AppleRadio Hires IMP To Get Gifts For Charlie

t4t radiostatic. No one is safe from my projections.

(CW: gender dysphoria, internalised transphobia)

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions, but you absolutely should continue to do your own research outside of this guide!

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height will make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane, then the good leg, and THEN the leg that needs help.

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!

DP x DC

Okay, so I’ve read a lot of these (like, a lot) and I’ve seen a lot of “Danny’s friends and family die and the bats adopt him” but I haven’t really seen any where Sam, Tucker, and Jazz come back as ghosts, not even an off handed conversation explaining the possibility.

So what do I want? I want a fic that starts the same way all the others do, but when it gets to the “bats figure out the ghost stuff” I want Danny to confide in them about how confused he is because really:

Should he even be mourning if they come back as ghosts? Like in that case, it’s more like they went anyway for a while and eventually came back, a little changed, but essentially that’s what happens. But just because they have a higher chance at becoming ghosts doesn’t mean that they will.

And even if they do come back, time is wonky in the infinite realms, so they could end up in any time, and it takes a while to form a ghost, so that could be 20 years from when they died. Also, we don’t really know that much about where ghosts even form and the infinite realms are not named metaphorically, so that’s another problem.

What I’m saying is, we have so much lore in this fandom and it really makes me sad that people use dead as an end-all be-all when the whole thing is literally about the afterlife. Dive into the lore, explore how emotionally confusing that would be to a boy who lost everything. Explore how he would feel, wondering if he could even grieve, if he should grieve, if he didn’t and waited and they never came back, like there are so many angst and fluff possibilities.

Your headcanons are so scrumptious I want to crawl inside your brain.

All jokes aside, I love all of the detail and thought you put into this!!! And all of the historical references, I'm definitely going to look them all up in more detail later.

Human Alastor (FTM trans headcanon)

Full size image

Commentary below:

Here, Alastor is shown at four different stages of his human life:

Childhood - around 12 years old

“Voodoo Killer” - late teenage years

Jazz Musician - early 20s

Radio Star - later adulthood to time of death

His career as a serial killer started when he was around 12 years old and continued up until his death.

The three stages of his adult life are supposed to correspond with different aspects of his demon form’s hairstyle.

During the “Voodoo Killer” stage, he straightened his hair and styled it similarly to his demon form’s hairstyle. However, he did not have an undershave. If viewed from the back, it would look like a simple bob. His appearance is inspired by Clementine Barnabet. I intended for his tignon to be tied in a similar manner to Clementine’s. Additionally, the bandages wrapped around his legs are meant to make him look a little like Voodoo Queen Lala from the 1930s. I gave him bandages instead to make him look like more of an edge lord (lol). The cross worn was originally his mother's. After she died, he painted it black in mourning. He wears it at all times, up until his death, to remember her.

During the “Jazz Musician” stage, he kept his hair short in order to pass for male. This is supposed to correspond with the back side of Alastor’s demon form, which is shaved short. His appearance is inspired by Jelly Roll Morton, one of my favorite Jazz musicians, who also happens to be Creole. Not visible in this pose, but Al wore black gloves that match the color of his hair. 

During the “Radio Star” stage, several aspects of Alastor’s appearance are inspired by the late, great Cab Calloway. Like Cab, Alastor styled his hair in a conk. His suit is also inspired by the iconic white suit worn by Cab Calloway.

That being said, creative liberties were taken with Al’s white suit, which is anachronistic for the 1930s. Cab famously wore zoots, but I don’t think that would be Alastor’s style. Since I know so little about 1930s fashion, I gave up and didn’t attempt to give him a historically accurate suit. Instead, his tuxedo is based on the one he wore in the pilot. There are several anachronisms present in Alastor’s canon design, so it might actually fit his character to wear a suit atypical of the 1930s. This could preserve the otherworldly, “Willy Wonka”-esque presence that he has, even on Earth. Still, it’s a pretty glaring historical inaccuracy. Once we get to see Al’s canon human form, I might redesign him.

Since Alastor would have more than one suit, I didn’t worry too much about the inaccuracies present in his clothing. The one thing I refused to compromise on was his microphone.  In the TV show, Alastor’s iconic microphone is a vintage ribbon mic. However, this “pill capsule” style looks more similar to models that were only invented after Alastor’s death. Here’s an example of a ribbon mic that was rolled out shortly before Alastor’s death: The RCA Type 77-A. As you can see, it’s a lot larger in size than Alastor’s microphone.

