Cooper x Annie edit
Song: Don’t Say That One Word I Think is Funny by Jack Stauber
(read from left to right →)
I’m not sure I’m really happy with the result of this thing but I’ve already spent way too much time on it so there u go I guess hdhdhdhd also I will NEVER be coloring comics again
I don’t even know if they do secret santas in Japan but yeah
Happy Birthday, Tolkien! Tried my hand at an Ivan Bilibin style Nazgûl piece, then did a digital riso pass. #Tolkien #lotr
I think that she would develop a habit of escaping her corporal form and opting for her axolotl spirit form whenever her dysphoria gets to be too much
ritsu and shou both have piercings. Shou likely has gauges, industrial, helix, daith, eyebrow, maybe even nose, the whole shabang. being more outwardly bold/unabashed in his self expression. (Stereotypical teen rebellion thing but make it an unaccompanied child who’s father is in a high security prison)
Ritsu on the other hand would have fewer piercings than shou, opting for ones that are easy to hide (student council and dress codes and such) he would rock a septum piercing, helix piercing could be hidden by hair, maybe a tounge piercing in his late teens.
RAGH I LOVE PIERCINGS THIS POST IS POINTLESS BUT I THINK ITS A FUN VISUALIZATION GAME FOR ME
Something about Mob Psycho 100 I truly adore is how beautiful and real the platonic love is. I know this has been said again and again but as a younger brother it just slaps me in the face sometimes. I feel like casual platonic intimacy between people who care about each other is so undervalued in media in general, and the way Mob loves people unabashedly and with open tenderness is so important to me.
His open adoration for Ritsu, despite the hurt underneath. My sister and I have hurt each other like breathing over the years, but there is no one on this Earth I would give my life to protect like her. No one else knows me like her. And I see that in Mob and Ritsu.
Mob’s deep love and appreciation for Reigen. The way Mob sees his own loneliness reflected back in Reigen. The way Reigen is the only person who can tell Mob it’s going to be okay and make him believe it. The way Mob collapsed into his arms when he said his family was okay, even when Reigen was lying through his teeth. Not even Dimple’s word was enough. He finally felt safe enough to sleep. How Mob disrupted and terrified an entire room of reporters on purpose, when he’s already scared of his powers, so Reigen wouldn’t have to look so sad and cornered and alone anymore. Remembering his birthday, even when they’d been apart for a long time. Reigen always crouching down, hand on his shoulder, eye-to-eye; mutual saviors. They both entered each other’s lives at the perfect time to say, “You’re going to be okay.”
Even Mob’s love for the ones who have hurt him. His unwavering resolve to help Toichiro Suzuki apologize to his wife and his son—to see them again, to make amends, to build a better life than the one that saw him wandering the world for years and years alone, looking for something more. To channel his vision and his drive into a future that Shou deserves. The way he embraced Serizawa when he felt his fear and his pain and welcomed him into a better life without a shadow looming over his shoulder, accepted him as a peer and a friend that he never had. How Shou burned down his house and nearly made him destroy the world in horrible grief for his family, but still he was roused with anger to defend him from his father’s hand. “I’m sure you have a lot going on. I mean, look at what your own father has done to you.” Look at what the pain has done to all of you. What has it done to me?
Mob and his heart full of love, and the story of how, eventually, that loving heart learns to love itself. God. Shit.