This Is Quite A Subjective Opinion; But I Am Endlessly Fascinated By How The Romanticization (or Sentimentalization)

This is quite a subjective opinion; but I am endlessly fascinated by how the romanticization (or sentimentalization) of Sebastian and Ciel’s relationship is such a big, important part of Kuroshitsuji—partly due to Sebastian’s own nature as a demon, but also due to Ciel’s character himself.

Sebastian is evil, and he is meant to lure people into damnation. He is the embodiment of a poisonous yet appealing temptation. He speaks sweet, gentle words. He is undeniably physically attractive, and generally, people find him charming. I can go on forever, but you get the gist; all of him is designed to slowly attract and lull people into complacency with him—into not seeing the predatory nature that lurks beneath that gorgeous skin.

This powerful creature, who can kill people with his bare hands, prefers to use sweet promises over threats—finding physical torture less effective than honey; so confident in his ability to understand human desires and tempt any person into the route he designs for them. He presents people with two choices; one of which seems infinitely more attractive than the other—but would certainly lead them to damnation. And it delights him very much when they inevitably chooses the sweeter option. It seems to be essential to the demonic contract that the contractor gets to choose (even if the choice was most likely—almost always—highly uninformed).

Now; if the contractor was an unassuming human who was tempted or fooled by the demon, or if the contractor was someone who’d kill and sacrifice another person on purpose, maybe we would say, “Well, he did that to himself.” Or even, “He deserved that.” But not only did Ciel manage to summon Sebastian by happenstance; he—arguably—did not have much choices other than to agree to the contract; it was either the contract or death at the hands of the cultists.

His consent was highly dubious (not that Sebastian ever cares); he was in a state of emotional distress—unfit to be making choices that would define the rest of his life—not to mention his youth, his vulnerability, and the glaring power imbalance with the predatory adults and demon surrounding him. From that moment on, his soul is forfeit; no matter how many times Ciel states that he is firm on his revenge and that he is doing this for himself—you can always argue that he is only saying this because the choice is either this or death.

Still, instead of highlighting the dubious nature of this agreement, the author shows that despite his young age, he is perceptive enough to read through Sebastian’s lies and see Sebastian’s true nature for what it is, and still “chooses” to have the contract. The author repeatedly, over and over, shows Ciel “choosing” this road for himself, Ciel saying that he has no need for the past and will not look back—and the whole time that Ciel charges unwaveringly into the darkness, Sebastian looks at him and smiles meaningfully.

Since we have no idea what “souls” present in Kuroshitsuji; the concept of what Ciel is actually paying with in order to get his revenge is exceedingly vague—it’s difficult to feel loss over something with an unknown value. This is exacerbated by Ciel’s easy acceptance of his own fate, and the practical logic on how it’s simply fair to pay a servant for his services.

Sebastian, for his part; always revels and delights in how Ciel chooses him. He basks in it, and gloats about it; the dubious nature of Ciel’s agreement forgotten, or frankly does not even seem to compute in Sebastian’s mind. What’s important is that Ciel made a choice; and that choice was Sebastian. We know that Sebastian will eventually kill Ciel, but we may contend that Sebastian is good for him. Sebastian saved Ciel and Ciel consented to having Sebastian. Sebastian gave Ciel the autonomy and independence and protection he desperately needed. And this does not come out of nowhere; as the author too, seems to deliberately romanticize/sentimentalize their relationship—the readers are simply picking up on the context cues.

They are certainly predator and prey; but people may love their appeal as a pair of lovers, like Bonnie and Clyde; or as found family along with the rest of the servants; they are partners-in-crime; soulmates; always understanding each other with just a glance, simply meant to be together, there is no Ciel without Sebastian and vice versa, etc.; it’s all a terribly romantic and sentimental view of their relationship.

The portrayal of Sebastian as a loyal and caring protector (although he is always hiding his hunger and fangs) and Ciel as a brave and pitiable victim resolutely seeking justice (although he arguably never had much choices) are done on purpose to allow their relationship to be romanticized/sentimentalized by the readers who want to root for them. If Sebastian was not portrayed attractively enough; if he wasn’t a handsome, gentle caretaker, who is devotedly loyal to Ciel and protects him from kidnappers and assassins and whatnots (see how he treats Ciel so much better compared to Ciel’s fellow humans?), this romanticization of him will not be possible. Likewise, if Ciel was portrayed as an innocent run-off-the-mill ten year old—instead of a smart one, a perceptive one, one who is “mature for his age”; if Ciel was a regular noble instead of the Queen’s watchdog; one who is meant to be the Earl of Phantomhive despite being born as an underdog (which makes the readers want to root for him and believe him to be capable of besting a demon on the negotiation table)—we will not be reading the contract scene and thinking, “Can he outsmart the demon?” Or even, “Well, certainly this ten year old understands what he is doing.” We would have instead understood the contract to be an exploitation of the child’s vulnerability and circumstances. Instead, Ciel is portrayed as wanting the contract; willing to sacrifice his soul to get his revenge; a fully-consenting party in a mutually beneficial agreement. When Sebastian offers his hand, Ciel consensually places his own hand in Sebastian’s.