My first attempt at drawing human Alastor gave him a ribbon mic, seen here: https://www.deviantart.com/thegirlwhodidntsmile/art/Human-Alastor-ribbon-mic-1035514228

In order to be more historically accurate, I discarded this design. Instead, I gave him a spring microphone, technology that is more iconic of the 1920s/1930s. 

Here’s an image of Cab Calloway in front of a spring microphone, one year after Alastor’s death:

I took some creative liberties with the flag of Alastor’s microphone. Normally, it is supposed to say the radio station. Since I don’t know what radio station Al’s show aired on, I just had it read “ON AIR” in red.

Importantly, Alastor’s suit has to match the design of his microphone, which is an extension of himself.

It’s a little awkward how Alastor is holding his microphone, so here is how it looks from the back: https://www.deviantart.com/thegirlwhodidntsmile/art/Human-Alastor-back-of-mic-1035514255

The backside of the microphone is supposed to look like an eye, and have a bit of an ominous presence.

A headcanon I have is that Alastor had a severe case of stress-induced vitiligo. Because he was very egotistical, this was a source of shame for him, so he hid it with makeup and clothing. Here is how his face would have appeared shortly before his death: https://www.deviantart.com/thegirlwhodidntsmile/art/Human-Alastor-no-makeup-1035514264

Al’s colors are mostly browns, whites, and black, to keep with the deer theme. The black tips of his shoes are supposed to look a bit like deer hooves. I pictured his height as 5’10, one inch taller than Michael Dillon. Since the average male height was around 5’7, Al was still taller than most men, which made it easier to pass for male.

Bonus image:

https://www.deviantart.com/thegirlwhodidntsmile/art/Alastor-kill-count-1035514155

What does it take to get an AU of Danny the Street adopting Tom Riddle before his nose is chopped off? 

Random Genderfluid Thing #500

Danny the Street is my Hogwarts.

Jason: *picks up a hitchhiker*

After a few miles...

Hitchhiker: Aren't you afraid that I might be a serial killer?

Jason: Nah, the odds of two serial killers being in the same car is highly unlikely.

Writing Prompt #14

"You foolish, stupid child," Vlad hisses, pinning Danny to the wall. Danny's eyes turn green as he wraps both his fists around the one Vlad has clenched in his collar, his feet dangling in the air. Vlad leans in, his own eyes burning red.

"When, exactly, did you plan on telling me your biological father was Bruce Wayne?" he says furiously.

Danny's hands drop in surprise. "W-What?" he gasps.

Vlad drops him unceremoniously and he lands on the floor in a heap. Vlad claws at the air in frustration.

"Don't lie to me, boy." Vlad says, omitting his often used possessive "my" in front of "boy".

"How do you know that?" Danny asks warily, propping himself up. He watches Vlad push a shaking hand through his hair. The man looks down at him before dropping in an ungainly squat beside him.

"Of all the sperm donors, Bruce Wayne, Daniel? Really?" The man asks, despairingly.

"I didn't exactly choose him, Vlad."

"No, I suppose you didn't."

"Seriously," Danny says, watching the man rock back on his heels as a growing pit forms in his stomach. "How did you know about him?"

Vlad's mouth twists bitterly. "Because he now knows about you."

"What do you—"

"Vladdy! Danno! What are the two of you doing on the floor?" Jack flops down beside them, a tray of freshly prepared fudge in his hands. "We having a heart-to-heart boys? Let me in on this!"

"Jack," Vlad says. "If you truly want to have a heart-to-heart with your son, I suggest you tell him the real reason I've come over today."

Jack's face falls.

"Vlad," Maddie says from behind him. "Thank you for coming. We're grateful for all you've done, but I think we can handle it from here."

"Madeline," Vlad says, rushing to his feet. "I must insist—"

"And I must insist you see yourself out," Maddie smiles tightly. "You know where the door is, don't you?"

"Mads," Jack says gently, looking between the two.

"I can show him out," Danny says, getting up as well.

"That's alright, Danny," Maddie says. "Why don't you go get your sister? We need to have a talk...as a family."

Danny glances at Vlad.

"Now, Danny," Maddie says. Danny heads for the stairs, pit growing ever larger.

