True For Me, True For You 💓

The Adventures of Todd and Granny

(Alternatively: “I Saw Granny Ethel with the Devil”)

Part I | Part II | Part III | Part IV

Unexpected Guest

Today is a good day for Todd—though they mostly are, as of late.

He’s heard people, mostly the damned, mention the “good ol’ days”; these must be his in the making.

By the end of the afternoon, he’s improved greatly on his stitch counting and his triple crochets and, especially, in mastering how to properly turn his piece so his rows are no longer frustratingly mismatched. It’s still a work in progress, but Granny Ethel’s lessons are wonderful as always. Next up is learning how to incorporate another yarn color for bright, fun designs—or in his case, dark and atmospheric—after their midday break of coffee and desserts, of course. Because as fond as she is of his preferred black yarn, she insists he has to branch out from solids eventually. There’s no growth if one always remains in their comfort zone.  

Instead of coffee, however, Granny Ethel is in the mood for tea—and just as with everything else he’s inherited from her lifestyle, the art of brewing tea presents a difficult learning curve.

She doesn’t take her tea from grocery store boxes and tiny sachets—she doesn’t buy those in bulk because they only go to waste and sit stale in the cupboards. When she drinks tea at all (that is, when she isn’t in the mood for espresso), it must be fresh, and from organic, homegrown ingredients. For this reason, tea isn’t an impulsive choice of drink. It must be planned. It’s another lesson she’s instilled in him during his stay, and, the week before, they’d spent an entire morning identifying each of the specific herbs thriving in the back garden, and which parts were best used in which blends. Of course, he is well acquainted with the rosemary and sage, the lavender and thyme, the basil and juniper, and the chamomile and anise. But lemongrass is new, and it grows in abundance in the planters set on the windowsills.

Because it’s such a novelty, he chooses it as the main note and adds in chamomile blossoms to offset the citrus tang. It’s a challenge to balance it just right so neither is too overwhelming, nor too bland, and he doesn’t expect this to be a great attempt, but Granny Ethel is honest with her evaluations and generous with encouragement. There’s also the matter of heating the water to a proper boil, and not overheating the mix, then steeping it for the right amount of time…

Well, there’s a reason he never apprenticed to a potion brewer and enlisted in the debt collecting department for souls instead.

But for Granny Ethel, he tries his best.

The kitchen counter, small as it is, is a difficult surface to work with. The kitchenware is tiny in his hands, and if he isn’t careful when he moves, his horns scrape the ceiling above, sending a fine powder of popcorned drywall down like snow out of season.

Water sloshes out of the kettle and spills across the granite, some trickling down onto the tiles, and the small, fragile jar he mixes the herbs in cracks beneath his claws, but doesn’t shatter. He scoops out the blend with care and packs it loosely into a metal tea strainer, but even so, most of it ends up scattered across the counter. Grass and petals bounce and dive out of the tea ball as he fumbles to secure the latch, and by the end of the struggle, only a small portion of what he’d placed remains within.

He tries once more—and again. And once more, just until there’s an appropriate measurement of herbs trapped inside. Then, ever-so-carefully, he sets the tea ball into Granny Ethel’s favorite tea cup (the special one, decorated with playful kittens and ribbons and an elaborate, golden cursive “C”) and pours boiling water over it to steep.

A freshly-baked apple pie waits on the small, round dining table, taken fresh from the oven only an hour before. A sliver of the circle has been removed for tasting—and it is delicious. Slicing two pieces of the pie is a far simpler task than brewing tea, and Todd makes sure that Granny Ethel’s piece dwarfs the plate it sits upon, because she deserves the best. And bigger is better.  

The two dessert-filled plates sit across from each other, equidistant, on the table, on finely crocheted doilies that serve as placemats. The pastel yellow tablecloth covering the table is riddled in fragile, embroidered daisies and winding leaves and it screams spring despite the heat of summer weighing heavy in the air. He’ll have to find another to replace it with, soon. Maybe one with sunflowers.

As he considers this, the doorbell rings.

