What gets lost in the translation between feelings and language? I wonder how much of myself I can’t translate into words. I wonder how much of myself I don’t even know.
If I am the candle and you are the flame
Then you shall burn brighter while I cease to rein
Scorching, and burning
Yet you shine so bright
Yet here I am melting
While you light the night
Possibly Hot Take:
Wayne Family Adventures is the correct canon and as a person who was raised on Batman, it's what got me back into the fandom, period. I get that people enjoy their gritty Batman, who hates everyone and is awful to his family, but that's not Batman. That's not the original Batman. The original Batman is the one who had "old-school" goofy programs on TV, aka the original 1960s Batman TV Program. The one that had goofy sound effects, and life lessons (and occasionally some slight drama). The original Batman is Batman: The Animated Series from 1992, where Batman's story is pretty much laid bare from the start. These programs show that you can have drama, and trauma, and not compromise a character by making him the antithesis of everything he is said to stand for. That's the Original Batman. That Batman lost his parents. Tragically. Horrifically. And because of that, his sole purpose in life was to make sure No Child EVER went through what he went through again. Every episode, he would get angry, fight a villain, put them in jail, but he would never kill. People seem to remember this half of him pretty easily. But they forget the second half. When a child shows up, that anger disappears. Because he cares about children, especially his own.
This is shown repeatedly through both series, and in many comic strips that ran at the time. A great example is the episode See No Evil from Batman: The Animated Series. In it, a little girl is almost kidnapped by her father, who is an Invisible Man, and Batman has to take him down. This episode is made all the more traumatic by the fact that the Invisible Man actually nearly succeeds in kidnapping his daughter, with Batman only being able to stop him last second, after the little girl realizes what is happening and becomes terrified. This ending is where you see the difference in how he treats villains, civilians, and children. Because in one second he's focused on taking out the bad guy, and the next he's focused on making sure that little girl is okay. And the episode ends by Batman visiting her at the window every night, to make sure she's okay and prove to her that she's protected, since that was the window her father used to access her.
A couple other good examples of Batman as a hero/friend/father are the Justice League (TV Series) and Young Justice (TV Series). Does he mess up a lot? Yes. Does he lack trust in people he should trust? Yes. It's literally a running gag/plot of the shows that he has a contingency plan for everyone on the Justice League and this translates to Robin having one for everyone in Young Justice. But, when he messes up, does he fix it? Also yes. He also cares for the kids in Young Justice, and for the kids they interact with in the Justice League. This is shown time and time again. Especially in the bond he and Robin have. Throughout Batman: The Animated Series, Justice League (TV Series), and Young Justice, Batman and Robin have always cared about one another. They've gotten into spats, and they're angry at each other occasionally, but that's how families work. You aren't always going to agree. But throughout it all, Robin always looked up to Batman, and Batman was always proud of Robin (even when he couldn't show it).
Here's where the trauma comes in:
Batman is going to screw up as a parent. Every single parent does. Especially when you're as traumatized as he is, and all of your adopted children/family are also as traumatized as you are. It is inevitable. But what differentiates Original Batman from the Batman that made me quit reading anything about him for years is the response. Original Batman would try to make things right. Because he would recognize that what he did had caused harm, and not only that, it caused harm to his children (and family). And he would hate that. So he would do everything possible to fix it, including working on himself and doing better. The newer age, grittier Batman doesn't do that. Because he's missing the very core of what it means to be Batman: caring about his family and caring about kids. This is why I left the fandom. Because that grittier Batman, is not Batman. He lacks the key piece of what makes Batman the character that he is. And it replaces that piece with drama for the sake of drama. No resolutions, no trying to be better, just hurt for the sake of hurt, and angst for the sake of angst. And I detest that. You can have drama without compromising his character. Joker is a murderous man who's gone insane, with the sole intent of hurting Batman and Gotham as sadistically as possible. That's been true since the 1960s Batman show I mentioned earlier. He would, and does hurt the Bat Family on a regular basis. And there are so many villains that do the same. Batman doesn't need to become one of them to "make the story more interesting". It already is. In fact, I'd argue that him staying true to himself and working with his family throughout it creates much more interesting dynamics than gritty Batman ever could.
