As I’m Sure Some May Have Noticed, Endeavor’s Got His Arc Going On, Where After Finally Realizing

not to get too fucking heated but the way even the narrative tries to make twice and his valuable relationships All About Hawks, the way it continues to emphasize how hawks had some positive feelings toward twice (and therefore that makes hawks complicated??), the way it keeps trying to sell the idea that these characters were significant to each other beyond how one manipulated and killed the other on behalf of law enforcement, and how every single hawks stan capitalizes off of this—

it annoys me so fucking much -_- i genuinely hate this character and i hate anyone who finds depth to this shit or acts like this is somehow makes good narrative use of twice.

He's always up to something, we just don't know what.

yr so right fr the tgchk/3rdwheel tsuyu thing...,.... 3rdwheel i think underrated dynamic HEARMEOUT. hear me out.

1ly i love me some drama espcially in my freakships.

2ly it can be very funny. recently read a fic where one girl is like "shes talkingshitaboutme. shes sooooooo talkingshitaboutme" and her friend is like "OoooKay" (psychologically revealing)

like yeah you are acting like a weird obsessive freak. ackshually. and its funny and i wuv it. yr friends dont want you to kiss but iiiiiiiii do

freakship exactlyyy i love togachako being completely abnormal abt each other and Tsuyu being caught in the crossfire

AND IK PPL HATE LOVE TRIANGLES but wouldn't it be so funny if Tsuyu did have a little girlcrush on Ochako at first but eventually she mostly got over it + assumed she's straight, only to find herself getting dragged along for thinly veiled dates between her best friend and the girl that tried to kill them 1000 times isn't that so silly

i think a lot of fic writers who are trying to stay in-character would benefit highly from figuring out some characters’ senses of humor and just… letting them be funny in different ways. ime i’m taken out of the story not during the serious and angsty moments, but most often when the writer inserts a line that they clearly think is funny but just reads so completely ooc for the specific character—polar opposite of the char’s usual word choice and humor, that it almost always immediately pings me as “something the author inserted because they personally think it’s funny.” more often than not i can probably tell when it’s actually the writer speaking, not the character, and it happens a looot with humor.

himiko give tomura a cinnamoroll,,,,

guys he miss his dog :((

love how they never developed shouto outside family trauma to the point only canon trait fanfic authors can given him on ao3 is cold soba

i remember when the bodysnatching happened and how hardly anyone else in the fandom (or what i saw of the fandom) seemed to find it as horrifying as i did. then the same thing happened again with the mind invasion. and yes the fact that the mind invasion happened at all and not even the story gave much of a fuck about the fact that it did is still one of biggest gripes with the finale

lol y’all remember when i drew this bitch like every damn day

Talking to your Villain: Deku vs. Shigaraki and Ochako vs. Toga

Questionable method but I typed up all the dialogue spoken out loud in each encounter, from the moment things really start picking up steam to the moment the Villain's heart gets saved. The Heroes are trying to get through to the Villain - how much effort do they put into trying to have a dialogue?

Green is Hero Speaking; Red is Villain Speaking.

Need you note that Deku's 4 lines of green - the longest line he speaks - in the middle of his battle is actually not directed at Shigaraki. He's talking to Nana about smashing Shigaraki's lid. But maybe Shigaraki heard him, idk.

I also took out Tsuyu's speech to Toga. That was a good chunk of 'Hero trying to talk to Villain', and also just a good attempt too from Tsuyu, but we're focusing Ochako and Toga.