So..I Was Listening To Ethel Cain {as Always} Specifically Strangers And May Or May Not Have Thought

So..I was listening to Ethel Cain {as always} specifically Strangers and may or may not have thought about this franchise again..whoops. Here's a complete list of Ethel Cain songs + lyrics that I feel reflect the franchise ++++ an analysis of each one ! πŸ«€ I'd also like to preface this by saying I understand the meanings behind each of these songs are not what is reflected in this analysis, this is simply just finding connections.

I might make this a series, who knows?

TW: SA / Rape, Strong Language, Self-Harm, Self-Mutilation, Gore, TCM-Canon-Typical Violence / Topics, Animal Abuse?, Hoyt being Hoyt {boo lame boo, I know}

So..I Was Listening To Ethel Cain {as Always} Specifically Strangers And May Or May Not Have Thought

Family Tree

"I'm just a child, but I'm not above violence My mama raised me better than that When the preacher talks, that man demands his silence And daddy said, "Shoot first, then run and don't look back"

So take me down to the river And bathe me clean Put me on the back of your white horse to ride All the way to the chapel, let you wash all over me"

-

"These crosses all over my body Remind me of who I used to be And Christ, forgive these bones I've been hiding Oh, and the bones I'm about to leave, yeah"

____

Right off the bat "I'm just a child but I'm not above violence" throws me right back to the introductory credits in TCM:TB 2006. Thomas' self-harm, killing and skinning animals, all the violence he was subjected to at a young age. He was young sure, but he was willing to be violent. Not necessarily to other people, but animals. Maybe he viewed himself an animal; Something to skin and use. Following that line "My mama raised me better than that." We know the relationship between Thomas and Hoyt, but we just barely scratch the surface of Thomas and Luda Mae's relationship. I'm sure Thomas was raised to fight back, especially considering Hoyt's background.

"When the preacher talks, that man demands his silence And daddy said, "Shoot first, then run and don't look back." This is just self-explanatory. Hoyt, in this case, is 'the preacher.' He's a man who provides and dictates his family {at least that's what he thinks.} He demands silence; The family listens to him without interruption. Now, this also applies to Luda Mae. She doesn't demand silence, but she is the one who 'preaches.' Whether it be religious ideals, scoldings, or general guidance to the family. The continuation of this line reminds me of what I previously discussed: Encouraging self-defense as well as dividing yourself socially from the opposing side. In this case, it's the 'city-slickers' Hoyt preaches about.

"So take me down to the river And bathe me clean Put me on the back of your white horse to ride All the way to the chapel, let you wash all over me"

"These crosses all over my body Remind me of who I used to be And Christ, forgive these bones I've been hiding Oh, and the bones I'm about to leave, yeah"

These lyrics are just so reminiscent of the first supper scene. That scene has always come across as the family killing off who they were. Consuming the final ounce of humanity within the town and fully transforming into the killers they portray in the 2003 film. I find this to be especially prominent during this segment:

"Thanks to the good sheriff here, we ain't gonna go hungry tonight. Matter of fact, we ain't never gonna starve again." Followed by "Charlie, say grace." It seems almost as if Luda Mae is encouraging Charlie / Hoyt to 'say grace' similarly to how Ethel writes "Christ forgive these bones I've been hiding - and the bones I'm about to leave." She's asking for forgiveness not only for herself and the remaining members of the family, but especially for Charlie. The 'bones' he's been hiding are the sadistic tendencies he gained over the war. The 'bones' he {and the family} are about to leave are the carcasses of the people they once were. The kind receptionist at the community center. The mechanic. The veteran farmer. The butcher.

____

Ptolemaea

"I followed you in and I was with you there I invited you in twice, I did You love blood too much But not like I do Not like I do

Heard you, saw you, felt you, gave you Need you, love you, love you, love you"

-

"You'd do well to say yes to me"

-

"Even the iron still fears the rot Hiding from something I cannot stop Walking on shadows, I can't lead him back, uh Buckled on the floor when night comes along Daddy's left and momma won't come home, oh, uh

You poor thing Sweet, mourning lamb There's nothing you can do It's already been done

What fear a man like you brings upon a woman like me (show me your face) Please, don't look at me I can see it in your eyes, he keeps looking at me Tell me, what have you done?