And that's where Wayne Family Adventures comes in:
When I first saw WFA, I wasn't going to give it a chance. Because I'd been so burned by Batman Comics before that I didn't believe this one was going to be any better. But something made me give it a chance. Maybe it was the art style, maybe it was the fact that it was on Webtoon, I don't know. But when I started reading it, I was pleasantly surprised. And I was even more surprised to find out that it is a Canon (yes it is Canon, not Fanon) DC Batman Comic. Many people disliked the first season because it started out majority-wise as "fluff". However, if you cared to read past the first few episodes, more and more backstory started to pop up. Along with this, the "fluff" all connected. Because that "fluff" was necessary to break free of the shackles that the Batman franchise has been in for decades now. And for the first time, it showed the Bat Family with the heart of the Original Batman. The more you read, the better it gets, because the more fleshed out their world becomes. And it draws very important Canon from other franchises in ways that don't make it feel cheap. It also proves something that I think has needed to be proven for a long time; You can have substance in a story without it being entirely grim. Not only can you have substance, you can have deeper substance. Because the connections everyone in the Bat Family has to each other allows us to explore issues in a way they haven't been before. Through communication.
Spoilers below:
We get to see Jason go through a very large PTSD episode. And it isn't just "All people with PTSD are violent". In fact, the only one who thinks he's a danger to the world is himself. Everybody else recognizes that he's hurting, and that representation is enormous. We get to see insights into everyone's pasts and how it's affected them. In Season 3 (which is a fully fledged/connected arc, not "fluff"), we get to see how PTSD affects Bruce, and because he's on good terms with his adopted family, we get to see how it affects him and Jason, both similarly and differently, at the same time. We also get to see how Jason's previous death impacted Bruce and how that plays into the Joker's plans and Bruce's reactions to everything. We get to see Dick step up as Nightwing again, and his and Barbara's trauma, involving parents, the Joker, and having to go against someone you should be able to trust. We actually get to see Duke. And how all of this has affected him. We see how his parents being (currently) permanently "infected" by the joker has absolutely broken him in ways he hasn't yet processed. And how he can overcome it, while also leaning on the support of his family. We see how Damien's world-view is affected due to being raised by assassins, and how he slowly comes out of his shell the longer the series goes. We get to see wonderful examples of how loved ones can help bring us out of a crisis and back into a headspace that can do something about the situation, because sometimes brute forcing it won't work. And we get to see what coming out of a toxic relationship looks like through Harley Quinn, and how just because you're a different (better) person now, that doesn't mean the person you were before is completely gone from the minds of those around you. Bruce was still afraid of Harley when he was dealing with his PTSD responses. Because Harley Quinn did help the Joker do some really bad things. And Harley recognized that and understood.
Season 3 isn't over yet, and it's already done all of that and more.
And because of that, this series has singlehandedly brought me back into the fandom. Because it made Batman feel like Batman again. And it recognized that trauma is more complex than just piling darkness on top of darkness over and over again.
I want more people to give it a chance because it's done something genuinely special that DC hasn't had in a long time. And I think it could get so many Batman fans back on board who've been missing this version of Batman for decades, because it shows so well what Batman was always about. I also want newer Batman (grittier Batman) fans to give it a fair chance, because it has far more substance than many people will ever even care to look for. And that substance can do so much for people who empathize with characters like Jason, Bruce, Damien, Duke, etc.. As well as bring awareness about these topics to people who may not know anything about them, or only know a stigmatized version of these topics, especially PTSD.
"There's no hope for the future." And that's how they felt during the Atomic Age, during the World Wars, during the Enlightenment Revolutions, during thr plagues, during the Viking raids, during the fall of Rome.
Yet, we persisted.
I love them,,,
Kate Baer, from And Yet: Poems; “Idea”
[Text ID: “I will enjoy this life. I will open it like a peach in season, suck the juice from every finger, run my tongue over my chin. I will not worry about clichés or uninvited guests peering in my windows. I will love and be loved. Save and be saved a thousand times. I will let the want into my body, bless the heat under my skin. My life, I will not waste it. I will enjoy this life.”]
