Most Games Tend To Have A Clear Objective For The Players To Follow As The Story Unfolds. However, "MYST,"

Yukari Ōba

Yukari Ōba is the exclusive fashion designer for MALICE MIZER. All of their costumes are her work.

People with titles like "planner," "editor," or "writer" often like to separate their jobs into small roles. As a result, some people end up with two or three titles and end up saying how busy they are. Among them i think the profession of designer is currently being broken down into the most minute distinctions. It’s not just about people who create design sketches, cut fabrics, or shape the garments—there are specialists in hats, accessories, knitwear, and so on. I can understand if someone with a foot fetish only wants to make things related to feet, but recently, something’s been bothering me. It starts with the question of whether it's okay to refer to Ōba-san simply as a "costume designer."

She’s responsible for the image of MALICE MIZER after their revival. Under the name of costumes, accessories, and hairstyling, she handles everything from patchwork to welding (pay attention to KAMI's hands this time) to even the stage props. Can we really call her a "designer" or "costume person" in just one second?

However, as I was agonizing over this, Ōba-san spoke enthusiastically, saying, "This part was really difficult, look at it! Oh, and here too..." She talked joyfully about how she changed the fabrics little by little and factored in lighting effects. She said with a laugh, "People often tell me, 'No one will notice you went that far,' but I love doing it." Through her words, I understood one thing: Ōba-san doesn't care what she's called, as long as she can create costumes. It’s her passion. That's why such lively, remarkable costumes are born from her work.

Mana

Mana had told me, "I imagine the feathers gently falling off!" (laughs). It wasn’t meant to change that much, but after making it, I thought, "I want to make it cuter," partly because too much of the legs were showing. I used a fabric called washer organza for the feathers, and also incorporated it into the underskirt, creating a tutu-like effect with about four layers to add volume. The pom-poms were something Mana brought in, saying, "I want to attach these somewhere," and when he attached them herself, she said, "It's cute!" (laughs). Actually, he also made the wig and chains with his own hands.

The butterflies on the wings aren’t real, of course (laughs), but I dyed each one individually. Even in places where it seems casual, there’s a lot of effort behind it (laughs). The fabric for the costume was something Mana requested, saying he wanted a luxurious material that looks like beads. I brought various options and he was especially fond of this one fabric because it’s very light. He even said, "It feels like I’m wearing nothing, this is perfect!" (laughs). It was a hit (laughs). As for the accessories, he said he wanted something with the feel of a wedding fountain with light shining inside it (laughs). I remade it several times to create something that bounces back when touched.

We also tore up light blue feathers and embedded them. We worked hard on even the smallest details that might seem like nothing at first glance (laughs). To make sure the guitar strap doesn’t get tangled, I discreetly made the wings detachable with Velcro (laughs).

Közi

Közi is someone who likes to plan everything from the start. When I first saw the design, I thought of a fiery phoenix, so I decided to make it based on that image. The fabric is the same as Mana's but in a different color. He said, "I've worn something like this before." This time, he wanted something that resembled a jumpsuit. Even though it has no elasticity, I went ahead and made it, but when he wore it, he said, "It's tight..." (laughs). Even though it was restrictive, he’s someone who enters the role through appearance.

The feathers on the chest were dyed with a gradient because I wanted to add that effect, but balancing it was tricky. While adjusting during the fitting, I mixed in red, which is his signature color. This jumpsuit also has Velcro to make it easier for the guitar strap to pass through. The accessories ended up looking very different from the design sketches because when we attached them to the sleeves, it made playing the guitar difficult (laughs). So, when we finished one sleeve, we decided to wrap it around his neck, creating a more luxurious design. The wings on his back are made from aurora film, which changes color depending on the light, appearing red or gold. The material is aluminum, making it very heavy, but the overall cohesiveness of the costume is strong, so he managed to play with it as it was. As for the strawberry hat, we added three-dimensionality using feathers, doubling its size at Közi’s request.

By the way, when he wears the costume, he’s 196 cm tall, from his shoes to the top of his head (laughs). All the members end up being around that height, right? So we make the inseam 100 cm. People always ask, "Who on earth is going to wear these?" (laughs).

