The pushing them away was designed to be such a can't go wrong with it trope it's honestly impressive how wrong twilight managed to go with it.
The 'im afraid whatever I can give them is just a cheap imitation of love and they deserve so much better than that' SLAps
The 'my entire life is walking on eggshells and they should get to live their lives to the fullest'
The screaming confessions in the rain like 'if you really love me you should know that being with you is what I want and I'm willing to do whatever it takes to do that,' ahHh
It's meant to show how deeply they care about each other and how much they're willing to sacrifice for each other but Hollywood really went no, commitment issues haha
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The villain's mom walks in and catches Hero and villain in a uh, compromising position, (they were threatening each other!! Nothing else,,) the villain gets nervous and trying to quickly make up an excuse, and before hero could say anything, splutter out they are dating.
The hero tries to deny this but you see, the mother is the warmest person they've ever seen and her look of sheer hopefulness and the arrows of love she's shooting at them kind of makes it impossible. Plus, watching the villain be a complete mama's child as she croons at them and inquires about what they've been eating is very enjoyable.
What follows is a week of hero being infuriated at fake dating and slightly awestruck as the villain is babied and ordered around by their mother.
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Can more authors balantly self insert themselves into the side characters who constantly voice their shipping feels at the most inappropriate moments that's just good stuff. Like
"I hate you!" "I hate you more!!" *appearing uncomfortably close to their faces from God knows where* "Now kiss."
Two same gender people *glaring intensely at each other* "that's gay babes"
A *compliments B* "I ship it bitches!"
Just top tier comedy. Love.
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"I'm only fighting these (Eldritche horror levels of danger) for you because I want to kill you myself. Don't think I'm trying to save you or care about you or anything. I totally totally don't." —the enemies to lovers dynamic we all love to see.
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The stage between enemies and lovers where they VEHEMENTLY deny their feelings is appreciated a lot, but it still deserves more appreciation like who thought like :/ so these two people okay? And get this they hate each other, kay? But, and here's where it gets crazy they start having FEELINGS for each other! And they do not want to!! Crazy! ;/ Like who thought a person just failing so badly at insulting thier crush will be the funniest shit ever?! AND THEY WERE RIGHT!!
The internal monologue is just like
"look at them humming to themselves! Aww—! Like an idiot! Foolish!! Disgusting shit!!!"
"I wanna do things to them... I mean Violence! Murder! That's what I wanna do, target practice, fish bait!... And now I'm talking to myself "
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Bitches with trust issues love enemies to lovers because they love the idea of seeing someones worst traits first and still be able to fall in love them without the everpresent underlying fear of weather their worst is something genuinely evil. It's me. I'm bitches.
You know that trope of they were childhood sweethearts/ crushes and gifted some personalized gift or even some random offhand token like a handkerchief or hoodie? Yeah but were separated for a long time but then are brought back together in wildly different circumstances and they're at their place and they see it, clearly preserved with care?!;!!
Yeah I'll take 79326038+ of that exact same trope.
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If your villain disguises themselve to seduce the hero, they legally have only two options going forward.
They fall in love with them in disguise but the hero is 100% not interested, saying they are in love with someone else, unbeknownst to them the one they're in love with them is their villainous form (because the hero has read one too many enemies to lovers books)
Or, or, The hero IS interested, and the villain vigorously denies their own feelings telling themselves it's all part of the plan, until on a date, the hero does something for them that they'd never do for them as a villain (I watched this drama about basketball rivals where A always wins until B plays in disguise and they let them win and they staight up loose it because they're so hurt, it still lives in my head rent free) and so the villain angrily reveals their identity. But the hero is just like, 'duh, I knew. Literally all you did was put on a wig, dumbass' (even better if their shapeshifter or something so they didn't have any way of knowing but still they just kNoW, you know)
The villain and hero anyhow end up in a place where the only people they know are each other and have to find someone/something to get out. They both say don't want to be near one another, but one of them gets separation anxiety and follow the other absolutely everywhere, while making up more and more ridiculous excuses and pretending to hate it. The other, sees right through it, but let's them do their thing and enjoy it.
I'm came for the couple in crisis but I stay for the couple who've already solved their crisis and are now sharing a chair and judging everyone. Plain old a couple who hates the same people stay together.
"Remember when we were stupid as them, babe."
"Babe, can we beat them up?"
"Babe, let's intervene in those dumbass' love life. They can't be trusted with it."
If your book doesn't have them. I'm still prolly gonna read it, but like... I'd prefer it if it did cause they're amazing.
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This blog is now apparently dedicated to enemies to lovers connoisseur-ing. I mean I'm not complaining but still
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Writer, Poet, Singer. Bi, Women of colour, feminist. Poetry and writing centred blog. Some politics/social justice awareness. Trigger warnings- trauma, child abuse, mental illness. “What is better to be born good, or to overcome great evil.”
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