Late nights and Would you rathers
Does gen as a ao3 tag not mean 'there are no ships here'? I keep seeing ships under the gen tag, wondering if my understanding is off. Are there other tags that would be more appropriate for fics without slashes?
i do love the idea of the Justice League finding out Batman’s identity and the fact that he’s actually just a tired vigilante dad and immediately discrediting his spooky-scary-intimidating reputation, and Bruce just being devastated about it. he worked so hard on that reputation, on that respect, and it’s all down the drain just like that. nobody flinches away from his glare anymore, because they’ve seen him glare at Red Hood and get a spoonful of mashed potato flung into his face for the effort. nobody cares about his threats anymore, because he tried to threaten Red Robin to go home and rest one time and Tim just giggled at him deliriously before mocking his tone and stealing his coffee. they’ve seen him pick a splinter out of a whining Nightwing’s finger mid-meeting. Damian once called him a condomless harlot to his face when he told him not to bring his swords onto the watchtower. he’s lost control.
he decides he wants the fear factor back and in all his brilliant genius, he decides the best way to go about that is to invite the league round for a fancy dinner party, specifically so he can use all his ‘brucie wayne’ acting skills to channel the essence of every creepy-rich-guy-in-haunted-manor movie he has ever seen in his life. it is the only time his kids have been fully onboard and willing to contribute to one of his plans without any complaints. they almost seemed more eager to pull it off than he was.
they spend the entire day making the manor look old and slightly abandoned, much to Alfred’s displeasure, and ensure that the only lighting is a fuck ton of candles, just enough to light the halls while leaving the corners and edges shadowy and ominous. Damian is allowed to have some of his more ‘skittery’ pets roam the manor freely for the night, causing occasional scritches and scratches to come from the ceilings. all of the kids dress in their best funeral attire, apart from Jason who gleefully pulls on an old white shirt stained with blood from when Tim crashed through his window with a stab wound, requesting a medkit.
when the league arrive they’re greeted by all the kids lined up on the staircase, staring at them blankly and ominously, while Bruce gives them all a large grin and ushers them into the creepy looking dining room. the league are somewhat nervous.
during the dinner the kids act completely different than the league have seen them in-mask. polite, cordial, and refusing to show an ounce of emotion. they pick at their food and only speak in vague sentences that refer to various horrific events of their past. Bruce has never been prouder.
the first close call they have to breaking character is when Bruce presents a bottle of red wine without any kind of label. as he pours a slightly disturbed Diana a glass, she asks where he got it from. Bruce happily gestures to Jason as says ‘my second eldest procured it especially for you, earlier today.’
Diana looks across the table at where Jason is grinning eerily at her by candlelight, still visibly stained with blood, eyes glowing slightly green. she pales, and Tim knows he can’t watch her shakily lift the glass to her lips without bursting out laughing. he refuses to be the one who fucks up first, so he dramatically stands up and declares he must ‘go feed the experiments’ before storming out the room. ‘the experiments’ are in reference to the pen of rabbits outside that glow in the dark because Damian rescued them from a testing facility, but given the environmental context it sounds much more sinister.
Jason joins him by the pen to also start wheeze-crying in private about 20 minutes later, because apparently after Oliver Queen had finished with his bbq rib, Damian had leaned over and without blinking stared into his eyes to blankly state ‘i would love to feed your bones to my animal friends, if you don’t need them anymore.’ and from the other end of the table Jason had snorted wine up his nose from how hard he was trying not to break.
amazingly, they never break character, although it came pretty close when after hearing another skitter from somewhere above, Stephanie climbed up from the table into the crystal chandelier and deftly returned to present the table with a large tarantula cradled in her hands, to which Damian stood up and declared, ‘ah, dessert! i will help pennyworth prepare it.’ before taking the animal and leaving to put his beloved spider back in it’s enclosure. the league genuinely seemed to be under the impression they were about to be served a tarantula-based desert, and upon seeing their faces at this realisation Dick had to pretend he’d dropped a fork on the ground so he could duck by Bruce’s chair and stuff a napkin in his mouth while he got his laughter under control. Bruce pats his shaking son’s back below the table cloth, determinedly staring at their guests with that same creepy-grin he’d kept up the entire night.
every member of the league makes their excuses to leave early, much to Bruce’s exaggerated disappointment. the second the last of them is out the door Alfred turns to face the family and says ‘mission accomplished. now get this manor back to it’s proper state.’ and they have the spend the rest of the night cleaning.
totally worth it, in Bruce’s mind. none of the JL will look him in the eye for weeks afterwards, and it was honestly the most successful attempt at family bonding they’d ever had. he wonders if they should make it a monthly thing. It’s also how they find out Damian’s a fucking theatre kid with a gift for the arts which is another revelation in of itself