MALICE MIZER LIVE merveilles The End and Fate in NIPPON BUDOKAN 1998.4.1
Photograph: Hiroyuki Yoshihama
Report: Aya Yokomori
I had heard that Malice Mizer’s live performances were amazing. I had also seen the video recording of their live show at Ikenoya Public Hall on April 1, 1997.
But still, nothing could have prepared me for what I witnessed at their Budokan live show. It far exceeded anything I had imagined based on prior knowledge.
The moment I stepped into Budokan, my eyes widened in shock. The stage set was like a vast, two-story palace chamber, painted in pristine white. And to top it off, classical music was playing throughout the venue.
Where am I?!
That’s how I felt.
Everywhere I looked, fans were dressed in Malice Mizer cosplay, their faces painted with elaborate makeup. At exactly 7:18 PM, the lights dimmed, and the palace set was illuminated, making it look even more like a real mansion.
That alone was enough to make my heart race—but then, the way they made their entrance took it to another level. They rose dramatically onto the stage.
So cool!!
The extravagant, theatrical entrance sent a rush of adrenaline through me. As if that weren’t enough, the performance opened with real violinists playing live on stage. The pure sound of the strings filled the air, and the audience gasped in admiration.
Throughout the show, the visuals were breathtaking—images of Malice Mizer’s aesthetic world were projected onto the white walls of the stage, red and blue lights flashed, confetti flew through the air…
In "Kioku to Kage", the lighting shifted to a serene turquoise blue, transforming the atmosphere from one moment to the next. The power of the stage, the elaborate set, and the overall production were overwhelming.
Gackt’s performance was mesmerizing. At times, he contorted his face in anguish, clutching his head. Other times, he seemed to pray, as if offering his soul to the divine. He poured his entire being into his vocals, drawing the audience into his world. I was completely captivated.
And then, Gackt treated the audience to his signature piano solo, filling the vast Budokan with his hauntingly beautiful sound… At one point, the sound of Gackt’s piano filled the air with a heartbreaking melody.
That sound… it felt as if I were gazing out of a window into a deep, endless ocean. I don’t know why, but a scene from the movie Titanic suddenly came to mind— the image of a beautiful noblewoman’s lifeless body drifting underwater.
Then, as Kami’s drumming kicked in, the intensity of the performance escalated. But what makes Malice Mizer truly incredible is that their appeal goes beyond just gothic aesthetics and dramatic beauty. As the band switched into silver-themed outfits, the mood shifted completely.
They performed upbeat songs like Je te veux and Shûto Uwuburu, bringing a playful, almost pop-like energy to the stage. Mana, of all things, was running around the stage clutching a white teddy bear.
And then, Gackt, who had been so serious just moments before, suddenly transformed into a comedic character! In the first half of the show, he had said something profound:
"This stage may become a place that connects with your hearts." Yet later, dressed in his silver outfit, he was joking around: "Man, this outfit is seriously hot! I'm sweating like crazy!"
Then he went off on a completely bizarre tangent, he started talking about a lonely cat that wouldn’t cuddle with him.
"I thought, 'Fine, be that way! I won’t pet you anymore!'"
But then, the cat suddenly climbed onto his stomach, and he couldn’t resist exclaiming, "Ahh, it’s so cute! I love it!!"
The audience was in hysterics. Then, the atmosphere shifted again. The next performance had a distinctly gypsy-inspired rhythm, and Mana and Kozi focused on an intense theatrical performance.
They captured women dressed in white and brown, forced them into chairs, and enacted a scene that was almost chilling. The sparks from the stage effects were flying everywhere—it was surreal to witness.
After that, the band members reappeared in black, creating a completely different mood. The dramatic, intense performance that followed was mind-blowing. The sound, the movements—it felt like the entire stage was engulfed in a frenzy.
By the final moments, the entire band had gone wild. Kami threw his cymbals into the air. The bassist swung his instrument around so wildly that you could hear it colliding with the stage. The guitarist sent his guitar flying. The stage was pure chaos.
Then, a wave of "Encore!" chants erupted from the audience. Some fans even began clapping in rhythm, trying to start an encore call, but their voices were drowned out by the sheer excitement and emotion filling the venue.
That’s the power of Malice Mizer.
They don’t just put on a show—they pull raw emotion from the audience. One moment, you’re mesmerized by breathtaking beauty. The next, you’re laughing. Then, you’re in tears.
Every single emotion is drawn out and experienced through their performance. By the end, my heart was shaken to its core. I can’t even begin to describe the final scene.
All I can say is… when it ended, it truly felt like my soul had been carried away.
By Mana-sama
Nostalgic Game Inferno
The Xbox, which I will be discussing this time, made a striking impression with its beautiful, green-glowing icon that was visible beyond the earth sliced by an "X."
When the announcement of a new hardware invasion from America came i was excited back in 2002. At the time of the Xbox's arrival, the gaming market had seen Sega's Dreamcast defeated, while Nintendo's N64 and GameCube were struggling. The market had become a stronghold for Sony, led by the PS2.
