Rivals And Heroines: A Lesson In Expectation

Rivals and Heroines: a lesson in expectation

I’ve thought for some time that Horikoshi is most likely knowingly taking advantage of the fact that most people see BNHA as predictably shounen, in more ways than one. Stories can receive a lot of recognition and acclaim for dismantling tropes outright, but what about a story that pretends to play along? Previously I’ve had a hard time presenting evidence for Horikoshi possibly having hidden motives, but now, after ch 348, I think I have a slam dunk. What used to be little more than my musing about what kind of writing I would love to see has become a subtext so obvious it’s basically just- textual. 

Now I can finally lay out how we expected these past few chapters were going to go, vs how they turned out: 

Toga + Uraraka + Izuku in a fight together looked at the very least like it would = Izuku finding out about Uraraka’s crush. Even I thought this. I called it “inevitable.” And whether folks wanted it to happen or not, that looked an awful lot like a setup for canonizing them as a couple. It would be pretty cliché and ill-timed, but what do you expect? Of course a shounen would do that. My optimistic prediction was that it would be an opportunity for Uraraka to dismiss the whole thing once and for all, but I knew what was far more likely: Toga acting as a catalyst for Izuku and Uraraka discovering they have feelings for each other, because Toga likes both of them too and of course she’s gonna gush about that and make them flustered. 

But let’s talk about that word, “likely.” Based on what? Not Horikoshi’s own pattern of writing, but of those around him. It’s “likely” because shounen media is always heteronormative, usually reducing female characters to their romantic potential, and generally prone to neglecting the overall narrative complexity of a romance subplot. He’s a boy. She’s a girl. Can Hori make it any more obvious? But if you consider Horikoshi as one individual storyteller, it all falls apart. Suddenly there is no basis for assuming anything. (I have talked about this aspect already so I’m just gonna link to that.) 

Now let’s talk about what actually happened. BECAUSE NONE OF THAT^ ACTUALLY WENT DOWN. Bless her, it was Tsuyu who really came through and personified how brutally our expectations were defied. She arrives at the last second just as Toga is about to reveal Uraraka’s crush, which obviously cannot be a coincidence. She’s all like nope! Now is not the time! Izuku doesn’t belong in this fight, and Uraraka can handle it herself. While technically this could just constitute a tease, like, “whoops! guess you’ll have to wait for the big reveal until later!” The dismissiveness of it reads a lot more final. This is self-awareness on Horikoshi’s part, showing us he’s conscious of the cliché. Through Tsuyu, he is telling us that it all ends here. No more coy blushy flirty immature shallow nonsense. No more stringing you along. No more red herring. Because it’s time to show you what’s really going on. This is the chapter that reframes everything. 

There’s a whole cyclone of ideas circulating in this chapter and all the other moments it harkens back to, spinning around each of these characters, who are learning from each other. These are the real reasons all of them had to collide in this moment together. They are as follows-

1. A lesson for Uraraka: villains are people worth saving

This idea was first mentioned by Toga, technically, as she wonders in the wake of Hawks killing Twice, whether any of the heroes think of villains as people. Izuku also independently arrives at the idea of saving Shigaraki. Uraraka has a less concrete inkling toward that conclusion, and it is ultimately Izuku’s perspective that gets her to realize she wants to save Toga, and that it’s a valid goal. 

2. A lesson for Toga: love is kind

A seed of this idea was most likely planted by Twice, because he cared for her and showed her kindness, and his death broke something in her. But the world has rejected her, so she rejects the world. Her parents never showed her love, so she had to define it for herself based on the desires of her quirk. If Uraraka can find out about how Toga is mourning Twice, she can use that knowledge as a tool for uncovering Toga’s desire to not only become like her loved ones, but to value their wellbeing. Toga also deep down wants someone to value her wellbeing, and to accept her. This could play out a number of ways, and tbh my prediction confidence on this front is not strong so I won’t dwell on it, but I did notice one thing: In the midst of Toga confessing to Izuku and asking him her question, Uraraka is panned over to two times: 

ya know, in a Realizing Things kinda way. The first is ambiguous, but in the second, she’s having a flashback to when Toga asked her that same question, noticing that when she and Toga had their confrontation during the first war, Toga approached her in the exact same way. It may seem obvious to us, but perhaps Uraraka here is realizing for the very first time that Toga had romantic feelings for her.