Stop, stop, stop, make it stop Stop, make it stop, make it stop I've had enough"

____

This song reminds me a lot of Hoyt {for obvious reasons which we will get into} but also Thomas. This specific set: "I followed you in and - I was with you there - I invited you in twice, I did - You love blood too much - But not like I do - Not like I do" reads to me as a subconscious urge of Thomas'. His urge to destroy and abuse. To tear into and become. It's almost as if the sadistic and animalistic side of him coaxes him. This could also apply to Hoyt; How hist trauma began to whisper urges into his ears. How the sadistic desire dripped into his mind, forming puddles until it flooded. The next segment: "Heard you, saw you, felt you, gave you Need you, love you, love you, love you" - "You'd do well to say yes to me" is SO reminiscent of Hoyt. It feels like him talking to a victim. ESPECIALLY when he was talking to Bailey. "Don't you think you're gonna go any place, huh? - I love you." And his moans just felt so..selfish. So primal and inhumane. It's so reflective of the constant 'I love you"s in Ptolemaea. Such a demonic and contradictory statement that festers within the background of the song. This song continues to reflect Hoyt within the lines: "Hiding from something I cannot stop - Walking on shadows, I can't lead him back, uh - Buckled on the floor when night comes along - Daddy's left and momma won't come home, oh, uh." Each victim may try to hide from the family, but their fate is inevitable. Hiding in the shadows whilst figuratively being in the shadow of the family. By this I mean, they will never be seen as human by the family. Never considering more than a meal and a puppet of pleasure by their captures. Their humanity consistently overshadowed by the family's primal hunger. "Buckled to the floor as night comes along - Daddy's left and momma won't come home" Essentially reads as being trapped in the rotten walls of the house. No one is there to help you, no one there to comfort you. It also describes the physical conditions: Being buckled to the table in the basement, hung on a meathook, tied to the chairs, wrapped to a bedpost, ect.

"You poor thing - Sweet, mourning lamb - There's nothing you can do - It's already been done." This segment just reminds me of Luda Mae, Kathy / The Tea Lady, and Henrietta. The three women of the household seem to be the only ones attempting to cover-up their malice with maternal reassurance and comfort. It's not like they care about the victims, at least not anymore. All they care about is the family. All they can trust is the family.

"What fear a man like you brings upon a woman like me (show me your face) - Please, don't look at me - I can see it in your eyes, he keeps looking at me - Tell me, what have you done?" You cannot TELL ME that listening to Ethel sing "Tell me, what have you done?" Doesn't slightly sound like "Tommy, what have you done?" It's at 3:32 in the song, please someone tell me they hear it too 😭. Anyway, this entire segment feels like an outside perspective of how terrified the victims {and people in general} are of Thomas. I'm sure even Luda Mae was terrified and just extremely worried when she found Thomas mutilating himself {which is where the "Tell me, what have you done?" and "Show me your face" comes in.}

"What fear a man like you brings upon a woman like me" Is also just, EXTREMELY reminiscent of Hoyt. Cmon now. As well as the repeated "Stop", "Make it stop", "I've had enough."

____

Gibson Girl

Speaking of Hoyt; Gibson Girl. That's it. That's the post. Nah I'm kidding but hear me out:

"Says he's in love with my body, that's why he's fucking it up And then he says to me

"Baby, if it feels good, then it can't be bad" Where I can be immoral in a stranger's lap And if you want it good, downright iconic Something they all want that only you can have

You wanna fuck me right now You wanna see me on my knees You wanna rip these clothes off And hurt me

And if you hate me Please don't tell me Just let the lights bleed All over me"

____

You COULD NOT convince me this song doesn't reflect Hoyt. ESPECIALLY "Says he's in love with my body, that's why he's fucking it up - Baby, if it feels good, then it can't be bad." Cmon now. He doesn't seem to want his female victims to be dead, but his behavior often results in extreme injury. Specifically gynecologic bleeding / tearing, bruising, cuts, ect. So he really is "fucking up" their bodies. {If you're experiencing sexual abuse of any kind, contact RAINN or the local authorities.}