Speaking of the PS2, it had a significant advantage with its DVD playback function. Even though the DVD market wasn’t established yet, the ability to play games and watch DVDs was quite impressive… Sony’s strategy was ahead of its time. Then, Microsoft which had dominated the global PC market launched an attack on the firmly established PS2 empire from across the sea! "Microsoft's game entry with immense wealth. They must be a terrifying enemy for Sony," I shivered at the thought.
The reason I felt this way was due to my encounter with the "ATARI 2600" from the American company Atari. I recall when I was still a young child. At a time when even the Famicom hadn’t been born yet I was familiar with games through a system at toy stores where I could play for a few minutes by inserting 50 yen. Despite being in such an era, the price of the ATARI 2600 was around 60,000 yen. It was an astonishingly expensive item for a child, and of course, I couldn’t get one. In the midst of this, the infamous "Atari Shock" occurred leading to Atari's downfall! This created a dark history in the gaming market with its collapse.
Now, back to the Xbox's invasion of Japan. The advertising campaign was tremendous. Leading up to its release, Shibuya was dyed in Xbox colors, creating a huge buzz! My first encounter with the actual Xbox was during an interview with Famitsu about the Xbox. I visited the Famitsu editorial department to be interviewed and got to see the console before its release!
As a result, the first American attempt at entering Japan ended in failure. Strictly speaking, it wasn’t the first attempt, but let’s leave it at that for now.Then, in 2002, a time leap occurred, marking the start of America’s third attempt at entering Japan with the black ship Xbox.
Why is it the third attempt? Because the 3DO, which I love dearly and discussed in the first installment of this series, attempted its second entry in 1994. Some might think it’s a Japanese-made game console since it was released by Matsushita Electric Industrial in Japan, but in reality, the 3DO is American-made. Japanese companies had licensing agreements with the "3DO standard."
Now, getting a bit sidetracked—my first impression of that black, square object was striking. It felt substantial, and a line forming an X ran across the middle. Inside it was a semi-transparent green dome of the Xbox, which gave it a presence that made me think, "This is really cool!" and I couldn’t help but shout that in my heart.
The only disappointment was that the green dome didn’t light up. If it had lit up, it would have been perfect. That said, the original Xbox is one of my favorite consoles.
Yukari Ōba
Yukari Ōba is the exclusive fashion designer for MALICE MIZER. All of their costumes are her work.
People with titles like "planner," "editor," or "writer" often like to separate their jobs into small roles. As a result, some people end up with two or three titles and end up saying how busy they are. Among them i think the profession of designer is currently being broken down into the most minute distinctions. It’s not just about people who create design sketches, cut fabrics, or shape the garments—there are specialists in hats, accessories, knitwear, and so on. I can understand if someone with a foot fetish only wants to make things related to feet, but recently, something’s been bothering me. It starts with the question of whether it's okay to refer to Ōba-san simply as a "costume designer."
She’s responsible for the image of MALICE MIZER after their revival. Under the name of costumes, accessories, and hairstyling, she handles everything from patchwork to welding (pay attention to KAMI's hands this time) to even the stage props. Can we really call her a "designer" or "costume person" in just one second?
However, as I was agonizing over this, Ōba-san spoke enthusiastically, saying, "This part was really difficult, look at it! Oh, and here too..." She talked joyfully about how she changed the fabrics little by little and factored in lighting effects. She said with a laugh, "People often tell me, 'No one will notice you went that far,' but I love doing it." Through her words, I understood one thing: Ōba-san doesn't care what she's called, as long as she can create costumes. It’s her passion. That's why such lively, remarkable costumes are born from her work.
Mana
Mana had told me, "I imagine the feathers gently falling off!" (laughs). It wasn’t meant to change that much, but after making it, I thought, "I want to make it cuter," partly because too much of the legs were showing. I used a fabric called washer organza for the feathers, and also incorporated it into the underskirt, creating a tutu-like effect with about four layers to add volume. The pom-poms were something Mana brought in, saying, "I want to attach these somewhere," and when he attached them herself, she said, "It's cute!" (laughs). Actually, he also made the wig and chains with his own hands.
The butterflies on the wings aren’t real, of course (laughs), but I dyed each one individually. Even in places where it seems casual, there’s a lot of effort behind it (laughs). The fabric for the costume was something Mana requested, saying he wanted a luxurious material that looks like beads. I brought various options and he was especially fond of this one fabric because it’s very light. He even said, "It feels like I’m wearing nothing, this is perfect!" (laughs). It was a hit (laughs). As for the accessories, he said he wanted something with the feel of a wedding fountain with light shining inside it (laughs). I remade it several times to create something that bounces back when touched.
We also tore up light blue feathers and embedded them. We worked hard on even the smallest details that might seem like nothing at first glance (laughs). To make sure the guitar strap doesn’t get tangled, I discreetly made the wings detachable with Velcro (laughs).
