There is a phrase used to describe people, often strangers, as “ships passing in the night.” The phrase is meant to describe how fleeting the intersection of two lives can be, how briefly people we don’t know can flicker in and out of our lives.
But when I read about the Titanic, I think we can push the phrase further. Because sometimes, as you pass another ship in the night, you may hear a cry in the dark. A person in danger. A shout for help. Distress rockets and SOS signals wailing into the night. A stranger in crisis.
And in those fleeting moments as your ship passes theirs, you get to make the choice- are you the Californian, the closest ship to the Titanic, which saw the distress rockets and saw the lights on the horizon and sat and did nothing; or are you the Carpathia, turning on a dime, pushing all steam to the engines, racing to help.
We can not say for sure what caused the Californian to not help the Titanic in that night of crisis. Whether is was apathy or incompetence or fear, we don’t know.
But we know that every single soul who survived the Titanic survived because of the Carpathia. Because the crew and the passengers of that ship raced nearly 60 miles through ice fields above their maximum speed in the dead of night, readying life boats, readying triage, to pull them from the water.
So, yes, we are ships passing in the night, and when given the chance to turn away or do good, always err on the side of reckless compassion.
Zeniba: Once you do something, you never forget. Even if you can't remember.
Spirited Away (2001), dir. Hayao Miyazaki
love those book series that are like
1st book: Hero goes on a big adventure, makes a bunch of friends, and saves the day!
Latest book: Hero copes with debilitating PTSD while growing increasingly disenchanted with the moral dubiety of the people and world around them, yet nevertheless still strives towards a heroic ideal.
To be fair, you can replace science with many words.
I love this sign.
Lord of the Rings was published in the fifties, and largely written in the forties. Tolkien’s opinions on society and morality and technology are at some points genuinely more conservative than what I’m comfortable with. And yet, the more I think about it, the more sure I am that Tolkien actually deconstructs most of the clichéd fantasy tropes he supposedly originates. Some examples.
The long-lost heir is not the hero, he’s a side character who deliberately uses himself as a decoy.
The real hero actually fails in his quest, his goodness and determination and willpower utterly fail in the face of evil, and the world is saved by a series seemingly unrelated good deeds.
The central conflict is not between destroying the world and preserving it. An age of the world will come to an end, and many great and beautiful things will perish, whether the heroes win or lose. The past may have been glorious, but preserving it is impossible, and returning to it is impossible, time has passed and the world has moved on. The king returns, but the elves are gone and magic fades from the very substance of Middle Earth. The goal is not to preserve the status quo, the goal is the chance to rebuild something on the ruins.
Killing the main villain seems to instantly solve the problem, eradicate all enemies and fix the world, except it doesn’t, not wholly, since the scouring of the Shire still has to happen.
Also, the hero gets no real reward, and what he gets, he cannot really enjoy. He is hurt by his ordeal, and never fully recovers.
There is a team of heroes, a classic adventuring party, except the Fellowship is together for less one sixth of the series. The Fellowship is intact from the Council of Elrond to Gandalf’s death, four chapters. The remaining eight are together until Boromir’s death, an additional six chapters. This is nothing compared to LOTR’s length of sixty-one chapters, if I count correctly.
Tolkien is not classic high fantasy. If you actually think about it, there is very little magic. The hobbits’ stealth is not magical, most elven wonders are not unambigously magical, wizards are extremely rare, and even Gandalf hardly uses magic if you compare him to the average DnD wizard. Most magic is indistinguishable from craft, there is no clear difference between a magic armor and a very good armor, between magic bread and very good bread, between magical healing and competent first-aid plus a few kind words.
TLDR: Stop praising recent fantasy for deconstructing Tolkien if they’re “deconstructing” something Tolkien has never actually constructed.
Worlds largest single firework shell
Wanderer, there is no way, you make the way as you go... Just a wanderer enjoying the rollercoaster.
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