I'm Not Crying, You Are.

Undeniable multiple-divorce energy. My favorite dynamic.

shutup shutup jon and martin are on a farm with cows they are oN A FARM WITH COWS AND THEYRE HAPPY SHUTUTPTKFLKGKFKFJFNGNN

Me and Mr. Fairchild have very similar reactions.

As some friends of mine may know: I could be considered a moronsexual and clownsexual for the sole reason I simp for Buggy The Clown

And Oden's backstory with kid!Buggy

is not helping my condition✨

Some may argue that Russel doesn’t get enough love from fans, but his bandmates sure appreciate him. 

(Another extract from “We Are The Dury”)

tropes i will never get tired of

fake dating

omniscient narrator who immediately contradicts the characters (“This is fine,” she said. It was, in no way, shape, or form, fine.)

deadpan jokes while swordfighting

the “I FUCKING LOVE MY WIFE” guy

oblivious pining that slowly escalates until A is going on page rants about how pretty B’s eyes are but still doesn’t seem to recognize they’re in love

Strong Leader Type having to physically fall down in order for the other characters to see how exhausted they are

funny villains who talk and make jokes with their heroes while they’re fighting them

the villains presented as the protagonists

*increasingly pulls out bigger and bigger weapons from more unlikely places*

“I said all of your weapons” *pulls out more*

“ALL OF THEM” *pulls out one last tiny dagger*

traumatized character using humor to cover up ptsd

characters going out for a break at a restaurant/movie/whatever and something bad happening

using the “*gasp* what’s that over there???” trick to avert the enemy’s attention and it working

a villain’s weakness being something totally random and nonsensical

a hero duo arguing over who’s the sidekick while fighting a villain

“don’t be silly, we don’t need [important thing]”  “you lost it, didn’t you?”  “yeah”

“what’s the one thing I told you not to do tonight?”  “raise the dead”   “and what did you do?”  “raised the dead”

“I think that went pretty well” *explosion in the distance*

there’s something therapeutic about imagining a broadway-style curtain call at the end of magnus. tim and sasha appear from each side of the stage to wave at the audience, sasha holding not!sasha’s hand. elias and peter bow deeply in unison. michael and helen poke each other playfully with their long fingers and pop in and out of different doors before disappearing. gerry comes onstage in a flurry of papers and brings eric and mary with him. annabelle is lowered onto the stage from a hanging platform like a diva to thunderous applause. simon and mike crew hoot and wave at the audience from a high platform and pop away simultaneously when the spotlight turns off. nikola and jane swing each other in a wild dance that makes the stage shake. gertrude appears alone and does an elegant curtsey. daisy+basira and melanie+georgie appear together, arms linked, and all four do a bow together. finally, after everything has quieted down, jon and martin appear from either side, and as the curtain falls, they join hands.

Dragon: If it's so important that Sabo have a guardian, can't you take care of him? I'm not good with kids and I don't have time to worry about a ten year old with memory loss.

Kuma, preparing to fuck off to join the Warlords and force Dragon into becoming a father whether he wants to or not:

So, Sengoku was teaching some cool lore to new recruits and this fucker comes in?

Sakazuki Akainu, go away before I do something I might regret and let Mr. Sengoku finish his PowerPoint presentation.

I was expecting a quiet little episode, AND I GOT SIMON FUCKING FAIRCHILD-

I already loved the concept of an old man flying out planes for fun... Hearing him interact with people, FUCK.

I love his character already... I can't say I'm disappointed.