Guess Who Just Had A Panic Attack About School In Front Of His Parents? :DDD
Guess who just had a panic attack about school in front of his parents? :DDD
damn wish I could cancel my breathing subscription
More Posts from Unorthodoxiguana and Others
just gotta save this for when i need it
It's a lot healthier to go for a daily walk than to sign up for a gym membership you won't be using because you hate that kind of exercise. It's a lot healthier to eat a frozen meal than to skip a meal because you were too tired to cook something healthy. It's a lot healthier to take a quick shower than to procrastinate an elaborate routine for days. Don't aim so high that you won't be hitting anything!
Relistening to Gregor the Overlander (cuz Libby doesn't have what I want)
Why is Henry so good?!
Why do I like him?!
It's good and cool to give your characters a single simple, straightforward, non-urgent, super-achievable goal that shouldn't really cost anything or hurt anyone, make that the driving factor for most of their decisions, and then have the Plot do everything in its power to stop them.
The UK supreme court has ruled that "the terms woman and sex in the Equality Act 2010 refer to a biological woman and biological sex" and that a person with a Gender Recognition Certificate in the female gender “does not come within the definition of a ‘woman’ under the Equality Act”.
my leaders are fucking spineless. is this because of trump? fucking hell.
Gonna hold onto this
Writing Weapons (1): Swords
The Thrusting Sword
Type of fight scene: entertaining, duels, non-lethal fights, non-gory deaths, swashbuckling adventure
Mostly used in: Europe, including Renaissance and Regency periods
Typical User: silm, male or female, good aerobic fitness
Main action: thrust, pierce, stab
Main motion: horizontal with the tip forward
Shape: straight, often thin, may be lightweight
Typical Injury: seeping blood, blood stains spreading
Strategy: target gaps in the armous, pierce a vital organ
Disadvantage: cannot slice through bone or armour
Examples: foil, epee, rapier, gladius
The Cleaving Sword
Type of fight scene: gritty, brutal, battles, cutting through armour
Typical user: tall brawny male with broad shulders and bulging biceps
Mostly used in: Medieval Europe
Main action: cleave, hack, chop, cut, split
Main motion: downwards
Shape: broad, straight, heavy, solid, sometime huge, sometimes need to be held in both hands, both sides sharpened
Typical Injury: severed large limbs
Strategy: hack off a leg, them decapitate; or split the skull
Disadvantage: too big to carry concealed, too heavy to carry in daily lifem too slow to draw for spontaneous action
Examples: Medieval greatsword, Scottish claymore, machete, falchion
The Slashing Sword
Type of fight scene: gritty or entertaining, executions, cavalry charge, on board a ship
Mostly used in: Asia, Middle East
Typical user: male (female is plausible), any body shape, Arab, Asian, mounted warrior, cavalryman, sailor, pirate
Main action: slash, cut, slice
Main motion: fluid, continuous, curving, eg.figure-eight
Shape: curved, often slender, extremely sharp on the outer edge
Typical Injury: severed limbs, lots of spurting blood
Strategy: first disable opponent's sword hand (cut it off or slice into tendons inside the elbow)
Disadvantage: unable to cut thorugh hard objects (e.g. metal armor)
Examples: scimitar, sabre, saif, shamshir, cutlass, katana
Blunders to Avoid:
Weapons performing what they shouldn't be able to do (e.g. a foil slashing metal armour)
Protagonists fighting with weapons for which they don't have the strength or build to handle
The hero carrying a huge sword all the time as if it's a wallet
Drawing a big sword form a sheath on the back (a physical impossiblity, unless your hero is a giant...)
Generic sword which can slash, stab, cleave, slash, block, pierce, thrust, whirl through the air, cut a few limbs, etc...as if that's plausible
adapted from <Writer's Craft> by Rayne Hall
Okay, so, here me out:
Gregor Campbell as Spider-Man, or Spider-Man's apprentice/successor.
Like, Peter is getting really old, and some of his wall-sticking ability is slipping. So he adds some assistance for that stuff in his suit. Then, later, Gregor comes against him fighting some villain, and he's losing untill Gregor jumps in and starts beating the shit out of them.
His rager thing goes out of control, one of them is about to die, but Peter stops him at the last moment, and they leave before the police arrive. Some words of advice later, "with great power comes great responsibility", and he leaves, but they keep on running into each other, and eventually, Gregor becomes his apprentice, because Peter is old as fuck, and wants to retire, while Gregor is still looking for purpose after leaving the Underland, and thinks this could be it
Would need to screw around with the timeline a bit, but I think it could be cool. Thoughts?
On the topic of Ares being the Warrior:
Our life and death are one, we two.
An actual transcript from last night's dnd session:
A: Can you add Divine Smite to Soup?
B: Tasty sou- SMITE
Me: SMOUP
noted
Body language cues for a few emotions
Happiness:
Smiling genuinely, with crinkles around the eyes.
Open body posture, with relaxed arms and shoulders.
Leaning forward slightly towards the person or object of interest.
Making eye contact with a warm and engaged expression.
Anger:
Tightened jaw and clenched fists.
Furrowed brows and narrowed eyes.
Standing or sitting with a rigid and tense posture.
Pointing fingers or aggressive gestures.
Raised voice or speaking through gritted teeth.
Sadness:
Downcast eyes and a drooping posture.
Slumped shoulders and shallow breathing.
Avoiding eye contact and withdrawing from social interaction.
Sighing or a subdued tone of voice.
Tearfulness, with watery or red eyes.
Fear:
Widened eyes with dilated pupils.
Raised eyebrows and a tense facial expression.
Frozen or rigid body posture.
Backing away or seeking physical distance from the perceived threat.
Trembling or shaking, especially in the hands or legs.
Surprise:
Raised eyebrows and widened eyes.
Mouth slightly agape or forming an "O" shape.
Leaning forward or recoiling backward in response to the surprise.
Quick inhalation or gasp of breath.
Rapid blinking or blinking more than usual.
Disgust:
Curling the upper lip or wrinkling the nose.
Narrowing the eyes and raising the upper eyelids.
Turning the head away or physically distancing oneself from the source of disgust.
Covering the mouth or nose with the hand or a tissue.
Expressing verbal disgust through phrases like "ew" or "yuck."
These are just some examples, and individuals may display variations in their body language based on their personality, cultural background, and the specific context of the situation.
This series is canon, as far as I'm concerned
Something I decided to cook up to celebrate the completion of the AHS 1 edit (YES THE FIRST BOOK HAS BEEN OVERHAULED AND IT'S SO MUCH BETTER NOW GO REREAD IF YOU LIKED IT PLEASE!! I PROMISE IT'S WORTH IT!)
Ripred & Henry are one of my favorite dynamics to write in AHS 3 and I adore how far they've come and where they started.
That and Henry in general. This is your AHS 1 vs AHS 3 Henry comparison as well (yes, ALL the text here are actual quotes from the books.)
Honestly, Ripred should start to consider paying rent with how much he and his words of harsh but wise truth live in Henry's head 🤣
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