- WHAT's IN? Pictorial ワッツインピクトリアル 1998年7月

"I feel like we're searching for something beyond that."

In the end, it's about the greatest pleasure in this world— the joy, anger, sorrow, and all emotions.

Music itself comes from the flow of religion, right? Religion itself started from human sin, and I think it was built to overcome it and bring it to zero. Regardless of whether one believes in religion or not the desire to overcome sin is something that every human being has, right? What we do isn’t religious activity, but if there are expressions that seem religious, we won’t deliberately deny them. It’s a matter of how different people interpret it.

In live shows and albums, the emotions of joy, anger, sorrow, and pleasure of humans are included. If someone perceives something religious within that, it's a matter of their sensitivity. We don’t deny or affirm it.

Let's change the approach of the question regarding the term "religious." What if Malice Mizer’s fans, in the future, became the type of people who believe only in Malice Mizer, who have no other support but Malice Mizer?

"There are so many people and so much music, so it's hard to imagine a situation where it's only Malice Mizer. I don’t feel that way on stage," said Gackt.

Mana continued: "I rely on the audience more than they rely on me. I live every day in fear, and when I get letters from the fans, I feel saved."

Hmm? "Fearful..."?

"Yes, that's right. I can't say it directly, but there are hints. Please watch my segment in the TV special about Malice Mizer (those who recorded the video) and also look at the various drawings I make; it’s hidden there."

Mana has once again given a mystery, but Közi also agrees: "Like Mana-chan, I find healing in fan letters every day. Since our major debut, the pace of life has become incredibly fast." It seems that all the members get some form of power from fan letters.

Can the passionate feelings of the fans also be felt from the stage?

"On stage, I enter an unrealistic world, so sometimes when I look at the audience, my mood drops, so I don't consciously focus on it," said Kami.

Yu~ki added: "In the end, I feel like we’re searching for something beyond the greatest pleasure or feeling, something that encompasses all emotions— joy, anger, sorrow, and pleasure. It's like we're trying to find it together."

Gackt continued: "I think the meaning of standing on stage is different for each person, but for us, and for those who come to see us, we are mirrors. When we send out waves, they don’t just go one way, they come back. In that way, both sides discover and grow. Looking in the mirror means that I’m looking at myself. Sometimes, I see a better version of myself, someone who can do even more."

They send out waves from the stage, and the audience receives them.

A Single Album as a Grand Picture Story

Malice Mizer is finally releasing their 1st album “memoire.” This work is a complete concept album. What is the aim they have set?

In the visual rock scene numerous works are continuously released each month. However, the reality is that most bands releasing works in the form of CDs or videos are either affiliated with various labels or rely on the support of those labels to release their works operating under what is known as a sponsored system.

For example take Malice Mizer. They believe that the best way to express themselves is to cultivate their own field so they have been regularly hosting an event called “The Tragic Dinner” at Shinjuku Loft since last November involving themselves and young bands around them in the creation of a new scene. The guitarist MANA who responded to this interview saying: “We want to make Malice Mizer a brand. To do that it’s ideal to create everything by our own power.” This statement left a deep impression on me.

To further expand their field Malice Mizer will finally release their 1st album “memoire” on July 24 through the label they established, Midi:Nette. Moreover they have completed this album as a grand concept work where various landscapes are interwoven based on a single theme.

“Our aim is to evoke the sadness that lurks deep within humanity through our music. To achieve this, we established the concept of ‘nostalgic memories of the past’ as the basic theme of the album.”

Recently more indie bands have started to create concept albums. However in their case the total story across the six tracks is obvious and each track contains various situations, settings, and devices. For example, just considering the introduction of the album:

“In the first track, a piano piece, the same phrase is repeated over and over. The aim here is to have a repetitive phrase that resembles going round in a spiral staircase, serving as an introduction to the album's story, indicating that the journey into past memories is beginning.”

As mentioned earlier all six tracks included this time are crafted into a story as a single narrative. Moreover, “Each track establishes various scenes of memories from different countries, and to clearly express each member's image, each member plays the protagonist of the story for each song, reflecting it visually in the jacket.” This demonstrates their thorough commitment to concept work.

This is a truly remarkable product, where sound, visuals, and story are all beautifully intertwined into a single narrative.

PROFILE

Malice Mizer consists of five members: TETSU (Vocals), MANA (Guitar), KOZI (Synth), YU-KI (B), and KAMI (Drums). For inquiries regarding “memoire,” contact Midi Nette at 03-3781-6674.