It isn’t something he thinks twice about anymore. Not since their new friend from the supermarket made it habit to participate in their weekly Yahtzee or domino nights, and their bi-weekly trips to the bingo hall.

Neither does Granny Ethel—he can hear her call to the door from the living room, remaining in her seat, “Come in, dear! The door is unlocked.”

But it isn’t a game night, or a bingo day.

It’s midafternoon on a Tuesday and the only thing scheduled for the remainder of the day is a rerun of one of their favorite TV dramas about two women in law enforcement.

The door creaks open—it’s something Todd’s been meaning to fix, though the home is sorely lacking in tools and hardware necessary for the job. If there was hinge lubricant around, it would fix it right up, but he may have to resort to cooking oil as a quick fix.

Curiosity gets the better of him. Carefully balancing the teapot and teacup in both clawed hands, he approaches the carpeted hall between the kitchen and living room to take a peek at the mystery guest. But multitasking, pouring the tea and looking at the same time, proves to be a mistake and in hindsight something he should have avoided.

The tea, so carefully prepared and brewed, overflows from the fine china cup, spills onto the matching, chipped saucer and steadily splatters the floor. Todd doesn’t even move, doesn’t blink, as it saturates the floral rug beneath his claws. The drips are the only thing moving in this scene removed from time, and all else stands still, even the dust in the air.

Neither of them expected a guest today—neither of them ever expected this particular guest. Mostly because one believes he is already present, and one believes he is too selfish to ever even have the passing thought to visit, much less call or write.

“Oh no, Todd, the carpet! Hurry now, dear, hurry, go and—no, I’ll go and grab a towel, I know where the cleaning ones are!”

Granny Ethel is the first to break free from the frozen atmosphere—though she refuses to acknowledge anything aside from the growing stain on the living room floor. Todd quickly rights the white china teapot hanging from his claws and holds his other hand steady to prevent the flooded teacup from dripping more hot tea to the puddle below. It doesn’t work—seems to make it worse, actually. It’s a vain task, so he gives up and cradles it all in his large hands, doing his best to keep the remaining tea contained in his palms. 

“‘Todd?’” says the clean-cut young man standing in the open doorway, a jarring juxtaposition to the black clothes and heavily-blackened eyes and metal accessories from familiar photographs—but even in the full Sunday suit, those downturned, bright eyes are unmistakable, and they are fixed unblinkingly on Todd’s decidedly un-Todd-like form. “Who are you?”

I’m you, but better, doesn’t seem like an appropriate response, no matter how true it is. Todd the demon holds his silence and doesn’t break the gaze, because it feels like a challenge.

This man is the human Todd, and he’s come to visit.

Today is a….strange day, for Demon Todd.

Tea time is no longer a pleasant, cozy time. Not with their extra guest, seated between them at the small round table with a (small) slice of pie of his own and an untouched glass of water—no tea, no coffee, for him. He’s tall—a bit too large for the small table, though Demon Todd is one to talk. But being who he is, it’s only natural he dwarfs everything around him. This Human Todd, though… just what is his excuse?

Granny Ethel hasn’t spoken a single word to the young man the entire time and her silence is strange. She’s usually such a chatty, friendly woman.

So they eat in silence—but not Human Todd. He sits still, staring with narrowed, mean eyes, on edge. But not entirely frightened, like the general public tended to be in his presence. It’s odd. Perhaps it runs in the family.

As he sits in the silence, he wrings his hands together—clean hands, like one unaccustomed to frequent physical labor. No dirt in sight underneath his nail beds. Not even flecks of old nail polish hinting at remnants of a secret grunge lifestyle never quite grown out of. Whatever he has grown into certainly isn’t that of someone who toils in the underworld or its culture, like his counterpart.

No, rather, it reeks of money. Given—not earned. And possibly taken, too.

Demon Todd has an inkling of why Human Todd is here. After all, he didn’t come alone. Accompanying his arrival were three large, expensive suitcases, stuffed full. Still sitting in the living room, out of place.

At long last, as the last crumb falls, Granny Ethel speaks.

