The Last Voyage Of The Demeter (also Known As Dracula: Voyage Of The Demeter) By André Øvredal.

Fun Fact:

Did you know that if you grew up in Ireland, you were at risk of being kidnapped by faeries?

In Irish legend, a parent's greatest fear was that their child would get abducted and replaced with a look-alike called a "changeling" (also known as an "auf", "oaf" or "swapling") and there were a few ways for them to tell when this happened. Because in the beginning, the changeling looked very similar to their child, but over time, they would develop undeniable physical differences. Sometimes that meant looking sickly and not growing to a normal size, their teeth could turn long and pointy, and occasionally they'd grow a beard at a remarkably young age. According to folklorists, oftentimes when a parent realized their child had been swapped, they would kill the imposter, leading to awkward conversations with significant others on the occasions that they suspected wrong.

But what happened to the kids who were spirited away? It depends on the legend, but sometimes they were delivered to the devil himself, forced to become servants to the faeries, they could be eaten by faeries or even lovingly raised by them.

Keep an eye on your baby...if that really is your baby...

Some of my favorite Ghost Stories on film.

1) Casper

2) Personal Shopper

3) The Innocents (1961)

4) The Uninvited (1944)

5) Ringu (リング, "Ring")

6) The Haunting (1963)

7) The Stone Tape

8 ) The Shining (1980)

9) The Others (Spanish: Los otros)

10) The Sixth Sense

11) Kuroneko (藪の中の黒猫, "A Black Cat in a Bamboo Grove"; or simply "The Black Cat")

12) The Woman in Black (1989)

13) Any episode of BBC's A Ghost Story for Christmas

14) Kwaidan (怪談, "Ghost Stories")

15) David Lowery's A Ghost Story (Masterpiece.)

16) The Changeling

17) Hasta el viento tiene miedo (known in English as "Even the Wind is Afraid" and "The Wind of Fear")

18) Stir Of Echoes

Fun Fact:

As much as I admire the legends of merfolk and swan maidens, we ought to give some spotlight to the selkies.

Selkie folk, also known as "seal folk", come from Norse and Celtic folklore. They're what's known as "therianthropes", meaning they can transform from human to animal at will. In the case of the selkie, this is done by shedding their seal skin. When in their human form, selkies are super attractive. Both males and females have humans chasing after them, if they're lucky enough to see them naked on the beach.

The stories about male selkies are pretty hilarious and usually entail them being the object of desire for bored housewives (they were essentially medieval pool boys), but the female selkies always had it rougher. Men would steal their seal skin so they couldn't change back to their natural form, then coerce them into marriage. And what's really tragic is that even if the selkie does marry the thief, falls in love with him and has his children, the moment that she rediscovers her hidden selkie skin, she abandons her family and makes her escape back to the ocean, because that is where she's truly meant to be.

Christmas Album!

Fun Fact:

God of War's Grýla was based on a real giantess from Norse mythology.

In myth, she's not actually related to Angerboda at all, but the game got a lot of other things right. Like how she's enormous, absolutely disgusting and she did still have a cauldron you didn't want to end up in. Sagas from 13th century Iceland describe Grýla as a parasitic beggar woman who wanders around town, asking peasant farmers to give her their disobedient children. The parents could easily turn her away, but if their kid had been a real tachrán lately, they might just give him/her up. When Grýla was given a child, she'd throw them in a sack attached to one of her 15 tails, then take them home, toss them in the cauldron and get a stew going. Legend says that the naughtier the kid, the better the stew tasted and that she never ever had a shortage of food.

In God of War, she's not exactly nice to Angerboda, but she's never so horrible as to try and eat her. Instead, she uses her cauldron to harvest the souls of animals she traps around Jotunheim.

Compared to her mythology, her God of War counterpart is actually kind of nice...

Paprika (パプリカ) by Satoshi Kon.

Based on the 1993 novel of the same name by Japanese author Yasutaka Tsutsui.

At once playful and nightmarish. Incredibly prophetic. Prefigures our modern virtual world.

A feast for the eyes.

The Invisible Man (1933) by James Whale.

Based on H.G. Wells' 1897 novel, "The Invisible Man: A Grotesque Romance."

James Whale at, perhaps, his most Whale-ish. Unyielding, cutting and misanthropic. A funny, creepy, and brisk story of madness.

Definitely one of Universal's creepiest monsters.

Tokyo Godfathers (東京ゴッドファーザーズ) by Satoshi Kon.

A masterwork by the late storytelling master, Satoshi Kon.

For those who don't know, Satoshi Kon is the same director who worked on films like Paprika, Perfect Blue, and the mystery/psychological thriller/supernatural anime masterpiece Paranoia Agent. Unfortunately, on August 24, 2010, we lost this creative mind to terminal pancreatic cancer. If you ask me, we're probably never gonna get anything close to the creepy works this guy managed to craft ever again.

Tokyo Godfathers is a really good example of a tragicomedy, and it is one of the most disturbing Christmas films you'll ever encounter (without relying on pure shock value) solely because of the subject matter. While animated, it really focuses on making the setting as realistic and as gritty as a wacky story like this can be, leading to this unsettling, off tone in a familiar, yet urban setting that really made me feel uncomfortable. What makes this movie disturbing is how realistically the developed characters and setting are. These are just average, everyday people - the kind you may have encountered or known in real life - dealing with a stressful/unfortunate situation, while also dealing with the preconceived notions about who they are from the people around them and each other. There are fantastical elements to this movie, to be sure. But I'd say that the grounded nature and focus on mental health and identity are just downright heartbreaking and genuinely hard for me to watch.

Ultimately, it doesn't matter what background you come from, what horrible thing has happened in the past or what society says about who you are. The things that make us truly human is the empathy we can have for one another. This isn't your traditional Christmas film, but it's most certainly one of the best I've ever seen. It's not only disturbing, heartwarming and more than earned the right to be labelled as a modern classic, I think it's one of Satoshi Kon's greatest projects that he's ever worked on. To me, this film exemplifies his filmography the best and shows how an artist really can create something that is stunning, beautiful and eerie all at the same time. He has a perfect filmography. Let us never forget.

The biggest mistake is that anime, in general, is often misunderstood. It has created timeless adult masterpieces.

Favorite Tim Burton movies:

Batman (1989)

Beetlejuice

Edward Scissorhands

Ed Wood

Mars Attacks

Batman Returns

(Contrary to popular opinion) Alice in Wonderland

I agree with Miyazaki.