--

The next time they meet it is Danny who has Vlad pinned, the gaudy chandelier above him shaking with the force of his rage.

"You should've told me," Danny growls.

"I thought your parents had you informed," Vlad says, utterly unbothered by the teen cracking what is thankfully not a load-bearing wall of his mansion. "Honestly Daniel, we could throw around allegations of deception on both sides, particularly mine as I assume you've known for quite some time now, if not the entire time, about your father hmm?"

Danny's eyes flick away in an obvious tell.

"Yes, I thought as much. But rather than whinging about being blindsided, I suggest we focus our energy on the solution."

Danny drops Vlad, barely biting back a snarl when the man lands gracefully on both feet.

"Which is?" Danny asks.

"First of all, your well-meaning but frankly moronic parents seem to believe that they can make a case for your custody without the assistance of my legal team. It is in both of our best interests to dissuade them of this."

"They don't like feeling indebted, Mom in particular."

"Well, to be crude for a moment Daniel, tough shit. Yes," Vlad says in response to Danny's widening eyes, "I said it. Bruce Wayne has the best of the best on his payroll and your parent's rinky-dink attorney from the local practice won't stand a chance against Friedman & Sons. Especially once he establishes paternity."

"He can do that?" Danny asks. "I mean I'm almost eighteen, can't I just refuse?"

"The keyword here, Daniel, is almost. As in, you are not. The judge can take your wishes into consideration, but I suspect Wayne will make a case for an unsafe living environment alongside his paternity to win his petition for full custody."

"Un-unsafe living environment?" Danny sputters. Vlad eyes the boy dryly before gesturing to all of him, currently clad in silver and black hazmat. Danny drops the transformation with a wince.

"In fact, I suspect that's the main reason the man filed in the first place," Vlad continues. "Lord knows he doesn't need anymore heirs to fight over his fortune once he passes—"

"Jesus, Vlad,"

"—so I believe he did some digging and found your home to be, well, wanting. On paper, Daniel, your parents sound eccentric at best, dangerous at worst. Pull the right strings, and hospital records just fall into laps. He probably thinks he's rescuing you." Vlad sneers. "If only he knew how quick you are to spit in the face of one offering you a comfortable and wealthy home."

"Fuck off," Danny says. "Is that what this is about? If you can't have me, no one can?"

Vlad rolls his eyes. "Come now, Daniel. Are you really intending to keep up this pretense?"

"What are you talking about?"

"We agreed a long time ago that no matter the nature of our quarrel, we would leave the Justice League out of it," Vlad says, taking a menacing step forward. "You think I, running in the circles I do, would have no knowledge of Bruce Wayne's alter-ego?" He takes another step, voice rising. "I have avoided drawing The Batman's attention for years, no matter how often our paths crossed. I stayed under his radar for decades, and now, BECAUSE OF YOU, I AM ABOUT TO BE RUINED."

With a creak and a groan, the chandelier drops, landing between them with a crash. Danny coughs from the dust as Vlad takes a heaving, calming breath.

"Then why get involved at all?" Danny asks, staring at the ground.

Vlad sighs, clapping his hands twice. Several ghosts dressed in service uniforms fly out the woodwork, gathering up bits of chandelier as others begin to mop.

"Because, little badger," Vlad says, walking away from the mess. "If we lose this, he'll have you in the palm of his hands. Which is infinitely worse."

Entering the kitchen, he pulls an open bottle of white out of the kitchen fridge and pours himself a glass, throwing a Fiji water to Danny who takes it for the peace offering it is.

"He won't."

"Won't what, Daniel? Please speak in full sentences."

"Won't have me," Danny says, letting a thin coat of frost spread over the bottle. He tips the freezing cold water into his mouth and wipes his face with his sleeve, mostly to see Vlad grimace.

"Why, because you'll run away if he wins? Until you turn eighteen? I won't have you fail to complete your education because of a cockamamie scheme, Daniel—"

"Because I have a solution, Vlad, one that doesn't involve the courts or running away."

"And what is that, exactly, Daniel?"

--

"You're going to leave my family alone."

"Danny," Mr. Wayne says, blinking in surprise at the boy on his doorstep and miles away from Illinois.

"I mean it," Danny says firmly. "You're going to drop your petition and whatever smear campaign you were planning on and leave the Fentons alone."

"Danny...why don't you come inside?"

Danny takes a step back from the manor's large doors. "You want a relationship with me? Brute force isn't the answer."

