One Of The Best Leos I Could Draw Ngl

Okay, the scene where Mami kills Kyouko is actually my single favorite scene in PMMM. I think about it all the time. I love it so much. Which sounds horrible, I know? But I think I love it because of its honest look at the characters in a desperate situation. And how in-character it is for all of them. It’s such a fantastic bit of storytelling from the writers.

Like Mami would absolutely be the first one of them to snap like that. She’s such an emotionally unstable character. Mami, more than any of them, wants to stop witches and save people because that’s how she makes peace with her lifestyle. So, learning that they’ll all turn into witches… of course she’s going to try and eliminate that possibility before it happens, even if it means killing her friends.

But even more so than Mami’s characterization in this scene, I love Madoka’s. I think it would be easy to assume that Homura would be the one to stop Mami, because Homura is seen as the colder character. So, I love that it’s Madoka. Madoka makes the quickest call she can in that moment to save Homura. Maybe they could’ve talked Mami down, and at that point, that would’ve been what Homura tried first. But Madoka couldn’t risk it and needed to react right away.

It shows us that in the main timeline, Homura is giving Madoka the time and space to make her decisions carefully/fully stop her because she knows that Madoka is impulsive when it come to her friends.

Basically it shows their characterization as this: Mami will always try and make the call that she believes will save the most people, Madoka will always try and make the call that saves her friends, and Homura will always try and make the call that saves Madoka. And that’s because for each of them, those are their salvations from the cruelty of being a magic girl.

For those new to AO3

Authors can see your bookmarks as a default. You have to mark them as private if you don't want authors to see them. There is an argument that bookmarks are a reader's space, but if you don't want authors to see what you are saying, make the bookmark private.

There is no algorithm on AO3. Seriously. It does not exist. Sorting by kudos, comments, length, etc. is the closest thing you will get. It is very much a curate your experience situation. Embrace it because you never know what gems you'll find if you give less popular fics a chance.

Depending on who you ask, kudos are not a good metric to judge a fic on anymore. As to if they ever were is, again, depending on who you ask. There is a spider/web crawler (we call it the kudos bot) who gives a bunch of guest kudos to fics. We cannot summon it and we cannot remove the kudos. At best, we can set our fics to private. So, if you see a fic with way more kudos than views, that's why. Many of us do not want these kudos, but we have to live with them.

Concrit (constructive criticism) is divisive because this is a hobby for many people. There is a culture on AO3 for concrit to be opt-in instead of opt-out, but not everyone subscribes to that. If you do not see an author's note saying concrit is OK, you can ask if it's OK. If they don't say anything, take it as a 'no'. If the author is cool with concrit, great. Concrit away.

Asking for updates is also divisive. Some people want/need that encouragement and some don't. Leaving a polite 'can't wait for the next chapter' is totally fine. If you ask for an update and the author asks you not to, please respect their wishes. You don't know what else is going on behind that screen. We all use fic for our own reasons and it's impossible to tell if that was someone's project to forget about things that they don't want to deal with.

There is a difference between A/B and A&B. A/B is for shipping and A&B is for non-shipping relationships (such as platonic and familial relationships or bullying or work situations). Please tag accordingly and please do not accuse people of writing shippy fic when they tagged it A&B.

Comment totals on AO3 count author responses. It doesn't make a distinction between a response and a new comment thread. Comment thread counts are in the author's stats page only available to them. Authors are not inflating their comment counts by responding to get more views. They are just trying to interact with people who support them.

Not all authors respond to comments. For many older fans, this can be due to years of harassment in fandom, witnessing friends being harassed, not having time, etc. etc. Their reasons are their own and it does not mean you are a bad person or said something wrong if they don't respond to you nor does it say anything about them. Authors do not owe you interaction just as you do not owe them comments. It's your prerogative if you only want to leave comments on fics where the author answers back, but it does not mean the author isn't grateful or doesn't care. You do not know what else is going on.

You cannot take a kudos back. Seriously. It's permanent. If that means you want to wait until a fic is finished to leave a kudos, that's totally fine. To authors, if you see a bunch of comments and views, but few kudos, this is probably the reason. It does not mean your fic is bad; it just means readers are holding kudos back until the fic is finished, which is perfectly legitimate.

Please read author's notes at the beginning and end of chapter updates. This is where authors are The Most Likely to tell you if there has been a change in their update schedule, if they made changes to previous chapters, explained a certain choice they made, etc. Same with checking the tags thoroughly before reading a fic. Most authors take tagging and warning/updating readers very seriously and the spaces they can do it in are the author's notes and the tags.

Because there are so many people from so many cultures on AO3, the categorizing of fics may not be totally even across the board. Tagging might have discrepancies. For instance: some people might view smut as M and not E depending on the level of detail; some might even view it as T. Please exercise caution and look at tags carefully when clicking on a fic. If you come across something you do not like, the back button is always an option.

