Prompt: Aang didn't know Zuko was raising a baby dragon
Aang tilts his head. He doesn’t lower his staff, because—because Zuko, but he doesn’t try hitting him again, either. At least, not anywhere near his chestplate, which the other boy is very suddenly defending like there’s a second Avatar inside.
“Do you… have something in there?” Aang asks.
“NO!” shouts Zuko, who definitely has something inside his armor. It makes a kind of scrabbly-paws-on-metal sound and then—
“Do you have a dragon in there?” Aang squeals.
And maybe in retrospect he should have thought more before bouncing towards the fiery teenager, but in Aang’s defense there is the cutest, tiniest, fluffiest little maned dragon head he’s ever seen trying to peek out of Zuko’s neckline. And anyway, the other boy is way too busy backpedaling and trying to push the dragon’s snout back inside to Capture the Avatar, so. So Aang absolutely shoves a hand at the dragon’s nose for it to smell him, because that’s how you greet them—
—Or is that praying mantis-dogs?—
And then there is a Fire Prince squawking and shoving him away, which is definitely not a bending move, but not before a little lizard tongue tickles Aang’s hand which is so cute.
“Uh,” says Sokka, lowering his club. “I. I am not actually sure how I’m supposed to be reacting, here.”
“We’re fighting,” snarls Zuko, who is cupping protective hands over the dragon, and definitely not fighting. The dragon has wormed one stubby little leg and an adorably oversized wing out, and seems enthusiastically set on more.
Which is the point where Zuko’s uncle finally catches up to them, at his usual leisurely pace. If he wasn’t with Zuko, Aang would maybe think that the older man wasn’t all that invested in catching him.
“Nephew, do you…” And then he catches sight of the dragon.
Zuko pales.
“Hello, Uncle Backup,” says Sokka, grabbing Aang and Katara’s arms. “And that’s our cue to go go go.”
Zuko chases them. Because he’s Zuko.
Zuko… gets ahead of them. Which is not very chase-y?
Zuko vaults into Appa’s saddle ahead of them and holds his hands up as Katara threatens him with a hovering stream of water. He… doesn’t seem to be leaving, or attacking, and his uncle is running after them way faster than Aang is used to, so. Yip-yip?
Katara and Sokka sit down, once Zuko’s uncle looks very small under them. Zuko keeps his hands up. The baby dragon is flapping its free wing appreciatively in the rushing air. And chirruping really cutely.
“So,” says Sokka, slowly. “You… needed a ride?”
“I don’t—” Zuko starts to shout, before lowering his volume, even if his tone is exactly the same. “I don’t need a ride.”
“Uh-huh,” says Sokka, even more slowly.
Zuko continues to keep his hands up. His dragon is trying to squirm the rest of the way free, and has decided that gnawing at his chest plate is the way to do this. It’s making pretty good progress against the black and red paint. The metal, not so much.
Aang keeps glancing back from Appa’s head. “You, um,” he says, suddenly realizing that You seemed scared will probably just lead to more shouting. And fire. Which there has been a really noticeable lack of, and Aang kind of wants to encourage that.
“Did your uncle not know about the dragon?” he asks, instead.
“Uncle is the Dragon of the West,” Zuko says, more quietly than Aang has ever heard him say anything. And also like it’s a full explanation. But judging by the equally confused looks on Katara and Sokka’s faces, this isn’t just another thing he’s missed during the past hundred years.
The baby dragon huffs at its lack of progress. And flops, like an over-cooked and very dejected noodle, against Zuko’s chest.
Zuko swallows. And stops glaring at any of them, because he’s no longer meeting their eyes. He lowers his hands, slowly, and works a shoulder strap free. It’s enough for the dragon to puddle limply down into his lap, where it curls into a very alert spring.
“Do you know how someone gets the title dragon?” Zuko says. “By killing a dragon. Uncle thought he killed the last two. And father was—he was so mad, not that uncle killed the last, but that he killed two. That he didn’t leave some glory for the rest of our family.”
Sokka clears his throat, after the obligatory awkward silence. “Your family is… kind of messed up, huh?”
“What was your first clue,” says the Fire Prince, his scarred face deadpan.
His very prominently scarred face.
Oh.
Katara crosses her arms. Which makes her look grumpier, but she’s not able to bend as quickly like that, so Aang knows she’s feeling less going-to-waterwhip-you grumpy and more prove-me-wrong grumpy.
“If killing it would be so glorious,” she asks, “why haven’t you?”