“Well, dear, speak up, speak up. What brings you here?” she asks the young man as she pats at the corners of her wrinkled mouth with a cloth napkin, and she avoids speaking his name despite the fact that she must know who he is.

The words, though, aren’t entirely conversational. With the three of them sitting at the small table, it more resembles a conference—no, a hearing. Especially when she pulls up the thick, round spectacles hanging from crocheted strings around her neck and sets them atop the bridge of her nose to better see the new visitor.

Human Todd’s eyes drift warily from the long, sharp claws tapping silently on the tabletop, and he clears his throat before looking to his grandmother, wearing a sickly sweet and fake smile as he does. “Well, it’s been so long. So, so many years, Gran. I’ve missed you, see. Dad was in the wrong, and he treated you terribly. I understand that now.”

“Ah, Arthur…” she replies faintly, setting the napkin down on the table and folding her hands across her lap. Yes—she knows exactly who Human Todd is. But the behavior is still so unlike her. No joy, no sweet smiles. All gone, drained, as empty as the teacup set in front of her, but not even leaving the dregs of what she once was behind.

Demon Todd briefly considers kicking Human Todd to the curb.

“He said awful things about you, and I listened. I came here by way of apology, to take care of you, but,” briefly, and not without a flinch, his eyes wander to Demon Todd, and linger on the dark, hand-crafted shawl perched on his spiny shoulders, “it seems like you’ve already gotten that under control.” His gaze lingers, fixed in a poorly-concealed grimace. “Who are you, by the way?”

Granny Ethel speaks for him, and for a moment her cheer returns. “This is my wonderful grandson, Todd! He’s such a polite young man. And it’s true, life has certainly become easier, and better, since he arrived and helped out so, so much.”

Demon Todd can only nod, but if he could smile without it looking like several rows of craggy, sharp teeth gnashed together in malicious threat, he would.  

Human Todd wrenches his gaze away, and pulls at the collar of his pristine white shirt. His hairline shines with sweat, and it isn’t due to the cozy temperature Granny Ethel prefers to keep in the house.

“Then…who am I?” he ventures quietly, eyebrows furrowed in an odd mixture of confusion and shame. Ah, the bafflement of mortals.

“Why, dear, I couldn’t say. In fact, I’d say that depends entirely on you! Actions speak louder than words, don’t you know.”

The sweat creeps down his temples, shining in the faint light. “Right, I…I see.”

“But if you’d like a name…I would insist on Theodore. What do you think, Todd, dear?”

Demon Todd nods once more, pleased by the way the conversation unsettles the man. In fact, the situation is much like naming a pet. Although something fluffy and small, or covered in feathers, would be preferable to this sweaty human.

“Theodore it is, then!”

Human Todd—now, Theodore—switches his gaze between them, fingers tugging at his shirt collar once again. “Alright. Theodore it is,” he agrees, as if, perhaps, it has been his name all along, and using a shortened form of it had been a way to rebel, once upon a time. A memory lost to time. A privilege denied. “I guess I deserve that.”

“Well, now that we’ve got that out of the way, Theodore, dear, how long are you planning on staying? I must warn you, showing up unannounced means Todd and I haven’t been able to prepare for guests. I’m afraid that means you and Todd will have to share a room until we’re able to make other arrangements.”

Theodore gulps audibly, Adam’s apple bobbing. He refuses to meet Demon Todd’s—just Todd, again, something of a victory—eyes. “Y-yes Gran.”

“And you must be aware of the house rules. Everyone contributes in any way they’re able.”

“Actions speak louder than words, right?” Theodore asks, shaky fingers reaching for the glass of water set in front of him. Not quite making it and falling still on the table, instead.

“That’s right, dear.” Granny Ethel smiles, at last. Full of her old joy again, as she should be. Renewed. Her eyes, large and owlish behind the clouded lenses, turn to Todd. “Now, Todd, won’t you be a dear and show our new house guest to his room?”

Todd looks to the dirty dishes on the table, caught between wanting to tend to them before taking care of any other, less important, duties.