I did a little translation on Mana's personal interview. Corrections are very welcome! Thank you so much in advance!

The dark-themed works that were released in the early days. I was captivated by these eerie and unsettling creations, which were far from being considered suitable for children.

I had the opportunity to have a discussion with the person in charge of producing that series of dark games.

All of those games were illustrated by a single designer. That designer had an aura about him and would immerse himself in work for about a month, isolated, to complete the projects. The resulting works had a unique sense of fear, and I was told they even went to Asakusa Shrine for a purification ritual before the games were released. I heard various behind-the-scenes stories like that.

Another memorable discussion was with Konami’s director, Yakushiji. I’ve always been a big fan of the "Castlevania" series since the Famicom days, and I had completed all the previous versions, including the Disk System and PC Engine versions. Our discussion took place around the release of the N64 version, "Castlevania: Legacy of Darkness."

"Legacy of Darkness" was the first 3D installment, breaking away from the traditional side-scrolling action format of the series. Yakushiji asked me, "Did you feel any discomfort with the transition to 3D?" I remember getting quite passionate and responding, "I was deeply moved by the experience of navigating the 3D space in that iconic Castlevania world, which was originally in 2D!"

A landmark encounter that marked the final installment: A conversation with Koichi Sugiyama.

The final interview in this series brought me to visit the home of Koichi Sugiyama, a pioneer of game music. Sugiyama is also a collector of game hardware, and he showed me various rare consoles like the "Intellivision," which surprised me. His collection room was truly a treasure trove for me.

Including the previous interview with Eno-san, my column for "Jugemu" brought me many valuable encounters. Sugiyama, who integrated classical music into game soundtracks and revolutionized game music, had a dramatic and theatrical approach to sound. It’s no exaggeration to say he sparked a revolution in game music. As a musician who also incorporates classical elements into my work, we had many conversations about music. I learned a lot that benefited my own musical activities, and I remember how educational the discussions were.

The world I express in my work was born from the inspiration I received from various games. Though it was only a short period of a year, the experiences I had talking to people involved in game development have become a great treasure to me.

"This action which is almost unthinkable in the norms of rock bands, stirred up mixed reactions. However, this also became a hot topic and further boosted their popularity. You can witness this in performances like "S-CONSCIOUS," where they all wear bondage costumes and deliver digital hard tunes, and in the pop like "Je te veux," where all members except Gackt play percussion instruments while performing. In "Brise," there's even a scene where Mana rides a roller scooter around the stage, showing a playful expression.

Additionally, what deserves special mention is that many of their songs are very "pop" and easy to remember. The songs, crafted under the concept of medieval Europe possessed delicate and melancholic melodies. The meticulous and heavy arrangements, combined with Gackt's sweet and silky voice, polished these melodies into superb pop pieces that left an indelible impression, one that lingered long after you heard them. In fact, every single they released after their debut charted high in the hit rankings. This DVD includes live performances of singles with beautiful melodies such as "ma chériebeloved to you," "Gekka no Yasoukyoku (Moonlight Nocturne)," "Bel Air In the Blank Moment," and "Le ciel." Tracks like "N.P.s N.G.s," "Je te veux," and "Brise" also feature catchy melodies and are fan-favorites at their live shows. Moreover, there are many rare video clips included, such as the solo performance "Hamon/Concerto" where Gackt's piano intertwines with Kami's drums.

The DVD culminates in the final scene at Yokohama Arena, where all the members appear with feathers larger than their height. Among them, Gackt, with black wings reminiscent of a fallen angel, floats in the air and passionately sings "Le Ciel" while bleeding. It is truly a dreamlike scene that embodies the "ultimate visual kei." After watching this, it's easy to understand why, even after MALICE MIZER disbanded, there have been very few follower bands. With such a perfectly realized world, there was no room left for anyone to follow. They are indeed a one of a kind band. This DVD fully captures their appeal, and it's a must-see for anyone who hasn’t yet experienced the sound and visuals of MALICE MIZER.

From SHOXX 179

Living

Loving

MALICE MIZER

The Glamorous Curtain Rises on Their Comeback October 10, Shibuya On Air West

This performance became a must see event of the year. Malice Mizer brought pride to the scene weaving stories into their theatrical artistry. Transitioning from tango to chanson and bossa nova they seamlessly integrated diverse genres and theatrical elements captivating the audience. The show began with an avant garde use of programmed music and strobe lights as the five members took the stage in a grand entrance.