Bruce takes in the teenager, lanky but almost to his eye level. His eyes are clear and sharp, his demeanor forcibly calm.

"I debated whether going through the court was the right thing to do," Bruce says slowly, matching calm with calm. "But I wanted to be above board."

"Because my adoption wasn't?" Danny says, arms crossed. "Yeah, I'm aware. Kinda hard to adopt a kid that doesn't legally exist. And I know what you're going to say, the Fentons should've reported me to the system, but they didn't do it because I begged them not to. Because I didn't want my biological parents to find me."

"Danny..."

"You can swing your dick around and get your way, exactly the way I thought you would do things," Danny says, "Or you can have a relationship with me on my terms. A relationship where I don't despise you because you took me away from the people who've loved me no matter their faults."

"You're asking me to choose your happiness over your safety." Bruce says carefully.

"That's bullshit," Danny says. "I had a lab accident when I was fourteen and went directly against my parents' instructions. They trusted me, and I made a mistake."

"It's not a matter of trust. You were a child, Danny, and you almost died." Bruce says, not bothering to feign ignorance. Footsteps echo behind him.

"Bruce?" A voice calls. "Is that..?"

"Your son did die," Danny says. "He took a flight with your credit card to Ethiopia and got blown up. I bet you trusted him too."

Bruce reels back as a hand lands on his shoulder, the other on the door.

"Whoa, whoa, uh, Danny, right? I'm Tim, I'm—"

"I know who you are," Danny says, clenching his fists. Powering through the hurt he is causing. "I didn't come here to point out what a total hypocrite you are. I just want you to back off. And if you give me your number, we can text and I'll come to Gotham for Thanksgiving or the ski chalet in Vermont or your villa in where-the-fuck-ever and you can be Uncle Bruce that I maybe even tolerate being around once in a while. Just leave my family alone."

"Bruce, what is he talking about?" Tim asks. "Back off of what?"

"Your Dad is suing my parents for full custody," Danny says when it becomes clear Bruce isn't answering.

"What?" Tim hisses, turning to Bruce. "That isn't what we talked about!"

"Danny. I..."

"Here," Danny says, thrusting an index card forward that he's scrawled his phone number and email onto. On the other side is the past participle conjugation for 'venir'. "I won't answer until you drop the custody petition. Which I expect you to do by tomorrow morning."

"Done," Tim says, stepping past Bruce and taking the card. "Give me about noon to get it all squared away with the lawyers. Do you have a hotel? A way home? I'd be happy to reimburse your flight and accommodation."

"Overstepping already."

"Fair enough," Tim says coolly, raising his hands. "Our lawyers will reach out when it's settled."

"Great. Bye." Danny says, turning to leave. He waits until he hears the manor door close behind him before pulling out his cell phone.

Ring!

Ring!

"Hello?"

"It's done."

"What's done? Again, little badger, full sentences, I beg of you."

Me, you, and our giant robot son

Bleeding Out, Bleeding In - the Start

This is the start of the resulting fic from the winning poll option of 'Crime Boss is a Dangerous Job'. And boy did it go places.

A solid 40 of you wanted to wait for ao3, but the other 59 are feral gremlins who want a part now! Those who want to wait, don't feel pressured to read. This might be up on ao3 this week or if not then next week! (Yes, that doesn't add up to 100, one vote is me so I can see the poll results.)

wc: 1059 Content Warnings: canon typical violence, blood, blood drinking, mentions of death and dying, brief mentions of human tracking, so much cussing.

-

Brainless motherfuckers.

Every single one of them, brainless motherfuckers.

One would think that eight heads in a duffel bag would have been enough.

One would think that people would learn his fucking rules. They were easy rules. Don’t hurt kids. Don’t sell to kids. Don’t hurt sex workers. Don’t traffic people. Don’t fuck with him.

And these motherfuckers had fucked with him. They had fucked with his rules.

Red Hood stared down at the lifeless eyes of the traitorous lieutenant.

Ex-lieutenant.

Brainless motherfucker.

Hood was insulted that someone that incompetent had managed to make him bleed, even if it had been eleven against one. And fuck if he wasn’t bleeding badly. Hood pressed his hand tighter to his wound with a hiss and let himself slump back against the grimy wall of the ally that he had slunk into. His hand became wet with warmth.

He must have already bled through the hasty field bandage that he had slapped on the wound.

