I’m Sorry What

random sites that are extremely helpful

animation screencaps

body visualizer

create infographics

desktop goose

help with writers block

boil the frog

professions based on your personality

best dictionary ever

fighters block

writing tool

slides go

slides carnival

online library

free movies and tv shows

free movies and tv shows #2

worldbuilding website

make music online

human pose reference

Guide to Story Researching

PLEASE REBLOG | Tumblr suppresses posts with links :/

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Start With Broad Subjects

When you begin a story that is heavy with technical detail that must be checked for accuracy, the most efficient way of going about it is approaching the first draft with a general sense of the topic. Then, as you write more and more, keep note of details you don’t have or facts you need to find. When you reach the second and third drafts, turn that general idea into specific detail. You’ll know what you need to know at that point, and you won’t waste valuable time doing unnecessary research instead of revising.

Keep Track of Your Resources

Hoard. Your. Sources. Not only so you can cite them to any editors or beta-readers whose knowledge may conflict with what you’ve researched, but so you can refer back to them if you decide to elaborate on the part of the story that required that information in the first place. Always keep a list of links in a document with the specific information you’ve gleaned from it, listed in a way where you can easily navigate and revisit sources and information.

Keep reading

Hi. So I have a question. I'm going to write about a city I've never been to, New York, do you have any tips on how to do this?

Hello, dear. I get asked this often and 4/5 times it’s about New York City, so you’re getting a resource list so I can just direct people to your ask from now on!

Writing Real-Life Locations 

7 Tips for Writing About Places You’ve Never Been

How to Write Creative Nonfiction: Writing about Place

How To Write About Place In Creative Nonfiction 

Misplaced: why do novelists disguise real locations?

Basics of Describing Settings

How to Describe the Setting in a Story

Discover The Basic Elements of Setting In a Story

How to Write Descriptions and Create a Sense of Place 

How to practice location descriptions

Fictional vs. Real Settings: Which Are Best?

Writing About New York [City]

List of NYC writing links & tips

Humans of New York (for local character/lifestyle examples)

Have fun researching!

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all the tips I found for drawing a fantasy map are like :) “here’s a strategy to draw the land masses! here’s how to plot islands!” :) and that’s wonderful and I love them all but ??? how? do y'all decide where to put cities/mountains/forests/towns I have my map and my land but I’m throwing darts to decide where the Main Citadel where the Action Takes Place is

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Resources For Describing Characters

Physical Appearance

Arms

Athletic Build

Back

Butts

Cheeks

Chest

Chins

Curvy Build

Ears

Eyebrows

Eyes

Faces

Facial Hair

Feet

Fingernails

Fingers

Hair

Hands

Head

Hips

Jaws

Knees

Legs

Lips

Muscular Build

Neck

Noses

Shoulders

Slender Build

Sickly Build

Skin

Stocky Build

Stomach

Teeth

Toenails

Toes

Underweight Build

Character Traits

Affectionate

Ambitious

Bossy

Brave

Calm

Cautious

Charismatic

Clever

Conceited

Courageous

Creative

Critical

Curious

Determined

Diplomatic

Dishonest

Disorganized

Eccentric

Excitable

Friendly

Funny

Generous

Glamorous

Guarded

Honest

Impulsive

Independent

Intelligent

Just

Kind

Loyal

Manipulative

Mature

Modest

Mysterious

Naïve

Optimistic

Prejudiced

Persistent

Proper

Responsible

Sensitive

Sentimental

Serious

Shy

Reckless

Stingy

Stubborn

Talented

Thoughtful

Thrifty

Visionary

Wise

Witty

Worry Wart

Wounded

Talents & Skills

A Knack for Languages

A Knack for Making Money

A Way with Animals

Archery

Astral Projection

Astrological Divination

Baking

Basic First Aid

Blending In

Carpentry

Charm

ESP (Clairvoyance)