Yu~ki

He had an image of a "beast" in mind, and even Yu~ki himself said, "This is quite an adventure." The skirt was actually his first try—a dress made of enamel, something we figured out together during the fitting process. It’s a double-layered design, with the back being longer and slits cut into it, creating this eerie look. The bones are designed to resemble human bones, adding shadow to enhance the effect. The back is made of two layers of umbrella-like fabric, with a sheer fabric sandwiched in between to create a shadow effect. At first glance, it looks like a single layer, but there's a lot of depth (laughs). In terms of time, his costume was the fastest to make because once Yu~ki decides on a design, he sticks to it.

Yu~ki, from the start, based his look on the initial image and always strives to get as close to it as possible. The hardest part was dealing with the enamel fabric's texture. Although we wanted it to look big, enamel has this shiny, slick look, so we used a technique like gathering to create a pinched effect, making it appear more three-dimensional, even under lights. This time, it's sleeveless, but the tattoos he recently got give it a good balance. However, it seems it takes quite a long time to paint his arms, which is a challenge (laughs).

Kami

For Bel Air, it seems that the design he envisioned was difficult to realize. This time, I adjusted the shape of the collar slightly upwards to make it easier to take off. Since taking off the costume was a concern, I incorporated his favorite Rurubar lace in two layers and embroidered it with CD sequins to give off a subtle shimmer, ensuring that the fans could see the light reflecting off it. The sequins were also added to the wings, inspired by his recent thematic focus. They create a fantastical effect, with a gradient from blue to purple as the light shines on them. The wings are the largest element, but they’re lightweight, which allowed Kami to say, "I want to perform while wearing them" (laughs).

For the headpiece, i dyed a cup and embedded black feathers as an accent giving it a mysterious shape that he can just throw on. Lately, he’s been wanting to wear a pink wig that he bought himself, but it’s a bit too intense, so I’m thinking of adding some mesh to tone it down (laughs). The overall concept was inspired by looking at an insect encyclopedia, specifically butterflies. Additionally as Kami insisted from the beginning, there’s a tail attached (laughs).

Gackt

This time, all the members wanted to have wings, so that served as the basis for the design. The members had very detailed requests, particularly Gackt, who was inspired by his favorite movie, The Crow. He wanted the outfit to highlight his beautiful body lines, so while the design is simple, it also needed to allow for movement. Ideally, I would have preferred a stretchy material, but I was determined to use cotton velvet, which has a dark and moody atmosphere, while also creating the effect of gold shining through the darkness.

The cotton velvet, combined with cut velvet, made sitting difficult for Gackt, but when the light hits it, the gold stands out clearly against the black backdrop. The wings, which he was very particular about, were designed in three layers. When closed, they fold up slightly, but when fully opened, they span 4 meters. For live performances, Gackt uses strings to control them, allowing the wings to spread open. The construction is sturdy, with hidden mechanisms for the strings, making the wings quite heavy. The wings were made using about four different patterns, and sequins were added so that when the light hits them, they appear three-dimensional. We used an incredible amount of feathers for the wings as well.

The end

Mana's Favorite Outfit

1997 at NIHON SEINENKAN & SHIBUYA KOKAIDO

Hair Accessory: An elaborate hairpiece featuring blue and black feathers, matching the outfit.

Collar: A luxurious design reminiscent of nobility, adorned with a gold brooch at the center of the ribbon.

Sleeves: Detailed with fine pleats to create a flared effect.

Skirt: An over-skirt with black feathers, giving the outfit a streamlined appearance.

Mana (from Stylist)

This outfit was inspired by the image of Queen Elizabeth. Despite being a dress the mini skirt element adds a unique touch. The over-skirt flutters beautifully when moving. It's rare to see a mini skirt on a dress, and I wanted to maintain a sense of elegance while showing some leg. The combination of a dress with visible legs adds a certain eroticism. It was especially memorable for me as it was worn on a major stage for the first time at the Nihon Seinenkan and Shibuya Kokaido.

"Malice Mizer's stage is like a scene from a movie."

Interviewer: Did you have a clear sound concept when you first started Malice Mizer?