Numbers slipped through Red Hood’s foggy mind as he tried to calculate about just how bad of a fact that was— about how heavily he must be bleeding out. Fuck if he wasn’t bleeding out.

Could he make it to his safe house in time? No. Could someone make it to him in time? Maybe, but who could he call? He wasn’t going to turn around and let another lieutenant stab him in the other side. B— maybe it would be better to just bleed out than deal with B and another lecture. As if this hadn’t been in self defense. As if he hadn’t acted to stop kids from being sold. As if a moment of hesitancy about killing a man he’d been working closely with for a year had been what got Hood in this spot.

And Dick was off world.

Dick was always off world when he needed him.

That wasn’t fair. What did Dick owe him? It’s not like they had ever been family. Dick had never wanted him. The last person who had wanted him didn’t even want him enough to stay sober.

Blood loss made him maudlin, apparently.

Dying by explosion had been easier.

“You know, not what I expected to find dumpster diving tonight.”

Hood’s hand dropped to brush over the grip of his gun. It was up and aimed before his head even had time to lull towards the voice. The hand holding the gun was steady even as his vision swam staring down the sight.

“Not that I’m doubting you can use that, Boss, but would rather you didn’t,” the stranger said, hands up in the air. One large duffel sat at their feet. Another smaller duffel was slung over their back. A hoodie at least three sizes too big swamped the slim figure— hiding both their form and face. The steel toed boots looked comically large at the end of stick thin legs.

Hood knew better than to think they weren’t a threat.

Anyone could be a threat in Gotham.

“Really, Boss, I’m just out here dumpster diving for supplies,” they continued, motioning to the warehouse district around them. “Not going to lie and say I won’t happily loot your corpse if you keel over right there, but would rather you stay breathing. I can help with that, if you let me.”

“And if I say no?” Hood asked, his voice a breathless rasp even through the modulation of the helmet.

“If you say no to the help, I’ll just be on my way. There are other dumpsters to go through like the feral raccoon that I am.”

His arm dropped down to hang limply at his side. He didn’t take his finger off the trigger. He shouldn’t trust this stranger. “Look more like a street rat to me.”

“We’ll compromise to possum then,” they said, slowly lowering their arms.

He shouldn’t trust this stranger. Did it mater if he did?

He was bleeding out.

The gun slotted back into its holster.

“There you are Boss, we’ll get you patched back up.”

Hood blinked. They were tucking themselves under his shoulder, leaning him up off the warehouse wall.

Hood blinked. They were disabling security on a heavy, cast iron door set into a concrete floor.

Hood blinked.

“Not going to lie, Boss, you’re in a bad way.” The words were distant— like listening to them through a thick wall. Static ran under the words. Static that burrowed under his skin and into his blood.

Static that burned at a part of him he tried to ignore.

“Think they got something pretty vital with that knife.”

He didn’t want to burn.

“Stitched you up but…”

He didn’t want to die.

“Oh Boss.”

Not again.

“I know, Boss.”

A cold hand brushed over his temple and he couldn’t hold back the whine at the sensation. He strained to arch up into the touch. He wanted it. He wanted to feel. He didn’t want to slip away again. He didn’t want that void of death. He didn’t want to die again.

The voice shushed him. “I know.”

He trembled. The static sang in his veins.

“There’s something I can try, Boss, but it will change thing.”

Things were always changing.

“Not like this. You’re not on the knife’s edge yet. You’re still living. If you die you right now you tip over to the other side.”

He’d done that before.

“I know, Boss. But if we do this, you’re not going to tip over anymore, you’re going to balance on that knife’s edge. Not dead but not alive. It’s a fine line to walk.”

Everything in his life was a tightrope: hero, villain; son, enemy; brother, stranger. What was one more thing? Alive, dead.

He didn’t want to be dead again.

“Okay, Boss, okay.”

The hand pulled a whine from his throat as it moved away. A soft coo hushed him quiet again. The sound rumbled in with the static untill the soothing noise sat inside him.

His head tilted up as something slid under his neck. Hands guided his head to lay back down onto a soft surface.

Something wet dripped against his lips. Spice bloomed across his tongue.

“There you go, Boss,” the voice soothed. The coo rumbled in his chest like a fluttering bird. “Drink up.”

Cold skin and wet warmth pressed against his lips.

Jason drank.

In all timelines, in all possibilities…