Empathy

Enhanced Hearing

Enhanced Sense of Smell

Enhanced Taste Buds

Farming

Fishing

Foraging

Gaining the Trust of Others

Gaming

Gardening

Good Listening Skills

Haggling

Herbalism

Hospitality

Hot-Wiring a Car

High Pain Tolerance

Knife Throwing

Knowledge of Explosives

Lip-Reading

Lying

Making People Laugh

Mechanically Inclined

Mentalism

Mimicking

Multitasking

Musicality

Organization

Parkour

Photographic Memory

Predicting the Weather

Promotion

Psychokinesis

Reading People

Regeneration

Repurposing

Sculpting

Self-Defense

Sewing

Sharpshooting

Sleight-of-Hand

Strategic Thinking

Strong Breath Control

Super Strength

Survival Skills

Swift-footedness

Talking With The Dead

Throwing One’s Voice

Whittling

Wilderness Navigation

Wrestling

Elemental Abilities

Miscellaneous

Voices

Voice Types

Speech Patterns

Speech Impediment

List of Character Flaws

List of Archetypes

Hairstyles

Describing Body Types & How They Move Around

Secrets To Give Your Character

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Hatred is thick, a red fog that clouds judgement, and hot, burning in one’s veins. Hatred is fire, burning and passionate, easily able to swallow you whole if you don’t set it aside. Hatred spreads like wildfire, rousing and loud, the clap of thunder.

Where the cinders and embers that light the fire are impatient and desperate, grabbing at whatever they may find to remain alive, hatred is patient. Hatred is a seed pod, hiding in a stagnant bog, content with discontent and relishing in it, waiting to flower and spread its venom. Hatred is a destructive thing, poisoning the one who harbors it just as it poisons the others surrounding its host.

Yet it is disgustingly sweet, to the point where it is delicious. Hatred, while clouding the mind, gives focus. It sends you on a hunt, after the object that created it. The festering bud, once awakened, sends you on the path of ruin.

Hatred is something demons love to toy with. After all, men are more likely to destroy the things they hate themselves. They won’t find excuses or search for sacrificial lambs, instead opting to take matters into their own hands.

I am far from a demon. The enduring powers in my family, fighting defiantly against the weathering of time, have taken root in me. I have very little in the way of demonic gifts, but I can light a spark. I can smell the budding seeds of hatred in one’s heart, feel the feeble heat on the palms of my hands, and I can stoke the fire.

Small hatred goes a long way.

Deep Water Prompt #3148

The farther back your demonic ancestor lived, the less of their power you had access to. I could do little more than smell hatred, thick, cloying, delicious, which was handy in its own way. 

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Okay seriously. Reblog if you're OLDER than 11.

Manipulation tactics in apologies

So, this is half writing advice, half life advice.

We all need to be able to recognize when an apology is manipulative, on both a large and small scale. I think we're all aware of the most recent large apology. Quite a few of these apply to that.

But also, feel free to use this as writing advice, too.

Not all of these are necessarily manipulative on their own. If you have apologized to someone for a mistake and done any of these, it doesn't mean you were trying to manipulate them. A lot of these can be completely unintentional. But, put more of them together and take them to more of an extreme, and then you begin to have a problem.

Third person. Especially in reference to the past, using third person to refer to yourself in an apology is a form of detachment. It's dodging the mistake and shifting the blame onto a false 'past self' to avoid taking responsibility.

Hyperbolic self hate. In a casual apology, a little self pity isn't out of place. If you're usually self deprecating, it's normal. It becomes dangerous when it's less like "sorry, I suck at remembering times", and more like "I'm a horrible person, I'm so stupid and terrible and cruel-".

Hyperbolic consequences. On the same note, it's also manipulative to say "I should die/be hurt/be abandoned". It's forcing the listener to feel guilty and feel as if they have caused feelings of depression.

Blaming, not explaining. Often, when apologizing, we want to explain why we may have done something wrong. That's normal! But a good apology should make the other person understand why you made the mistake, not tell them that you didn't make the mistake because you couldn't control it. This is also a form of guilt tripping.

Selective addressing. This one applies to if the apology is for more than one issue. A manipulator may fully address one point, but disregard or gloss over another, then use this to pretend that they fully addressed both, or that they don't need to apologize more than once.

Forced relatability. To make someone feel bad for them, a manipulator may place blame on things the listener can relate to going through, or has sympathy for. This makes them feel as if they cannot criticize them without acting as a hypocrite, or insensitive.

Gaslighting. I'm sure you all know how this one works, but it isn't always "that didn't happen"- it can be "that wasn't as bad as you say", or "you didn't get that it was a joke?". It twists reality to downplay events.

Strawman/subject changing. These are together because they function the same way. A strawman is a falsified or exaggerated arguement that can be easily disproved, and usually has nothing to do with the topic at hand. This can make it seem like the situation has been addressed, and demonizes the victim.