What is truly “good” for Ciel becomes a moral dilemma that the readers cannot solve, and Sebastian’s true “feelings” (or whether he has any at all) is never explained. The readers are left to guess and come up with our own theories that will remain unanswered—we insist that Ciel needs and wants Sebastian, that Sebastian cares for Ciel beyond seeing him as food; and the whole thing is so morally dubious, but we are given a lot of incentives to see them in a positive, sentimental light. Every once in a while something may happen that seems to reinforce our beliefs in their relationship, but never fully confirm how they feel towards each other. The occasional “warning bells” reminding us of Sebastian’s nature as a demon are—more often than not—ignored, as the future when the contract ends still seems so far away, and regardless; Ciel is far too dependent on Sebastian to even think of living without him.

Mandalorian Armor, a simple guide

Oh dear. Several months late, but here we go. This will be a broad term overview of mando armor in canon at the moment, not an exhaustive list. Feel free to skip “materials & history” if you’d just like some more concrete guidelines and refs!

(Remember to click on the images for a better look!)

Material & History

A Small Intro Course

Mandalorian armor is supposed to be made out of beskar, an alloy (and yes all beskar is an alloy in disney canon (at least as of May 2021), like steel for example. Yes even “pure” beskar). The secrets of how to make it is limited to the Mandalorians, and the materials used to make it are most likely limited to Mandalore or the Mandalore system. It’s been in confirmed use as an armor material for at least 900 years & can take straight blaster bolts or hold off the circulating energy blade of a lightsaber for short periods of time, possibly until the beskar heats up enough to loose its integrity, but the heat would most likely cause serious damage to the wearers body before that.

Beskar armor is most often inherited, passed from generation to generation and reforged to suit the current wearers needs. It’s seen as passing down the history, the battles and the will of those who have worn it before and making it your own. However the material is rare, possibly because the mines have run dry ages ago (old EU), or because war and/or the New Mandalorians stopping production. The Empire interfering by taking over Mandalore and trying to get their hands on as much beskar as possibly and then later “glassing” the planet while hunting its only known creators surely did not help either, in any case.

This means that not all Mandalorians had access to the material, or at least large enough amounts to make a full suit of armor. This lead to the make of “impure” beskar that can take less of a brunt & armor made of other metals such as durasteel. This is most likely what makes up the majority of Din’s kit, beyond the helmet and possibly the chest piece, when he’s introduced in S1 and he still wears pieces that might be one of these materials as of Season 2.

Characters like Sabine Wren, Bo-Katan Kryze and Boba Fett all inherited their armor from their aliit (clan/family) through several generations and it’s most likely already pure beskar based on its age and how it reacts to blasterfire.

The armor is most often painted and there are various designs and colors that indicate personality, achievements or allegiances, but that would have to be another post. (Would anyone like a post on Mandalorian armor fashion? Because I have thoughts)

Helmet

Let’s start from the top. The helmet, aka the bucket. The buy’ce.

In the “modern” era it’s usually a helmet with a rounded top and some kind of cheek indents. It has a T (or occasionally closer to a Y) shaped visor that obscures the wearers face. It also contains a large amount of technology that allows for various visual filters, binoculars, built in comms and audio enhancers (allowing for near perfect 360° hearing in the old EU, as possibly shown by Din Djarin in the new), among other things. The earcaps seen on most modern styles of helmet allows for various specialized attachments, like rangefinders.

The styles of the helmets vary between clans and eras, but there’s a few distinct modern bases that are pretty easy to identify as Mandalorian and worn by all major Mandalorian characters.

The Boba Fett, based on the original helmet as seen in the OT, and worn by basically every male character with various types of cheek indents, ridges and the like. Some are thinner or longer, but the base of the design is still very clearly the OG Boba Fett helmet. T visor, sharp slope indent that takes up the entire cheek, long ear caps & a brow ridge.

Visual Reference

The Nite Owl, based on the helmet worn by Bo-Katan and the Nite Owls in TCW. It has a cat eyed Y visor and a more of a cut out cheek indent style, or simply a less severe smaller curve under the visor ridge (the area painted red on Boba Fett’s helmet).

