How do I figure out what motions/handlings to write? (Hand gestures, moving in the scene, etc).
I am autistic and have never paid much attention to the way people move. I only do so now because I have been reading and noticed it was missing from my own writing. I never see anyone struggle with this, so I feel like I am missing some understanding on how to structure a scene
Body language is the process of communicating nonverbally through conscious or unconscious movements of the body.
Th four types of body language:
-- Facial Expressions -- Posture -- Hand Gestures -- Body Movement
Facial Expressions communicate thought and emotion using the features of the face, such as eyes, mouth, nose, and eyebrows. Some examples of facial expressions are:
-- an upturned mouth -- dimples -- a raised eyebrow -- flushed cheeks -- a scrunched nose -- rolling eyes -- gaping jaw -- eye signals (winking, narrowed eyes, twinkling eyes, etc.)
Posture communicates thought and emotion using the positioning of the body, head, and limbs. Some examples of posture:
-- sitting up straight -- slouching -- leaning toward someone -- hugging oneself -- crossed arms -- hands on hips -- slumped shoulders
Hand gestures communicate thought and emotion using intentional movements of the hand. Some examples of hand gestures:
-- pointing -- "face palm" -- waving -- beckoning with hand or finger -- thumbs up -- middle finger -- clenched fists -- covering mouth with hand -- placing hand over heart -- gesturing at someone/something -- clapping
Body movements communicate thought and emotion using bigger actions, like gestures using the head/neck or limbs, or moving the entire body. Some examples of body movements:
-- jumping up and down -- cowering -- flinching -- bowing/curtsying -- handshakes/hugs -- hitting/kicking/pushing -- taking a step back -- moving toward -- shrugging -- shaking head/nodding -- tipping head back -- dancing in place Choosing Body Language to Show Emotion
A character's thoughts and emotions can be conveyed using a combination of different body language signals. Every body language signal (such as a wink, smile, frown, shrug, wave, etc.) has a bunch of emotions it can be tied to.
For example, we all know that smiling is typically a sign of positive emotions like happiness, joy, satisfaction, triumph, and affection. Shrugging is usually an indication of indifference or not knowing something. However, we can also modify body language using adjectives. For example, a "nervous smile" or a "sad smile" tells us something very different from just a regular smile. An "apathetic shrug" clarifies indifference, whereas an "enthusiastic shrug" implies excitement about something but not having all the answers or facts.
Sometimes, choosing the right emotion to illustrate a character's thoughts and feelings is as simple as considering what you yourself might do in that moment. Or, perhaps someone you know who is like your character. Other times, it can be beneficial to research which body language signals are typically indicative of a particular emotion. For that, I would strongly recommend purchasing a copy of The Emotion Thesaurus by Becca Puglisi and Angela Ackerman. This handy reference lists a variety of emotions along with the body language that often indicate them, and it goes even further in that it also describes the internal sensations that often go with these emotions, which is handy when you're writing in first-person or third-person close/limited. The book is available for purchase in print and e-book, and you can find samples by searching for "One Stop for Writers Emotion Thesaurus."
I hope that helps!
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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!
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Amble - walk leisurely
Careen - move swiftly in one direction
Falter - move hesitatingly; start to lose strength and momentum
Flounder - walk with great difficulty
Limp - walk with difficulty, normally due to injury
Lumber - move heavily or clumsily
Lurch - walk as if unable to control one’s movements; an unsteady tilt or roll
Meander - walk aimlessly or with little purpose
Parade - march in a procession
Prowl - move about in or as if in a predatory manner
Ramble - move about aimlessly or without any destination
Saunter - walk in a slow, or relaxed manner, without hurry or effort
Skulk - move stealthily; keep out of sight
Stagger - walk or move unsteadily, as if to fall
Stalk - walk stiffly
Stride - walk with long steps
Stroll - walk leisurely and with no apparent aim
Strut - to walk with a lofty proud gait
Stumble - miss a step and fall or nearly fall
Swagger - walk with confidence, arrogance or aggressiveness
Totter - move in a feeble, unsteady way
Waddle - walk with short steps and a clumsily swaying motion
Wade - walk through shallow water
There are 3 more poses for patrons today!
hello hello! it's me, rach!
as the new year approaches, many of us set goals and resolutions - myself included. one of my goals for 2024 is to write a novel (I've been procrastinating on this for quite a long time now). i assume that some of you might have the same goal, that's why I'm writing this post today.
over 2023 i've been releasing some freebies for authors just like me, so I thought I could compile my favorites in this post. hope you find this useful :)
this workbook has over 60 exercises to help you develop characters, scenarios, etc. if you're ever stuck, I'm pretty sure this workbook will be your best friend.
this is the most downloaded freebie in my shop! it is a notion dashboard with everything you need to organize your writing and has some templates included (like scrivener)!!
this one has two themes you can choose from: cottage-core and dark academia. they're very similar to the previous template, but this one is more recent and I added some new features. feel free to explore both and pick the one you like the most.
this is a cute printable with 20 pages that will help you stay on track and manage your social media accounts as a writer who shares their work online. you can also register what you're currently writing and your personal research and resources.
this is a 6-page printable for you to fill out and plan your book easily and effectively.
this is a simple excel sheet, but it is very effective for keeping track of your tasks & word-count of your novels. also, it is 100% customizable to your liking!
that's all for now! feel free to explore my gumroad shop where I have plenty of freebies to grab! also, don't forget to subscribe so that you never miss any opportunity to get a goodie for free :)
hope this post was useful!
have a nice day,
rach
how do you write a liar?