In the third act which marked a few beautiful minutes of art, the memory of December 2 from the previous year lingered as Malice Mizer expressed love on stage. Ten months had passed since then, and though Gackt commented, "We play for the history of Malice Mizer," I still found myself unable to let go of this memory.

The new Malice Mizer live experience was exhilarating though it felt bittersweet to some fans who were deeply attached to their past work. As I walked toward the venue, the place already filled with a captivated crowd i felt the emotions building within me.

The second act, too, brought a different energy, with strobe lights flashing and familiar yet transformed melodies emerging. Malice Mizer appeared with a renewed artistic focus. The members, including Gackt, who stood brightly at the center of the stage brought a fresh and refined elegance. The serene sound of the fretless bass played by Yu~ki and Kami’s natural drumming provided a contrast to the usual highly staged performance of Mana and Közi.

When "Seraph" played during the encore Gackt sang with an emotional intensity that made his voice resonate deeply. Through this show a new era for Malice Mizer had undoubtedly begun. Their artistry had evolved, inviting fans into a world rich with passion and poised for continued growth.

(Text by Ichikawa Kazumi)

STYLE MALICE MIZER

The act of "expression" is not something exclusive to a specialized field. For artists and creators involved in music if we were to put it simply, it is a means of offering hints and proposals that are deeply rooted in one’s personal sensibilities.

This series serves as a method to refine and cultivate those sensibilities in other words, it is a means of expression itself. Life itself is a style.

---------------------

Photography = Yohsuke Komatsu (印), Saori Tsuji (◇印)

Featuring MALICE MIZER

Guest = MALICE MIZER

Text by Kazumi Kanoh

Composition = Kazumi Kanoh

Photographs by Yohsuke Komatsu, Saori Tsuji

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ADDITIONAL SORROW

At first glance with their extravagant costumes and makeup, they may appear to be a theatrical troupe. At their live performance at Nippon Seinenkan in January of this year the stage was set in a medieval European aesthetic, reminiscent of a scene from a play.

The performance they delivered far exceeded the confines of a traditional rock band. With a spectacle that was breathtakingly opulent, MALICE MIZER has now drawn attention from various fields.

What do they think?

Where are they headed?

While retracing their past and present, we explore the "STYLE" that is uniquely theirs.

[ORIGIN]

Mana: "MALICE MIZER was formed in August 1992, with Kozi and me at the core. From the very beginning our concept was based on an image of medieval Europe. Nowadays we’ve started incorporating more pop elements but back then, we were fully immersed in Baroque and Gothic influences. We also incorporated a significant amount of classical music elements."

Közi: "At first there were no French influences like there are now. At that time there weren’t many bands focusing on twin guitar arrangements, so we wanted to feature guitar driven music."

Mana: "All of our songs were dark in tone."

Kami: "But even back then, we experimented a lot with unexpected elements."

Mana: "Our vocalist and drummer were different back then as well. In May 1993, Kami joined, and from that point on, we started playing more live shows. At that time, we didn’t have the money to advertise so the only way for people to learn about us was through live performances. So we decided to perform wherever we could. At that time, our concept was still very medieval Europe."

Kami: "We were already doing a lot with the stage back when I joined."

Közi: "We’d incorporate something special into our openings. We never made a typical rock band entrance."

Mana: "Back then, everyone was playing their instruments for the entire set, so the opening was the only moment we had to do something unique. But that was also the most exciting moment, so we wanted to make an impact right from the start. We started incorporating stage sets after we began doing one man shows but even before that, we tried our best to recreate our envisioned aesthetic in live houses. Before we became a one-man act we often opened for other bands during tours and even though we couldn’t build a full set we still decorated the stage. We wrapped it in vines, gathered tree branches from the forest, and placed them on stage."

Közi: "Yeah we’d wake up in the morning and start cutting branches (laughs)."

Mana: "Exactly (laughs). We also organized a series of events called "Tragic Banquet", hosted by MALICE MIZER, where bands like PENICILLIN and SIAM SHADE also performed. At the time, many band-led events were happening in Osaka and Yokohama, but we felt like someone needed to take the lead in Tokyo too so we took the initiative (laughs)."

- Fool's Mate 090

QUARTER MAZE

Beauty Hair Encyclopedia

MANA (G)

(Malice Mizer)

Favorite Products

Shampoo & Conditioner: Pantene

Treatment: Split-end treatment from the hair salon (Wella)

Styling Products: Finesse mousse

- How long have you been growing your hair?