Visual Reference

The Kast, is the rarest so far only seen on Rook Kast & the Maul-aligned female Mandalorians. It slopes slightly inwards below the uniquely shaped T visor and has no ear caps.

Visual References

And finally, some mandalorian helmets with slightly more unique shapes and/or shape combinations that put them outside the general easy to identify pile.

From left to right, The Armorer, Paz Vizsla, Pre Vizsla and Fenn Rau:

Chest, Neck, Back & Shoulders

As with everything else, there are various styles for these pieces of armor, but here are some basics.

Breastplate

Most commonly visibly segmented into three big parts, two on the chest and one below, with a small diamond shaped heart piece in the middle. The heart piece design can also been seen on Mandalorian clothing and architecture. In The Mandalorian these parts are generally attached together to give the armor a more solid look, but they are still distinguishable. Before the fall of the empire several female mandos favoured a more solid two part design that interlocked with their neck piece and had a thin rectangular bar instead of a classic heart piece. During the clone wars women of the faction supporting Maul (mostly clan Kast and clan Saxon) used a semi-connected two part design with six smaller pieces trailing down the stomach, three on each side. There are also various other designs with solid one part chest pieces, but most at least have a variation of the heart piece in the middle, as seen on Paz Vizsla.

The chest piece usually does not go below the navel, for bending over reasons.

Neckplate

Either two pieces on the side of the neck, or a longer single piece that goes in front of the neck & sits over the collarbones. Both of these variations are usually semi connected to, or line up with where the backplate ends.

Shoulders

Bell type, like Din Djarin & Axe Woves wear. The Classic, aka the style worn by Boba Fett, Ursa Wren & most grunts. And finally a slightly rounded middle ground, smaller than the Bell but sits over the shoulder and is often favored by female characters like Bo-Katan, female Mauldalorians & Sabine Wren.

Backplate

Usually as long as the chest piece, used to protect the back and to mount jetpacks, and other useful things, on.

Jetpack

Technically not a piece of armor, but sometimes armored. Comes in various sizes and styles.

Visual References

Vambraces & Handplates

Vambraces

Both forearm protection and weapons. Developed to give a Mandalorian that extra edge when fighting stronger opponents. To that goal, they’re often fitted with various attachments such as flamethrowers, retractable blades, shield emitters, repulsors, grappling lines, magnets, missiles and various types of darts, including the whistling birds seen in The Mandalorian.

Handplates

It’s a plate that goes on your hand. Nothing more, nothing less. Can of course be fitted with various other weapons, as long as they fit.

Visual References

The Codpiece, Buttplate & Hip Plates

Ah yes. Well.

All pieces are usually worn tucked underneath and/or attached to the waist sash/girth belt/belt.

Codpiece

Look, it’s a codpiece. It’s there to protect your sensitive parts. There are less bulky variations for people who can do without the extra space. Those are often segmented. Some wear more of a lower stomach plate. Others don’t bother, or only wear theirs when they might need it since I imagine it can be a bit uncomfortable to wear day to day.

Buttplate

It’s a plate that goes over your butt. And I mean just above, not on. Din has one, Boba has one. It’s a thing. Why? Because bruising you tailbone hurts like hell.

Hip Plates

They’re plates that go on your hips. Only confirmed sighting has been on Din, but we’ve also got some good shots of them because of this so I put them in anyway.

Visual References

Thighs, Knees, Shins, Ankles & Feet

Varies from completely covered to almost no armor at all. On one end you’ve got Jango Fett, and on the other you’ve got Boba Fett. Ironic, in a way.

Thigh plates

Generally sit either on the front of the thigh or on the outer sides. The outward style thigh plates are more form fitting and allow for holsters to be mounted directly onto the plate, this was popular during the Clone Wars era. The front facing plates are often different sizes, possibly depending on your dominant hand/how you prefer to hold your weapon of choice.

Knee armor/pads

For knee protection, unless you’re like Boba Fett, then they’re also dart launchers. In the old EU the darts were laced with neurotoxin, but that seems to have been removed for new canon. Sit nebulously in the knee region.

Shin, Ankle and/or Boot plates

Over your shins, ankles and feet, for all your literal ass kicking needs. Comes in various types including but not limited to: boot caps, ankle plates, shin guards and of course full on greaves.

Visual References

So there you have it! A broad overview of Mandalorian armor. This has been in my drafts for months at this point so I’m not going to go over this again so you’ll have to excuse any weird phrasing or misspelt words. And how messy the visual ref sheets got. (I’m also considering putting together something for different eras & allegiances based on design, accessories, paintjobs, etc, but that will have to be another day.)

(Also, feel free to tag me or @ me or whatever on your art! I love seeing the different ways people design their mandos!)