Oia Under Moonlight (by Marcus Frank)

Opinion on "ignorance is bliss"?

It’s the cowards creed, an irrational sentiment harnessed by those succumbing to the traumatic insecurity that lies in relinquishing deceptive childhood fantasy’s; so they opt instead for a kind of optimistic denial that demonizes knowledge as a defense mechanism to remain complacent in their delusions.

The fate of these individuals then, lies in the will of those brave enough to endure the tribulations of educating and empowering themselves. At best, these individuals are destined to live as parasites; at worst, they will have their ignorance utilized by ambitious deceivers to enslave or destroy them.

Thank you, Mr. Dalton, you just illustrated the point.

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Writing advice from my uni teachers:

If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.

Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.

Don’t overuse metaphors, or they lose their potency. Limit yourself.

Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.

Lord of the Rings was published in the fifties, and largely written in the forties. Tolkien’s opinions on society and morality and technology are at some points genuinely more conservative than what I’m comfortable with. And yet, the more I think about it, the more sure I am that Tolkien actually deconstructs most of the clichéd fantasy tropes he supposedly originates. Some examples.

The long-lost heir is not the hero, he’s a side character who deliberately uses himself as a decoy.

The real hero actually fails in his quest, his goodness and determination and willpower utterly fail in the face of evil, and the world is saved by a series seemingly unrelated good deeds.

The central conflict is not between destroying the world and preserving it. An age of the world will come to an end, and many great and beautiful things will perish, whether the heroes win or lose. The past may have been glorious, but preserving it is impossible, and returning to it is impossible, time has passed and the world has moved on. The king returns, but the elves are gone and magic fades from the very substance of Middle Earth. The goal is not to preserve the status quo, the goal is the chance to rebuild something on the ruins.

Killing the main villain seems to instantly solve the problem, eradicate all enemies and fix the world, except it doesn’t, not wholly, since the scouring of the Shire still has to happen.

Also, the hero gets no real reward, and what he gets, he cannot really enjoy. He is hurt by his ordeal, and never fully recovers.

There is a team of heroes, a classic adventuring party, except the Fellowship is together for less one sixth of the series. The Fellowship is intact from the Council of Elrond to Gandalf’s death, four chapters. The remaining eight are together until Boromir’s death, an additional six chapters. This is nothing compared to LOTR’s length of sixty-one chapters, if I count correctly.

Tolkien is not classic high fantasy. If you actually think about it, there is very little magic. The hobbits’ stealth is not magical, most elven wonders are not unambigously magical, wizards are extremely rare, and even Gandalf hardly uses magic if you compare him to the average DnD wizard. Most magic is indistinguishable from craft, there is no clear difference between a magic armor and a very good armor, between magic bread and very good bread, between magical healing and competent first-aid plus a few kind words.

TLDR: Stop praising recent fantasy for deconstructing Tolkien if they’re “deconstructing” something Tolkien has never actually constructed.

La La Land (2016) dir. Damien Chazelle

I’m letting life hit me until it gets tired. Then I’ll hit back. It’s a classic rope-a-dope.

love those book series that are like

1st book: Hero goes on a big adventure, makes a bunch of friends, and saves the day!

Latest book: Hero copes with debilitating PTSD while growing increasingly disenchanted with the moral dubiety of the people and world around them, yet nevertheless still strives towards a heroic ideal.