Közi
Közi is someone who likes to plan everything from the start. When I first saw the design, I thought of a fiery phoenix, so I decided to make it based on that image. The fabric is the same as Mana's but in a different color. He said, "I've worn something like this before." This time, he wanted something that resembled a jumpsuit. Even though it has no elasticity, I went ahead and made it, but when he wore it, he said, "It's tight..." (laughs). Even though it was restrictive, he’s someone who enters the role through appearance.
The feathers on the chest were dyed with a gradient because I wanted to add that effect, but balancing it was tricky. While adjusting during the fitting, I mixed in red, which is his signature color. This jumpsuit also has Velcro to make it easier for the guitar strap to pass through. The accessories ended up looking very different from the design sketches because when we attached them to the sleeves, it made playing the guitar difficult (laughs). So, when we finished one sleeve, we decided to wrap it around his neck, creating a more luxurious design. The wings on his back are made from aurora film, which changes color depending on the light, appearing red or gold. The material is aluminum, making it very heavy, but the overall cohesiveness of the costume is strong, so he managed to play with it as it was. As for the strawberry hat, we added three-dimensionality using feathers, doubling its size at Közi’s request.
By the way, when he wears the costume, he’s 196 cm tall, from his shoes to the top of his head (laughs). All the members end up being around that height, right? So we make the inseam 100 cm. People always ask, "Who on earth is going to wear these?" (laughs).
Yu~ki
He had an image of a "beast" in mind, and even Yu~ki himself said, "This is quite an adventure." The skirt was actually his first try—a dress made of enamel, something we figured out together during the fitting process. It’s a double-layered design, with the back being longer and slits cut into it, creating this eerie look. The bones are designed to resemble human bones, adding shadow to enhance the effect. The back is made of two layers of umbrella-like fabric, with a sheer fabric sandwiched in between to create a shadow effect. At first glance, it looks like a single layer, but there's a lot of depth (laughs). In terms of time, his costume was the fastest to make because once Yu~ki decides on a design, he sticks to it.
Yu~ki, from the start, based his look on the initial image and always strives to get as close to it as possible. The hardest part was dealing with the enamel fabric's texture. Although we wanted it to look big, enamel has this shiny, slick look, so we used a technique like gathering to create a pinched effect, making it appear more three-dimensional, even under lights. This time, it's sleeveless, but the tattoos he recently got give it a good balance. However, it seems it takes quite a long time to paint his arms, which is a challenge (laughs).
Kami
For Bel Air, it seems that the design he envisioned was difficult to realize. This time, I adjusted the shape of the collar slightly upwards to make it easier to take off. Since taking off the costume was a concern, I incorporated his favorite Rurubar lace in two layers and embroidered it with CD sequins to give off a subtle shimmer, ensuring that the fans could see the light reflecting off it. The sequins were also added to the wings, inspired by his recent thematic focus. They create a fantastical effect, with a gradient from blue to purple as the light shines on them. The wings are the largest element, but they’re lightweight, which allowed Kami to say, "I want to perform while wearing them" (laughs).
For the headpiece, i dyed a cup and embedded black feathers as an accent giving it a mysterious shape that he can just throw on. Lately, he’s been wanting to wear a pink wig that he bought himself, but it’s a bit too intense, so I’m thinking of adding some mesh to tone it down (laughs). The overall concept was inspired by looking at an insect encyclopedia, specifically butterflies. Additionally as Kami insisted from the beginning, there’s a tail attached (laughs).
Gackt
This time, all the members wanted to have wings, so that served as the basis for the design. The members had very detailed requests, particularly Gackt, who was inspired by his favorite movie, The Crow. He wanted the outfit to highlight his beautiful body lines, so while the design is simple, it also needed to allow for movement. Ideally, I would have preferred a stretchy material, but I was determined to use cotton velvet, which has a dark and moody atmosphere, while also creating the effect of gold shining through the darkness.
The cotton velvet, combined with cut velvet, made sitting difficult for Gackt, but when the light hits it, the gold stands out clearly against the black backdrop. The wings, which he was very particular about, were designed in three layers. When closed, they fold up slightly, but when fully opened, they span 4 meters. For live performances, Gackt uses strings to control them, allowing the wings to spread open. The construction is sturdy, with hidden mechanisms for the strings, making the wings quite heavy. The wings were made using about four different patterns, and sequins were added so that when the light hits them, they appear three-dimensional. We used an incredible amount of feathers for the wings as well.
The end
ARENA 37°C (アリーナサーティーセブン) Vol.181 1997年10月
Even for those who pride themselves on being Malice Mizer experts there might still be a lot you don’t know... So we’ve come up with these questions.
This survey painstakingly created overnight by this magazine’s Malice Mizer correspondent was so well received by the members that they even said, “What an interesting set of questions!” (lol). Now what kind of answers did the members of Malice Mizer give?