MANA: I’ve always loved classical music and European music. So I wanted to create a band that fused the beauty and sorrow of melodies using twin guitars to create a mix of these elements. I wanted to combine a European, misty, beautiful image (in terms of aesthetic beauty) with the speed and energy of rock. As for the vocal lines I aimed to create music that has easy to listen to melodies while still hiding a sense of longing and beauty within them.

MANA: Of course when we perform I don't want people to say we sound like anyone else. I want to create Malice Mizer’s unique new sound. In terms of atmosphere, we are gradually getting closer to that, but right now we’re still in the process of experimenting and trying to carve out our own sound.

Interviewer: You’ve only been active for about half a year but do you feel like your sound is starting to solidify?

KOZI: It’s still in its early stages just starting to take shape.

TETSU: It’s just begun to sprout you could say (laughs).

Interviewer: You mentioned "aesthetic beauty" earlier but does that mean you want to create a sound that’s based on melodies with an emphasis on an aesthetic world?

TETSU: Yes, that’s right. We’re not necessarily a "singing band," but we do want to place importance on the vocals.

MANA: As for the other instruments if you listen closely you’ll hear that we carefully craft the harmonies with the guitars and bass. But when it comes to harmonies the more we think about it, the more ideas come up. We often struggle with figuring out the best place to harmonize and where we should put the emphasis in the song, so we end up debating quite a bit.

Interviewer: The interaction between two guitars is quite challenging, right?

MANA: Exactly. It’s not like heavy metal, where there’s a lead and rhythm guitar, and then when you get to the chorus, you harmonize...

I did a translation of this interview. I hope you enjoy 🦋

Gackt: "You know, I can look someone in the eye and say, 'You're beautiful' (in a deep voice like Gackt's) even if it's the first time we're meeting (laughs)."

KO: "That's a very foreigner-like attitude."

Y: "Exactly. The way he delivers his lines perfectly fits his character. In a way, he's a dangerous person... ah, so scary, so scary (laughs)."

Everyone: (bursting out in laughter)

Y: "Honestly, I'm jealous. How many more encounters would I have if I could start conversations like that? I'll try my best."

M: "Well, isn't he the guy who gives off the most seductive male pheromones? (laughs). In fact, when I'm on stage with him, I'm just mesmerized. 'Ah, so this is the pheromone he's emitting...' (laughs)."

KO: "You both seem to be mesmerized by each other (laughs)."

M: "He just makes you feel all sorts of things. You're practically ravished with his eyes. I totally get why women are so taken with him. ♪I want to hold you tight and sleep♪ I experience it firsthand when I'm hugged on stage (laughs)."

Y: "Next time, let's sell Gackt's pheromone-infused perfume (laughs). We could advertise it in magazines with a tagline like, 'This will attract women to you,' and it would be a hit (←completely convinced)."

KO: "Hahahahahaha!! (bursting out in laughter)"

KA: "He always stays calm and gives answers that hit the mark. I always think that's amazing. I'm also envious of how he can do anything. I think he feels a sense of aesthetics in creating himself through every gesture. But if I were to point out one thing, it's that if you keep saying 'thank you' over and over it might be hard to tell which one is sincere. That's the risk."

Gackt: "I'm always grateful, though (laughs)."

KO: "He's quick-witted, and like KAMI said, he can handle pretty much anything. He can even ravish a woman with his eyes."

Gackt: (laughs)

KO: "That's why I try not to make too much eye contact with him, or I'll turn to stone (laughs). There's something strangely persuasive about his eyes and words. His daily life is quite mysterious (laughs)."

Interviewer: "So, what is the common ground between these five unique individuals?"

Gackt: "A sense of uniqueness, loneliness, creativity, a strong desire not to lose..."

KA: "Including all of that, I think it's destiny. The five of us are the 'chosen ones'..."

Gackt: "The chosen ones? (laughs)"

KO: "KAMI is actually a god (laughs)! (←Note: this is where you laugh)"

~ End ~

Mana and Kami, capturing precious memories with their adorable photos from years ago such as posing in front of the Statue of Hachiko or in Shibuya in the Hachiko Family Mural.

Enjoy 💜💙

Kami's Monologue

Vol. 1 #Mu

This time i thought i would introduce a treasure of mine thati haven’t shown to many people. Actually, i collect various things like old candy and juice cans.