Language
The motive of every goal is the make the lie seem plausible while taking blame off the speaker, so liars will often project what they say to a third party: "Katie said that..."
Referring to third parties as "they" rather than he or she
In the case of a deliberate lie prepped beforehand, there will be an overuse of specific names (rather than pronouns) as the speaker tries to get the details right.
Overuse of non-committal words like "something may have happened"
Masking or obscuring facts like "to the best of my knowledge" and “it is extremely unlikely," etc.
Avoiding answers to specific, pressing questions
Voice
There's isn't a set tone/speed/style of speaking, but your character's speech patten will differ from his normal one.
People tend to speak faster when they're nervous and are not used to lying.
Body Language
Covering their mouth
Constantly touching their nose
fidgeting, squirming or breaking eye contact
turning away, blinking faster, or clutching a comfort object like a cushion as they speak
nostril flaring, rapid shallow breathing or slow deep breaths, lip biting, contracting, sitting on your hands, or drumming your fingers.
Highly-trained liars have mastered the art of compensation by freezing their bodies and looking at you straight in the eye.
Trained liars can also be experts in the art of looking relaxed. They sit back, put their feet up on the table and hands behind their head.
For deliberate lies, the character may even carefully control his body language, as though his is actually putting on a show
The Four Types of Liars
Deceitful: those who lie to others about facts
2. Delusional: those who lie to themselves about facts
3. Duplicitious: those who lie to others about their values
Lying about values can be even more corrosive to relationships than lying about facts.
4. Demoralized: those who lie to themselves about their values
Additional Notes
Genuine smiles or laughs are hard to fake
Exaggerations of words (that would normally not be emphasized) or exaggerated body language
Many savvy detectives ask suspects to tell the story in reverse or non-linear fashion to expose a lie. They often ask unexpected, or seemingly irrelevant questions to throw suspects off track.
Do you ever find yourself over-using the word “said” in your writing? Try using these words/phrases instead:
stated
commented
declared
spoke
responded
voiced
noted
uttered
iterated
explained
remarked
acknowledged
mentioned
announced
shouted
expressed
articulated
exclaimed
proclaimed
whispered
babbled
observed
deadpanned
joked
hinted
informed
coaxed
offered
cried
affirmed
vocalized
laughed
ordered
suggested
admitted
verbalized
indicated
confirmed
apologized
muttered
proposed
chatted
lied
rambled
talked
pointed out
blurted out
chimed in
brought up
wondered aloud
(NOTE: Keep in mind that all of these words have slightly different meanings and are associated with different emotions/scenarios.)
Just wanted to say I love your EPIC header, that line has been stuck in my head for days now :)
ANOTHER EPIC FAN! I’m obsessed with the new saga aaaaa
more bases for pride before the month ends 😭😭
I have a whole lot of trouble making my dialogue sound natural if I don’t know what my characters sound like. Having a strong sense of their voice can help distinguish your characters from each other, show their personalities, and make them more engaging to readers.
Here’s some details to think over if you’re trying to nail down a character’s voice:
Speed
Pitch
Volume
Accent
Vocabulary
Amount spoken
Willingness to speak
Stutters
Hesitations
Repetitions
Quirks
Common phrases
Other questions to ask:
Do their voices or the way they talk change depending on who they’re talking to or the situation they’re in?
How can their personality come through their voice? Their sarcasm, empathy, awkwardness, etc.
What in their backstory contributes to the way they talk?
When they make a statement, how often does it come off as unsure or questioning, versus confident and factual?
How does their voice relate or coexist with their body language?
KITTY TRIES TO SUMMON BARTIMAEUS AFTER PTOLEMY'S GATE
“You don’t need me here."
He looks exactly as she remembers him, or rather exactly as she remembers him. Same stupid coat, same long fingers and pale skin with the ink under the fingernails, the same bags under his eyes. (Except his eyes, instead of brown, they’re black, the same black of Ptolemy’s eyes, black you could fall into and never hit the bottom.)
She chokes on her words, so carefully prepared, that rebuilding is a lot fucking harder than it should be, that a sudden influx of Polish immigrants has everyone on edge, petitions being signed for the previous government back, the good old days. a tenth of the city, including rebecca piper, has come down with a strain of the flu that’s left doctors baffled. kitty hasn’t slept more than three hours a night for the last week and there’s a pain in her chest that she’s been staunchly ignoring for too long now. and, most of all, people look up to her, people depend on her, and she’s helpless to help them.
"i just missed you is all,” she says, shocked by how small her voice is. (shocked and angry. she’s better than this.)
bartimaeus gives her a small smile, and suddenly half of nathaniel’s side is drenched in blood, his leg is twisted at the wrong angle, his hair is matted with dirt and sweat. (he’s still in better condition than when they found him.) “i’m tired, kitty. let me go.”
she does. she hears — or at least pretends she hears — before he leaves: “but i’ve missed you, too.”
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