Gackt (vo)
Q. Favorite food:
Anything spicy.
Q. Least favorite food:
All sweet foods in general.
Q. Favorite drink:
Volvic (water), vodka, wine.
Q. Least favorite drink:
Sweet drinks that feel sugary in the throat.
Q. Favorite scent:
A faintly sweet shampoo fragrance.
Q. Least favorite scent:
The body odor of someone with armpit odor.
Q. Favorite scenery:
The sea at night.
Q. You are allowed to cry only three times in your life. The first time is when you are born. What are the other two occasions?
When I meet someone I can truly love, and when I lose that person I love.
Q. If you could use a time machine, where would you go, to what era, and what would you do (past or future is OK)?
I would go back to the past to atone for all of humanity’s sins by erasing the existence of humans from this world by exterminating the creatures that would become human ancestors.
Q. If you were a hitman, what weapon would you use and why?
Since I’m still an active hitman, I’d prefer not to talk about work...
Q. You have an unlimited budget. If you were to direct a movie, what kind of film would you make?
A story about my birth 457 years ago and all the women I’ve met since then.
Q. What is the ultimate “moment” for you?
When I’m naked and sharing love.
Kami (ds)
Q. Favorite food:
Meat-based dishes.
Q. Least favorite food:
Tofu and potatoes.
Q. Favorite drink:
Melon milk.
Q. Least favorite drink:
Sake, whiskey, etc.
Q. Favorite scent:
Sweet scents.
Q. Least favorite scent:
Anything generally considered a bad smell.
Q. Favorite scenery:
Not night views, but the view from a high place during the day, looking down.
Q. You are allowed to cry only three times in your life. The first time is when you are born. What are the other two occasions?
When someone important to me dies and tears of deep emotion.
Q. If you could use a time machine, where would you go, to what era, and what would you do (past or future is OK)?
Since this is hypothetical, I can’t answer.
Q. If you were a hitman, what weapon would you use and why?
A ray gun that goes “pew pew...”
Q. You have an unlimited budget. If you were to direct a movie, what kind of film would you make?
A movie about a person who rises to power in the Warring States period, with an actual castle built for the production.
Q. What is the ultimate “moment” for you?
Probably when I’ve given my best at a live performance.
MALICE MIZER
● Special Supplement ●
Personal Imagination
Atra Winter 2007 // Klaha
As you can tell from his profile Atra kun is still very much a child. Everything he sees is new to him and he’s full of curiosity thinking everything is his toy. If you're careless and leave things on a table or somewhere within his reach, by the time you realize it, they’ll be hidden somewhere. For example, under the sofa or the bed... You might think you've completely lost something, only to find it one day by chance under the sofa or bed. Such troublesome events happen often. But it’s this mischievous and lively personality that makes him so charming.
However, the thing that's troubling me the most with Atra right now is his eating habits. The problem is he won’t eat unless I’m right beside him constantly stirring his food with my fingers. And in the end unless i place the remaining small amount of food in my palm and feed him by hand he won’t finish his meal.
The root cause is of course that I’ve spoiled him too much. But on days when I have to leave early for a photoshoot or something it’s difficult to always be there to feed him. Not to mention, he eats slowly and tends to eat his meal in several sittings.
So about his eating habits... By the way when Atra kun is in such a troublesome state if I try to leave without indulging him, he will inevitably start making strange, incomprehensible noises like 'Oh, no!!' while jumping at me in desperation.
Of course he also acts spoiled at times. For example, when I'm getting ready to leave, Atra will start pouncing on me as if to say, 'Don’t leave me!' He makes such cute sounds that I can’t help but think, 'How adorable!' It's always a cycle of him calling for me when he wants to eat and us playing chase.
When I can’t help but follow him, he’ll suddenly look back as if to say, 'Are you coming?' Sometimes we swap roles and I have to chase him while he pretends to run away and hide behind doors or other places. We play like this, almost as if we were prince and servant, with him always making me follow him around the house.
Then, when he finally gets sleepy and starts to doze off, he lets out a small, happy squeal, and somehow, all my tiredness disappears. As if by magic, I feel refreshed, as though his presence alone is enough to heal me.
Talking about Atra kun makes me feel like a total doting parent. There's so much more I want to share about him, but I’ll stop here for now. I’ll tell more stories about Atra kun in this section later. It might be boring for people who don’t like animals, but... well. Next time I plan to go somewhere nice. Where that will be, you’ll have to wait and see!
...when I start talking about Atra kun i feel like a total doting parent. There’s still so much more I want to say, but I think I’ll wrap it up here for now. I’d like to share more stories about Atra kun in this section later. It might be boring for people who don’t like animals, though...
Now then, I plan to go somewhere nice next time. Where that will be, you’ll have to wait and see!
Közi
Since the major debut the pace of life has become very fast. I find a lot of solace in fan letters that ease my daily life.
