I Started This Project Quite Some Time Ago (almost 2 Years!) And I’ve Finally Gotten Around To Finishing

Le Bon Ton, Journal de modes. September 1854, v. 37, plate 7. Digital Collections of the Los Angeles Public Library

Elizabethan Jewelry Chains

 Let’s talk Elizabethan shiny things!

Left: Portrait of a Nobelwoman in a cartwheel ruff, attributed to John Bettes the Younger, 1585 Right: Portrait of a Lady Aged 21, Unknown Artist, c.1590

Specifically, I want to talk about jewelry chains. They were often worn just like necklaces, but they were also draped around the shoulders or draped in loops at the front of the bodice. They could be extremely long – one found in the Cheapside Hoard was 8 feet long! 

These chains are featured heavily in portraiture from the 16th and 17th centuries, and thanks to the Cheapside Hoard, we have quite a few extant examples of these jewelry chains.

The Cheapside Hoard was found during the demolition of a house near St. Paul’s Cathedral, back in 1912. As they broke through the floorboards of the house and into the much older basement, they discovered a cache of over 500 pieces of late Elizabethan and early Stuart-era jewelry. The jewels featured emeralds from Columbia, diamonds and rubies from India and Burma, ancient Egyptian and Byzantine jewels and coins, as well as delicate gold and enamelwork crafted by the goldsmiths in London. At the time, Cheapside was London’s main shopping center and the home to the majority of the goldsmiths. It’s thought that the hoard was buried to keep it safe, possibly during the English Civil War.

I set out on a hunt to find jewelry bits that resembled the links we see in the Cheapside Hoard pieces. Amazingly, I came across some suitable pieces on AliExpress!

Left: Chain from AliExpress Right: Detail of Cheapside Hoard chain, Museum of London

I didn’t set out to copy any one chain from the Hoard, but instead used the shapes and sizes of those chains to help guide me while I was buying my bits and pieces.

Finding the suitable pieces was really the most difficult part of making these chains. Once everything arrived, assembly was quick and simple.

I ended up with quite a variety of finished chains. None of them are as long as their cousins in the museums, but I think they’re a good start to my Elizabethan jewelry collection, and will definitely grace the front of many a bodice at future events.

Bibliography:

Cheapside Hoard Chains, London Museum —Enameled Chain of Flowers, Bows, and Leaves https://www.londonmuseum.org.uk/collections/v/object-119591/enamelled-chain-of-flowers-bows-and-leaves/ —Enameled Floral Chain https://www.londonmuseum.org.uk/collections/v/object-119585/enamelled-floral-chain/ —Diamond and Enamel Chain https://www.londonmuseum.org.uk/collections/v/object-119584/diamond-and-enamel-chain/

Cheapside Hoard Chian, V&A Museum —Chain, 1590-1620 https://collections.vam.ac.uk/item/O74076/cheapside-hoard-chain-unknown/

Forsyth, H. (2013). London’s Lost Jewels: The Cheapside Hoard. Philip Wilson Publishers.

Wheeler, R. M. (1928). The Cheapside Hoard of Elizabethan and Jacobean Jewelry. Antiquity: A Review of World Archaeology, 2(8). https://www.cambridge.org/core/journals/antiquity/article/abs/the-cheapside-hoard-of-elizabethan-and-jacobean-jewellery-by-r-e-mortimer-wheeler-london-museum-catalogues-no-2-1928-1s/1E585E583A88D8B55DB29EE30B85D79E

Ganoksin. (2016, October 19). The Cheapside Hoard – Ganoksin jewelry making community. https://www.ganoksin.com/article/the-cheapside-hoard/

Hackenbroch, Y. (1941). A jewelled necklace in the British Museum. The Antiquaries Journal, 21(4), 342–344. https://doi.org/10.1017/s0003581500048381 https://www.cambridge.org/core/journals/antiquaries-journal/article/abs/jewelled-necklace-in-the-british-museum/965C70079702E42C7096519CBF7A8470

Whipped up a quick mantelet to keep me warm at yesterday’s Georgian Picnic. The outer fabric is a champagne colored taffeta, and it has a warm fleece lining. I edged the entire thing with marabou to simulate fur. It was nice and warm in our cool fall weather!

bodice, waistcoat

c. 1615-1618

linen, silk, silver, silver-gilt, metal, hand-stitched

Glasgow Museums

I've started another embroidered waistcoat! No, I haven't actually finished the other one yet, but I wanted to hone my tailoring skills a bit before I finished up the big fancy one. The photo on top is the actual extant waistcoat that I'm basing this one off of, and the bottom two pics are my in-progress embroidery. I'm aiming to have this project wrapped up in time for an event on the 16th of September.

My latest finished project, based off a couple of extant bodices and a fashion plate which all had this snazzy cross-over front feature.

I actually made the skirt a long time ago as a historybounding, everyday thing to wear. It has alternating panels of striped and solid black cotton, and has a scalloped hem. I love it and wear it often, and decided that I was going to make a matching bodice so I could wear it to costume events, too.

I draped the pattern myself, based off of a couple of extants. Each seam is boned with artificial whalebone and the seam allowances were tacked down by hand with a herringbone stitch. The peplum is lined with black cotton, but the rest is just lined with cheap plain white muslin to save on cost. The bodice closes up the center front with hooks and eyes, and then the wrap panels are folded over and closed at the side seams.

Brain gremlins about my weight are under the cut for those that don't want to read it.

I finished this outfit a while back, but I've been struggling with whether or not I wanted to post it. It's not the outfit, I think that it turned out fabulously. But I've been really unhappy about my weight, and it's been a fight to remind myself that my weight is not my worth. I keep hearing the negative things my mother would say whenever I would gain a pound or two or the "positive" things she'd say when I lost them (things like "oh, you have a chin again!" or "I can actually see your waist now.")

So I'm trying to ignore all that and remind myself how awesome this dress turned out, how hard I worked on it, and how proud I am of the construction of it.

One of my favorites. Still planning to make my green version someday.

yellow silk evening dress with oak leaf design

c.1902

House of Worth

Fashion Museum of Bath

1860s summer dress

La Compagnie du Costume

This is magnificent!

Holy shit, y’all have got to see this art deco dream of a quilt from Reddit: