Had a last minute notion to make an Elizabethan-inspired embroidery pattern to celebrate the eclipse. I originally thought of doing a coif pattern, but thought the eclipse would get lost in the folds of the cap, so I ultimately went with a sweet bag. Since it was cloudy throughout totality, I thought it would be fun to incorporate the stars & clouds embroidery from a c.1600 waistcoat at the Bath Fashion Museum. The sun design is inspired by various period illustrations of sun motifs, minus the face they always seemed to put on every sun/moon design because I just couldn't make it not look silly.
I have no idea what stitches I would use for this bag, since sweet bags tend to use all sorts of different stitches. The original stars & clouds design is in blackwork, but I haven't seen any evidence of blackwork used on sweet bags. I'd probably do the background in a black or darkest blue metallic gobelin stitch (also ahistorical, but pretty!), the clouds/stars in silver stem stitch, the corona and rays in satin stitch or plaited braid, and the moon in black detatched buttonhole or some other fill stitch. Or I'd do the entire thing in blackwork except the corona and rays of the sun, which I'd do in gilt, documentation be damned.
A very useful resource!
Oh hey, do you know what time it is? It is highly specific resource time!
Today we have the Royal School of Needlework Stitch Bank! There are HUNDREDS of stitch types in the RSN Stitch Bank.
And more added regularly, let’s look at a recent addition
I picked the first one in the 25 recently added Elizabethan stitches, the Elizabethan French Stitch
The stitch bank provides written and photo tutorials as well as a video option to learn to do it yourself. There are examples of the stitch in use, resources, references, everything but a needle and thread!
rsnstitchbank.org
I have finished my black and plaid 1890s winter dress! While it’s based on an extant piece from the 1890s, I used different materials, as I was trying to make the entire thing with fabrics I already had on hand. I’m very proud to say that I bought NOTHING new to make this dress! Everything, from the plaid wool and the black velvet, to the red silk and the buckram, came out of my fabric stash.
The dress is made from 5 yards of black and grey wool, three yards of black cotton velvet, and about two yards of black taffeta, mainly for linings, which I had to finagle from scraps leftover from other projects. The hat is a buckram and wire frame hat covered in red silk. I was going to embellish it with grey feathers, but I didn’t have any in my collection, so that will have to wait until I have some spare cash on hand.
You can read all about how I made the dress, and see more pictures, on my main dress blog. http://mistress-of-disguise.blogspot.com/2016/11/a-black-plaid-1890s-winter-dress.html
by threadhandedjill
Happy National Bat Day! Here’s a happy little bat embroidery pattern from the 1632 pattern book “The Schole-House for the Needle.”
ⓘ A sewing machine is a device that provides a several-fold increase of the speed at which you can make mistakes
Ceremonial dress of Electoress Magdalena Sibylla of Saxony. circa 1615.
Jacket
1590-1630
Great Britain
This simple unlined jacket represents an informal style of clothing worn by women in the early 17th century. Unlike more fitted waistcoats, this loose, unshaped jacket may have been worn during pregnancy. A repeating pattern of curving scrolls covers the linen from which spring sweet peas, oak leaves, acorns, columbine, lilies, pansies, borage, hawthorn, strawberries and honeysuckle embroidered in coloured silks, silver and silver-gilt threads. The embroidery stitches include chain, stem, satin, dot and double-plait stitch, as well as knots and couching of the metal threads. Sleeves and sides are embroidered together with an insertion stitch in two shades of green instead of a conventionally sewn seam. Although exquisitely worked, this jacket is crudely cut from a single layer of linen, indicating the work of a seamstress or embroiderer, someone without a tailor's training. It has no cuffs, collar or lining, and the sleeves are cut in one piece. The jacket was later altered to fit a thinner person. The sleeves were taken off, the armholes re-shaped, the sides cut down, and the sleeves set in again.
The Victoria & Albert Museum (Accession number: 919-1873)
Early 17thC embroidered waistcoats are some of my favorite things. ❤️ Definitely one of my *someday* projects.
Woman's jacket, English. About 1610–15, with later alterations. Linen plain weave, embroidered with metallic threads and spangles; metallic bobbin lace. The Elizabeth Day McCormick Collection.
The petticoat is finished! It didn't even take as long as I anticipated, even with all the hand-sewing that was involved. Everything but the long interior seams had to be hand-sewn, which was a bit of a pain, but it makes the finished skirt so much nicer looking. The next step will be to pattern out the under-bodice before starting on the levite itself. This particular dress is a little unusual, in that the under-bodice actually closes under a stomacher rather than down the center-front, which is more typical for levites and polonaises. I'm so pleased with how quickly and smoothly this project has gone so far! Of course, I haven't started on the gown itself, so we'll see if my good luck streak lasts
The Párisi Udvar in Budapest, Hungary. Arcade/department store/ galleria built 1907-1913, in a mix of styles- venetian gothic, orientalism, jugendstil, renaissance.