There was indeed a group of three girls who were idols. They didn’t become a huge topic of conversation, but of course, Mana said, “Of course I know (laughs),” with a cynical smile. It seems he’s knowledgeable not just about horror, games, anime, and curry, but also about idols?
In any case, if you think about it, it’s true that many idols from the '80s had oddly inorganic characters, as the writer with experience in idol magazines thinks (laughs).
In the “Ville de merveilles: Transparent Spiral” stage, there was a solo corner for Mana, Közi, and Yu~ki as the fifth song. Amidst overflowing noise, Mana gave a performance like some kind of ritual. Combined with the concerto by Gackt and Kami that followed, it was one of the major highlights of the live show.
Mana’s costume was aptly described as a white ceremonial robe, with sleeves styled like a furisode.
Mana said, “This is also from the '80s. You get it, right?” with a knowing smile. Most readers probably don’t know, but once upon a time, a singer had a big hit with such a costume (laughs).
Anyone who has seen MALICE MIZER live knows that they have quite a sense of humor, but even during interviews, their humor sometimes comes through. However, they often tread the fine line between seriousness and humor, which is what makes it interesting, but sometimes it makes you wonder, “Is this something I shouldn’t be laughing at?”
In any case, while they are extremely sincere in their expression, it’s worth noting that they have this side as well.
Regarding his solo work, Mana said, “I feel like it has a lot of meaning. There was something spiritual about it this time,” leaving a mystery. Közi also said, “It seemed like there was something we couldn’t see,” deepening the mystery.
Symbolic marks, near-future, transparent butterflies, spiritual… Reflecting on their various words.
Their live performances are very entertaining and enjoyable, but it’s clear that they’re more than that. It’s not just the writer who feels a religious undertone in their expressions, as they always talk about pursuing “what it means to be human.” When the question was directed there, Közi laughed and said, “Everything gets encoded.”
He added, “It might sound scary. We can’t talk about much, but it might be related to that. Look forward to the day it will be revealed.”
Mana again makes a mysterious statement, but Gackt comments.
Friend & Friend
kami Tama (MALICE MIZER) (CASCADE)
— You went to the beach, right? On the MALICE MIZER boat, right? — Tama
Tama: And then we stayed at some weird kind of pension.
kami: Yeah, it was like a strange pension-type place.
— Has it been a long time since you last saw Tama?
kami: It's been a while. We used to meet up often.
Tama: Yeah, it’s not like we planned it, but we used to run into each other a lot.
kami: We used to do nothing but bad things (laughs).
Tama: Right? (laughs)
— What kind of bad things?
kami: I can't say (laughs).
Tama: Can't say (laughs).
— It’s fine, the statute of limitations is up by now (laughs)!
Tama: We smoked incense (laughs).
kami: Yeah, we smoked incense (laughs).
— Incense!?
Tama: There was some kind of incense from India or somewhere...
— Real incense?
Tama: Yeah. We were like, "If we smoke this, we can trip, right?!" and we all smoked it (laughs).
kami: Yeah, yeah (laughs).
Tama: But all it did was make our throats hurt, we couldn’t trip at all (laughs).
— That’s obvious (laughs)!
Tama: And then we went to the beach, right?
kami: We did!
— Who did you go with?
kami: With Tama-chan, közi, me, and Kou...
Tama: Back then, we had a friend named Kou.
— Did you suddenly decide to go after drinking?
kami: No, Tama-chan arranged everything for us.
Tama: Yeah, we went on the MALICE MIZER boat.
kami: And we stayed at some weird pension-type place.
Tama: It was more like a lodge than a pension, though (laughs). But the dinner was delicious, right?
kami: It was great!
Tama: We ate until we were stuffed. And back then, I still had long hair, so I coolly jumped into the ocean and played beach volleyball with some gals.
kami: Yeah, you did! And then Kou, that friend of ours, was doing this thing called the “Kou-bar Head Kick!” It was hilarious (laughs).
Tama: I don’t think the people around us thought it was funny at all (laughs). But it was a good memory. At one point, when everyone was partying and making noise at night, I went outside and disappeared for about two hours.
— What were you doing?
Tama: What was I doing? I was probably staring at the sea. It was around the time I had just left my previous band, so I was probably caught up in self-loathing, thinking, “What am I doing with my life?” But since my hair was long, I kept getting hit on by all kinds of people (laughs).
kami: We should go again!
Tama: We were saying, "Let’s go again next year!" and making plans.
— Let’s make it happen this summer! Vicious can cover the cost (laughs).
(Vicious: Sure! By Vicious)
kami: Oh yeah, remember we drank at Shinjuku West Gate Park? It was me, the members of CASCADE, and közi.
Tama: Oh yeah, we did!
— Why were you drinking in the park?
Tama: Back when CASCADE still didn’t have much of an audience, kami and közi came to one of our shows, and we had the afterparty in Shinjuku West Gate Park. That’s when I handed over our demo tape.
kami: And that's when I learned the song "KILL ME STOP."