Recently, when i happened to go to a convenience store i saw… to my surprise, coffee gum has made a splendid comeback…!! So let me introduce part of my treasure: the history of Lotte gum.

This is Juicy Fruit Chewing Gum which is very, very sweet... However, the blend of various fruits is exquisite… It’s no longer sold but I’m sure it will make a comeback (as of June 6).

The green gum, this is Fresh Mint Chewing Gum. I remember seeing this gum in my childhood, but I never had it. However the reason I have this gum now is a secret. The taste is a bit like a lighter version of green gum. It has a refreshing flavor and is quite nice.

The white gum, Spearmint Gum. This one has a minty, cool feeling but is a sweet flavor that I really like.

The pink gum , Bonnie Ume Gum. It truly has the taste of ume (plum). It doesn’t taste like pickled plum but has a plum like flavor. This is also one of my favorite sweet gums.

The brown gum… Coffee Chewing Gum. This gum has splendidly made a comeback recently after disappearing once about ten years ago. I was very sad about that. This is also sweet, with a sweet coffee flavor.

The newly revived version has slightly different packaging. The flavor is a bit lighter, but it has been beautifully recreated.

The blue gum… Grapefruit Chewing Gum. I have a memory of being bought this when I was a child, and I was so impressed by how delicious it was. A few years later, it disappeared.

The reason I have this gum now is a secret! I was shocked when a gum I really liked disappeared, but it miraculously came back as a 1/5 commemorative edition, which also moved me. It has changed its name to "Sweety Gum"...

In reality, the flavor was not very well recreated. The taste is actually more profound and sweet, similar to the flavor of grapefruit chewing gum. It is wonderful that things from the past can make a comeback. It truly shows that “history repeats itself.”

There are also Green Gum, Tarl Mint Gum, and others, but there is actually one gum that I don’t have. It’s called Quick Quench Gum. There’s a picture of a person playing sports on the yellow packaging. The taste is lemon-flavored, with a slightly sporty feeling, like a mix of Pocari Sweat and Gatorade... I really liked it, but for some reason, chewing this gum made my teeth hurt, which I hated. When you eat lemon, your teeth might hurt, right...? It’s just like that...

There are other perfumes like "Yves" and "Donna." There used to be many delicious and wonderful things. I hope more things will make a comeback.

15 Autumn 1999

Friend & Friend

kami Tama (MALICE MIZER) (CASCADE)

— You went to the beach, right? On the MALICE MIZER boat, right? — Tama

Tama: And then we stayed at some weird kind of pension.

kami: Yeah, it was like a strange pension-type place.

— Has it been a long time since you last saw Tama?

kami: It's been a while. We used to meet up often.

Tama: Yeah, it’s not like we planned it, but we used to run into each other a lot.

kami: We used to do nothing but bad things (laughs).

Tama: Right? (laughs)

— What kind of bad things?

kami: I can't say (laughs).

Tama: Can't say (laughs).

— It’s fine, the statute of limitations is up by now (laughs)!

Tama: We smoked incense (laughs).

kami: Yeah, we smoked incense (laughs).

— Incense!?

Tama: There was some kind of incense from India or somewhere...

— Real incense?

Tama: Yeah. We were like, "If we smoke this, we can trip, right?!" and we all smoked it (laughs).

kami: Yeah, yeah (laughs).

Tama: But all it did was make our throats hurt, we couldn’t trip at all (laughs).

— That’s obvious (laughs)!

Tama: And then we went to the beach, right?

kami: We did!

— Who did you go with?

kami: With Tama-chan, közi, me, and Kou...

Tama: Back then, we had a friend named Kou.

— Did you suddenly decide to go after drinking?

kami: No, Tama-chan arranged everything for us.

Tama: Yeah, we went on the MALICE MIZER boat.

kami: And we stayed at some weird pension-type place.

Tama: It was more like a lodge than a pension, though (laughs). But the dinner was delicious, right?

kami: It was great!

Tama: We ate until we were stuffed. And back then, I still had long hair, so I coolly jumped into the ocean and played beach volleyball with some gals.

kami: Yeah, you did! And then Kou, that friend of ours, was doing this thing called the “Kou-bar Head Kick!” It was hilarious (laughs).

