this might turn into a structureless rant and it will be rambly, but i’m just gonna be so honest, that moment with sevika at the end was so unearned and it accidentally encapsulates one of my biggest gripes with season 2.
the writing of the season betrays everything they set up about the piltover-zaun conflict. i fully expected a deeper exploration into the innerworkings of piltovian systemic oppression and/or the failures of its institutions. and it didn’t even have to be nuanced, mind you - had they done any kind of social commentary on just one aspect, be it the corruption of the council or the indifference of the privileged class, and how it accelerated the pace of piltover-zaun wealth disparity, i would have been fine with it. (i have SO MANY ideas on this specific topic i’m not even joking, maybe just because i’m a no chill raging leftist idk.)
instead, what we got was half-baked ideas of generic activism (i refuse to call it class activism) and throwaway music videos about anti-establishmentarianism that just boil down to “oppression bad”. don’t get me wrong, this is not inherently a bad message, but it’s an underwhelming and ineffective one, because it’s so inoffensive that it doesn’t actually challenge anyone’s political standings enough to elicit radical changes. and if you don’t think any political development adjacent to “zaun independence” is a radical change then i don’t know what to tell you.
and worst of all, the cumulation of DECADES of class struggle manifested into… nothing. NOTHING. a mutual avenger-level age-of-ultron threat just sidelined that whole plot line into the stratosphere. “we were oppressed but there’s an invasion so we’re cool i guess?” - said no zaunite ever. and do i even want to get into the fact that the final boss is a zaunite or are we not ready for that conversation yet? (i mean people have talked in depth about how displeased they were with viktor’s character development more eloquently than i can so go read those posts and give them some love.)
it’s so unimaginative and ridiculous that at the end the resolution to the class struggle is the fact that poor people are represented in the council now. the conclusion to that whole conflict is not even a triumphant moment it just felt empty. and it felt empty because the story, in the way it eventually played out, did not respect the core conflict that it had consciously tried so hard to flesh out. piltover and its ruling class were condemned for the fact that they crippled an entire city and its people, but then never had to face the consequences of those actions - and they probably never will, because even if sevika’s on the council now, she can still (and will very likely) be outvoted in any zaun-related matter. be so fucking for real.
it’s actually funny and eerie how that ending mirrors our current world in the way political institutions treat marginalized minorities demanding better treatment: instead of making actual systemic changes, those in power often shut down voices of the oppressed by giving them a seat at the table but with little to no negotiation power. it’s a shut-up-and-take-it tactic. it’s a non-solution. it’s disingenuous and evil. and it’s so disappointing that the writers decided that the ending we got was the best one they could think of for the people of zaun.
Zaun never got its independence but its ok guys Sevika is on the council now
how to train your mercenary
The empires "sustainable/unlimited" energy initiative is exactly like imperial nations using cobalt and other materials to build their electric "environmentally friendly" vehicles and tools. So many local indigenous people are going to suffer IMMENSENSELY from this massive resource extraction effort.
those who dream only by night: the gothic short stories rec list
have you ever felt like you want to read more fiction in the gothic tradition, but you haven’t the money or the time, or you’re the sort of person who only reads a novel if you’re sure you like the writer? i can help with that! here is a list of short stories, novellas, and one poem, all of which are important in the gothic tradition, the gothic revival, or contemporary gothic fiction, and they are all on the internet! for free! (i enjoy making rec lists, but i particularly enjoy making rec lists where i know that everyone who reads the list can get all of it for free.) so, take a night, make some hot chocolate, and frighten the life out of yourself. you’ll thank me!
manfred by lord byron (1817)
the tell tale heart by edgar allan poe (1843)
carmilla by sheridan le fanu (1872)
lord arthur savile’s crime by oscar wilde (1887)
the yellow wallpaper by charlotte perkins gilman (1892)
lot no. 249 by arthur conan doyle (1892)
the great god pan by arthur machen (1894)
the turn of the screw by henry james (1898)
the monkey’s paw by w.w. jacobs (1902)
sredni vashtar by saki (1911)
casting the runes by m.r. james (1911)
the damned by algernon blackwood (1914)
the tomb by h.p. lovecraft (1922)
the garden party by katherine mansfield (1922)
a rose for emily by william faulkner (1930)
the lottery by shirley jackson (1948)
lamb to the slaughter by roald dahl (1953)
a good man is hard to find by flannery o’connor (1955)
the company of wolves by angela carter (1979)
i, cthulhu by neil gaiman (1986)
I thank God for Baeli's existence tbh.
i think that all the people who argue about gender by saying "the woke left cant even define a woman" need to get hit with the "who are you" question by a buddhist monk. no, thats your name, who are you. no thats your profession, who are YOU. no you fucking idiot thats your species, who are YOUU. dumb bitch u cant even define yourself
Well that explains it :v
do u ever get emotional about the fact that tchaikovsky, a gay man, wrote his Romeo and Juliet overture for his brother and his brother’s gay lover bc I sure as hell do
I just don't think the whole bureaucracy thing makes sense for Heaven and Hell. Like why does it even exist? They have free will, don't they? Angels and demons don't have to do any of that work, they have everything they need to live a full and happy life? Why do they even need to work and collect souls? I mean, why would any sane person willingly choose to take orders and work all day every day their entire lives? Why would they suffocate themselves in dank, dirty offices, and corporate, soulless buildings? Why would they torture and opress each other instead of agreeing on collective happiness? Why don't they just create a system where everyone is happy? Why would they put up with abusive and patronising authority figures? Why would-
...Oh.
“Akari (燈)” by Soushi Sakiyama (崎山蒼志) - Jujutsu Kaisen 2nd Season - Ending Theme
強い者が生き残る。それがこの世界のルールだ
on this site i go by shuu. she/her. if you don't agree with me, blocking me is always an option. ship and let ship.
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