A trip down sensory lane.
Conditioned to be passive consumers, we confuse submission with security, celebrate obedience as virtue, and consent to self-destructive routines of agonizing repression, all because we lack the courage to step outside the prison cells that we affectionately regard as “comfort zones”.
“What We do in the Shadows“ (2014),
Dir: Jemaine Clement and Taika Waititi, DoP: Richard Bluck and D.J. Stipsen. Mockumentary
Grave of the Fireflies (1988)
Director: Isao Takahata
Cinematographer: Nobuo Koyama
You are probably going to be a very successful computer person. But you’re going to go through life thinking that girls don’t like you because you’re a nerd. And I want you to know, from the bottom of my heart, that that won’t be true. It’ll be because you’re an asshole.
The Social Network (2010) dir. David Fincher
Anyone else?
do you ever have imaginary/potential conversations with people in your head but then catch yourself accidentally mouthing the words out or making faces that would go along with your reactions in the conversation
“When something is important enough, you do it even if the odds are not in your favor. -Elon Musk”
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Writing advice from my uni teachers:
If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.
Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.
Don’t overuse metaphors, or they lose their potency. Limit yourself.
Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.
Wanderer, there is no way, you make the way as you go... Just a wanderer enjoying the rollercoaster.
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