____

Strangers

"I tried to be good, am I no good? Am I no good? Am I no good? With my memory restricted to a Polaroid in evidence (oh, oh)

I just wanted to be yours, can I be yours? Can I be yours? Just tell me I'm yours If I'm turning in your stomach and I'm making you feel sick (sick)"

____

Alright, let's just state the obvious: This is Thomas' subconscious. At least how I interpret it. He craves praise, he needs it. And I'm not taking about "you're so good to me; You did so good, ect." I mean reassuring him he's not just a destructive brute. Praising his strength, giving him patience and space when it's needed. Providing and acknowledging opportunities where he can do more than just butcher. Providing new ways to communicate whilst trying to understand his current communication skills. Reassuring him that he doesn't make you feel sick. Understanding that his hygiene is poor for a few reasons {I.E; Depression, exhaustion, fear of looking at himself, disgusts, ect.} and not shaming him but simply encouraging self-care. Praise his accomplishments, even small ones. Reassure him that he doesn't scare you; That his physical state isn't revolting. And especially that he's worthy of love, that he won't be abandoned; "Can I be yours - Just tell me I'm yours." This is the type of praise Thomas needs. Something that helps him grow as a person whilst fulfilling his needs. He needs specifics, and genuine interest in what he's doing. But remember, give him space :) We all need it. Getting into specifics within the lyrics:

"I tried to be good, am I no good? Am I no good? Am I no good? With my memory restricted to a Polaroid in evidence (oh, oh)"

This reminds me of when Thomas burnt and destroyed his childhood pictures. To his family, those are memories of him, his childhood, their time spent together. To Thomas, those are his childhood. The childhood that was full of ridicule, disgust, trauma. I doubt he wants to remember that; Hell, I don't remember some of the things that happened to me as a kid because they were traumatic and upsetting. The memories of pain aren't usually remembered by the perpetrator. The only recollection of Thomas' insulting memories are "restricted to a polaroid in evidence." The memories that made him doubt himself.

____

Inbred

I did my analysis on Inbred here :)

____

Onanist

Listen..I know this song is about masturbation; I just think some of the lyrics OUT OF CONTEXT could fit a narrative found in TCM. Hear me out PLEASE

"Witness to such agony but there, - before the grace of god go I - I want to know love - I want to know what it feels like"

"it feels good "

"it feels good"

"it feels good"

"it feels good"

____

Okay..this may seem way out in left field but this almost reads to me {In the context of TCM} like a semi-sexual experience for Thomas. LISTEN. Just hear me out. I know the masks are a way for Thomas to hide himself, to present as someone else; I just can't help but imagine how intense putting on his first human mask felt. I know it just looks like a normal day for him in the scene, but I just have this inkling that this felt so intense for Thomas. I've discussed Thomas' sexuality before in this post, just for extra details. Sometimes experiences that aren't inherently sexual feel sexual, y'know? Just this intense build-up that feels pleasurable once it climaxes. Thomas had finally found his craft. This feeling of intense accomplishment. Almost an 'a-hah' moment. It was the first time Thomas could fully take on the appearance of another person; Truly transform himself into an 'alternative mind' if you will. He's still him, obviously. I don't think he 'transitions' between persona's like Bubba Sawyer does, but I still think his masks are influenced by how he wants to navigate the moment. During such an intense moment of agony, Thomas found himself in the grotesque. His image stitched into the face of another. There was no longer an 'Eric', only Thomas. Eric was 'consumed' by Thomas, if you will. Both literally and figuratively {assuming the family ate Eric's body afterward.} Idk, I could be talking out my ass rn but for some reason I could imagine this being mentally stimulating in the same way sex is {for him.} Definitely a source of pleasure, maybe just a form of catharsis.

____

So..I Was Listening To Ethel Cain {as Always} Specifically Strangers And May Or May Not Have Thought

It feels good.

It feels good.