Tama: That song's pretty good, right?
kami: Yeah. I thought it was really interesting.
— Did you have a feeling back then that "this band is going to make it"?
kami: There were two songs on the demo tape, and while it was different from Tama-chan's previous band, I definitely had a feeling about it.
Tama: Come on (laughs)!
kami: It’s true! I was happy when I saw you doing well on "Ebisu Onsen" (a music show that served as a stepping stone for new bands; CASCADE made their debut thanks to it).
— Hold on! The conversation is starting to get serious (laughs)!
kami: What’s wrong with that?
— This isn't that kind of corner (laughs). So, how are things with the ladies lately?
kami: Ahahahaha (laughs).
Tama: Kami is pretty proactive, isn’t he?
kami: You think so?
Tama: More like animalistic than proactive (laughs). But that’s what I like about you (laughs).
— That’s not what you said during your previous interview with SHUSE (laughs)!
kami: Well, going major made me a bit more negative.
Tama: So you’ve been thinking negatively about a lot of things?
kami: Yeah, recently.
Tama: When you debut as a major artist, you tend to become mentally unstable. I went through that too.
kami: It’s not so much instability. When you're indie, the band feels like home, but when it turns into a job, it becomes something different.
— I see.
kami: I started thinking, "Where is my home now?"
— Well, it’s obviously in a girl's chest (laughs)!
Tama: Speaking of that, how's your relationship with your high school girlfriend?
— We broke up! And two days before Valentine’s Day, no less!
Tama: That’s because you were cheating all the time (laughs)!
— Shut up (laughs)! Tama-chan, are you the type who gets dumped?
Tama: I haven’t been dumped much.
— So are you the one who does the dumping?
Tama: Not really that either. It’s more like things just naturally fizzle out.
kami: Same here!
Tama: It sounds terrible to say you’re just waiting for the right time, but you can kind of tell, right?
— You both start feeling like, "It’s probably about time"?
Tama: Yeah, you wait for that moment.
— That’s awful (laughs)!
Tama: Yeah, I guess I’m awful (laughs)! But in my school days, I used to get dumped all the time.
— Were you always going after girls who were out of your league?
Tama: Not at all, I’ve always had a really wide strike zone.
kami: Ahahahaha (laughs)!
Tama: My first experience was with someone quite a bit older.
kami: Really?
Tama: Really.
— How old were you?
Tama: I was 17.
— And the other person?
Tama: She was quite a bit older.
— In a way, that’s kind of enviable!
Tama: When was your first time, kami?
kami: I was 17 too. But mine was with a girl a year younger than me.
— I was also 17, and she was a year younger than me.
kami: We’re the same then!
— Want to hear about it?
kami: What is it?
— I used to commute by train, and one day, this girl suddenly gave me a love letter.
kami: That’s great!
Tama: Was she cute?
— She was super cute!
kami: That’s really great!
— So we started dating, and I gave her my virginity. But after a while, she suddenly said, “I’m getting married,” and when I told her, “I’m not ready for that yet,” she said, “It’s not you. I’ve been seeing someone else too.” I was like, "Gah!"
kami: Oh no!
— Turns out she had been dating a 23-year-old guy, and about a week later, she quit school and really got married.
kami: Oh no!
— I want my virginity back!
kami: Ahahahaha (laughs)!
Tama: That must’ve been a shock, right?
— It was a huge shock!
Tama: The first girl I dated also cheated on me. Her name was Miki. You can write that down!
kami: Ahahahaha (laughs)!
Tama: Miki cheated on me. We started dating when I was in the second year of middle school, and she was my first kiss, but she’d also been dating this guy since the fourth grade. His name was Tanabe!
kami: Ahahahaha (laughs)!
Tama: You know how, in middle school, when you start dating someone, rumors spread fast? So my friends started saying, “Hey, I heard she has a boyfriend. They’ve been dating since the fourth grade!” So I asked her directly.
— You asked Miki (laughs)?
Tama: Yeah, I asked her, “Miki, do you like me?” “I do.” “Do you like Tanabe?” “I do.” “So, who do you like more, me or Tanabe?” “Tanabe.” (laughs).
kami: Gya-hahaha (laughs)!
Tama: Right after that, we went on a school trip, but for me, it was a heartbroken trip.
kami: Gya-hahaha (laughs)!
— When was your first kiss, kami?
kami: I was really focused on my band until my first year of high school. I didn’t even look at girls; I was just drumming all the time. But in my second year, I started paying attention to the opposite sex and ended up dating someone.
— What was her name?
kami: Maki (laughs).
Tama: Was she cute?
kami: Yeah, she was cute. But, to be honest, she was kind of a delinquent. She had a lot of guy friends, and I couldn’t trust her, so we broke up.
