My Sweet Angel

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the writing style of the hunger games is addictive and that’s a huge part of the appeal of the novels that didn’t get translated to the screen. i always think about the stephanie meyer (lol) quote on the hunger games book where she says “i couldn’t put this book down i had to take it out to dinner and keep reading it” and i mean, so true bestie stephanie, but here’s why.

it’s because every chapter ends in a cliffhanger. and i’m not kidding when i say that it is so flawlessly paced that you can’t put it down, but those beats are so crucial to why the book is so amazing to read. think of the end of the literal first chapter of the book: “it’s primrose everdeen.” that is a BOMB that she drops in that first chapter, and after the introduction, you as the reader are as blown away as katniss. so, you can’t help but turn the page and keep reading!! because you HAVE to know what happens next. and how does the second chapter end? like this: “of course, the odds have not been very dependable of late.” you, the reader, are instantly thinking, oh my god, what is going to happen? are the odds going to be in her favor? is she going to have to kill peeta? you HAVE to know. so you turn the page.

the reason this works so well is because suzanne collins wrote for television and you can tell. it is my personal belief that thg should have been adapted for television and not into films, because missing those beats, even just the white space of the page, i think fundamentally warps the pacing and the structure of the novels. i know i go on and on and on about the “because she came here with me” and “if it weren’t for the baby” lines but seriously this is why peeta is a media genius, it’s because suzanne COLLINS is a media genius. can you imagine watching that on television and the screen just cuts to black and goes to commercial or the episode ends and you have to wait to see what happens next?? it’s GENIUS

furthermore, the hunger games series as a whole is divided into a trilogy, but within that, divided into three sections each. and each section ends with an even bigger cliffhanger than the last. i see these, in the world of television, as mini season breaks within the larger three “seasons” of the show (that being the whole trilogy). here are the first three endings of all the sections. imagine you’re watching this on television and these lines drop, and then you have to wait several more weeks for the next installment. you would be climbing the walls for it. part 1 (the tributes): “peeta blushes beet red and stammers out. “because. because. she came here with me.” part 2 (the games): “before i can stop myself, i call out peeta’s name.” part 3 (the victor) (the end of the book): “i take his hand, holding on tightly, preparing for the cameras, and dreading the moment when i will finally have to let go.” those are ALL cliffhangers and make it impossible to stop reading.

(also, we can talk about the fact that all three of those beats are focused on peeta, the one who seems to most intrinsically understand dramatic timing and using his words to create a narrative.)

anyway that is why it is my personal and impassioned belief that the hunger games should have been adapted for television rather than film, because it would have been far more in keeping with the spirit, tone, and pacing of the novels to adapt it into a serialized form rather than a 2 hour film. 

She didn’t know if Cassian really understood, but he said, “Welcome home,” and she knew she was.

i have so many hobbies and interests but each day the four horsemen (instant gratification, shortened attention span, procrastination, exhaustion) grab me by the throat and shake me until i collapse in my comfy bed

JOSH O'CONNOR & MIKE FAIST Challengers (2024)

“How lucky we all are to have known her, and how awful that we have to say goodbye.” - Daisy Ridley

ever since i was a little girl i’ve been awkward and embarrassing

the realization this brought me made me cry actual tears.. [not mine]

Somehow she found herself closer to Cassian than before, her breathing matched his, or his matched hers, deep and steady.

OBI-WAN KENOBI | 1.01 “Part I”