Does it not?πŸ«€{GOD THE WAY HIS BICEPS LOOK IN THIS RAFGHFHAH}

More Posts from Taeaura and Others

2 months ago

I've been thinking about this for a while because I haven't actually seen or read any Thomas Hewitt x reader fanfic where the main character is a meek/shy individual with an emotional nature. By that, I mean somebody who is timid, not self-assured, soft-spoken, gentle, pacifistic, and often afraid to speak up for himself/herself. Not to mention that if being mocked or bullied, will start to tear up a bit and become more secluded.

Every time I read about Y/n, they are always this Mary Sue like temple who still ends up with odd or disrespectful issues. Like there's too many of them. Get rid of them! Bring me something new! Because I have no idea what the Hewitt's would do with that sort of person. Especially if it was a female instead of a male. What would Thomas and the family do with such a person? In theory, it seems obvious, but I genuinely don't know.

Hi again! I broke this up into headcanons as well as a little one shot - Hope that's okay!

Below are other posts dealing with similar topics if you'd like to view those additionally:

Soft-spoken s/o | mauswyx

Slashers x Socially Anxious! Reader | tac-the-unseen

Thomas Hewitt x Meek/Emotional Reader

I've Been Thinking About This For A While Because I Haven't Actually Seen Or Read Any Thomas Hewitt X

This GIF felt fitting idk why god I wish that was me

_____

Thomas is a shy individual himself - Knowing this, I doubt he'd have an issue with any aspect of your nature. He'd actually be more protective of you than of someone who's much more..vocal about their displeasure.

Thomas doesn't mind the timidness, he's fully willing to be the 'strong' one in the relationship..he's kinda been forced into the roll within his family.

Charlie will tease you. A lot. He knows what gets on your nerves, how to pry under your skin - What makes you tick, cry, and breakdown; It's a favorite pastime of his, that is, when you're still a 'guest' captive.

He'll bring up traumatizing moments, taunting you with the possibility of 'ending up like the rest.' Hoyt pulls strings not even you knew were there:

"One word, and you'll end up splattered 'cross this damn wall."

{If you're fem-presenting} "Momma only likes you 'cause you're a girl, Once she see's how much of a harlot you are, she'll throw you right on out."

Once he's gotten used to you {or you've proved your 'worth'}, he'll switch things up a bit:

"Y'know, Tommy's got a real sensitive heart..you break it, s'not gone end well for any of us."

{Talking to a family member} "They're not too bad, huh? Small, quiet, always does as they're told, not too much of a hassle, now, are they?"

--

Thomas won't necessarily stand up for you, but he'll comfort you almost immediately

If you're ever in a particular mood, Thomas is pretty respectful of boundaries. If you need to be left alone, he's just fine with that. He might leave you a note and slide it under your door - Just a quick little "I love you" or something similar.

If you prefer direct comfort, he's fully willing to let you cry it out , or vent to him. He won't be able to respond much, but know he's processing it all. Depending on how comfortable the two of you are, he's willing to hold you/your hand, some pats on the back and such.

Any comfort you show him, he'll show back. For example; If you gently wipe/caress his face down after {or when} he cries, he'll do the same for you. Ask for what you want, and he'll do just that..most of the time πŸ«€

--

Thomas isn't a huge fan of confrontation - Anything confrontational outside of 'work', really. He knows his 'place' in the family, and isn't willing to push it {aka, argue with his family}. He won't argue for you, or get any family members to stop their pestering, but he will kill for you. Anytime a victim gets too close, he's got something sharp in his hands.

If they hurt you {or anyone in the family, really}, whether it be emotionally or physically, prepare for the goriest, most blood-caked basement you've ever encountered. He needs to take his anger out, and believe me, he will - Even with your pacifistic pleas.

--

Outside of his protective nature, your pacifistic and emotional nature tends to rub off on Thomas. He knows what he's doing, and how important it is to the family - But he gets moments of doubt at times, which are amplified around you.

Those people had lives..families just like his.

Meat.

Meat is all they are.

Don't fail the family, Thomas. They're {you} disposable, family isn't.

_____

Everyone was overwhelmed with the new..'livestock' that came in this afternoon. Although a small group, they fought hard. Hoyt had gotten his nose punched in just thirty minutes prior - It was all crooked and overflowed with blood dripping down his cupid's bow. Momma had gotten it taken care of - Thomas had helped 'realign' his nose best he could, whilst momma helped pack the bleeding. Hoyt would sure swell up and bruise within the next few days..if he hasn't already..

