You Cannot Deny Who You Are.

Burning Godzilla vs. King Ghidorah rescored with “The Raging Mad Godzilla” by Kow Otani from Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack.

Credit to The Toho Society on Twitter for the musicless scene.

JoJo's Bizarre Adventure: Stardust Crusaders - DIO’s Grandiose Entrance (Ghidorah Edition)

Before any of y’all ask, DIO’s isolated lines were from JoJo’s Bizarre Adventure: Diamond Records, where they have clear versions of the voice lines. I couldn’t do anything about Polnareff’s lines though since those lines are absent.

Music: Fog Over Fenway + Ghidorah Theme by Bear McCreary

SFX from Yasumasa Koyama. Credit to Jojo’s Bizarre Sound Design for them.

Here's neat detail: The Gutterman that appears during the ambush in the ruined exit section does not have its coffin, which means it is the very same Gutterman that coffin we found in the ceiling alcove in the tram station initially belonged to.

(Screenshot not mine)

I have so many thoughts after the 7-2 poem...

They’re fucking sentient. This one specifically writes prose about the love it has for its battery, and the hatred it has for itself. This went from being strapped into a death machine to being strapped inside a death machine that can think and hates itself and its purpose as much as you hate it.

And what the fuck does this mean about the other machines? Do sentries cherish the ability to see the world for what it is while everyone else sees it as pixels? Do guttertanks hate guttermen or do they feel pity for the beings they were made to destroy? Do earthmovers care for the cities living atop them? What the fuck does this mean for V1?!?!?! I always thought it was purely nonsentient, since I remember reading that somewhere. But...

We see other machines showing some form of emotions like V2’s sportsmanship and spite as well as the Mindflayers' protectiveness of their bodies that they themselves made at the cost of materials, and the Swordsmachines finding themselves beautiful and hoarding old scrap, seemingly for the sentimentality of it. But this is like the first confirmation of sentience other then the terminals. Do these machines feel pity for the sinners? Do they sympathize with the demons, created to fill out a single purpose and unable to deviate from it? Is V1 sentient or an exception? What does it think of Hell’s monologues? Does it enjoy being Hell’s favorite gladiator or does it hate that role? I’m going crazy over this! Were there machines that willingly died because they couldn’t stomach the idea of fighting their brethren for blood? Are the people in the Guttermen dead because the life support failed over time... Or was it because the Guttermen disconnected it themselves as a form of mercy?

-Bobby

For those who don’t get the reference, the Stan Lee Jaeger from the Bad Days Godzilla episode.

Godzilla vs the Stan Lee Jaeger

requested by @mrbeastie87

Ghidorah’s Entrance rescored with “Final Sin” by Mick Gordon from DOOM Eternal.

Credit to The Toho Society on Twitter for the musicless scene.

tdov (trans doomguy of visibility)

I firmly believe when it comes to the movie and the official novelization of the Monster’verse, I believe them both to be canon. With the book being more so off screen and inner dialogue moments that a movie can’t do.

So, it’s not the movie’s fault entirely for not giving the humans with short amount of time in the movie or having some plot holes that doesn’t make sense (blame WB for interfering to make the movie less than two hours), the novelization can fix it. Even if people aren’t going to read it.

Ghidorah's Entrance rescored with “The Prowler” by Daniel Pemberton from Spider-Man: Into the Spider-Verse.

Credit to The Toho Society on Twitter for the musicless scene.

*demonic elephant screeching intensifies*

Monarch Titan Profile: The Icon of Sin

Credit to Landry Miller on YouTube for the template.

Central Image Credit: Yare-Yare-Dong from DeviantArt.

Image Link: https://www.deviantart.com/yare-yare-dong/art/Icon-of-Sin-Armor-836639140

DOOM Eternal - The Icon of Sin’s Theme (The Dark One Suite)

The Icon of Sin. The Dark One, the Final Boss, and the Devourer of Worlds.