Tama: I don’t think the people around us thought it was funny at all (laughs). But it was a good memory. At one point, when everyone was partying and making noise at night, I went outside and disappeared for about two hours.

— What were you doing?

Tama: What was I doing? I was probably staring at the sea. It was around the time I had just left my previous band, so I was probably caught up in self-loathing, thinking, “What am I doing with my life?” But since my hair was long, I kept getting hit on by all kinds of people (laughs).

kami: We should go again!

Tama: We were saying, "Let’s go again next year!" and making plans.

— Let’s make it happen this summer! Vicious can cover the cost (laughs).

(Vicious: Sure! By Vicious)

kami: Oh yeah, remember we drank at Shinjuku West Gate Park? It was me, the members of CASCADE, and közi.

Tama: Oh yeah, we did!

— Why were you drinking in the park?

Tama: Back when CASCADE still didn’t have much of an audience, kami and közi came to one of our shows, and we had the afterparty in Shinjuku West Gate Park. That’s when I handed over our demo tape.

kami: And that's when I learned the song "KILL ME STOP."

Tama: That song's pretty good, right?

kami: Yeah. I thought it was really interesting.

— Did you have a feeling back then that "this band is going to make it"?

kami: There were two songs on the demo tape, and while it was different from Tama-chan's previous band, I definitely had a feeling about it.

Tama: Come on (laughs)!

kami: It’s true! I was happy when I saw you doing well on "Ebisu Onsen" (a music show that served as a stepping stone for new bands; CASCADE made their debut thanks to it).

— Hold on! The conversation is starting to get serious (laughs)!

kami: What’s wrong with that?

— This isn't that kind of corner (laughs). So, how are things with the ladies lately?

kami: Ahahahaha (laughs).

Tama: Kami is pretty proactive, isn’t he?

kami: You think so?

Tama: More like animalistic than proactive (laughs). But that’s what I like about you (laughs).

— That’s not what you said during your previous interview with SHUSE (laughs)!

kami: Well, going major made me a bit more negative.

Tama: So you’ve been thinking negatively about a lot of things?

kami: Yeah, recently.

Tama: When you debut as a major artist, you tend to become mentally unstable. I went through that too.

kami: It’s not so much instability. When you're indie, the band feels like home, but when it turns into a job, it becomes something different.

— I see.

kami: I started thinking, "Where is my home now?"

— Well, it’s obviously in a girl's chest (laughs)!

Tama: Speaking of that, how's your relationship with your high school girlfriend?

— We broke up! And two days before Valentine’s Day, no less!

Tama: That’s because you were cheating all the time (laughs)!

— Shut up (laughs)! Tama-chan, are you the type who gets dumped?

Tama: I haven’t been dumped much.

— So are you the one who does the dumping?

Tama: Not really that either. It’s more like things just naturally fizzle out.

kami: Same here!

Tama: It sounds terrible to say you’re just waiting for the right time, but you can kind of tell, right?

— You both start feeling like, "It’s probably about time"?

Tama: Yeah, you wait for that moment.

— That’s awful (laughs)!

Tama: Yeah, I guess I’m awful (laughs)! But in my school days, I used to get dumped all the time.

— Were you always going after girls who were out of your league?

Tama: Not at all, I’ve always had a really wide strike zone.

kami: Ahahahaha (laughs)!

Tama: My first experience was with someone quite a bit older.

kami: Really?

Tama: Really.

— How old were you?

Tama: I was 17.

— And the other person?

Tama: She was quite a bit older.

— In a way, that’s kind of enviable!

Tama: When was your first time, kami?

kami: I was 17 too. But mine was with a girl a year younger than me.

— I was also 17, and she was a year younger than me.

kami: We’re the same then!

— Want to hear about it?

kami: What is it?

— I used to commute by train, and one day, this girl suddenly gave me a love letter.

kami: That’s great!

Tama: Was she cute?

— She was super cute!

kami: That’s really great!

— So we started dating, and I gave her my virginity. But after a while, she suddenly said, “I’m getting married,” and when I told her, “I’m not ready for that yet,” she said, “It’s not you. I’ve been seeing someone else too.” I was like, "Gah!"

kami: Oh no!

