I Learned About It Through Undertale. When Undertale Was Popular, I Was Part Of The Fanbase And Wanted

dismantling these unspoken rules and their associated values is the most important task for online artists right now and while I have posted a lot about the AI/IP aspect I think the Constant Self-Improvement aspect is particularly damaging. People are being told they're getting 'better' but really they're just becoming homogenized into realism/specific varieties of illusionism and it's hard to break that mental restraint once you've been indoctrinated with it. The internet should be the place to dismantle these standards not recycle them

at the end of the day i think the online digital artist community has for a very long time operated on a set of like unspoken handshake rules generally enforced by social pressure which (despite being positioned on a moral & pseudolegal plane) have very little overlap with what is legal or illegal (de facto or de jure) but which have Everything to do with figuring The Artist as a universal would-be petit bourgeois auteur, reflected through these rules' emphasis on (1) the moral necessity of The Artist's unwavering & eternal power over their own art (& its reception) as articulated via informal pseudo-IP mechanisms (no reposting, dont tag as me/kin/id, dont use as your pfp, dont draw my oc), (2) the moral mandate toward Constant Self-Improvement (generally meaning adopting more of the conventional signifiers of "Good Art" eg realism) (admonition of "tracing" even for practice, artists who do things that are "not conducive to improvement" being fair game for mockery), & (3) attempting to induce in observers (often through guilt) a social pressure to further the ambitions of such artists ("you need to reblog/share, not just like", "you MUST commission 1 million artists immediately", "it's rude to express anything other than praise for any piece of art")

like these all (in tandem with SEO etc) boil down to attempting to lay the groundwork for an imagined future state of self-employment emanating out of one's (semi-)hobbyist artistry (& to obstruct anything perceived as interfering with that fantasy or its actuation). it's sort of like hiring a team of accountants on the assumption that youre going to win the lottery someday, like if it were in another context we'd effortlessly recognize it for the meritocratic grindset shit that it is. & none of this is even remotely conducive to the production of good art lmao

I didn't realize there were images of the fire happening.

I could say, "it's inevitable with wooden architecture." But maybe it's better to not make excuses and to feel the sense of loss

Temple of the Golden Pavilion, a Buddhist temple in Kyoto, Japan, burned down by a schizophrenic monk, 1950, it was rebuilt in 1955

needs no commentary to be appreciated

Snow Removal Grader

I'm staying subscribed to a repetitive anime channel that writes all its scripts with ai and recycles videos, out of spite for society

People have noticed! My uninformed guess is that whoever is writing these is trying to like, emulate some kind of Chinese prose style that has lots of four-character phrases/proverbial allusions or something? And is using English figures of speech as an equivalent? But I can't read or speak any kind of Chinese so I don't know if that's a real feature of Chinese prose writing. It's just a vibe I get that this is a translation of something that hit different in the source language

flipping back and forth between the document i’m editing for work and the wikipedia page for cantonese opera like a kid hiding a comic book inside their textbook

venetian miku ! by marshoworld

does anyone still teach how to calculate directional taboos through Onmyōdō like in the Heian period. I want the experience of not being able to travel in a certain compass direction due to a divine presence

I think there's horror media that's really similar to this, where the character is 'guilty' of something but from an external perspective it was not really bad. In the story, it makes their situation feel more inevitable and helpless

I think a fun revivalist genre would be like, overbearingly didact medieval morality plays but with absolutely incomprehensible morals. like here's a heavy-handed fable about how if you use the past tense too many times while talking to your nieces, all of your milk will spoil

it is unfortunate that English translations of her works are not more commonplace

甘い蜜の部屋　森茉莉 新潮社 装幀＝池田満寿夫

realistic,* technically demanding art styles have so much cultural clout over other styles that many people feel compelled to get good at them even when there's no reason to do so. I don't think you need to be good at such things to produce powerful stylized art

*maybe 'illusionistic' would be a better term