About 5 years, I think? During that time, I’ve cut it a little.

-How often and where do you get your hair cut?

About once every three years. I have wavy hair, so I don’t get perms. I'm currently in the process of growing it out, so if I think the ends are looking a bit messy, I go get a trim. Any hair salon is fine. I just find a stylish, modern salon while walking around town.

-What do you do after washing your hair?

Basically, because my hair is long, it’s tough to dry (laughs), so I let it air dry. But it tangles quite a bit, so sometimes I do dry it properly with a hairdryer, making it about half and half.

-Do you usually tie your hair up or leave it down?

I tie it back in a ponytail.

-If you dye your hair, what do you use?

Powder hair rinse. The colors I use are blue or platinum.

-Advice for your stage hairstyle.

The way I curl my hair for the stage is something I’ve developed on my own. There’s a trick to the way I curl it so if you want to try practice it. Master your own curling method! The key is to use a curling iron. You definitely can’t do it with curlers (laughs).

-Hair Care Message

Hair is a long-time friend. For a woman, hair is life (laughs). Hair that smells good is the best!!

YU~KI (B)

(Malice Mizer)

Favorite Products

Shampoo & Conditioner: LUX Super Rich

Treatment: V05 Wave Hair Treatment

Styling Products: Anything. I use what I get.

-How long have you been growing your hair?

About 4 to 5 years, I guess? But I sometimes cut my bangs and the sides myself.

-How often and where do you get your hair cut?

I go to the salon when I get a perm, but otherwise, I do everything myself. I cut it whenever it starts to bother me.

-Reason for getting a perm.

I didn’t want to use spray to make my hair stand up, so I got a perm.

-What do you do after washing your hair?

I towel dry it well and try not to use the hairdryer too much. It damages the hair you know. Then I just apply some light mousse and that’s it.

-Do you usually tie your hair up or leave it down?

I tie it up because I have a lot of work. On my days off i leave it down though.After all you shouldn't tighten your hair (laughs)!

-If you dye your hair what do you use?

I bleach it and drop it to blonde before using hair dye. A long time ago, I used to put in red, but as I dyed it black over time, it naturally turned into the right shade...

- Advice for your stage hairstyle.

If you grow your hair and get a perm, you’ll get my hairstyle.

- Hair Care Message

Hair is a woman’s life. No matter how beautiful your face is, if your hair is damaged, I can’t handle it (laughs). Having beautiful hair is a pretty high point for me (laughs)!!

THE END

MALICE MIZER "Bel Air In the Blank Moment de l'image"

Premiere Screening

1997.9.18, Osaka Kosei Nenkin Kaikan, Middle Hall

A video screening event presented by the “art collective” Malice Mizer.

"It was just supposed to be a simple video screening yet they brought in an entire 1 ton truck full of sets. At first i thought i could go in with a casual mindset but after hearing that from the event organizer i knew i couldn't take this lightly. Malice Mizer known as an 'art collective,' has always used rock as a medium to express themselves in a conceptual manner. This 'premiere screening' was held as a pre release event for the video work Bel Air ~In the Blank Moment de l’image (de l'Image) which they filmed entirely on location in France. Of course even though it was 'just' a video screening it was full of the unique expression typical of them.

Right from the start we were surprised when the MC greeted the audience with a casual, 'Good evening, everyone!' instantly grabbing everyone’s attention... or rather drawing laughter. The host was none other than Koeda an unexpectedly unconventional choice. As expected of Malice Mizer they never do anything ordinary. Even Koeda himself seemed rather nervous, asking, 'Are we really okay here?' as the screening began.

Then as the lights dimmed a grand noble looking set appeared adorned with the light of numerous candles flickering in the background resembling the atmosphere of a royal chamber. On the chairs set on stage sat the members, dressed as the characters they played in the video. Ah, this must be why they needed a whole truck for the set.

The conversation between the MC and the members soon turned to behind the scenes stories from their time in France which were introduced one by one along with off shot footage. Throughout the night Mana remained completely silent. Apparently, he claimed to only understand French so Kozi took the liberty of speaking on his behalf.

After the video screening of Bel Air, the members gave their final greetings.

'We were able to create a great work, so I hope you’ll watch it not just once, but many times' (Gackt).

'I hope it sparks all kinds of imagination' (Kami).