— Turns out she had been dating a 23-year-old guy, and about a week later, she quit school and really got married.

kami: Oh no!

— I want my virginity back!

kami: Ahahahaha (laughs)!

Tama: That must’ve been a shock, right?

— It was a huge shock!

Tama: The first girl I dated also cheated on me. Her name was Miki. You can write that down!

kami: Ahahahaha (laughs)!

Tama: Miki cheated on me. We started dating when I was in the second year of middle school, and she was my first kiss, but she’d also been dating this guy since the fourth grade. His name was Tanabe!

kami: Ahahahaha (laughs)!

Tama: You know how, in middle school, when you start dating someone, rumors spread fast? So my friends started saying, “Hey, I heard she has a boyfriend. They’ve been dating since the fourth grade!” So I asked her directly.

— You asked Miki (laughs)?

Tama: Yeah, I asked her, “Miki, do you like me?” “I do.” “Do you like Tanabe?” “I do.” “So, who do you like more, me or Tanabe?” “Tanabe.” (laughs).

kami: Gya-hahaha (laughs)!

Tama: Right after that, we went on a school trip, but for me, it was a heartbroken trip.

kami: Gya-hahaha (laughs)!

— When was your first kiss, kami?

kami: I was really focused on my band until my first year of high school. I didn’t even look at girls; I was just drumming all the time. But in my second year, I started paying attention to the opposite sex and ended up dating someone.

— What was her name?

kami: Maki (laughs).

Tama: Was she cute?

kami: Yeah, she was cute. But, to be honest, she was kind of a delinquent. She had a lot of guy friends, and I couldn’t trust her, so we broke up.

Tama: You seem to like delinquent girls, right? The ones with brown hair and a bit rebellious?

kami: I like Nanase Aikawa (laughs). I once dated a full-on delinquent girl. A friend of mine brought her to one of our live shows, and I guess she liked me because she called me up and asked, “Would you go out with me?” I couldn’t say no, so I said, “Sure!” (laughs). Then I went to her house, and there were all these gang flags and tons of pictures of motorcycles. I thought, “Nope, this isn’t for me!” and broke up with her right away (laughs).

KOZI (MALICE MIZER) ASTAN - 2005 Vol.21

Translated by my cousin (corrections are always welcome)

Malice Mizer: MALICE (MALEVOLENCE) AND MIZERE (TRAGEDY)

A comprehensive biography of this band, which is second only to X-Japan in importance within J-Rock or Visual Kei, would be too extensive. Here, we will focus on the period starting with Gackt's entry into the band.

Malice Mizer was founded in August 1992 by Mana and Közi (Kouji). After several line-up changes, the band consisted of: Gackt (vocals, piano), Mana (guitar, keyboards), Közi (guitar, violin), Kami (drums), and Yu-ki (bass) starting in August 1995.

Shortly thereafter, the group released their second album, "Voyage (sans retour)," marking a first step toward superstardom. The musicians' popularity steadily increased, attracting the attention of major record labels. Thus in 1997, MM signed with Columbia in Japan. Their first single, "Bel Air kuhaku no toki no naka de," was released followed by TV appearances and radio shows as well as the famous concert at Nihon Budokan.

In 1998, "Merveilles" was released. Malice Mizer was at the peak of their career, embodying everything associated with superstardom. Fan displays overshadowed anything conceivable, and Gackt could undoubtedly be referred to as the most popular Japanese show star at the time. The concerts were elaborate events, with costumes and staging that surpassed everything seen before. However, the fractures within the band were unmistakable. While Gackt seemed to thrive in the J-Pop Olympus the remaining members were striving for artistic quality. Disputes ensued, resulting in Gackt leaving the band in January 1999. As if that weren’t enough, drummer Kami passed away later that year due to an arterial brain hemorrhage. Following Kami's death, on September 21 1999 the band decided to take a hiatus.

Their fourth album, "bara no seidō," was released in August 2000 under an indie label, Midi:NetteM+M which was the newly established label owned by the band. The album "bara no seidō" is an epic work, heavily influenced by German classical music. Choral passages and long instrumental sections elevate this work to classic status. The trio of Mana, Közi, and Yu-ki experimented on this album without a fixed singer or drummer. This is undoubtedly the most impressive and monumental work by MM, although its reception from the audience could have been better. Perhaps under this impression, the band decided to recruit a new singer, Klaha, in August 2000. The sound shifted towards an epic and darker rock sound. With Klaha, MM returned to catchy melodies, though they were far removed from the J-Pop of the Gackt years. In my opinion, this is the best, albeit temporarily concluding, chapter of the group.