Triangulation. This is when another person is involved in an arguement, usually by the manipulator. This can be to make the victim jealous, focus their attention on the other person, or force them to side with their abuser in disliking them. There is little to no communication between the victim and the added person, and can be used in apologies to shift blame or distract from the issue.

Love-bombing. Less of an apology, and more of a substitute for one. Instead of owning up to their actions, a manipulator may shower the victim with affection and praise, attempting to create a sense of loyalty or a feeling that they can't be as bad as perceived.

That's all I'll get into, but there are far more than I've listed. If you think you're being manipulated, I urge you to research further.

Resources For Writing Sketchy Topics

Medicine

A Study In Physical Injury

Comas

Medical Facts And Tips For Your Writing Needs

Broken Bones

Burns

Unconsciousness & Head Trauma

Blood Loss

Stab Wounds

Pain & Shock

All About Mechanical Injuries (Injuries Caused By Violence)

Writing Specific Characters

Portraying a kleptomaniac.

Playing a character with cancer.

How to portray a power driven character.

Playing the manipulative character.

Portraying a character with borderline personality disorder.

Playing a character with Orthorexia Nervosa.

Writing a character who lost someone important.

Playing the bullies.

Portraying the drug dealer.

Playing a rebellious character.

How to portray a sociopath.

How to write characters with PTSD.

Playing characters with memory loss.

Playing a pyromaniac.

How to write a mute character.

How to write a character with an OCD.

How to play a stoner.

Playing a character with an eating disorder.

Portraying a character who is anti-social.

Portraying a character who is depressed.

How to portray someone with dyslexia.

How to portray a character with bipolar disorder.

Portraying a character with severe depression.

How to play a serial killer.

Writing insane characters.

Playing a character under the influence of marijuana.

Tips on writing a drug addict.

How to write a character with HPD.

Writing a character with Nymphomania.

Writing a character with schizophrenia.

Writing a character with Dissociative Identity Disorder.

Writing a character with depression.

Writing a character who suffers from night terrors.

Writing a character with paranoid personality disorder.

How to play a victim of rape.

How to play a mentally ill/insane character.

Writing a character who self-harms.

Writing a character who is high on amphetamines.

How to play the stalker.

How to portray a character high on cocaine.

Playing a character with ADHD.

How to play a sexual assault victim.

Writing a compulsive gambler.

Playing a character who is faking a disorder.

Playing a prisoner.

Portraying an emotionally detached character.

How to play a character with social anxiety.

Portraying a character who is high.

Portraying characters who have secrets.

Portraying a recovering alcoholic.

Portraying a sex addict.

How to play someone creepy.

Portraying sexually/emotionally abused characters.

Playing a character under the influence of drugs.

Playing a character who struggles with Bulimia.

Illegal Activity

Examining Mob Mentality

How Street Gangs Work

Domestic Abuse

Torture

Assault

Murder

Terrorism

Internet Fraud

Cyberwarfare

Computer Viruses

Corporate Crime

Political Corruption

Drug Trafficking

Human Trafficking

Sex Trafficking

Illegal Immigration

Contemporary Slavery 

Black Market Prices & Profits

AK-47 prices on the black market

Bribes

Computer Hackers and Online Fraud

Contract Killing

Exotic Animals

Fake Diplomas

Fake ID Cards, Passports and Other Identity Documents

Human Smuggling Fees

Human Traffickers Prices

Kidney and Organ Trafficking Prices

Prostitution Prices

Cocaine Prices

Ecstasy Pills Prices

Heroin Prices

Marijuana Prices

Meth Prices

Earnings From Illegal Jobs

Countries In Order Of Largest To Smallest Risk

Forensics

arson

Asphyxia

Blood Analysis

Book Review

Cause & Manner of Death

Chemistry/Physics

Computers/Cell Phones/Electronics

Cool & Odd-Mostly Odd

Corpse Identification

Corpse Location

Crime and Science Radio

crime lab

Crime Scene

Cults and Religions

DNA

Document Examination

Fingerprints/Patterned Evidence

Firearms Analysis

Forensic Anthropology

Forensic Art

Forensic Dentistry

Forensic History

Forensic Psychiatry

General Forensics

Guest Blogger

High Tech Forensics

Interesting Cases

Interesting Places

Interviews

Medical History

Medical Issues

Misc

Multiple Murderers

On This Day

Poisons & Drugs

Police Procedure

Q&A

serial killers

Space Program

Stupid Criminals

Theft

Time of Death

Toxicology

Trauma