There is a hard limit of 75 tags on fics, so not all characters that appear in a fic are likely to be tagged. For many of us, we only tag major players, major ships/&-relationships, and background relationships as a courtesy and save the rest of our tags for known triggers and making it easier for people to find our fics by tagging the tropes we use and certain parts of the content (such as 'AU where A loses their voice').

If you hate a character or a ship or a certain trope or have certain triggers, there is nothing wrong with asking a fandom friend for recommendations. If anything, we probably should bring back fic rec lists and you could be doing an amazing service for fandom if you start making one based on your preferences. Don't rely purely on other platforms to lead you to amazing fics; you never know how that person is finding fics and they could be missing out on some really amazing ones.

AO3 currently does not have a messaging system and many users prefer it that way. I am not positive what the future holds, but if any author wants you to get in contact, they will probably leave other socials in their notes or on their profile. They might even tell you to contact them in a comment response. You can absolutely respond to them on other social media platforms and talk fics or art or fandom. The AO3 lack of messaging is a comfort for many people because of previous experiences regarding harassment and, for some, that's the closest thing to a social media that they have. Some fandoms are more than 40 years old and not all of it has been positive for everyone.

Please do not leave 'placeholder' ideas in the fic tags. By this I mean, 'here's an idea I plan to write. Let me know if you like it!' and there's one or two sentences but no actual fic. AO3 is not social media. You can be reported for this and the post taken down as per AO3's guidelines. Fic, meta, and art are welcome on AO3. A plan to write a fic is not.

Lastly, please enjoy your time on AO3. It is an archive that dedicates itself to preserving fandom works, whether we agree with those works or not.

I was asked a while back how I HC'd how April met the boys and at what age - here ya go

Have I told y’all about my husband’s Fork Theory?  If I did already, pretend I didn’t, I’m an old.

So the Spoon Theory is a fundamental metaphor used often in the chronic pain/chronic illness communities to explain to non-spoonies why life is harder for them. It’s super useful and we use that all the time. But it has a corollary.  You know the phrase, “Stick a fork in me, I’m done,” right? Well, Fork Theory is that one has a Fork Limit, that is, you can probably cope okay with one fork stuck in you, maybe two or three, but at some point you will lose your shit if one more fork happens.  A fork could range from being hungry or having to pee to getting a new bill or a new diagnosis of illness. There are lots of different sizes of forks, and volume vs. quantity means that the fork limit is not absolute. I might be able to deal with 20 tiny little escargot fork annoyances, such as a hangnail or slightly suboptimal pants, but not even one “you poked my trigger on purpose because you think it’s fun to see me melt down” pitchfork.

This is super relevant for neurodivergent folk. Like, you might be able to deal with your feet being cold or a tag, but not both. Hubby describes the situation as “It may seem weird that I just get up and leave the conversation to go to the bathroom, but you just dumped a new financial burden on me and I already had to pee, and going to the bathroom is the fork I can get rid of the fastest.”

It's tough being a leader but it gets easier when you have someone to fall back to

Here's my Rayemma day comic!

Ray recalculating his meticulously crafted plan of six years to save his best friends every time Emma and Norman present him with some new bullshit

Kurama The Retired Monster: A Look at Kurama's Canon Characterization and Impact

Kurama is one of the most popular characters in the decades old Yu Yu Hakusho fandom. Published in 1992 and dubbed into English in 2002, Yu Yu Hakusho is one of the most influential battle shounen anime. References are everywhere for this wonderful story about a delinquent that surprised the heavens and saved a little boy at the cost of his own life.

The series is my favorite of the old Toonami anime with its rebuke to the strict norms of Japanese society and its message about the grey tones of life.

It's in every character in one way or another, but Kurama tackles a trope I'm personally fascinated by: the retired criminal that is dragged back into his old life by circumstance.

This doesn't seem to be a common read of the character, though all the tropes are there. Youko Kurama was a vicious criminal who, after he was taken out of commission, essentially retired due to the love of a woman. While it was not planned, Shiori showing him love and a life outside of what he knew is what canonically happened and shaped his life. He chose, after she cut up her arms to save him from broken glass, to be the son she deserved rather than leaving as he planned.

When Shiori gets sick, Kurama is contacted by Hiei to join him on a heist in Spirit World for the Three Treasures. Given Kurama's nature as the exposition fairy, he is clearly aware of what those treasures are: The Orb of Bast, the Forlorn Hope, and the Shadow Sword. So, Kurama uses his experience as a thief and gains the Forlorn Hope for himself. As we know, the Forlorn Hope has a rule: It will grant your deepest wish in exchange for your life. Kurama considers this cost fair, since he clearly still feels guilty about stealing the son Minamino Shiori was supposed to have. In the dub, he comments about how some parents are devoured by their young, hinting at blaming himself for the condition Shiori is in. It is only because Yusuke intervened that Kurama is still alive, pulled out of his suicidal guilt spiral by Yusuke offering part of his own life to the mirror after seeing his own mother mourn him.