3. A lesson for Izuku: the depths of admiration

Up to this point, Toga’s idea of love has only been explained to Uraraka, because Toga says the two girls are alike in that their love for Izuku manifests in wanting to be like him. Now, Izuku is prompted to look inward and see if he can relate to admiring someone the way Toga does. In the moment, the first person he can think of whom he admires is All Might, but Toga wasn’t talking about that kind of admiration, she was talking about romance. Izuku is currently incapable of conceptualizing the depth of admiration beyond his fanboy comfort zone. 

Let’s get into the details of 348 here. Izuku says he “can’t imagine wanting to share the same heart and mind as (All Might).” What a romantic phrase, “share the same heart and mind.” He knows what Toga is talking about, but not who he would apply it to. He admires All Might, but not like that. This shortsightedness is also highlighted at the beginning of the chapter, where a narrator calls Izuku out for being, despite his heroic accomplishments, essentially still (as I heard JP twitter calling him) a virgin otaku (lol). He’s oblivious, awkward, inexperienced, and possibly in denial. The whole narration sounds affectionately chastising, wistful and almost nostalgic looking back from some hindsight. 

Now… the question on everyone’s mind: if this is a gag meant to point to how Izuku is oblivious of and/or awkward about Uraraka’s feelings (assuming that all of this was supposed to lead to them being a couple, as was our expectation), then why, oh why, was the phrase “kuso nado” (translated in officials as “damned nerd”), used by the narrator? That’s Katsuki’s phrase, obviously. So Katsuki is the one calling him oblivious to someone’s romantic feelings, almost as if this is something Katsuki already knows about him, from previous experience, and it is relevant to their own relationship? This is what I was talking about with speculation turning into blatant subtext. There really is no other explanation for this. It’s just. Right there.

So anyway, the whole All Might comment reiterates how Izuku is really out of touch with romantic feelings. Uraraka could relate to wanting to “share the same heart and mind” with someone, but Izuku says he can’t. And yet, that is not exactly the crux of the irony, or else Uraraka would have been the narrator at the start of the chapter, maybe referencing how she originally called him plain, not “damned nerd.” I swear, this is so cut and dry. Actually, when you think about it, Izuku’s obliviousness has never been a source of dramatic irony for Uraraka’s crush in the first place, like, ever. It’s never, “ooooo if only he knew~” it’s just, “ooooo you like him~” and that’s it. On the contrary, Izuku never knowing about her feelings can hardly be his fault considering Uraraka intentionally shoved down and ignored them.

(edit: turns out the “same heart and mind” line is a mistranslation ! luckily it doesn’t really affect much)

 On the flips side, obliviousness and misunderstanding have always always ALWAYS been a part of Izuku and Katsuki’s relationship. Oh boy, let me count the ways. From when they were little kids and Izuku tried to help Katsuki up out of the river and Katsuki mistook it for being looked down on, to the bullying, to Izuku having to tell Katsuki about getting his quirk from someone else, to Izuku having no idea how All Might’s forced retirement was weighing on Katsuki, to Izuku being embarrassed to admit he saw Katsuki as his image of victory (*ahem* a level of admiration more personal than what he had for All Might!), to Izuku hiding the fact that emotions related to Katsuki triggered Black Whip, to Katsuki being unsettled by Izuku’s self-sacrifice, to Katsuki sacrificing himself, to Izuku running off to fight alone again anyway, to Izuku being shocked by Katsuki’s apology…. every. step. of. the. way. 

I feel like a broken record but seriously everything is all so obvious now. There is nothing tongue-in-cheek-shipping-brainrot about this. This isn’t rivals being accidentally homoerotic, or a female character being neglected by a misogynistic male author. I practically have no choice but to assume that Horikoshi has been planning a complete 180 fake-out and Izuku and Katsuki are about to be canon instead, or at least left open. I truly do believe now that this whole time, narratively speaking, Uraraka has been masquerading as the heroine/love interest, while Izuku and Katsuki have been playing rivals, all in service of Horikoshi leading us to expect this manga to turn out like any other shounen. But now he’s finally starting to show his hand. It’s like a trope-defying plot twist. I know a lot more of y’all can feel it now too. I bet even the homophobes are about to jump out in a big way, from the sudden insecurity. It’s. I’m. I dunno what to say, man. This is really wild and I can’t believe we’re here.

Folks, the end is nigh. I can’t wait.

…And that’s all the hyper-analyzing of quotes I got in me today, yep. No more. That’s definitely it. 

(major spoilers for Blue Flag/Ao no Flag under the cut)

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