The more I study and the more I meet myself that all the kind of African studies: African ethnology, Noirism, indigenism, negritude, Africanism in the Caribbean have never been able to achieve their ultimate goal of emancipation, freedom and education for the Afro-descendant peoples of the Caribbean; because they never could achieve sovereignty. These currents were infiltrated and parasitized by the imperialist/ colonial nations and their local allies (elites and oligarchies), for the control of knowledge and all that this implies. The black owned is really the solution for all afro initiatives, whether in the academic, social, cultural, economic, political, educational, health… one must self-finance, one cannot depend or remain vassals of foreign funds, of foreign interests, foreign ideology. In the future we can only be united among ourselves if we really want to be free.
Figure animalière sur une production culturelle du groupe Aluku, en Guyane. Le serpent est animal privilégié dans la cosmogonie des peuples Marons et Amérindiens de Guyane. Le serpent se retrouve régulièrement dans les productions artisanales et artistiques. Chez les Aluku, il est à la fois le symbole du féminin et du masculin. Plus largement dans les traditions afro-diasporique, comme dans le sèvi Ginen (vodoun ayitien), il peut être associé a des esprits ou des divinités. On retrouve aussi le symbole du serpent sur des productions matérielles du peuple Akan (Ghana).
Terno dos Reis, Henry John Drewal, January 5 1998. Madison Libraries Terno dos Reis (Day of the Kings) festivals are celebrated annually during the christmas season. The January 6th feast commemorates the arrival of the Magi in Bethlehem bearing gifts for the Christ child. Brazilian celebrations include processions in which community members dress in costumes, dance, play music, and carry banners. This Terno festival took place on January 5, 1998 in Liberdade, Salvador.
Roy Sieber - African furniture and household objects - Indiana University Press 1980
In the 1970s, excavations at the Newton Slave Burial Ground uncovered the grave of a man believed to be a healer or spiritual figure. He was buried with powerful objects: metal jewelry, an iron knife, and a short-stemmed clay pipe likely made in Ghana.
Among his burial items was a necklace made from a mix of beads, some with fascinating origins.
One glass bead, made with European powder glass, was probably crafted in Ghana.
Another, a cylindrical carnelian bead, came from Cambay, India ; a region known for carnelian bead production since the first millennium. These beads were traded through East Africa, across the Sahara, and into West Africa.
Other elements of the necklace could have been acquired in Barbados, but together they reflect a deep continuity of African cultural traditions in the Caribbean.
Scholar Jerome Handler used ethnographic sources from West Africa to interpret the necklace, and strongly argued that the man was likely seen as an obeah or healer by the enslaved community at Newton.
This burial is one of the most powerful archaeological cases for the survival of African spiritual identity through the horrors of the Middle Passage and slavery.
My photos : Barbados, 2022
I created this blog to share resources about my research work and connect with others who are interested in the theme of African material culture in Caribbean. In a few days, I'll be heading to Barbados for a research mission. It's the most exciting part of the journey : being fully immersed in the field. I can't wait to share photos and moments with locals, researchers, and artists ! I also really want to share a few moments at the Rasta Temple, where an old Ras once taught me how to sculpt. I'm so looking forward to showing you all of this ! With Love.
Calao, oiseaux à cornes, production du peuple Sénoufo présent en Côte d'Ivoire et Mali.
Roy Sieber - African furniture and household objects - Indiana University Press 1980
My Afro-Diasporic archive for a creative and inventive Caribbean.i also started an artistic insta page @fymmartdesign
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