Skeptical Inquirer Subscribers When They Fail To Calculate The Current Directional Taboo And Walk Right

new Touhou game title idea

texture of ultradimensional sin

It's funny that antiwork is such a haunting presence in our society, almost a constructed devil for our society that represents everything we fear, that people feel the need to bring it up as a negative label even when it's totally irrelevant to the topic (like here)

(I wonder if the second person loves or hates the idea of nobody having to work? I get the impression it's the second... Either way, it's a ridiculous response)

This is extremely important

I can't remember what part of Homestuck deals with this though

My take: it is nevertheless okay to be afraid of sludge. Just because it's connected to life doesn't mean it's wrong to be disgusted, it's just part of the experience... don't feel bad about feeling repulsed by the universe and life itself

i feel like a lot of fiction forgets (or purposefully ignores) the fact life is intrinsically, inextricably linked to *filth*

to *garbage*

shit gets *gross* and if you clean it it will quickly get gross again regardless

the total absence of the disgusting is uncanny

don't be afraid of the sludge

(works that understand this include discworld, significant parts of 40k, blame!, and homestuck, as well as the undisputed king of grime and sludge; dorohedoro. dorohedoro *fucks* absolutely)

Evillious ❤ my favourite is Capriccio Farce

Interesting: in the title of Capriccio Farce, the word being translated as 'farce' is 茶番 "Chaban" which referred originally to a specific kind of popular theatrical entertainment. The author Jun'ichirō Tanizaki witnessed these performances as a child, and described them in his writing as being very violent, with content taken from true crime cases or military history. They were performed at a Shinto shrine in his neighbourhood. However, it's possible that only the specific Chaban troupe Tanizaki saw performing had this particular, violent aesthetic.

Coherence

A pattern I notice in 'writing advice' is that the ideal that gets promoted is to restrain and tightly organize every element in order to produce a single overall effect.

It is not so good that this is commonplace. Writing needs space to be incoherent and disjointed. This is what will allow writing to be truly alive. In a functional aesthetic world, there will not be a need to sever 'useless' growths from the body.

My opinion: Yukio Mishima doesn't fit into the "Dai-Nippon Gothic" aesthetic. Mishima's writing is suffused by sunlight and healthy, powerful bodies, symbolic opposites of what "gothic" makes us feel. Mishima's writing is the sea under blue skies and the Ise Grand Shrine. Gothic is disease, frail bodies, lightless spaces.

The difference is that Mishima was actually a fascist and believed it was beautiful, while the Dai-Nippon gothic aesthetic uses imperialist imagery as a form of grotesque violence, mixed up with disease and perversion. Mishima's view on death can shade into this but there's a disconnect because in the gothic aesthetic, it's an outsider's perspective on fascism. Fascism as excessive violence, extravagant criminality, a heterotopia where everyday morality is reversed.

It would be wrong to reduce "Dai-Nippon Gothic" to the restrictive label 'antifascist' but I don't think real fascism can mix coherently with the aesthetic.

Writers who the "Dai-Nippon" aesthetic would do well to appropriate --- Ranpo, Yumeno Kyūsaku, maybe Izumi Kyōka, definitely much of the work of Jun'ichirō Tanizaki.

Of course, recontextualized images of Mishima can be appropriated but it's good to remember they're being twisted away from their original meaning

make ugly art. NOWWWW

It's really hard to understand what is and isn't bodily autonomy when it comes to social pressures. Do people want to alter their bodies or are they being pressured into it... but really, there is no such thing as an authentic individual self that can make these decisions free of pressure. We are social pressure, it's part of us just like our bodies

venetian miku ! by marshoworld

It's very rare that being so invested in a character's personality that you want to imagine them in a relationship is a bad thing that makes it harder to appreciate the work

It's also cool when people ship in a spirit that goes against the work's themes because it's like emotional graffiti in a positive sense, taking the characters and mixing them into a new context

I don't believe such a thing as 'not like other girls ism' exists, but nonetheless

it's absolutely true that some folks take Shipping too far and can't engage in Fandom without it, but the way others shit on it tends to reek of misogyny and not-like-the-other-girls-ism