In the middle of their comments Kozi mentioned the upcoming tour in December saying, 'We hope you’ll experience the new world of Malice Mizer.'

Their words combined with the fact that they brought in a 1 ton truck full of sets just for a screening, dressed in character from the video, and even chose such an unconventional MC, made it clear that their large-scale live show would be something truly special. It left many in the audience with high expectations for the upcoming live performances. There's no doubt they will deliver something beyond anything we've ever seen before.

What kind of new world will Malice Mizer reveal next?

Vol. 2: Canned Coffee Edition

This is the "MAX Coffee" sold in Ibaraki, my birthplace and Chiba among other places. I've been drinking it since I was a child. The color and design have changed about four times evolving into its current form.

The taste can be summed up as 'sweet'!! Think of it more like a sweet coffee milk rather than a traditional canned coffee. When I moved to Tokyo, I naturally tried to buy MAX Coffee only to find... it wasn't available!

I wondered why and investigated, discovering that it seems to be sold only in Ibaraki and Chiba. When I mentioned this, I heard various rumors that it was sold in other places as well. This is why I instructed fans in the "Vicious" music magazine's Malice corner to investigate. According to fan reports (or investigators, as I like to call them), it’s primarily sold in Ibaraki, Chiba, and Tochigi. One excellent investigator even called the consumer consultation center to find out, which was great. Other information from investigators confirmed its presence outside these three prefectures, including Shizuoka, Kuki City in Saitama, and around Odaiba in Tokyo (closer to Chiba).

Come to think of it I remember seeing and drinking it about four years ago in a remote area of Saitama. I think it might be a regional exclusive so it could be stocked and sold in various places.

I also saw it being sold at Koiwa (Tokyo) and the neighboring Ichikawa (Chiba) stations. This coffee is quite something--don’t underestimate it... The "MAX" might refer to the amount of sugar being maxed out.

If anyone knows more details, please send me another report. I recall that when I was in middle and high school, there was just the regular MAX Coffee and also a MAX half-can with a slightly lighter taste. Then Georgia acquired it and it became Georgia MAX Coffee. At that time the design was quite amusing 1/4 Georgia and 3/4 MAX Coffee... so simple!

I don't know if it’s still sold, but there was a juice called "Hi-C" and I have a can of its tomato flavor stored at my family home. Also, though I’ve never seen it elsewhere, Georgia’s "Cafe au Lait" was sold in Osaka.

See you again...

MALICE MIZER LIVE merveilles ~ The End and Fate ~ in NIPPON BUDOKAN 1998.4.1

Photograph: Hiroyuki Yoshihama

Report: Aya Yokomori

Translation:

I had heard rumors that MALICE MIZER's live performances were incredible. I had also watched a video of the live they held at Shibuya Public Hall on April 1, 1997. However, the Budokan live I witnessed in person far exceeded any expectations I had based on that prior knowledge — it was a shocking performance beyond my imagination.

As soon as I entered Budokan, my eyes widened in surprise. The stage was set like a room in a white palace, a massive two-story structure. And the music flowing through the venue was classical — I felt like shouting, “Where am I?!” Moreover, the audience was filled with people in MALICE MIZER cosplay and makeup, transforming the venue into something like a masquerade ball. At 7:18 PM the lights dimmed.

When the palace set lit up, it began to feel even more like a real mansion. That alone was enough to get my heart racing, but then the band made their grand entrance, rising from below the stage! It was so cool!! The theatrical flair of their entrance made my adrenaline surge. Furthermore, the opening featured eight real violinists. Starting the show with the sound of strings was such a sophisticated arrangement that the audience couldn't help but voice their admiration.

Of course, the lighting enhanced the drama of the performance. From the soft, classical projections cast onto the white palace, to the flashes of red and blue lights darting across the stage, each song had its own lighting scheme. For instance, during "With the Evil That Has Passed Away," the stage was bathed in a calm turquoise blue, adapting seamlessly to the mood of each song.

Amidst all the set design and stage effects, the person radiating an even stronger energy was Gackt. At times, he contorted his face in anguish, held his head in his hands or sang as though praying to a god. His vocals, filled with soul, felt like a hammer blow — I felt as though I’d been punched. His focus and intensity were astonishing fully immersing himself in the music. Gackt also treated us to his signature piano solo letting the notes soar through the vast space of Budokan.

From Vicious ヴィシャス 1998年6月

Vicious magazine June 1998