Instead of trying to rest, he bombarded you with insults - "What the fuck is wrong with you?! You didn't think to tell us one of them got out?" - "How fucking useless are you?!" He was really mad at you for that one..

Just like last time, you cried. Frantic, raw, disheveled cries. You fucked up...badly. The thought plagued you terribly, it ate away every ounce of assurance you had. I'm sorry..I'm so sorry, I'm so sorry..it rung through your mind, but your body was paralyzed as it knelt on the carpet; You wouldn't be speaking for quite some time..

It wouldn't matter anyway - Hoyt wasn't the type to hear it. You put the family in danger, that's all that mattered. It didn't matter if you were "sorry" or not - You threatened the Family. Who the hell do you think you are? After all we've given you? Food, shelter, safety, a place of purpose?

Ungrateful. That's what you are. A selfish, clumsy, inconsiderate ingrate.

You were shaking - Desperate to apologize, make it up to them. Your hands covered your face, leaving only small opening to peer through. The room was lit only by a small, vintage lamp in the corner, though that light suddenly blurred within darkness -

You felt your hands being pried from your face, though gently. It was Thomas - Wasn't much of a surprise, he was always the one to ground you.

He held eye contact with you as he lightly dusted away your tears with the backside of his index finger. He held your shaking hands tenderly, placing them at your knees. As he let go of your hands, he slowly raised his {hands} back to your face, tilting his head slightly as if to ask for permission -You continued to sniffle and gasp, providing a small, shaky nod in affirmation. Thomas benevolently grasped your cheeks, wiping tears as he did. You and Thomas had developed this wordless affirmation - a way to ground each other in times of need; He placed his forehead to yours. You often joked that you two 'looked like bugs' from the unconventional angle, and he'd chuckled best he could. He loved you. Truly, loved you.

The room was unusually silent - You looked beside you to see Luda Mae and Hoyt gone, only Uncle Monty facing the window as he read the news. Momma must've dragged Hoyt out...thankfully. You finally looked back at him, he really did look like a bug from this angle.., but he was the sweetest man. He left you a note earlier this morning, right after Charlie had yelled at you the night before:

Nothing's gonna hurt you, baby - I love you.

-Thomas

_____

I hope this isn't too bad - Love you guys thank you so much for the request πŸ«€


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2 months ago

I need to draw Thomas kneeling crying throwing up in despondency and desperation


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2 months ago

This is how I view Thomas' love life btw:

This Is How I View Thomas' Love Life Btw:

He invites you to dinner: πŸ₯°πŸ«€πŸ’

He invites you to dinner: πŸ˜₯😟 πŸͺ“


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2 months ago

Gonna make a sequel - Not sure when it'll be finished..hopefully this month πŸ˜‹

Gonna Make A Sequel - Not Sure When It'll Be Finished..hopefully This Month πŸ˜‹

You will be fed I promiseπŸ™

Serious question, because this might have changed the storyline of the tcm remakes. If Thomas ever had at least one friend, that ONE friend he managed to get from his upbringing. Possibly back from his childhood, too, let's just say that.

Would Thomas be possessive or a meek individual who would be desperate to keep them close. Like I'm talking about an extreme level of possessiveness that it would be considered sick. I think there's a word for that, I just don't know what it's called.

Because I can see Thomas becoming a stalker at one point and possibly following somebody close to him around if he needs to. Like a "threat" is close to his dear friend, and he's afraid that this person might take them away from him.

|Proprietorial|

GN!Reader x Thomas Hewitt πŸ«€

Serious Question, Because This Might Have Changed The Storyline Of The Tcm Remakes. If Thomas Ever Had

SUMMARY: You and Thomas have known each other since grade school. As the town of Fuller dies, so does your desire to stay. Feeling guilty, you decide to visit the Hewitts one last time..but Thomas gets possessive following your attempted departure..