Kurama chooses to help Yusuke defeat Hiei, cementing him as one of the good guys and beginning his friendship with and repayment of Yusuke.

The Four Saint Beasts arc can be explained as part of Hiei and Kurama's parole. I won't linger on it, but I truly believe this is part of Kurama trying to be good, serving his sentence for what is likely the least of his crimes. In his fight with Genbu, Hiei talks about how he brought Kurama on because he'd rather have him as his ally than his enemy. This is one of the first instances of what Kurama's prior life looked like to others. He is a ruthless and intelligent fighter, and he is known for it. Before Two Shots, this implies Kurama had a reputation prior to his human life, one that lasted long enough that Hiei would have heard about it. (Based on later information, Hiei is less than a hundred years old and Kurama may have left Makai a thousand years ago, making Kurama's reputation incredibly significant.)

This reputation continues to assert itself in the Dark Tournament. The audience of the tournament continue to jeer at Kurama and Hiei for being demons fighting alongside humans, implying that they are well-known enough for this to be an issue. (In the manga, we get a page that shows that demons are total gossips and I love it.) We also have Kurama's fight with Ura Urashima, where Urashima comments that he believes this Kurama, our Kurama, might have taken on the name of the scary bastard that they still tell stories about. He is mistaken.

However, it is also in the Dark Tournament where we get his fight with Touya, where he asks Touya to be better than he was. This is where we see, wholeheartedly, that Kurama regrets who he once was. He regrets being the monster that Hiei and Yomi idolize. The nature of the series is that he needs to tap into that ruthlessness to survive, which is why he connects with Suzuki before the fight with Team Toguro. It is his desire to survive Karasu that returns him to that self.

Another scene that is incredibly important is the battle with Amanuma, the Gamemaster. As we know, for Amanuma to be defeated, he must be killed, as per the rules of his territory and the video game he uses. Amanuma is also eleven years old, manipulated into joining Sensui's crusade to destroy the human world for its evils and hypocrisies. Amanuma is a child, unaware of what Sensui's plans truly mean and as much as Kurama tries to say Amanuma chose this with the full understanding of an adult, it is clear he does not really believe it. Kurama is clearly upset by his choice, but he still makes it. There is no way out, no magic solution at the time. After Amanuma dies, Hiei implies that Kurama has killed children before, in his past life, but Kurama's grief is obvious. He reacts ruthlessly to Elder Toguro. His hands are bleeding from how much he hates the fact he made that choice and how much that decision is linked to the past he's clearly trying to leave behind.

The Three Kings arc is when this really begins to show up, though due to its truncated nature, it seems to go unnoticed. Yomi is essentially the end result of what happens when someone adopts Kurama's old views. Yomi is introduced to us as untrustworthy and brutal. Kurama's patience and ruthlessness became a guide to him as he became a king in the notoriously vicious Makai, after a botched assassination attempt left him blind. To be called to serve Yomi, Kurama has to face what he once was and how it impacted someone. Yomi didn't just look up to him, but he was also Kurama's victim: Kurama is the one who paid the assassin to kill him. Kurama also has to balance facing that with his desire to keep his mother and the Human World safe. Kurama's choice to betray Yomi and go along with Yusuke's cockamamie scheme can be read as a rejection of that past self as well as reinforcing that Kurama does not want to live that old life ever again. He chooses the human world, the world where he's not a vicious bandit and has loved ones.

The anime expands this by setting Kurama up against Shigure, the demon surgeon who gave Hiei his Jagan. This fight originally felt incredibly random: Shigure and Kurama don't have anything to do with each other. However, the fight with Shigure clicked once I realized that Shigure offers to restore Kurama back into who he once was. The entire fight is Kurama choosing to fight as who he is now, not rely on that past self he hates so much. At the end, Kurama even tells Yomi he doesn't throw anything away, but what he says in his little monologue is that he'll never be that version of himself again.

Kurama spends the whole series having to depend on the reputation and ruthlessness he cultivated as a bandit. He does it in life-or-death situations, not just randomly or for shits and giggles. He doesn't seem to enjoy his reputation, especially after living as Shiori's son. He looks more contemptuous of it, his face blank when he has to tap into it. He hates that he has to be that guy, that he was that guy. With the series over, it seems like he'll choose to stay human, to stay in the Human World for as long as he can.

Kurama's canon characterization draws him more in-line with the story's theme of growing up and healing due to the power of human connection. He is mostly retired from being a brutal monster and shows regret and guilt over the past, but by the end has mostly accepted who he once was, warts and all.

DO U REMEMBER 21ST NIGHT OF SEPTEMBER

🤣

Love was changin' the minds of pretenders? (Or however it goes)

Also hi graphx!! You make me smile every time I see you

Part 7!

This part is based on the Krangofication part. You might want to check it out if you have forgotten/haven't read it yet:)

Part 1

You can pry the belief of mine that Norman is a Ratri off my cold, dead hands

i know the manga ended but I’ve been with this hope for long enough