“Don’t worry, I’ll take care of the dishes.”

Well, Granny Ethel’s word is law.

He rises to his feet—careful, always careful. Barely resisting the urge to let the ends of his horns graze the ceiling above Theodore so he gets a nice, healthy dose of powdered scrapings on his painstakingly slicked-back hair.

The man follows, cautiously, and keeps three steps behind as Todd leads him out of the kitchen and into the living room to scramble for his luggage, then down the hallway to the guest room, not making a peep, and not even stepping hard on the floors just to startle his counterpart a little, because one, it would flatten the carpets into ugly tracks, and two, Granny Ethel would want him to be a good host.

Theodore knows who—what—he is. Yet even when Granny Ethel is out of sight and out of earshot, he doesn’t question it. He simply goes about his business and does his best to ignore the hulking beast standing in the doorway, watching.

Though, between the two of them, Todd isn’t sure which one is the real monster.

It’s a conversation for another day.

“You tell me that it’s a cruel world and we’re all just running in circles. I know that. I’ve been on this earth just as many days as you. When I choose to see the good side of things, I’m not being naïve. It is strategic and necessary. It’s how I’ve learned to survive through everything. I know you see yourself as a fighter. Well, I see myself as one too. This is how I fight.”

EVERYTHING EVERYWHERE ALL AT ONCE (2022) dir. Daniel Kwan, Daniel Scheinert

revisiting the "comics as a self-love exercise" thing i did a few years ago. (u can read the first one here, cw for discussions of death + suicide.)

thank u for hanging in there. u did really good.

Okay but like Aziraphale asking Crowley for things isn't just for Aziraphale. In fact it's often something Aziraphale does for Crowley. If Aziraphale asks, even wordlessly, this creates a scenario where Crowley is allowed to do something nice for someone while being allowed to hide it behind the context of an eye roll or an if you insist. It puts a degree of removal between Crowley and the act itself that makes it easier and safer for him to do. Crowley likes to do nice things. Aziraphale knows this. Just like Crowley knows Aziraphale likes to be cared for. They've stumbled this way into this mutually beneficial act where Aziraphale gets to indulge in being indulged and Crowley gets to indulge in doing the indulging - which are both things they do not normally get to indulge in - because they're complimentary even in this.

Asking the being that just quoted poetry at you to save this dying play you're both watching. Creating scenarios for him to rescue you when you know he loves the chance to get to save someone for once. Letting him drive you both around in his fancy new machine he's so delightfully proud of even though you got a license the same year he got the car. Asking him to remove a stain so he can act like you're the dramatic one while taking all the joy in theatrically removing it for you. They're all acts of mutual care and love. Because they're both so hopelessly smitten with another they can't help themselves from indulging the other.

Inktober #23 Silent Hill 2: Restless Dreams This one’s my favorite of this set C:

At 18, everyone receive a superpower. Your childhood friend got a power-absorption, your best friends got time control, and they quickly rise into top 100 most powerful superheroes. You got a mediocre superpower, but somehow got into the top 10. Today they visit you asking how you did it.

Happiness Will Come To You.

To live, and live safely.

My heart aches for our community and what we've all been facing lately. Please hang in there, everybody.

If someone is trying incredibly hard to please me, I know something is wrong. That kind of desire doesn’t come naturally. I know something bad has happened to this person, and they need attention rather than people indulging in their sacrificing acts of servitude.

Nobody should be desperate and try to please anyone out of fear that they’ll be punished, or that they’ll be hated and despised if not useful and pleasing enough. That is a form of control with the threat of terror and pain hanging over a person’s head, their desire to please and be useful isn’t coming from their own sense of fulfillment, but out of fear that there’s no other alternative, no other way they’re allowed to exist.

I would prefer not to exist than to have someone live in fear of what’s going to happen to them unless they make my existence pleasurable for every second of my life. That is not humane, no person alive needs this kind of servitude. This is what abusive parents do to children to terrorize them into convenience and usefulness and it’s a form of torture. Nobody should be benefiting from that torture. Nobody should want that kind of thing to exist.