_____

Thomas is and always has been desperate for connection. Genuine understanding - Not just acknowledgement. It's rare to be accepted when you're different - And it sure as hell doesn't get easier in a small, conservative town like Fuller. Luckily enough, he had found someone. Someone who didn't recoil in disgust - Someone who didn't laugh when he tried to speak. Someone his momma approved of.

That was back in grade school - Back when things in Fuller were "good." Though, were they ever really good?

When his momma told you about the slaughterhouse shutting down, you were nothing but empathetic. You even offered to help the family out with what little time and money you had. Luda Mae, being the prideful woman she was, declined your offer.

"Keep some for yourself, hun. Gotta do what it takes to survive out here...we'll figure out a way."

Everything got worse when you decided you couldn't stay.

--

One day, you stopped visiting Luda at the community center. No longer stopped by at the slaughterhouse to see Thomas. It was like you were never there.

You had to tell them you were leaving - It wouldn't be right to abandon them all on their own..especially not Thomas. So, you packed up a small basket and headed over to the Hewitt residence. That evening, when you'd knocked on the door, Monty answered.

"Whadd'ya want?"

"I'm here for Ms. Mae..Luda Mae; And Thomas - Are they home?"

He squinted his eyes and weakly scoffed before opening the door further, letting you walk through. He then directed you to the kitchen where Luda Mae was; She'd been preparing dinner just as you walked in.

Monty swiftly knocked on the doorframe, grabbing her attention. As she turned, she scoffed "Monty, for the last damn time, I-" She stopped. Her expression neutralized as she saw you.

"Oh, ____, there you are! Gosh, I haven't seen you in so long; Where've you been?" - "Tommy's been worried sick about you.."

There it was. You'd made Thomas worry..which is exactly why you dreaded coming over; You didn't want to be reminded of the guilty feeling festering inside your stomach.

"Is he alright?" You asked, and Luda nodded.

"Oh, he's just fine, dear. Why don't you go say hi? He's in that damn basement again.."

You agreed, but quickly remembered the basket you brought.

"What's that?" Asked Charlie, he had been watching from the opposing doorway..unbeknownst to you.

"Oh..gifts..for you."

"Me?"

"Well, the family, yes."

"That's so kind of you, dear. What for?" Asked Luda Mae, grabbing the basket from you and placing it on the kitchen table.

"Just..felt like bringing some joy to this dying town."

"That's very kind of ya - Now go see what Tommy's up to, he's missed you like crazy" Charlie said, unimpressed. He sniffled before taking a swig of his beer.

--

You'd known the Hewitt house's layout well; It's not like Thomas would invite you over after school some days...The basement was across from the front door, it'd be hard to miss unless the archway was blocked. As you approached the ominous door, you took back your hand from the handle. What if Thomas didn't want to see you? What if he'd grown resentful of you? You sighed, closed your eyes and went to open the door. To your surprise, a loud screeching sound interrupted you as the door opened seemingly by itself -Except, doors don't open by themselves.

Behind the doorway, a tall, familiarly built man stood before you. His half-mask..muzzle of sorts was tightly wrapped around his head, strangling his neck and chin. He must've heard you - or his family, talking.

"Hi Tommy; I'm so sorry, I know I've been absent - It's not you, I've just been so stressed and confused and-"

You were rambling. He never seemed to mind, especially when you called him "Tommy." He never liked when just anyone used that nickname, it was special. You were special - To him, at least.

"I need to talk to you about something." The way you said that caused him to tense a little. Talk about what? Was it his job? Did he disappoint you?

"Listen, Thomas" Oh no, you were being serious, weren't you? "I love you and your family so so much, and I'm so grateful to have known you for this long..but..I can't stay here."

..What?

"I can't afford to stay here any longer, Tommy. I don't know how you folks are staying - I..there's no jobs, no resources out here, no nothing. It's all gone! I can't live a life like that, how do you survive out here? I'd..I'd love to stay but it's not sustainable for me. I'm so sorry, Thomas."

You're leaving me. After all we've been through together, you're leaving. Just as uncle Charlie said you would..

"It's not anything you've done. I swear."

