I haven't even watched the show yet but it's posts like these that make me want to watch it more than the flattery ones because I love nothing more than getting angry at a show for getting rid of angry characters
it's so fun how they removed sokka's sexism because it's "problematic" but then took away every aspect of katara that made her who she is and completely flattened her personality in a way that leaves none of the aspects that made her a feminist character and in a way that is only ever done to female characters and by fun i mean im going to kill them
emphasise on eventually
ATLA (Zutara, Zukka, modern fics, a healthy dose of side suki x toph in zukka fics)
Percy Jackson (college fics, Thalia Grace highschool, highschool aus in general)
The Legend of Korra (currently have one underway, not Krew centric bc jinora is better)
thank you for coming to my ted talk
I love genuinely innocent “boys will be boys.” Just saw a guy come out of a frat house to poke a pair of jeans they’d left outside - they were frozen solid, and as soon as he confirmed that, like twenty more boys came rushing out of the house going “YOOOOOOOOOO”
Me: *likes a musical or period drama*
Everyone: But aren’t you mad that it’s not historically accurate?!
Me, just trying to enjoy things:
nobody asked for this post BUT has anybody talked about the beautiful metaphor of all the call and response choreography in the Wicked movie??? how the dancing shows the influence that characters have over each other. cuz im about to.
okay okay look at this. everybody at shiz copies Galinda during "what is this feeling"
okay standard expected yeah but THEN we get to "dancing through life" (AKA everybody's horny for Jonathan Bailey) and Fiyero has to "corrupt his fellow classmates"
WATCH them follow along! watch them LEARN the dance as his influence spreads over them. BUT not just them! because for the first time in her life, Galinda is NOT the center of attention. she's nor in command of the crowd and she JOINS IT. SHE JOINS THE CROWD.
now of course she eventually finds her way to the center, she finds a place of influence in the dance because that's who she is. When Glinda isn't in control, she joins the influence to take control of it.
but you know who isn't dancing? you know who's the one person refusing that call? of course you do you watched the movie too.
and yes. I know, those of us that are familiar with musical theater probably already saw all of this. but shhhh this is fun to talk about anyways. AND we're getting to the fun part. that's right... it's the
now THIS is what's special about the call and response aspect of the choreography. THIS is the part that makes all of us cry whether or not we consciously realize it.
because whereas Glinda is able to FIND her place of control in the influence, Elphaba doesn't have that ability. she's NEVER had that. she can't join a crowd because she's different and she sticks out no matter what.
Elphaba has to do her own thing. She always has to go it alone. that's why this dance is so strange and so beautiful!! because it's so uniquely her! and THATS why the call and response motif of the choreography makes this moment so sad. because it's not just Elphie not caring what anyone thinks.
it's a desperate call for anyone, ANYONE to respond to her.
And Galinda sees her. FINALLY, a response. finally, Elphaba has broken through that wall. for the first time in her life, she's reached out a hand, and someone else took it.
and i just think that's beautiful. 🥺
i definitely have more to say about this but for now I will end it here anyways thanks for coming to my OZTEDtalk.
look how prettyy
all the books are my grandma’s, except for the picture of dorian gray.
Hello, I hope you receive my message and you are fine. I am Asmaa from Gaza. I ask you to help me stay alive by donating or spreading my link.
I hope you reach your goal! Prayers for you and your family.
$923/$50,000
i want to show some fucking appreciation for amita suman. inej was most likely forced to strip in front of clients while at the menagerie. and i think amita’s acting shows that, her facial expressions in this scene show that she’s thinking of the last time she had to do this, there’s a hardness in her expression. but when she sees the kaz is turned away, his eyes averted, her gaze softens
They are my icons
Hi :) welcome back to my bullshit | she/her | my ao3 is StopmotionStars
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