in I'd pick a random spot on the maps on my wall and just imagine being there instead of my bedroom. This was the impetus behind almost all of my creative energy. I've said it before - anything is a prison if you can't leave, and being in a prison makes it easy to imagine how amazing things could be outside of it. Aurora's initial worldbuilding was forged in the crucible of fifth grade misery. My enthusiasm for art and my creative drive are inextricable from my sense of wonder and yearning for excitement in the real world. Not escapism, but appreciation. Wonders unimaginable are out there, and I gain just as much joy seeking them out as I do conjuring them up in my head and sharing them with all of you.

So now that I'm a grown-up with actual freedom in every way I've been able to get, the idea that I was staying on task by making myself believe the world was small and not worth seeing was extremely alarming. It could keep me on task for an afternoon, but at the cost of slowly extinguishing the thing that made me want to make art in the first place - the hunger to experience and draw inspiration from all the myriad complexities in the world.

So what I've been doing is I've been purposefully and intentionally taking excursions whenever I catch myself thinking "I could take a break but it wouldn't be worth it, it's the same outdoors as always, I'll be uncomfy and unproductive and tired." Because that is never true. Every time I've put down the stylus and gone out, I've been renewed in one way or another, and when I come back to comfort fully recharged I get a lot of shit done. Because it is easier to work on anything if you remember why you wanted to make it in the first place, and it is self-defeating misery to just lock yourself in with it and tell yourself you're a bad person if you can't get it done.

I honestly don't know how widely applicable this is. I have worse wanderlust than anyone I know, so for me this has always been modeled as imprisonment vs freedom. I've also been extremely lucky to find myself in a profession that lets me set my own pace on literally everything I do. But I genuinely believe that when it comes to making art with ADHD, you need to give yourself freedom to move laterally, not just in the direction of obvious forward progress. We don't think linearly in any other part of our lives - art is no different.

Nerf that Ring of Flight by making it the ring itself that flies, while wearing it, you can move the ring through the air in any direction at will. How the character manages to keep the ring on their finger, and their finger on their hand, is the player's problem.

I didn't notice who reblogged this and I was WONDERING where the heck it was going...

Which made it all the sweeter to find out it's an Emberlynn joke!

This is not a god-emperor.

This is a god whose name is "Emperor."

Long-dead, he was the last ruler of a once-powerful empire whose cultural influence outlasted it.

Was he deified in his lifetime? We no longer know. But he is deified now.

While his memory lives on, his true name has been lost. At some point, the word "emperor" ceased to have meaning except when referring to him, therefore his name is now Emperor.

Well, folks, I'm starting to realize that maybe Bartleby the Scrivener might not have been the best role model for me to emulate...