You can't leave. I won't leave you leave - I have nothing. I'll prove to you how good I am - How good I can be, I swear. You can live with us on this farm, just like momma always dreamed of. You're not leaving me; Not after you've met momma, not after the countless times you've saved me from callous assholes out here. No - I couldn't..

"Thomas?"

He had been so lost in thought that he forgot to respond. His expression had dropped immensely - He had been so excited to see you again but now all that excitement was gone.

He'd lost Charlie once. Came close to losing everything, everyone. He would never let that happen again. Especially not when it came to losing you.

"Thomas.."

He had to keep you. Keep you here; In the basement; In the barn; Maybe in a spare bedroom - His bedroom. It didn't matter. You could would not leave.

As he stared you down, you felt an emptiness surround you - A dark, restless entity caging you in. Just as you thought he'd lose it, a voice pierced through from the archway:

"Thomas? Thomas, what on God's green Earth are you doing?"

It was Luda Mae. You didn't know if she'd heard your "conversation" but you were glad enough that she'd come through.

"Now, Tommy, I know you're upset, but let's just..leave ____ to breathe a minute. Okay?"

You mumbled a meek "Thank you" before wiping an unknown tear from your cheek. You'd never seen him like that - Most definitely not with you.

As your anxiety curtailed, you made your way to the living room to sit, holding your head in your hands. You hadn't noticed Monty sitting in the armchair beside the couch; Hell, you hadn't noticed the TV playing either. It was playing some..random news station - One of the few you could get out here.

"So you're leaving us, huh?" He spoke in a rough, gravelly voice.

"You heard that?" You sniffled.

"With the way you were talking, the whole damn house heard." Shit..had you been loud? It didn't seem like it in the moment..

"Don't worry about Thomas, he's an emotional crybaby, ain't he?"

You refused to answer. Seeing Thomas so distressed, so..frightened by the idea of you leaving, it feed your already aggravated guilt. So many hours in his room, so many repetitive school days spent together, drawing in the back of the class. The days when you two used to spend hours at the creek, collecting all sorts of treasures. He even picked a wildflower-bouquet for you - Granted, it was all dirty and withered, but it was enough to signify how much he cared about you. How grateful he was to have you here.

You were stripped of your thoughts as you heard Monty grown and yawn, falling asleep in his chair. The TV had become background noise for the both of you. On the table, two glasses filled murky water and a note; Folded and slightly dirty. You wiped your eyes again and picked up the note, unfolding it.

Don't leave.

Please.

_____

Guys this is ass should I log off

Anyway, if I didn't cover everything you wanted, please let me know and I'll update it!

3 weeks ago

This isn't a request, but more of a cannon fact that people don't know about Hoyt (Charlie), and it's the fact that he cares about continuing on the legacy. The family linuage, so to say, this is backed up because of the comics. Hoyt does want love from a woman and a potential wife. The problem was that he didn't ever "find" the one. But that didn't stop him from assaulting women that he found to be beautiful or worth keeping alive for a bit longer, like he was chasing the high, consuming alcohol one after anathor so to say.

When it comes to Thomas, he didn't actually mind if if Thomas ever got a woman. He wanted Thomas to be the one to continue the linuage, but if he couldn't, then he would step up himself.

So it does iritate me a bit that fanfic authors tend to miss characterise him as this man who despises all outsiders. Yes, he is a cautious man when it comes to keeping the female victims, but he wouldn't immediately treat them harshly if Thomas ever found an interest in one of them.

ooo I really appreciate this !!!

Yes, he's cautious and kind of an ass for his own entertainment, but he's not against outsiders. Selective? Most likely - But that's just how he comes off to me.

I really hope I haven't mischaracterized him 😭


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3 months ago
He's A Midwestern Princess

He's a midwestern princess

rest in peace bubba sawyer you would’ve loved chappell roan


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2 months ago

now why the hell was Luda Mae cutting Bailey's hair...girl


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3 months ago
Octopus And Shrimp

Octopus and shrimp

2 months ago

mj lenderman sooo hot

thought this said slenderman for a second and i started to say girl i know it

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taeaura - TAE.Aura
TAE.Aura

°❀⋆.ೃ࿔*:ο½₯Piscean Creature β™“οΈŽ {She} ♅♆

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