Tama: You seem to like delinquent girls, right? The ones with brown hair and a bit rebellious?
kami: I like Nanase Aikawa (laughs). I once dated a full-on delinquent girl. A friend of mine brought her to one of our live shows, and I guess she liked me because she called me up and asked, “Would you go out with me?” I couldn’t say no, so I said, “Sure!” (laughs). Then I went to her house, and there were all these gang flags and tons of pictures of motorcycles. I thought, “Nope, this isn’t for me!” and broke up with her right away (laughs).
I did a translation of this interview. I hope you enjoy 🦋
Gackt: "You know, I can look someone in the eye and say, 'You're beautiful' (in a deep voice like Gackt's) even if it's the first time we're meeting (laughs)."
KO: "That's a very foreigner-like attitude."
Y: "Exactly. The way he delivers his lines perfectly fits his character. In a way, he's a dangerous person... ah, so scary, so scary (laughs)."
Everyone: (bursting out in laughter)
Y: "Honestly, I'm jealous. How many more encounters would I have if I could start conversations like that? I'll try my best."
M: "Well, isn't he the guy who gives off the most seductive male pheromones? (laughs). In fact, when I'm on stage with him, I'm just mesmerized. 'Ah, so this is the pheromone he's emitting...' (laughs)."
KO: "You both seem to be mesmerized by each other (laughs)."
M: "He just makes you feel all sorts of things. You're practically ravished with his eyes. I totally get why women are so taken with him. ♪I want to hold you tight and sleep♪ I experience it firsthand when I'm hugged on stage (laughs)."
Y: "Next time, let's sell Gackt's pheromone-infused perfume (laughs). We could advertise it in magazines with a tagline like, 'This will attract women to you,' and it would be a hit (←completely convinced)."
KO: "Hahahahahaha!! (bursting out in laughter)"
KA: "He always stays calm and gives answers that hit the mark. I always think that's amazing. I'm also envious of how he can do anything. I think he feels a sense of aesthetics in creating himself through every gesture. But if I were to point out one thing, it's that if you keep saying 'thank you' over and over it might be hard to tell which one is sincere. That's the risk."
Gackt: "I'm always grateful, though (laughs)."
KO: "He's quick-witted, and like KAMI said, he can handle pretty much anything. He can even ravish a woman with his eyes."
Gackt: (laughs)
KO: "That's why I try not to make too much eye contact with him, or I'll turn to stone (laughs). There's something strangely persuasive about his eyes and words. His daily life is quite mysterious (laughs)."
Interviewer: "So, what is the common ground between these five unique individuals?"
Gackt: "A sense of uniqueness, loneliness, creativity, a strong desire not to lose..."
KA: "Including all of that, I think it's destiny. The five of us are the 'chosen ones'..."
Gackt: "The chosen ones? (laughs)"
KO: "KAMI is actually a god (laughs)! (←Note: this is where you laugh)"
~ End ~
It comes back around. That way we discover and grow together. We are also a mirror, and so are the people who come to watch. When you send out a signal, it doesn’t become one way.
The live tour "Ville de merveilles - Transparent Spiral" by MALICE MIZER at the end of last year had many surprising aspects. Among them fans who had previously associated them with a medieval image were amazed by the futuristic stage set and costumes, as well as the band's new side and the wide range of their concepts.
In this page we focus on the first half of the live show featuring a photo session with the debut of the futuristic costumes and move on to discussions about their vision of the near future from the live performance.
From the opening the two songs featuring synchronized dance by all the members were eye catching. Gackt, Mana and Közi stepped in a regular pattern while Kami and Yu~ki played the percussion wildly behind them.
Kami and Yu~ki joked, “We can do anything so it’s okay.”
It was a moment that reaffirmed that they are a group that can use any means of expression. First let’s discuss the concept behind each of their costumes.
Mana: “It was designed with the awareness of a near future era with something easy to move in.”
Közi: “Surreal and inorganic. I added a slit on the side to make it easier to move.”
Yu~ki: “I tried to incorporate my previous image with the top hat and tailcoat while adding a more inorganic feel.”
Kami: “...I forgot.”
Gackt: “I wanted to make sure it didn’t reflect too much light and liked the color scheme so i chose that material. I aimed for something androgynous that isn’t distinctly male or female and that’s how it turned out.”
Next, we’ll introduce their individual visions of the near future, not just as a band.
Gackt: “When asked what I would be like in 10 years i always give the same answer. It’s too bright to see. Some people might see it as positive others negative but in any case it’s too bright to see.”
Mana: “It’s a fine line between rosy and worst case scenarios.”
Közi: “I’ll swim. While scattering salt in the sulfur.”
Kami: “I’ll spread my wings. The end.”
Yu~ki: “I haven’t thought about it. I want to feel my current self and the thoughts of people so i want to live without worrying about it.”