A few singles were released afterward. The last tour took place in July 2001, after which the band disbanded. Klaha began his solo career, Közi is currently active as a solo artist and as a member of Eve Of Destiny, while Mana has become a well-known figure in Japan with his own fashion line and Gothic Lolita shops. He continues to be active as a musician in his band MDM. Yu-ki is no longer prominently involved in music.

It’s also essential to look into the successor bands of Malice Mizer. I can't find anything appealing in Gackt and Klaha's solo works. I really enjoy Eve Of Destiny, as well as everything Mana releases to the public. EOD is an industrial goth band; Mana is much heavier but also more classical in orientation. Közi's solo work sounds very relaxed and somewhat French, although he writes in English.

I have met Közi several times and found him to be a somewhat shy and introverted man. However, he is a very nice guy. But that’s just a side note. What fascinates me is the band's fluctuating musical trajectory. By the time Gackt joined, the typical "growing pains" of any group had settled, and a first creative peak was reached with Gackt. The time with Gackt was the commercially most successful period, and the concerts were a dream visual event. The costumes changed multiple times during the show, and the staging would be compared to German theatrical productions.

Part 2

Groups like Rammstein would turn green with envy. Musically i find Gackt quite uninteresting. He knew how to present himself well in the spotlight but that’s about it. Gackt after Malice Mizer is nothing more than slimy, sweet-and-sour J-Pop. A nod to Herr Rohlen. Artistically an MM album like "bara no seido" is much more impressive. Some elements remind me that both Mana and Közi are great admirers of the German composer Bach. This influence is unmistakable. These influences, combined with Közi's and Mana's magnificent guitar playing, elevate "bara no seido" to a masterpiece for this group. The musicality of Malice Mizer is one of the outstanding characteristics of the Japanese band. The range of instruments spans from the standard instruments of a rock band to very European instruments such as clavichord, spinet, violin, or accordion. One might think that nothing catchy could emerge from this, but that is precisely one of the band's strengths.

Each song is assigned a style and a color. Mana represents the color blue, in which his clothing is designed. Mana is an imposing figure who can only be described as beautiful. When I first saw a video by MM, I thought the guitarist looked quite good. Not to mention, the guitarist is a male. In Japanese tradition, it is not so unusual for a man to appear feminine. Mana gives few interviews and hardly speaks in public, yet he is the creative mind behind Malice Mizer. He has perfected the Gothic Lolita style and can be understood as the counterpart to Gackt. Gackt does not wear white makeup and is considered by a large part of the female MM fans to be the quintessential fairy tale prince.

Közi represents the color red. He appears quite androgynous as an MM member. At the same time, he is aloof, reserved, and doll like fragile. Kami represents the color purple and Yu-ki represents yellow and/or orange. Noteworthy about him is his occasionally drawn-on occasionally real beard. Klaha’s color is either black or white. He later takes on Gackt's role but is much more masculine and less boyish than Gackt.

The look of this group. Malice Mizer seems to change costumes like others change underwear. It’s incredible how tastefully and stylishly Malice Mizer dressed and presented themselves. The staging on stage and in the videos is trendsetting and has not been achieved by any group known to me before or since. The transition from a metal band to a VK group and ultimately to a heavily Gothic-influenced act is marked by significant breaks. Yet, one can always recognize Malice Mizer's typical sound. For anyone who is now curious, I strongly recommend checking out the live DVDs or the group’s videos. Personally, I really enjoy the videos and music from the time with Klaha. The videos with Gackt are more colorful, vibrant and playful. I can recommend all DVDs from Malice Mizer.

The End

A Single Album as a Grand Picture Story

Malice Mizer is finally releasing their 1st album “memoire.” This work is a complete concept album. What is the aim they have set?

In the visual rock scene numerous works are continuously released each month. However, the reality is that most bands releasing works in the form of CDs or videos are either affiliated with various labels or rely on the support of those labels to release their works operating under what is known as a sponsored system.