“It— She— She’s just a child. It wouldn’t be honorable,” Zuko says, straightening his back.
“Uh-huh,” says Sokka.
But Aang. Aang grins. “Hey! I’m a child, too!”
The Fire Prince groans, and drops his face into his knees. His dragon climbs up onto his head and, using his ponytail approximately like a tree branch, stretches both her wings out, and lifts her little nose to the wind.
(You can also read this and other prompts on AO3.)
So today I was thinking about a bkdk fic inspired by the vibes of a song, realized it had tragic implications for bkdk, and then cried. Sorry, what was the question? Do I know how to be normal about things?
Midoriya: *yelling excitedly in the distance because AM gave him a rare piece of merch*
Todoroki: What was that sound?
Bakugou: …It was the last thread of my patience snapping
Bakugou, quieter: This favoritism is fucking bullshit
Hate it when I’m writing a first draft and have to focus on Getting Words On The Page and not Making The Words Pretty And Perfect, I’m actually in hell
-someone who enjoys writing very much
MHA tweets pt.12 ✨
currently experiencing Yatora Yaguchi levels of artistic distress and turmoil ✌️
but don’t they all look so lovely <3 <3
My grandma: oh, you’re working on your laptop?
Me, writing bkdk being silly and in love: yes…working…
(in related news i just posted my 20th fic! <--)
My total is currently up to 11hrs and 12,139 words
For today, specifically: 7 hours/ 7,110 words
Started feeling pretty fatigued around hour 6 but I’m happy with the work I was able to put in today!
Hey friends, it's been awhile since I've been able to put in any work on this! But I've been doing some world building and altering a few things, and thought it might be nice to send you an updated summary of my original novel. It is tentatively titled "The Pilgrimage", but who knows, that might change as well.
Alays Webster is a weaver in a small town on the edge of the Barrens in a country called Codor. Life in her hometown is pretty sedate, and more or less ruled by the country's religious hierarchy and its tenets, observing festivals and attending service and what have you. It is expected that everyone will go on pilgrimage to the capital at least once in their lifetimes, to witness miracles and see the Sleeping King himself, where he lies in state while battling in the spirit realm against false gods and keeping them out of Codor. Alays, though, was always a sickly child, and still has occasional bad days now that she's grown. So she’s put off making the pilgrimage until her childhood best friend, Vezian, now a priest, comes and cajoles her into making the journey with him.
The Barrens are a dead wasteland that surround Codor on all sides; as far as anyone knows, no one can live there, and the area is considered to be forsaken by everyone, even the Sleeping King. On her pilgrimage, Alays learns that her proximity to the Barrens causes others to look down on her, and she encounters concepts that she had never considered before, everything from how criminals are treated to “witches” and “demons”, from whose magic the Sleeping King's priests promise protection.
Alays's ill health improves the closer she gets to the capital, and this is touted as a miracle from the Sleeping King himself. It turns out, however, that Alays is sensitive to magical energies, and her health is improving because she is traveling through healthier land that has more magic available for her to draw from. Magic is secretly but strictly regulated by the priesthood, and anyone who tries to use it outside of their purview is labeled a witch, and sentenced to a terrible fate: either death, or “alteration” into Misbegotten monsters. Alays is now in terrible danger through no fault of her own.
Vezian’s mentor, Father Marcellus, explains this to Alays, and arranges for her to escape to the Barrens via airship, piloted by a man named Lucas. In my original version of this story, Lucas is a shady fellow who almost certainly can not be trusted, and Vezian is exiled along with Alays. In the updated 2023 version of this story, I want Alays to go to the Barrens alone, taken there by Lucas, while Vezian is left behind without even the first clue what could have happened to his childhood best friend. In that case, Vezian has to hunt for Alays himself, and learn a great deal about the secrets the upper echelons of the priesthood have been hiding from him. Though Vezian doesn’t know it yet, Lucas will be instrumental in helping him find Alays once more.
This is, incidentally, a plot that I write over and over again, no matter how hard I might try to to get away from it: “Character A is separated from Character B and they must reunite,” except that once they do reunite, Vezian discovers that Alays is dying, and with Lucas's help must go on a dangerous journey across the Barrens and into the unknown in order to save her life.
What follows is a tale of adventure, exile, betrayal, and trust, that tests not only their faith, but everything Lucas, Vezian, and Alays thought they ever knew. There will be magic, and gods, new lands not seen in centuries, and old tales not heard in just as long.
(My worldbuilding for this is extensive, and highly distracting. Now if only I could get the story itself to be half as interesting.)