Three damantiom painting we look at in the class sometime ago. #example
You see through me / Matt Martin
My experiments.
For our purposes an image like this there are lot’s of visible moving elements, the students walking by and lot of additional detail. I experimented with using different exposure and timimg.
#depthoffield
Yesterday afternoon me and my friends set up a still life studio, for photographing commercial style and the ideas was to capturing slow motions, freezing motions by using the objects we brought, also my tutor left some objects for us too use. For example: #eggs, #wine glass, #food colours, #balloons, #bubblegum. ..ect.
cool
I didn’t think I could love Edward Muybridge more! And now Mark Rosen and Wendy Marvel took his images and created motorized flip books. There’s a kickstarter campaign so eventually everyone can have their own crank flip book.
#creative
Woman’s Life - Hanna Seweryn
Photography
Be a Woman, a series of photographs where simple movements are transformed into beautifully dramatic gestures, each image features a bright glowing light that illuminates the shadow of an elegant female form behind the backlit screen. The monochromatic tones give the sensation of an antique photo a moment captured in time from the past.
His works is beautiful.
This week’s Modern Art Notes Podcast features Ori Gersht, an Israeli-born artist who has spent the last fifteen years exploring the territory in which violence and beauty overlap, often with a special focus on how a landscape can bear witness. The Museum of Fine Arts, Boston has just opened a mid-career survey of his work titled, “Ori Gersht: History Repeating.” On view through Jan. 6, the show was curated by Al Miner.
In the second segment, I’ll inaugurate what will be become a regular feature on the program over the next year or so: Jackson Pollock’s landmark 1943 Mural is in the collection of the University of Iowa Museum of Art, but for the rest of this year and next it will be at the Getty for conservation treatment. “Mural” is one of the most important paintings of the 20th century. As long as Mural is at the Getty, I’ll be checking in with the conservators working on it to hear about what they’re doing with it and what they’re learning about it. My first guest in that series will be Yvonne Szafran, the conservator of paintings at the J. Paul Getty Museum.
Download the show directly to your PC/mobile device. Subscribe to The MAN Podcast via iTunes, RSS. See images discussed on the show.
Image: Ori Gersht, Big Bang (video still), 2006.
Blurring can be used to create the illusion of motion. Here the motion that the dancer took is clear... -
#Final outcome
A technique sometimes used for showing movement in photography is light trails. This is where the shutter is left open for a relatively long period of time and a light is moved around within the frame of the photograph. Where the light has been a trail is left, this is sometimes called light painting. It is a technique that I have used before and have utilised in other projects. It is this that have given me the interest to explore it further and combine it with this project for showing movement.
I want to do something like this for my project.
An artist with an interesting take on movement is David Hockney. Through the 70’s and 80’s Hockney produced a series of works that he called ‘joiners’. These were multiple photographs, often Polaroid’s, arranged in a collage. The earliest pieces in this series of works were often portraits but as the subjects moved, as would the framing of the photograph. This produced a short story of the way that the photographer perceived the subject over a period of time (all be it short) as appose to a single moment which is a restriction of a single photographic image.