Now, let’s talk about the concept of the stage. Mana explains:
“The stage set was a little different from the initial design. 'Ville de merveilles' means a mysterious city. To put it concretely, it’s a futuristic and mysterious city. The transparent spiral is a keyword. You remember the mark that was projected onto the stage at the opening, right? There’s a mystery hidden in that, but I can’t tell you its meaning. Actually there is an 'aha' moment.”
Moi dix Mois
Welcome to the Strange Year End Party
Moi dix Mois' annual grand year end party, sandwiched between their signature dark live performances with a spectacular ending! This year as well Seth (Vo) appeared as the character "Umezawa Sesuo" performing the song "Yume Shibai," while Mana (G) displayed his brilliant drum and bass playing.
The evening's feast began with a comedic opening hosted by K (G, Voice) and included highlights such as the anime "Martin Theater," which evoked shouts of "kawaii!" from the audience. Of course when Moi dix Mois performed they swiftly shifted from the fun atmosphere to their signature coolness, impressing as always.
Now witness an entertainment show infused with the dark aesthetics that define Supreme Commander Mana.
Dis inferno Vol. IV LAST YEAR PARTY 2006.12.26, Shibuya O-East
The venue dimmed and the host K appeared on a small stage on the right side of the floor, announcing today's opening act. The band was called MANALEY CRUE (a play on the name Mötley Crüe). As the curtain opened to "Red Hot," Mana appeared first, wearing tight slim pants decorated with mesh and handcuffs in a very Mötley Crüe like outfit. For a moment, you could almost think you were witnessing the LA metal scene of the early '80s. As the other members appeared, their resemblance to the original band was quite impressive, especially Sugiya (G), whose appearance was strikingly similar to Mick Mars. It seemed like Mana's choice for sure.
After playing drums in the past, Mana took the double bass drum kit for this show, setting the tone for this two-year comeback event, Moi dix Mois' Last Year Party under the name Dis inferno. Though usually known for their serious live performances, on this night, it was all about fun, giving fans a rare glimpse into the band members' hidden talents and unique sides. As always, the central figure was Moi dix Mois' leader, Mana.
The band played "Looks That Kill" with enthusiasm continuing the Mötley Crüe tribute and series of covers. The next act saw a dazzling Seth take the stage as "Umezawa Iku," performing Umezawa Tomio's "Yume Shibai." Seth's performance was remarkable, fully immersing himself in the song's world. Hayato dressed as a stagehand, added manual effects like tossing confetti, making it a full-fledged show.
Following the metal and enka (Japanese ballad) performance, Fukuyama Kenji's "Squall" was performed with an acoustic guitar, not by K, but by Keiny-chan. Although casually dressed in a white shirt and jeans, his face was still decked out in the usual death/gothic makeup, with half of his hair braided and the other half spiked—an extreme look that added an eerie touch to the performance. Despite the visual contrast, his voice resonated powerfully.
Next up was "The King of Knowledge" Sugiya, who appeared as "Sugick" to perform... balloon art! Yes, twisting long balloons into shapes like animals and flowers in a street-performer style. In a short time, he created a parrot, leaving the audience exclaiming, "Amazing!"
Afterward, the atmosphere completely shifted as "Now the other side in blood" began, marked by the intense double bass drumming. The live performance by Moi dix Mois proper started, powerfully leading with "Front et Baiser." The band's signature sound, featuring crushing metal riffs, had the audience headbanging enthusiastically, creating an electric atmosphere.
During the break, an animated short, "Martin Theater," featuring Mana as a chibi character, was shown on the screen. The whole band appeared in super-deformed (SD) style in a cute and comical story, delighting the audience with its adorable depiction.
On this night, the setlist was built around particularly aggressive songs, driving the audience into a frenzy. The combination of metal riffs and fierce melodies, like in the nostalgic track "Lamentful Miss," echoed strongly through the venue. Moi dix Mois’ performances, such as "Ange," highlighted their unique style, combining intensity and a haunting beauty that remains true to their essence.
The visual spectacle also included Mana’s new guitar, "Jeune Fille X Bronze -Cross Ray-," which had a glowing blue cross in the center. He concluded his performance by collapsing dramatically on stage, leaving a lasting impression. This glimpse into the recording of their upcoming album, due in March, hinted that intensity would be a major theme.
After the show closed with a powerful and flawless performance, the grand year-end party concluded with the entire Moi dix Mois band plus K performing a massive singalong to "Can't Take My Eyes Off You," with giant balloons floating through the crowd, bringing the festive night to a spectacular finish.
II Circo Strano booklet, 1998
I remember someone saying in the formus that Il Circo Strano was among the first recordings Malice Mizer ever released with Gackt, prior to "Voyage."
II Circo Strano~奇妙なサーカス〜
II Circo Strano is a 10-minute long track about a strange circus and its bizarre members. It was published as a special issue of Zappy Magazine that came with a CD. You can listen to an excerpt in the last slide.
Zappy Magazine, Novemeber 1998
Malice Mizer 🕷️Translating interviews so everyone will have the chance to enjoy MM 🦋🫶🏻
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