For example take Malice Mizer. They believe that the best way to express themselves is to cultivate their own field so they have been regularly hosting an event called “The Tragic Dinner” at Shinjuku Loft since last November involving themselves and young bands around them in the creation of a new scene. The guitarist MANA who responded to this interview saying: “We want to make Malice Mizer a brand. To do that it’s ideal to create everything by our own power.” This statement left a deep impression on me.

To further expand their field Malice Mizer will finally release their 1st album “memoire” on July 24 through the label they established, Midi:Nette. Moreover they have completed this album as a grand concept work where various landscapes are interwoven based on a single theme.

“Our aim is to evoke the sadness that lurks deep within humanity through our music. To achieve this, we established the concept of ‘nostalgic memories of the past’ as the basic theme of the album.”

Recently more indie bands have started to create concept albums. However in their case the total story across the six tracks is obvious and each track contains various situations, settings, and devices. For example, just considering the introduction of the album:

“In the first track, a piano piece, the same phrase is repeated over and over. The aim here is to have a repetitive phrase that resembles going round in a spiral staircase, serving as an introduction to the album's story, indicating that the journey into past memories is beginning.”

As mentioned earlier all six tracks included this time are crafted into a story as a single narrative. Moreover, “Each track establishes various scenes of memories from different countries, and to clearly express each member's image, each member plays the protagonist of the story for each song, reflecting it visually in the jacket.” This demonstrates their thorough commitment to concept work.

This is a truly remarkable product, where sound, visuals, and story are all beautifully intertwined into a single narrative.

PROFILE

Malice Mizer consists of five members: TETSU (Vocals), MANA (Guitar), KOZI (Synth), YU-KI (B), and KAMI (Drums). For inquiries regarding “memoire,” contact Midi Nette at 03-3781-6674.

MALICE MIZER "Bel Air In the Blank Moment de l'image"

Premiere Screening

1997.9.18, Osaka Kosei Nenkin Kaikan, Middle Hall

A video screening event presented by the “art collective” Malice Mizer.

"It was just supposed to be a simple video screening yet they brought in an entire 1 ton truck full of sets. At first i thought i could go in with a casual mindset but after hearing that from the event organizer i knew i couldn't take this lightly. Malice Mizer known as an 'art collective,' has always used rock as a medium to express themselves in a conceptual manner. This 'premiere screening' was held as a pre release event for the video work Bel Air ~In the Blank Moment de l’image (de l'Image) which they filmed entirely on location in France. Of course even though it was 'just' a video screening it was full of the unique expression typical of them.

Right from the start we were surprised when the MC greeted the audience with a casual, 'Good evening, everyone!' instantly grabbing everyone’s attention... or rather drawing laughter. The host was none other than Koeda an unexpectedly unconventional choice. As expected of Malice Mizer they never do anything ordinary. Even Koeda himself seemed rather nervous, asking, 'Are we really okay here?' as the screening began.

Then as the lights dimmed a grand noble looking set appeared adorned with the light of numerous candles flickering in the background resembling the atmosphere of a royal chamber. On the chairs set on stage sat the members, dressed as the characters they played in the video. Ah, this must be why they needed a whole truck for the set.

The conversation between the MC and the members soon turned to behind the scenes stories from their time in France which were introduced one by one along with off shot footage. Throughout the night Mana remained completely silent. Apparently, he claimed to only understand French so Kozi took the liberty of speaking on his behalf.

After the video screening of Bel Air, the members gave their final greetings.

'We were able to create a great work, so I hope you’ll watch it not just once, but many times' (Gackt).

'I hope it sparks all kinds of imagination' (Kami).

In the middle of their comments Kozi mentioned the upcoming tour in December saying, 'We hope you’ll experience the new world of Malice Mizer.'

Their words combined with the fact that they brought in a 1 ton truck full of sets just for a screening, dressed in character from the video, and even chose such an unconventional MC, made it clear that their large-scale live show would be something truly special. It left many in the audience with high expectations for the upcoming live performances. There's no doubt they will deliver something beyond anything we've ever seen before.

What kind of new world will Malice Mizer reveal next?